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SCHOEPS Mikrofone The official company site hosted by SCHOEPS, Germany

Tomorrow in London: the IPS Pro-Audio Show.Niklas will be there all day. Ask him anything about small-diaphragm condense...
09/10/2026

Tomorrow in London: the IPS Pro-Audio Show.

Niklas will be there all day. Ask him anything about small-diaphragm condenser microphones. Or just stop by for a chat about your latest recordings or what's coming next.

Saturday, October 10, 11 am to 5 pm (BST)
The Hub, London South Bank University (near Elephant & Castle)
Free for registered attendees

Claudia first walked through this door at📍 Spitalstraße 20 in Karlsruhe-Durlach in 1986. She still does, 40 years later....
01/10/2026

Claudia first walked through this door at📍 Spitalstraße 20 in Karlsruhe-Durlach in 1986. She still does, 40 years later.

Since then she has built and serviced our capsules. Her knowledge, her experience and a heart as big as hers are what make SCHOEPS what it is ❤️

Thank you, Claudia, for four decades of precision and good spirits 🎉

From left to 🐶: Karin, Claudia, Helmut & Ella

Our parliament and conference installations: Decades of work, rarely in the spotlight.At IBC 2026, we focused on a field...
29/09/2026

Our parliament and conference installations: Decades of work, rarely in the spotlight.

At IBC 2026, we focused on a field of application that has kept us busy recently with several large projects.

🏛️ For years, our microphones have been the standard wherever speech intelligibility, flexibility and, above all, tailor-made solutions matter. Not to mention discreet design and longevity.

We’re happy to continue the conversations started at IBC and to start new ones.

💬 Get in touch: Our team of sales professionals, application specialists and engineers will find the right solution from our modular system or develop a custom one for your application.

“Flexible off the shelf. Custom on request.”

📍 Meet SCHOEPS at IBC 2026 – RAI Amsterdam, September 11–14, Hall 8 – 8.D55.This year we’re bringing a major update to o...
08/09/2026

📍 Meet SCHOEPS at IBC 2026 – RAI Amsterdam, September 11–14, Hall 8 – 8.D55.

This year we’re bringing a major update to our modular microphone mounting system: telescoping extensions, improved acoustic decoupling, an integrated button, and more modularity than ever – with the full Colette/CCM series behind it.

🏛️ "Flexible off the shelf. Custom on request."
Built for parliaments, conference rooms, and broadcast facilities that need reference-class sound and mounting options that actually fit the room.

🚲 Get on your bike and see you at RAI Amsterdam!

Recording in progress at UdK Berlin 🎙️How do you mic a string ensemble to capture a musically coherent timbre? That’s th...
16/07/2026

Recording in progress at UdK Berlin 🎙️

How do you mic a string ensemble to capture a musically coherent timbre? That’s the question behind an international research project happening right now at the Berlin University of the Arts.

An international team of researchers is recording with a 64-channel setup – almost entirely SCHOEPS microphones:

🇩🇪 Thorsten Weigelt (Berlin University of the Arts)
🇯🇵 Kazuya Nagae (Nagoya University of the Arts), Toru Kamekawa & Atsushi Marui (Tokyo University of the Arts), Shun Saito (University of Electro-Communications)
🇬🇧 Hyunkook Lee (University of Huddersfield)

The recordings made this week are the basis for future subjective evaluations – and both the results and the complete sound samples will be made publicly available.

We’re proud that our support helped make this project possible – creating open educational and research resources, also for the next generation of engineers and Tonmeister.

🎬 We also had the chance to shoot a short documentary on site – coming soon. A huge thank you to Prof. Thorsten Weigelt, his Tonmeister students, and the wonderful musicians for having us!

🎻 Want to hear the music live? As part of the UdK Open House Day, the ensemble performs this Friday at 5:30 pm in the Konzertsaal of UdK Berlin (Hardenbergstraße) – experience it in the hall before it becomes a valuable educational resource.

💬 "Why don't you use three MK 2S with the 40-millimeter ball?"One sentence. It changed how Alan Meyerson records an orch...
25/06/2026

💬 "Why don't you use three MK 2S with the 40-millimeter ball?"

One sentence. It changed how Alan Meyerson records an orchestra. 🎻
At a panel, Richard King was talking about his issues with the M 50 on the Decca Tree. Meyerson walked up afterwards and asked one thing: "What should I do?"

That was King's answer. He did it. He loved it.

Three SCHOEPS MK 2S with the KA 40 sphere, LCR on the Decca Tree. Warm. Clean. No shrill top end. And they hold up when the room gets loud: "When there's some serious volume going on, they don't give up."

🎹 Two V4s earned a permanent place in his orchestral toolkit. Meyerson reaches for them on harp and on piano: "on every orchestral session I do."

📍Meet Hannes at GearExpo UK, on June 27th, 2026. 👨‍🔬He is not only our very own (mad) acoustics engineer but also a teac...
23/06/2026

📍Meet Hannes at GearExpo UK, on June 27th, 2026.

👨‍🔬He is not only our very own (mad) acoustics engineer but also a teacher in microphone technology and an active musician playing live electronics in a big band.

The perfect person to talk to when you want to fully nerd out about (SCHOEPS) microphones and good sound.

🔗 www.gearexpouk.com

Scoring in Immersive Formats at Krzysztof Penderecki European Centre of Music🎤 A few days outside of the city noise, a b...
17/06/2026

Scoring in Immersive Formats at Krzysztof Penderecki European Centre of Music

🎤 A few days outside of the city noise, a beautiful concert hall, and a group of composers, producers and musicians exploring immersive sound.

During the Audiovisual Forum, part of the Kraków Film Music Festival, young composers, finalists of the Young Talent Award 2026, recorded their pieces with the help of engineers Gianluca Massimo and Wil Jones (AIR Studios), with a small ensemble of strings, woodwinds, guitar, harp, piano and percussion.

Alongside classic stereo and surround techniques, the team built an immersive array based on Prof. Hyunkook Lee's ESMA-3D: six SCHOEPS MK 21 for the horizontal layer, two MK 41 for height 🎶

Successful immersive experiences start at the compositional stage. Analysing the scores and artists' intentions allowed the team to pull some elements to further enhance the experience: string harmonics played one by one around the full circle, creating a stationary movement, or woodwind breath travelling side to side

Every composer left with inspiration and their own stems, ready to experiment with their own ideas.

Thank you to Katia Sochaczewska for curating, and to everyone who made it happen.

📸 Alicja Rzepa / KBF
Krakow Film Music Festival

Thank you for your loyalty! Today we're sending a special colleague into retirement: our Boley lathe 🛠️Since 1990, she h...
12/06/2026

Thank you for your loyalty! Today we're sending a special colleague into retirement: our Boley lathe 🛠️

Since 1990, she has formed countless capsule housings from solid material - piece by piece, over decades.

Now modern machines take over.
What remains: precision recording tools that will capture performances around the globe for decades to come 🎶🎤

21/05/2026

🎛️ When your microphone captures everything honestly, the preamp becomes your creative tool.

Chris Allen, multiple Grammy Award-winning jazz recording engineer, walks through his go-to preamp pairings with SCHOEPS: Avalon for pure transparency, Rupert Neve Shelford for warmth with clarity, and Tube-Tech or 1073 when the source needs smoothing.

📺 Watch the full interview on our YouTube channel!

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