Marina WitteMann

WitteMann’s art delves into the viewer’s emotions through the sensory qualities of materials.

19/03/2026

Infection
When information spreads faster than the body can process.

2026
newspaper pulp, acrylic, oil pastel, pigment
residue water on canvas
120 x 100 x 4 cm.

04/03/2026

Continue working in the studio and exploring how information is metabolized in the body…

02/03/2026

Information Metabolism, 2026
newspaper pulp, acrylic, oil pastel, paint-waste water on canvas
120 × 100 × 4.6 cm

New work.

Part of my ongoing research into information as material

24/02/2026

Reflecting on the fair now, I keep returning to these photos…

People standing in front of the work, bringing their own thoughts and stories to it. Friends…

I realise again how much art lives and opens through people!

21/02/2026

The moment of distortion, 2026

100 x 75 x 2 cm., newspaper pulp, acrylic, pastel, paint-waste water on canvas

17/02/2026

Layer by layer, newspaper turns into weight, into surface, into body.

What we read does not stay abstract, it settles inside us.

Homogeneous, 2025
newspapers, acrylic, metal mesh, wood
70 x 51 x 40 cm.

14/02/2026

For 13 years I’ve been collecting, studying, and structuring knowledge about contemporary art.

I didn’t grow up in an artistic family.
And I remember very clearly how confusing the art world felt in the beginning. 🫣
How do you understand contemporary art?
How do you “get” an artwork?
Why is something important?
Why does something work or not?

So I started to collect answers.

I studied theory.
I analyzed artworks.
I compared artists.
I built step-by-step tools to understand what is really happening in art, through history, through society, and through our human needs.

Now I’m launching three lectures in at

The first session will be in German.

These lectures are for:
• artists
• people who love art
• future collectors
• beginners
• curious minds
• anyone who wants to understand art without feeling intimidated

You don’t need background knowledge.
Everything is explained in simple language, with clear tools you can use immediately. 🙌🏻

This is not about taste.
It’s about learning how to see.

You can find the registration link in my bio.

If you prefer English or Russian, please contact me directly, I’m happy to organize it. If you’re interested in future lectures in other cities or formats, just send me a message.

Art is not exclusive.
It’s one of the most fascinating areas of human experience m and it belongs to all of us.

12/02/2026

I just received my certificate of Bachelor degree from

These years were about reflection, about questioning, rebuilding, and finding my artistic voice. It was a time of doubt, discipline, and deep research into what I stand for as an artist.

It was challenging, but also one of the most important and exciting periods of my development.

I’m especially thankful to the tutors and colleagues at the who supported me with honesty and care. Their feedback helped me grow, academically and professionally.

Grateful for this time. And ready for the next step.

10/02/2026

The ARRIVAL exhibition in Amsterdam is open until 18 February, and I’ll be there for the final day.

Already tomorrow, on February 11th – Artists’ Day ⤵️
18:00–19:00 – Moderated slow-looking practice
19:00–21:00 – Sketching masterclass by Elena Taranenko .jpeg

Join us for the finissage with a curatorial tour, music, and time together with the artists, such as nice way to experience the show before it closes.

Hope to see you there on February, 18th 🤍

By:
At: .hub

06/02/2026

Very happy to share about my one:artist show with .art at

In this presentation, I bring together wall works and sculptures made from newspapers. For me, they are two states of the same research: how information moves through us, how it settles, and how it becomes part of the body.

Some works stay on the surface, others grow into volume. They reflect my long-term interest in how information is absorbed, trusted, and carried, often without us noticing.

Grateful for this opportunity and for the trust of .art

05/11/2025

I’ve always been fascinated by the physicality of our presence — our bodies — how they react to strong emotions (pain, synaesthesia, love, unconscious reflexes), how they remember what the mind tries to forget.

That’s how my newspaper fields slowly transformed into vessels.
They became bodies — absorbing, carrying, and reacting… to other people, to the news, to the world around us.

Where is truth?
Where is sensitivity?
What happens when emotion meets information?

These are the questions behind my new series Vessels, now part of the upcoming duo exhibition “Encounters: Matter and Meaning” at

My works will be shown alongside the paintings of Eberhard Bitter .364 , in a dialogue between surface and depth, distance and proximity, emotion and material.

Opening: 21. November 2025,
Stuttgart, Germany
At: Silberburgstr. 145a, Stuttgart, Germany

For beautifully capturing my artistic essence, thank you ♥️ nataliasamsonova.com

Adresse

Sankt Ingbert

Telefon

+4917621834736

Webseite

http://www.MarinaWitteMann.com/

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