Brayden's Canvas

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I am really proud to present a Japanese joinery model I have completed for my wood class in architecture this summer. Th...
31/07/2026

I am really proud to present a Japanese joinery model I have completed for my wood class in architecture this summer. The joinery is called Kanawa-tsugi in Japanese and has been used historically in temple building to extend a beam or column or sometimes to replace a rotten end. It is incredibly strong and very beautiful and relies on proportion rather than exact dimensions. I did not use any power tools, just a Japanese hand saw, chisels and a hand plane. I am really glad to have been given the opportunity to focus my time on this project and develop my passion for word working. Note: no nails or glue were used. The central wedge holds everything in place and the black is sumi ink, a charcoal, water based ink.

Getting the last of the work done on the UBC farm forest structure 📷 aaaeereeaaa
02/07/2026

Getting the last of the work done on the UBC farm forest structure 📷 aaaeereeaaa

Something a little different today. A lapped dovetail joint for a vertical strut in the truss. Not conventional but the ...
24/06/2026

Something a little different today. A lapped dovetail joint for a vertical strut in the truss. Not conventional but the joint needs to work in tension so it seemed like a good idea. What do you think?

I am super proud of the collaborative efforts of our build team who I have been honoured to learn from and grow with and...
20/06/2026

I am super proud of the collaborative efforts of our build team who I have been honoured to learn from and grow with and to work together to build an open air pavilion for UBC Farm to cover a valuable, indigenous artwork. This yellow cedar post and beam building will host forest meetings, ecology presentations and act as a gathering place for those who pass through the UBC Farm for all manner of purposes. Thanks to all those who supported, lent a hand and came together to realize a vision. What a pleasure to really slow down and use hand tools and wood on wood joinery to build. Looking forward to coming here in a few years to see the wood patina!

“On the West Coast, bracket fungi grow in slow, yearly layers, adding shelves of living history to dead wood. Beneath th...
10/06/2026

“On the West Coast, bracket fungi grow in slow, yearly layers, adding shelves of living history to dead wood. Beneath their hard outer skin lies a pale, suede-like interior: a lightweight foam made of parallel hollow tubes woven from chitin-rich hyphae. These layers can gently delaminate, peeling into tough, flexible strips that feel like leather. This material is springy but resilient; when dried, it stiffens. It is a material engineered by the forest itself.”

Presented as part of a material immersion utilizing woody mushrooms as architectural material. Beginning with a deep reverence for nature and using the gifts of the earth, foraged and processed to new forms.

Scarf joint came together today. First time I have ever spliced two beams together. The Japanese scarf joint is called ‘...
10/06/2026

Scarf joint came together today. First time I have ever spliced two beams together. The Japanese scarf joint is called ‘Kanawa Tsugi’ and will feature a square pin in the center to lock everything in place. This joint took about 6.5 hours to cut and assemble.

05/06/2026

Sawing with a Japanese handsaw has been a great tool experience. When a saw is sharp, it is so satisfying to work with the wood.

Few things have been as cathartic for me as woodworking in the forest. I wish every day in the ‘office’ could be like th...
03/06/2026

Few things have been as cathartic for me as woodworking in the forest. I wish every day in the ‘office’ could be like this 🌳 ⚒️

MYCOFORMAs part of my Master of Architecture material explorations at UBC, I began investigating how naturally occurring...
15/05/2026

MYCOFORM

As part of my Master of Architecture material explorations at UBC, I began investigating how naturally occurring materials might offer new possibilities for architectural applications.

Driven by a curiosity for biogenic materials and hands-on making, I experimented with traditional papermaking techniques using 100% mushroom pulp sourced from wild BC conk mushrooms.

The process began in the forest, harvesting mushrooms by hand, before moving into the studio where the material was prepared by macerating the mushrooms into a pulp slurry. Using traditional papermaking screens, the pulp was formed into sheets and dried into an earthy, textured paper with a colour reminiscent of recycled kraft paper.

The resulting material was surprisingly flexible, capable of being folded, bent, and torn much like conventional paper, while still retaining a unique tactile quality and natural character entirely its own.

MYCOFORM emerged from this exploration as both a material study and a lamp design: an attempt to translate a raw, organic material into an architectural object.

What made the process especially rewarding was the full cycle of making from foraging in the forests of British Columbia to shaping and assembling the final piece in the studio.

This project was developed as part of my material explorations at UBC School of Architecture and Landscape Architecture.

MaterialResearch LightingDesign UBCArchitecture Papermaking Biodesign Earthform

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