Art Leipzig

Art Leipzig Leipzig's art scene is bursting, but it's not always easy to find out about everything that's on. Hen

Get  •  “A Light In The Dark” by Michael James Schneider
19/11/2025

Get • “A Light In The Dark” by Michael James Schneider

Posted  •  Right now on view at the gallery 𝗞𝗔𝗧𝗥𝗜𝗡 𝗕𝗥𝗔𝗨𝗦𝗘‚CARTA BIANCA II‘ (2025) oil on canvas70 x 50 cmKatrin Brause’s...
27/09/2025

Posted • Right now on view at the gallery

𝗞𝗔𝗧𝗥𝗜𝗡 𝗕𝗥𝗔𝗨𝗦𝗘
‚CARTA BIANCA II‘ (2025)
oil on canvas
70 x 50 cm

Katrin Brause’s ongoing solo show › 𝘾𝙊𝙍𝙏𝙄𝙇𝙀 𝙁𝘼𝙉𝘼𝙇𝙀 ‹ is on view at the gallery until October, 25th.

(born 1972 in Leipzig, Germany) studied painting and visual art in Leipzig’s renowned art academy Hochschule fuer Grafik und Buchkunst (HGB) in the class of Arno Rink. Here she continued her studies as Meisterschuelerin of Neo Rauch (Meisterschülerklasse of 2008). In 2008, she was nominated for the prestigious Karl Schmidt-Rottluff Prize, and in 2011 she was a scholarship holder of the International Studio and Curatorial Programme New York City. In 2024, she was shortlisted for the renowned Pauli Prize of the Kunstverein Bremen (formerly: Kunstpreis der Böttcherstraße). Today she lives and works in Leipzig and Catania (IT).

For more info about the artist and exhibition check out our website here:
www.philippanders.com

📸


Posted  •  Monday mood: fine not fine.   by      Estat de dilluns: potser no tan bé.   by
23/09/2025

Posted • Monday mood: fine not fine. by

Estat de dilluns: potser no tan bé. by

Posted  • .studios We are pleased to present MUTANTES, a solo exhibition by  at ATTTD Studios.The exhibition opens on Se...
12/09/2025

Posted • .studios We are pleased to present MUTANTES, a solo exhibition by at ATTTD Studios.

The exhibition opens on September 11, 2025 with a vernissage from 6–11 PM at ATTTD Studios, Schlegelstraße 9, Berlin.

In MUTANTES, Anaïs Goupy challenges dominant cultural representations of the female body. Through a hybrid practice merging painting and machine collaboration, she creates new, mutating bodies and identities – hybrid, fluid, and liberated from imposed projections.

The works invite us to reimagine visual codes of the body: as a battlefield, a playground, and a site of emancipation.

Visits are also possible by appointment on September 13 & 14, 2025, from 11 AM to 3 PM.

We warmly invite you to join us for this inaugural event.

Posted  •  Installation views of two pieces recently on view at Kunstfest Zeitz in Kunstraum Zeitzone. Delighted to have...
04/09/2025

Posted • Installation views of two pieces recently on view at Kunstfest Zeitz in Kunstraum Zeitzone. Delighted to have taken part!

„Laub in der Dämmerung“
oil and latex paint on found fabric
450 x 160 cm (14.75’ x 5.25’)

„Glühender Durchgang“
oil and latex paint on canvas
90 x 70 cm (3’ x 2.25’)





Posted  •  ‘Without freedom of speech there is no modern world, just a barbaric one’ - Happy birthday Ai Weiwei 🌻Do you ...
30/08/2025

Posted • ‘Without freedom of speech there is no modern world, just a barbaric one’ - Happy birthday Ai Weiwei 🌻

Do you remember ’s sunflower seeds? In 2010, he carpeted Tate Modern’s Turbine Hall with millions of porcelain sunflower seeds. Each seed was individually sculpted and painted by specialists working in small-scale workshops in the Chinese city of Jingdezhen.

Far from being industrially produced, they are the effort of thousands of skilled hands. Poured into the interior of the Turbine Hall’s vast industrial space, the 100 million seeds formed a seemingly infinite landscape. 🌱 🏭

Posted  •  ‘At some point I came to realise that everything surrounding me can be material for an artistic work, absolut...
20/08/2025

Posted • ‘At some point I came to realise that everything surrounding me can be material for an artistic work, absolutely everything.’ - Erwin Wurm 🍊☕



’s series of One Minute Sculptures began in the 1990s, using whatever objects, people and settings were nearby. These living sculptures are made of people – anonymous participants, performers, curators, artists and even the artist himself – engaging in unconventional and sometimes physically challenging interactions with everyday objects such as clothing, buckets, balls, doorframes, bicycles and fruit.

The improvised nature of the images declare the fun, playfulness and spontaneity that went into the making of each picture. 🍳💡⚽

Posted  •  “I Used To Be A Mountain” by Maarten Inghels
15/08/2025

Posted • “I Used To Be A Mountain” by Maarten Inghels

Posted  •  ⛪ This summer,  takes you on a tour of art chapels around the world—ten contemporary sites where art meets de...
11/08/2025

Posted • ⛪ This summer, takes you on a tour of art chapels around the world—ten contemporary sites where art meets devotion. Explore more via the link in bio.

1 Zhang Enli, A Cheerful Person, 2021. Church of San Rocco, Montabone. Photo © Giorgio Perottino/ Artissima. Courtesy of the artist and Hauser & Wirth
2 Église Louise Bourgeois, Bonnieux, France. Photo: Jean-François Jaussaud © The Easton Foundation / DACS, London and VAGA at Artists Rights Society (ARS), New York
3 Interior South View, Ellsworth Kelly, Austin, 1980/2015 © Ellsworth Kelly Foundation. Courtesy Blanton Museum of Art, The University of Texas at Austin. Photo: Kate Russell
4 Church on the Water by Tadao Ando, Hokkaido © Hoshino Resorts. Photo: Hirofumi Inaba

Posted  • .allanic « Petit mouton », série «Play a new Game», photographie, 2024
21/07/2025

Posted • .allanic « Petit mouton », série «Play a new Game», photographie, 2024

Posted  •  Ronny SzilloIF IT WERE JUST ABOUT ATTITUDE EVERYONE WOULD HAVE IT bis 15.08.2025
15/07/2025

Posted • Ronny Szillo
IF IT WERE JUST ABOUT ATTITUDE
EVERYONE WOULD HAVE IT bis 15.08.2025

Posted  •  In a time when so many people struggle with housing insecurity, performance pressure and growing disconnectio...
11/07/2025

Posted • In a time when so many people struggle with housing insecurity, performance pressure and growing disconnection from nature, I’ve chosen the shell of a snail as the starting point for my new installation work. It speaks to the quiet power of slowness and our shared longing for a place of safety. A snail is born with its shelter while we often depend on fragile systems and shifting circumstances to find or keep a place to call home.

During walks in my birthplace Santpoort I’ve been collecting empty snail shells, small remains I find along forest paths and in the dunes. After the project I’ll return them to the landscape they came from.

The work takes shape in the form of 20 prints, each inspired by the spiral’s quiet resilience.

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Leipzig
04179

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Artist, writer and curator maeshelle west-davies bringing you closer to the arts in Leipzig and elsewhere.

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