01/09/2026
Mød deltagerne i Hvide Sande Masterclass 2026:
Stefan Enemærke Becker
Danmark
Stefan Enemærke Becker er en dansk violinist, der afsluttede sin kandidatuddannelse ved DKDM i 2025. Han har en bachelorgrad fra Kungl. Musikhögskolan i 2022. Stefans store passion ligger i ensemble- og orkestermusikken.
Under sine kandidatstudier begyndte han at arbejde som freelancer i de danske symfoniorkestre, og gennem det seneste år har han siddet på kontrakt i 2. violin-gruppen hos Odense Symfoniorkester og spillet som gruppeleder hos Esbjerg Ensemble. Et personligt højdepunkt for Stefan er, da han som medlem af EUYO – EU’s Ungdomsorkester i 2023 spillede med 110 ligesindede musikere fra hele Europa.
Herhjemme har han med sit drive for ensemblemusik medstiftet Musikkollektivet HELIOS: Her har han som kunstnerisk leder, producent og koncertmester skabt koncerter, der blander flere kunstarter og gør musik som Bachs Matthæuspassion og MacMillans Seven Last Words from the Cross endnu mere vedkommende – særligt for de unge medvirkende og det unge publikum.
///
Meet the Participants of the Hvide Sande Masterclass 2026 :
Stefan Enemærke Becker
Denmark
Stefan Enemærke Becker is a Danish violinist who completed his master’s degree at DKDM in 2025. He holds a bachelor’s degree from Kungl. Stefan’s great passion lies in ensemble and orchestral music.
During his master’s studies, he started working as a freelancer in Danish symphony orchestras, and over the past year he has been on contract in the 2nd violin group at Odense Symphony Orchestra and played as group leader at Esbjerg Ensemble. A personal highlight for Stefan was playing with 110 like-minded musicians from all over Europe as a member of the EUYO – EU Youth Orchestra in 2023.
In Denmark, his drive for ensemble music has led him to co-found the HELIOS Music Collective: as artistic director, producer and concertmaster, he has created concerts that blend several art forms and make music like Bach’s St. Matthew Passion and MacMillan’s Seven Last Words from the Cross even more relevant – especially for young performers and audiences.