PAW Gallery

PAW Gallery contemporary art gallery

Opening Friday, Sep 4, 6 PM in Düsseldorf on the occassion of Düsseldorf Cologne Open Galleries ~*^-._3N3RGY_4NG3L_.-^*~...
19/08/2026

Opening Friday, Sep 4, 6 PM in Düsseldorf on the occassion of Düsseldorf Cologne Open Galleries

~*^-._3N3RGY_4NG3L_.-^*~
Iris Helena Hamers
iris helena hamers
Sep 5 - Oct 11, 2026
PAW, Düsseldorf

DC OPEN
Fri, Sep 4: 6-9 pm
Sat, Sep 5: 1-7 pm
Sun, Sep 6: 1-5 pm

w/ a text by

/

Outdoor sculptures by
& Nino Maaskola

/

It girl, 2024/2026, detail
UV print on aluminum dibond, hammer finish paint, fishing line
dimensions variable

If the mouse keeps changing its position, there will be confusion, 2026
UV print on aluminum dibond, string, steel
280 x 200 x 130 cm
Photo: Simon Vogel

da-pu₂-ri-to-jo po-ti-ni-ja, 2025
UV print on aluminum dibond, aluminum, steel, faux fur
210 x 155 x 45 cm
Sammlung Galerie Stadt Sindelfingen
Photo: Wolfgang Günzel



FINISSAGE "VERGE" TODAY, FRIDAY, 7 PMDaniel HölzlINTERMISSION, 2025bent LED panel on airplane part, 15 min, loop72 x 68 ...
07/08/2026

FINISSAGE "VERGE" TODAY, FRIDAY, 7 PM

Daniel Hölzl
INTERMISSION, 2025
bent LED panel on airplane part, 15 min, loop
72 x 68 x 38 cm

Daniel Hölzl
INTERMISSION, 2025
bent LED panel on airplane part, 15 min, loop
70 x 80 x 41 cm

"In INTERMISSION (2025), a spare part for an aircraft wing becomes the ground for an image. It belongs to a model no longer built, no longer in the air; the part itself was never used, kept in reserve, carrying the theoretical potential to be installed and to fly, yet never doing either. Bent and set down, riveted, perforated by maintenance hatches and circular cutouts, it rests upon the ground. Into its curve, Hölzl fits a flexible LED panel that follows the bend of the metal, running a fifteen-minute loop of archival footage from the early days of flight, ending with the first aerial loop in history. Only through the work does the unused part finally come into use. What remains is the interval the title names, neither departure nor arrival but a pause extended into a condition, potential held open and never spent."

From the exhibition text by liviaklein , link in bio.

Verge
Enya Abie Franklin Hölzl Daniel Nino Maaskola
Jul 4 – Aug 7, 2026
PAW, Düsseldorf

Photo: Simon Vogel


Nino MaaskolaAbschied von der Erde IV, 2018sandstone, forged and galvanized steel, lifting strap110 x 70 x 60 cm"In Absc...
06/08/2026

Nino Maaskola
Abschied von der Erde IV, 2018
sandstone, forged and galvanized steel, lifting strap
110 x 70 x 60 cm

"In Abschied von der Erde IV (2018), a stone hovers in the grip of a forged clamp that tightens rather than releases – a block of sandstone, held by forged and galvanized steel and a lifting strap. The mechanism is simple, its effect is not: the heavier the stone, the firmer the grip. It rises not despite its weight, but because of it. What would ordinarily hold it to the ground becomes the very condition of its ascent."

From the exhibition text by liviaklein , link in bio.

-> Finissage this Friday, Aug 7, 7 pm

Verge
Enya Abie Franklin Hölzl Daniel Nino Maaskola
Jul 4 – Aug 7, 2026
PAW, Düsseldorf

Photo: Simon Vogel


Abie FranklinLines in the sand, 2026sand, recycled PETG, galvanised steel, acrylic, lacquer on wood160 × 30 × 8 cm„Abie ...
04/08/2026

Abie Franklin
Lines in the sand, 2026
sand, recycled PETG, galvanised steel, acrylic, lacquer on wood
160 × 30 × 8 cm

„Abie Franklin (*1995) builds images from raw matter. Across several series, lines and connections in charcoal, tar, copper, cobalt, nickel, and sand form configurations between map, circuit, and territorial system. Running through the works is the question of extraction, of the raw materials drawn from the ground and the systems built to move them. (…) Lines in the Sand (2026) takes the idiom at its word, a border drawn in the most provisional of grounds.“

From the exhibition text by liviaklein , link in bio.

-> Finissage this Friday, Aug 7, 7 pm

Verge
Enya Abie Franklin Hölzl Daniel Nino Maaskola
Jul 4 – Aug 7, 2026
PAW, Düsseldorf

Photo: Simon Vogel


Enya BurgerRegister I, 2026pollen, mesh, metal, wood42,5 x 24 x 3,5 cmRegister II, 2026pollen, mesh, metal, wood42,5 x 2...
03/08/2026

Enya Burger
Register I, 2026
pollen, mesh, metal, wood
42,5 x 24 x 3,5 cm

Register II, 2026
pollen, mesh, metal, wood
42,5 x 24 x 3,5 cm

Register III, 2026
pollen, mesh, metal, wood
42,5 x 24 x 3,5 cm

Register IV, 2026
pollen, mesh, metal, wood
42,5 x 24 x 3,5 cm

„Register I–II (2026) arranges pollen on metal mesh, set into a kind of type case. Drawn from peat archives in which pollen, preserved across centuries, records earlier vegetation and land use, the work reads the ground itself as a document of time. Through cartographic elements, the pollen points to a territory without fixing how it should be read, a border held open rather than drawn.“

From the exhibition text by liviaklein , link in bio.

Verge
Enya Abie Franklin Hölzl Daniel Nino Maaskola
Jul 4 – Aug 7, 2026
PAW, Düsseldorf

Photo: Simon Vogel


Yannick SchwendemannOhne Titel, 2022plywood, heavy-duty casters, spray paint119 x 36,5 x 36,5 cmPhoto 1+2:  Specular Pas...
29/07/2026

Yannick Schwendemann
Ohne Titel, 2022
plywood, heavy-duty casters, spray paint
119 x 36,5 x 36,5 cm

Photo 1+2:

Specular Passage
Jun 27 – Jul 31, 2026
Alexander Föllenz Maria Moritz Noeske Miriam Schmitz yannick schwendemann


Jella JessDickendes Fett, 2025acrylic, gouache and oil on canvas; paper collage160 x 200 cmPhoto:  Specular PassageJun 2...
27/07/2026

Jella Jess
Dickendes Fett, 2025
acrylic, gouache and oil on canvas; paper collage
160 x 200 cm

Photo:

Specular Passage
Jun 27 – Jul 31, 2026
Alexander Föllenz Maria Moritz Noeske Miriam Schmitz yannick schwendemann


Eva NoeskeAquädukt, 2025oil on canvas80 x 130 cmPhoto:  Specular PassageJun 27 – Jul 31, 2026 Alexander Föllenz  Maria ...
24/07/2026

Eva Noeske
Aquädukt, 2025
oil on canvas
80 x 130 cm

Photo:

Specular Passage
Jun 27 – Jul 31, 2026
Alexander Föllenz Maria Moritz Noeske Miriam Schmitz yannick schwendemann


Abie Franklin0.000696 RPM, 2026iron pigments, recycled PETG, saw blade, magnets, galvanized steel, oil on wood128 × 88 x...
21/07/2026

Abie Franklin
0.000696 RPM, 2026
iron pigments, recycled PETG, saw blade, magnets, galvanized steel, oil on wood
128 × 88 x 16 cm

„0.000696 RPM (2026), from the series Falling Seas, names the number of rotations the earth completes each minute. Extraction, acceleration, and the slow turning of the planet meet here, and seen from a great distance, these negotiations resolve into something like a composition.“

From the exhibition text by liviaklein , link in bio.

Verge
Enya Abie Franklin Hölzl Daniel Nino Maaskola
Jul 4 – Aug 7, 2026
PAW, Düsseldorf

Photo: Simon Vogel


Daniel HölzlPITOT NO. TWO, 2025propeller cast in recycled paraffin wax, titanium pitot-tube56 x 24 x 21 cm„In the PITOT ...
21/07/2026

Daniel Hölzl
PITOT NO. TWO, 2025
propeller cast in recycled paraffin wax, titanium pitot-tube
56 x 24 x 21 cm

„In the PITOT works (2025), titanium pitot tubes, the instruments that once measured an aircraft’s speed in flight, pierce propellers cast in recycled paraffin wax. Fixed to the wall, the soft wax hangs pierced through, drooping over its support like a slab of meat, the organ of lift caught in a slow surrender of form.“

From the exhibition text by liviaklein , link in bio.

Verge
Enya Abie Franklin Hölzl Daniel Nino Maaskola
Jul 4 – Aug 7, 2026
PAW, Düsseldorf

Photo: Simon Vogel


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Karlsruhe
76137

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