02/10/2026
Opening today at 119 Marvila Studios, Lisbon, where “El eco y la sombra”, a new site-specific installation by Los Bravú, Dea Gómez and Diego Omil, will remain on view through November 27.
Conceived specifically for the space as part of Mostra Espanha 2026, the project brings together neon, video and painting to explore movement, rhythm and the emotions that emerge through their representation.
Curated by Íñigo Rodríguez, the installation draws on the visual language of comics, references from art history and the tradition of the Galician popular festival, creating an immersive environment where image, memory and collective ritual intersect.
“El eco y la sombra” is presented within Mostra Espanha 2026, the Spanish cultural biennial in Portugal, organised by the Spanish Ministry of Culture in collaboration with the Embassy of Spain in Portugal, with the support of Acción Cultural Española (AC/E) and the Instituto Cervantes de Lisboa. The project is coordinated by Boom Cultura Iberoamericana (BCI) and hosted by 119 Marvila Studios.
◉ El eco y la sombra | Los Bravú
Mostra Espanha 2026
📍 119 Marvila Studios (Rua de Marvila 119, Lisbon)
October 2 – November 27, 2026
“Elusive phenomena that attest to the existence of the material, echo and shadow point to the tension between what we are and what we project. From this ambiguity, El eco y la sombra explores the aesthetic possibilities of movement and the emotions that emerge through its representation.
Conceived as an inhabitable space, Los Bravú’s site-specific installation brings together architecture, neon, video and painting, transforming movement into an experience. An intertwined couple first appears in a blue blown-glass neon work and then in a video in which two figures turn in an ambiguous loop, suspended between dance and struggle.
Movement continues across two monumental comic-book pages that reinterpret the Galician popular festival. Collective dance and intimate gestures articulate different physical and emotional rhythms, in dialogue with Aby Warburg’s Pathosformeln and with the capacity of images to travel, survive and acquire new meanings throughout history.
Blue and line dominate the installat