danioelka

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As the year comes to an end, I simply say thank you.With the launch of the publication Nothing is Neutral with texts by ...
31/12/2025

As the year comes to an end, I simply say thank you.

With the launch of the publication Nothing is Neutral with texts by Colette Patterson and Dr. Friedrich Tietjen, many things opened up — This was followed by exhibitions moving between science and art, from (RE)INVENT to ART ON TOP, IT'S A BOOK, TONGUE AND COCOON and CURING FRAGILITY, and finally ART COLOGNE 2025.

Thanks to everyone who accompanied my work, supported it, discussed it, collected it, or simply followed it with attention.

To everyone have a good start in the new year!!

UNTITLED ECLIPSE, 2025                                     ink, acrylic on sewn fabric114x 85 cmNew painting. It will be...
09/06/2025

UNTITLED ECLIPSE, 2025
ink, acrylic on sewn fabric
114x 85 cm

New painting. It will be on display in the summergroupshow at Galerie Intershop in July. Alongside works by , , , , , ReinhardKrehl, , ,

curated by Jenny Starick

*
Based on a walk through post-mining landscapes near Finsterwalde 'UNTITLED ECLIPSE' is a cognitive experiment with red and blue - their meanings have been shifted and aesthetically recoded. Their interplay shows itself here as rupture, friction and fragmentation. Red and blue reference media image systems, create aesthetic fields of tension and carry collective affects.

#

𝖍𝖆𝖕𝖕𝖞 𝖗𝖊𝖘𝖚𝖗𝖗𝖊𝖈𝖙𝖎𝖔𝖓                                      /.          𝕿𝖔𝖓𝖌𝖚𝖊 𝖆𝖓𝖉 𝕮𝖔𝖈𝖔𝖔𝖓    Happy Easter holidays everyone!...
19/04/2025

𝖍𝖆𝖕𝖕𝖞 𝖗𝖊𝖘𝖚𝖗𝖗𝖊𝖈𝖙𝖎𝖔𝖓
/. 𝕿𝖔𝖓𝖌𝖚𝖊 𝖆𝖓𝖉 𝕮𝖔𝖈𝖔𝖔𝖓

Happy Easter holidays everyone!

If you're around Dresden, make a stop to see mine and ...
exhibition Tongue and Cocoon! Our show will be running until our Finissage on 1st of May.

c U at the finissage

𝕿𝖔𝖓𝖌𝖚𝖊 𝖆𝖓𝖉 𝕮𝖔𝖈𝖔𝖔𝖓                                                   with                 Exhibition until 26/04/25The ti...
11/04/2025

𝕿𝖔𝖓𝖌𝖚𝖊 𝖆𝖓𝖉 𝕮𝖔𝖈𝖔𝖔𝖓


with

Exhibition until 26/04/25

The title contains two powerful metaphors that explore the tension between memory, physicality and artistic expression in different ways. According to the artists, the tongue not only stands for language and imagery, but also for the sensory level of memory - similar to Proust's Madeleine effect. It acts as a bridge between the inner experience and the outer world by opening up the possibility of recalling memories through words or flavours.
The cocoon, on the other hand, refers to protection and transformation - a place of retreat, a shell that creates space for transformation and meaning.

As a metaphor for the body, which harbours memories, or for the artwork as a carrier of meaning, the cocoon becomes a protective but also unstable capsule that enables transformation and disclosure at the same time.
In the exhibition, these concepts come together in an exploration of the instability of fragmented memories.

coming soon     TONGUE AND COCOON with  Opening: 28/03/25Exhibition: 29/03. until 26/04/25That taste on the tongue that ...
23/03/2025

coming soon TONGUE AND COCOON

with

Opening: 28/03/25
Exhibition: 29/03. until 26/04/25

That taste on the tongue that reminds us of something very specific, that smell that we can't get out of our noses, that melody that plays in our ears and makes us think back, that object that we find by chance and brings back old memories. You know those moments when you get an inkling of something from the past, sometimes so vivid that you seemingly only have to reach for it to make it come true again, something that sometimes comes to us willingly, sometimes against our will. But it is precisely in doing this that we become aware of the distance between the present and the past.


Dieser Geschmack auf der Zunge, der uns an etwas ganz Bestimmtes erinnert, dieser Geruch, der uns nicht mehr aus der Nase gehen will, diese Melodie die sich ins Ohr spielt und uns zurückdenken lässt, dieser Gegenstand, den man zufällig findet und alte Erinnerungen weckt. Man kennt diese Momente, in denen man eine Ahnung von etwas Vergangenen bekommt, manchmal so plastisch, dass man scheinbar nur danach greifen müsste, um wieder wahr werden zu lassen, was sich uns mal willkommen, mal gegen unseren Willen aufdrängt. Bloß werden wir uns genau in diesem Tun der Distanz zwischen dem Jetzt und dem Vergangenen erst recht bewusst.

Curation: Josef Panda
Text: Isabell Sterner

I'm delighted to start the year with a project from last year. And looking forward to sharing my artist book 'Nothing Is...
23/01/2025

I'm delighted to start the year with a project from last year. And looking forward to sharing my artist book 'Nothing Is Neutral' - published in collaboration with - with you soon.

It’s been an important feat for me, gathering and reflecting on my work of the last years and making this publication happen.

1st picture shows the beautiful binding of the Swiss brochure

2nd the Titel

3-4rd pictures show an excerpt from the part RESEARCH in which I gather concepts, sketches, inspirations

5-6 Layout for example

The book will also contain essays on or inspired by my work by curator Colette Patterson and art historian Dr. Friedrich Tietjen. Thank you both so much for your contributions.

A big thanks to all involved, especially


last day with Diagram of a Landscape'Nothing Is Neutral'In his works shown at the exhibition 'nothing is neutral', Danio...
07/09/2024

last day with Diagram of a Landscape

'Nothing Is Neutral'

In his works shown at the exhibition 'nothing is neutral', Danioelka explores civilization's grasp over nature and transforms it into abstraction. Like in a future archive, paintings and objects are gathered together at the exhibition space, resembling relics from the present.
Nothing is neutral. Fragile ecosystems react to the smallest of changes in their components; intention and question determine understanding. In Danioelka's works, natural processes find a parable in questions immanent to painting. Ecological interdependencies are brought into the composition as markings, diagrams and open spaces. Digital relics of frequently reproduced landscape depictions find their way into the reflection on the canvas. The works offer a painterly answer to the question of “how to deal with a representation of landscape and nature that has been appropriated in its entirety”?

GiS

1. studie, diagram I. 40x60, collage, acrylic on textile on baryt

2-3 instal views

4. studie, diagram II, 40x60, collage, acrylic on textile on baryt

5. studie, diagram III, 40x60, collage, acrylic on textile on baryt

6. instal views

is neutral

*sea of nectar, fluent *new work 𝒏𝒐𝒕𝒉𝒊𝒏𝒈 𝒊𝒔 𝒏𝒆𝒖𝒕𝒓𝒂𝒍 exhibition until sat. 07/09/241. sea of nectar, installation view2-4...
28/08/2024

*sea of nectar, fluent *new work

𝒏𝒐𝒕𝒉𝒊𝒏𝒈 𝒊𝒔 𝒏𝒆𝒖𝒕𝒓𝒂𝒍
exhibition until sat. 07/09/24

1. sea of nectar, installation view

2-4. exhibition view

5. untitled conglomerate three, 2023
glazed ceramic, stainless steel support
35 x 30 x 25 cm

6. untitled, sea of nectar, 2024
ink, acryl on fabric
144 x 189 cm

7. untitled, sea of nectar, detail

come by
𝐒𝐩𝐢𝐧𝐧𝐞𝐫𝐞𝐢𝐬𝐭𝐫𝐚𝐬𝐬𝐞 𝟕 / 𝐇𝐚𝐥𝐥𝐞 𝟏𝟎 𝐆
𝐃-𝟎𝟒𝟏𝟕𝟗 𝐋𝐞𝐢𝐩𝐳𝐢𝐠

'𝒏𝒐𝒕𝒉𝒊𝒏𝒈 𝒊𝒔 𝒏𝒆𝒖𝒕𝒓𝒂𝒍'exhibition until Sat. 07/09/24come by  𝐒𝐩𝐢𝐧𝐧𝐞𝐫𝐞𝐢𝐬𝐭𝐫𝐚𝐬𝐬𝐞 𝟕 / 𝐇𝐚𝐥𝐥𝐞 𝟏𝟎 𝐆𝐃-𝟎𝟒𝟏𝟕𝟗 𝐋𝐞𝐢𝐩𝐳𝐢𝐠1. untitled con...
26/08/2024

'𝒏𝒐𝒕𝒉𝒊𝒏𝒈 𝒊𝒔 𝒏𝒆𝒖𝒕𝒓𝒂𝒍'
exhibition until Sat. 07/09/24

come by
𝐒𝐩𝐢𝐧𝐧𝐞𝐫𝐞𝐢𝐬𝐭𝐫𝐚𝐬𝐬𝐞 𝟕 / 𝐇𝐚𝐥𝐥𝐞 𝟏𝟎 𝐆
𝐃-𝟎𝟒𝟏𝟕𝟗 𝐋𝐞𝐢𝐩𝐳𝐢𝐠

1. untitled conglomerate two, 2023
glazed ceramic, stainless steel support
20 x 30 x 25 cm

2-3. exhibition view's

4. untitled oblique facing, 2024
ink acrylic on fabric
114 × 89cm

5-6. Details of untitled olique facing

7. untitled gridlock, 2024
ink, acrylic on sewn fabric
144 x 189 cm

*** vibrating memountitled vibrating memo, 2024 ink, acryl on fabric 144 × 189 cmcurrently on view 'Nothing Is Neutral'u...
23/08/2024

*** vibrating memo

untitled vibrating memo, 2024
ink, acryl on fabric
144 × 189 cm

currently on view

'Nothing Is Neutral'

upcoming:
31/08/24 'entirety' soundperformance by@m_e_e_e_k exhibition until 7 september 2024


Spinnereistrasse 7 / Halle 10 G
D-04179 Leipzig

***
1. detail of vibrating memo

2. installation view

4. untitled conglomerate one, 2023 glazed ceramic, stainless steel support 20 × 30 x 25 cm

5. untitled vibrating memo, 2024 ink, acryl on fabric 144 × 189 cm

5. detail of vibrating memo

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