Galerie Maxime Flatry

Galerie Maxime Flatry Galerie Maxime Flatry is dedicated to 20th-century Art and Design and presents an exclusive selectio

Beyond the celebrated figures of French Art Deco, the gallery has always been drawn to singular objects from the same pe...
25/06/2026

Beyond the celebrated figures of French Art Deco, the gallery has always been drawn to singular objects from the same period, selected for their rarity and the quality of their ex*****on.

Such is the case with this important and sculptural Africanist floor lamp, crafted in a graphic marquetry of rosewood and Macassar ebony and featuring a square parchment shade, circa 1925.

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Jacques-Émile Ruhlmann (1879-1933)‘Lassalle’ dressing table-psyche in amaranth wood and shagreen, with bronze mounts, ci...
18/06/2026

Jacques-Émile Ruhlmann (1879-1933)

‘Lassalle’ dressing table-psyche in amaranth wood and shagreen, with bronze mounts, circa 1925

Created at the height of the designer’s career, this exceptional ‘coiffeuse’ distills his singular approach to modernity: one defined by the purity of line, the exactness of proportion and an uncompromising approach to ex*****on.

From an important private collection, it is also the only known eight-drawer example of the model.

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By Jean Dunand (1877-1942), a significant patinated black dinanderie vase with a gilded frieze detail, circa 1913. Signe...
28/04/2026

By Jean Dunand (1877-1942), a significant patinated black dinanderie vase with a gilded frieze detail, circa 1913.

Signed ‘JEAN DUNAND’ and numbered ‘4502’ under


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On the occasion of Eyre de Lanux’s birthday today, we look back at a defining moment of her practice.An American artist ...
20/03/2026

On the occasion of Eyre de Lanux’s birthday today, we look back at a defining moment of her practice.

An American artist at the heart of the Parisian avant-garde, de Lanux (1894–1996) developed a singular language at the crossroads of early modernism and Art Deco. In the late 1920s, her collaboration with the British weaver Evelyn Wyld gave rise to some of the most striking textile works of the period.

At a time when zebra skins had become emblems of modern luxury interiors, notably in projects by Eileen Gray, Eyre de Lanux reinterpreted this motif through a more abstract and conceptual perspective. Her designs were then handwoven by Wyld, whose mastery of traditional techniques -refined through her travels in North Africa- translated these compositions into tactile, deeply material works.

The resulting “Zèbre” rugs -of which the gallery is proud to hold two examples in its collection- stand as a synthesis of their two practices: at once graphic and sensuous, rooted in craft yet aligned with the most progressive decorative language of their time.

On the last slide, Francis Picabia, a close friend of Eyre de Lanux and a key figure of the Surrealist movement, poses beside a Zèbre rug in a portrait that reveals the closeness between the two artists and how Eyre de Lanux’s work engaged with the language of Surrealism.

For André Groult, an all-time favourite of the gallery, furniture was never merely functional. Often imbued with humour ...
26/02/2026

For André Groult, an all-time favourite of the gallery, furniture was never merely functional. Often imbued with humour and a sense of secrecy, his pieces invite intimacy. This jewel-like box is a perfect expression of that sensibility. The same model was notably present in Jacques Doucet’s residence.

André Groult (1884–1966)
Secret box or jewelry box in lemonwood, with a top in smoky-toned shagreen, circa 1920

Celebrating Jacques Doucet (1853-1929), born on this day.A couturier, collector, and patron, Jacques Doucet played above...
19/02/2026

Celebrating Jacques Doucet (1853-1929), born on this day.

A couturier, collector, and patron, Jacques Doucet played above all a foundational role in shaping both the emergence and later rediscovery of Art Deco. After having collected the decorative arts of previous centuries, his stroke of genius came in 1912, when he redirected his attention toward the decorative arts of his own time, becoming one of the first to recognize and support a new generation of designers while commissioning pieces from them.

His last residence at 33 rue Saint-James in Neuilly-sur-Seine (as seen in the pictures), stands as perhaps the most complete expression of his vision, conceived as a total work of art in which architecture, by Paul Ruaud, and interiors furnished by Pierre Legrain, Eileen Gray, Marcel Coard, formed a unified environment dedicated to the most advanced decorative creation of his era.

Doucet’s role would prove equally decisive in the movement’s later historiography. The landmark auction of his collection in 1972 revealed the full significance of these works, bringing them back into public consciousness and establishing Art Deco as a major field of collecting, effectively passing the torch to a new generation of collectors such as Yves Saint Laurent. This moment of rediscovery transformed objects once considered marginal into icons of modern design, elevating Doucet as both its earliest champion and its most decisive precursor.

Portrait of Jacques Doucet by Man Ray, 1926. ©️ Man Ray Trust / Adagp, Paris

Maurice Dufrène (1876–1955) was a central figure in early 20th‑century French decorative arts, whose work articulated th...
22/01/2026

Maurice Dufrène (1876–1955) was a central figure in early 20th‑century French decorative arts, whose work articulated the transition from Art Nouveau’s organic richness to the poised modernity of Art Deco.

This important pair of bergères - in carved and ebonized wood, upholstered in dark chocolate cotton velvet, circa 1919 - is a perfect expression of that moment of tension that defined Dufrène’s oeuvre.

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Jacques-Émile Ruhlmann (1879–1933)Important ‘Lambiotte’ occasional table in elm burl, sapele and ivorine, circa 1933.A q...
14/01/2026

Jacques-Émile Ruhlmann (1879–1933)

Important ‘Lambiotte’ occasional table in elm burl, sapele and ivorine, circa 1933.

A quintessential Ruhlmann creation, with its balance between the rigour of line and the sensuality of precious materials.

From a private French collection, thence by descent.

Dear friends,Wishing you all the very best for 2026.The gallery has reopened today, and I look forward to welcoming you ...
06/01/2026

Dear friends,

Wishing you all the very best for 2026.

The gallery has reopened today, and I look forward to welcoming you again in our space for a year filled with new encounters around Art Deco, through upcoming fairs, exhibitions, and special projects.

Warmest,
Maxime

Pictured here: An important Jean Dunand dinanderie coupe on a pedestal, with a stylised silver floral pattern, circa 1920


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Dear friends,Wishing you all a happy holiday season.The gallery will be closed for the holidays and will reopen on Tuesd...
19/12/2025

Dear friends,
Wishing you all a happy holiday season.
The gallery will be closed for the holidays and will reopen on Tuesday, January 6th, 2026.
I look forward to welcoming you again soon at our space.
Warmest,
Maxime

Pictured here: a set of three embroidered pillows in silk and metal thread, depicting a Cubist composition by Marcel-Louis Baugniet, circa 1925

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