Schellmann Art

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Vermeer, Deep Fried
At first, just color and pixels. Swipe through and the image slowly reveals itself.
For girl_w/_pear...
28/08/2026

Vermeer, Deep Fried

At first, just color and pixels. Swipe through and the image slowly reveals itself.

For girl_w/_pearl_earring, Cory Arcangel takes an image of Johannes Vermeer’s famous 1665 painting and subjects it to a process he calls “deep frying.” Using code, the image is repeatedly compressed, resized and manipulated until it reaches the point where figuration begins to dissolve into abstraction.

The two works capture different stages of this transformation, with Vermeer’s iconic portrait gradually becoming recognizable through the pixels.

Cory Arcangel
girl_w/_pearl_earring, 2022/2024
From FACES
Two digital pigment prints on hand-torn Hahnemühle rag paper
60 × 50 cm each
Edition of 45 + 8 AP

Diptych EUR 2,000

The work is available through schellmannart.com.


From Pixels to Planets
In jpeg/ma.r.s., Thomas Ruff brings together two series that explore how technology transforms th...
26/08/2026

From Pixels to Planets

In jpeg/ma.r.s., Thomas Ruff brings together two series that explore how technology transforms the way we see and understand photographic images.
In his jpeg series, Ruff enlarges compressed internet images until their pixel structures become part of the image itself. For ma.r.s., he digitally transforms high resolution NASA images of Mars, altering perspective and colour to turn scientific data into almost familiar landscapes.

Together, the six prints move between abstraction and documentation, questioning how digital processes shape our perception of reality.

Thomas Ruff
jpeg/ma.r.s., 2012
Portfolio of six C-prints
84 × 60 cm each
Edition of 40, each signed and numbered

Set EUR 9,000

Available through schellmannart.com.


Design in Dialogue with Art
Jörg Schellmann surrounded by art and design that share a common interest in form, function ...
25/08/2026

Design in Dialogue with Art

Jörg Schellmann surrounded by art and design that share a common interest in form, function and reduction.

For Thonet, Schellmann reinterpreted an existing table and chair by Marcel Breuer, translating the historic designs into his own contemporary formal language.

In the background, Sol LeWitt’s Arcs and Bands in Colors 2 meets Joseph Beuys’ Lamp, originally created by Beuys for his Düsseldorf studio in 1960 and used by the artist for more than thirty years.

A setting where art, design and their histories naturally come together.

The works by Sol LeWitt and Joseph Beuys are available through schellmannart.com.


For Joseph BeuysFollowing Joseph Beuys’ death in 1986, Jörg Schellmann and Bernd Klüser invited 28 artists to create wor...
24/08/2026

For Joseph Beuys

Following Joseph Beuys’ death in 1986, Jörg Schellmann and Bernd Klüser invited 28 artists to create works in his memory. The resulting portfolio, For Joseph Beuys, was published in 1987 as a collective tribute to an artist whose ideas and practice had profoundly influenced a generation.

Each artist responded to Beuys in their own way, resulting in works that range from direct portraits to reflections on memory, death, transformation and artistic legacy.

This post highlights four contributions by Keith Haring, Robert Longo, Andy Warhol and Martin Disler.

Discover the complete portfolio at schellmannart.com.

Three Faces, Three CharactersThomas Scheibitz’s Kinderkopf, Kriegskopf I, Kriegskopf II explores the human head through ...
21/08/2026

Three Faces, Three Characters

Thomas Scheibitz’s Kinderkopf, Kriegskopf I, Kriegskopf II explores the human head through color, line and geometry. Rather than aiming for direct resemblance, Scheibitz is interested in the character that can emerge through abstraction, leaving each face open to interpretation.

The three works can stand individually or be presented as a triptych, following the exact sequence determined by the artist.

Thomas Scheibitz
Kinderkopf, Kriegskopf I, Kriegskopf II, 2024
From FACES
Digital pigment prints on hand-torn Hahnemühle rag paper
60 × 50 cm each
Edition of 45 + 8 AP

Each EUR 1,200
Triptych EUR 3,200

Available through schellmannart.com

20/08/2026

Preparing a Damien Hirst for Transport

Packing an artwork is a process of precision, protection and quite a few layers. Glassine paper, acid-free tape, careful securing and multiple layers of cardboard, all designed to make sure the artwork’s journey is as uneventful as possible.

Packed, protected and ready to go.

Available through schellmannart.com.


Unfolding Donald JuddExtending across 2.5 meters, Donald Judd’s ten-part leporello translates his characteristic interes...
19/08/2026

Unfolding Donald Judd

Extending across 2.5 meters, Donald Judd’s ten-part leporello translates his characteristic interest in repetition, proportion and serial structures into an unusual paper format. The continuous sequence creates a rhythmic composition that unfolds vertically along the wall.

Donald Judd
Untitled, 1992–93, 2008
10-part leporello, digital pigment print on Hahnemühle Photo Rag paper
250 × 32 cm
Edition of 150, unsigned

Available only as part of the complete set of the portfolio’s Edition A.

For more information, visit schellmannart.com.

For the Love of God, Believe
One of Damien Hirst’s most recognizable motifs: the diamond encrusted skull, confronting be...
17/08/2026

For the Love of God, Believe

One of Damien Hirst’s most recognizable motifs: the diamond encrusted skull, confronting beauty, luxury and mortality in a single image.

Created in 2007, the same year as Hirst’s celebrated sculpture For the Love of God, this edition translates the iconic skull into a silkscreen with glazes.

Damien Hirst
For the Love of God, Believe, 2007
Silkscreen with glazes
32.5 × 24 cm
Edition of 1,700, signed and numbered

EUR 3,000

Available through schellmannart.com.


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