Sound Art Lab

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Sound Art Lab

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Sound Art Lab is an environment for artistic development and production in sound located in Struer DK

Sound Art Lab is still in its early development, and users are more than welcome to provide advise and help in forming the facilities and the identity of Sound Art LAb.

08/10/2026

The Sounds of the Future Residency is once again open for applications!

Artists based in Denmark — or with a strong connection to the Danish sound art community — are invited to apply for a three-week residency at Sound Art Lab in Struer.

The residency includes a DKK 30,000 work grant, a private atelier, access to professional sound studios and equipment, workshop facilities, accommodation, and more.

Application deadline: 6 November 2026 at 23:59

⚠️ Please note: due to Koda’s transition to a new application system, the application portal will be unavailable from 17 October to 1 November 2026. We recommend submitting your application either before or after this period.

More information and application details can be found via the Linktree in our bio ☝️

The residency is made possible in collaboration with SPOR festival, Sound Art Lab, Dansk Komponistforening and Koda

29/09/2026

A couple of weeks ago, we had the pleasure of hosting SATELLITE SYNTHESIZER here at Sound Art Lab – a pioneering Danish invention that creates sound in outer space, 36,000 km above Earth. 🛰️📡🌍

The concert was created by Danish musician and artistic director Snöleoparden (Jonas Stampe) together with technical manager, art project technician and designer Kim Borch, joined by Javanese artist Mugiyono Kasido.

During the concert, they explored the possibilities of creating sound through satellites connected in loops, allowing resonances to emerge across the vast distances between space and Earth. The signals travel back and forth, creating new tones and turning the silence of space into a musical dialogue.

At the end of the concert, they invited participants from 89 school to join in and play their own music into space together with the satellites, experiencing how their sounds returned to Earth transformed by the journey.

This was such a special and intimate concert, exploring how sound can be created through a gigantic feedback system via satellites in outer space. We’re happy to have been part of it! 🙏

This was a truly special and intimate experience, creating a unique encounter between sound, technology and outer space. We’re so happy to have been part of it!

07/09/2026

You are warmly invited to Sound Art Meet-up #3 — an online gathering with short artist presentations and time for conversation. This time with Nino Dava, Meta Golova (Lena Kilina and Carlos Issa), and Jody Servon.

15 September
14:00 CEST
Online
link: https://teams.microsoft.com/meet/372569694404927?p=8Ld8hNIE0VkawCAkmF

More info on our website soundartlab.org

01/09/2026

Snöleoparden
SATELLITE SYNTHESIZER Concert in outer space

September 9 2026, 19:00
Sound Art Lab, Peter Bangs Vej 17b, 7600 Struer
The event is free and everyone is welcome!

SATELLITE SYNTHESIZER is a pioneering Danish invention that does something no one else has done before: to create sound in outer space outside the earth’s atmosphere.

Satellites at an altitude of 36,000 km are placed in loop connections between each other until resonances occur. The silence in space slowly turns into standing waves determined by the gigantic distances between the satellites and receivers on Earth.

For the concert at Sound Art Lab, the Snöleoparden will be joined by participants in 89 Sound Art School, who will have the opportunity to play their music into space together with the satellites. The sound comes back after a journey and comes back to the stage changed. As a musical dialogue with outer space – a very special and intimate way to experience these artists.

TECHNICAL INFORMATION The systems used are geo-stationary satellites for approx. 36,000 km altitude and low orbit systems for approx. 700 km’s altitude.
 Several systems are connected simultaneously and run through a specially designed patching system. The new tones are created by resonances between the signals’ journey in space – a feedback chain of over 200,000 km.

THE TEAM BEHIND Artistic director: Snöleoparden (Jonas Stampe), Danish musician. Technical manager: Kim Borch, Danish art project technician and designer.

16/06/2026

Join us Wednesday June 24 at 19:00 for an evening with artist duo Uraño 🔥

Uraño (Søren Høi, amplified drums, and Jonatan Uranes, electric bass) are currently in a three-week residency here at Sound Art Lab as part of the Sounds of the Future Residency.

During their stay, they explore noise, feedback, repetition, and tonal structures through self-built systems and electronics, creating evolving and unpredictable soundscapes.

At this presentation, they will demonstrate their work and share insights from their residency.

Free entry and everyone is welcome 🤠

Find more info via Linktree in bio 👆

The Sounds of the Future Residency is a collaboration between
SPOR festival | Sound Art Lab | Dansk Komponistforening | Koda

07/06/2026

You are warmly invited to Sound Art Meet-up #2 — an online gathering with short artist presentations and time for conversation. This time with Anne Stoner, Benjamin Meamo III, AIRE Collective.

Anne Stoner will present about her exhibition that was up from April 10th-May 22nd entitled “Infrastructure Bodies/Injury Systems.” The exhibition and project collected CCTV footage from American Midwest cities of protests and ICE agents, and data-sonified the movement of these bodies into synthesized sound and vocal keyboard. She would also like to ask for feedback on two very early stage projects: An edited book entitled “Sound at the End of the World,” and an upcoming 32-channel multichannel work for a Connecticut forest.

Benjamin Meamo III wishes to share his contribution in the Almanac focusing on his extended/expanded work on the soundscapes of Public Utility Jeepneys (PUJs) Baguio given that jeeps are under imminent danger posed by the Jeepney Phaseout - Modernization Scheme of the Philippine Government, as well as the economic hardships caused by Oil Deregulation Law (1998) vis-a-vis the oil price hike (US-Iran war 2026)

AIRE Collective (Yasya Minenkova, Yanis Proshkinas, and Denis Bykovskiy) will present “Post-Covid Blues: Coughscape” (2025), a site-responsive sound intervention developed at the Ūmėdė Festival in Vilnius from the dialogical essay “Post-Covid blues” by Yasya Minenkova and Yanis Proshkinas. A dispersed speaker array emitting cough sounds formed a “coughscape,” inviting close listening and attentiveness to the presence of the Other. The work reflects on how the pandemic recoded bodily sounds into biopolitical markers, prompting audiences to register their own affective responses — distance, vigilance, and responsiveness.

9 June 2026
14:00 CEST
Online
link: https://teams.microsoft.com/meet/372569694404927?p=8Ld8hNIE0VkawCAkmF

15/05/2026

Join us for Sound Art Meet-up #1 with Marie Yevkiné Tirard, Choi Boryeon, and Luiz Henrique Otto de Santana Filho — an online gathering with short artist presentations and time for conversation. The artists will share insights into their practices and current research.

Marie Yevkiné Tirard will present “Poems and Lullabies of the Post-Nostalgic.” She transforms the poems of her Armenian ancestor, Yevkiné Diarian, into songs. After she found a book of poems, written in the 1930s by her ancestor, survivor of the Armenian genocide, the artist felt an urge to give a voice to these words, confined like silent relics, during 100 years. Her ongoing research explores voice, music, signs and images as means to let a threatened archive survive.

Choi Boryeon will present “Ururu with Clouds and Friends,” introducing Ururu.cloud, a sound art community in Seoul. Choi will speak about practices described as “lost species”: ways of maintaining a sense of awe toward objects and connections through small web and low technology.

Luiz Henrique Otto de Santana Filho will present “Mining Sounds, Performance and Public Intervention at the 30th Conference of the Parties,” sharing the research process around the performance The Sirens That Didn’t Sound (MABe/COP-30). This ongoing project investigates mining sirens and the politics of listening through safety manuals, journalistic reports, oral accounts, and amplified audience interventions.

19 May 2026
13:00 CEST
Online
link: https://teams.microsoft.com/meet/372569694404927?p=8Ld8hNIE0VkawCAkmF (also in bio)

14/04/2026

Join us on April 22 as we celebrate the Danish Science Festival / with an evening of shared food and sound 👋

We begin with a vegan community dinner in Sound Art Lab’s kitchen, followed by a lecture-performance by sound artist Morten Riis inside ‘The Cube’ – Bang & Olufsen’s renowned electroacoustic measurement facility.

In “From Accelerated Times to Grounded Technology-Based Music,” Riis explores the musical potential of the Earth’s electrical energy through an artistic and experimental approach.

We’re really looking forward to sharing this evening with you!

Find more info via our Linktree in bio 👆

09/04/2026

The ‘Sounds of the Future Residency’ is now open for applications!!

Artists based in Denmark - or with a strong connection to the Danish sound art community - are invited to apply for a three-week residency at Sound Art Lab in Struer. The residency includes a DKK 30,000 work grant, a private atelier, full access to professional sound studios and equipment, workshop facilities, accommodation, and more.

Application deadline: 1 May 2026.

More information and application details can be found through our Linktree in bio ☝️

This residency is made possible in collaboration with , , and

composers opencallforartists opencall

25/02/2026

In a time shaped by constant connectivity and digital saturation, students from RAMA take a step back.

Digital Detox with RAMA Students presents an evening of live sound performances created without the use of computers, exploring what it means to work and listen in a fully digitised world.

Through instruments, objects, voices, space, and bodies, the performers investigate what happens when sound is freed from screens and software and instead rooted in tactile, acoustic, and spatial presence.

Performances by Anders Bjerre Mariager, Dolores Oddrún Sigurðardóttir, Eduardo Reis, Hubert Kacperski, Daniel Kittow, Asbjørn Skjoldli Larsen, and Lucía Martínez Vicente. Supervised by Sophia Sagaradze.

Time: 19:00
Date: February 26, 2026
Place: Sound Art Lab

Free entry. Everyone is welcome 🤠🙌

Adresse

Peter Bangs Vej 17B
Struer
7600

Telefon

+4520745535

Website

http://www.soundartlab.org/

Underretninger

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