Paula Bisi Art

Paula Bisi Art Abstract artist

29/08/2026

Everything feels a little heavy lately. So many projects, so many things to think about, and honestly, I’ve been feeling overwhelmed. 🫠

And then there are moments like this. ❤️🎨

Painting with my son, playing around, making a mess, drawing without thinking too much about what it should become. Just letting the moment happen. ✨

I do like the artworks he makes with me more than I like my own lately. There’s something so beautiful about the way a child draws so freely, without questioning every line or wondering if it’s “good enough.” 🖍️

Watching him reminds me that maybe I overthink my own work too much.😵‍💫

Maybe sometimes we just need to loosen our grip, play a little, and let ourselves be surprised by what comes out. 🌿

These little moments make me feel light again. And today, I’m grateful for that. ❤️

22/08/2026

Last night was one of those evenings that fills your heart and your creative soul. ❤️✨

I was so happy to be part of another group exhibition with Kunst verbindet .verbindet.dithmarschen , this time as part of the bigger project Kunstgriff

A night full of art, inspiring conversations, laughter, and some of my favorite people. My kind of evening. 🥰

I came home feeling happy, grateful, inspired — and full of new energy. These moments remind me why I love being part of the art world and why creating, sharing, and connecting matter so much.

And now… back to focus mode. ✨
Time to recharge, create, and prepare for the next exhibition — September 2nd in Heide.

Can’t wait to see what comes next. ❤️

A new painting from my series, “Colors of Assumption.”I love these quiet days in the studio. ❤️Days without pressure—jus...
29/07/2026

A new painting from my series, “Colors of Assumption.”

I love these quiet days in the studio. ❤️
Days without pressure—just time to think, experiment, make mistakes, follow unexpected marks, and listen to what the painting is becoming.

I learned to resist the urge to overwork a painting. This one is finished. ✅
I just need to sign it and think of framing possibilities.

Let me know what you think about this new direction.🙏🏻

✨ Back in the studio after a while… and it feels soooo good. 💫🎨Honestly, it’s balm for the soul.This is the newest piece...
26/07/2026

✨ Back in the studio after a while… and it feels soooo good. 💫🎨

Honestly, it’s balm for the soul.

This is the newest piece from my series “Colors of Assumption.”

Oil on canvas • 30 × 40 cm

It’s not finished yet. I still want to refine the nose and mouth, but for the first time in a long while I looked at a painting and thought, “This is going somewhere.” And I love it.❤️

Now comes the hard part: knowing when to stop. 😅 I’m slowly learning that less really is more, and that not every brushstroke makes a painting better. Sometimes the best decision is to leave it alone.

Being back in the studio, painting without pressure and just enjoying the process, reminded me why I started doing this in the first place. ❤️

I’d love to know…
What’s the very first emotion or thought this painting gives you?
Don’t overthink it—I’m curious about your first impression. 👇

“Colors of Assumption” - a new portrait.A face is never neutral. 🎨Before we hear a voice, before we know a story, before...
13/07/2026

“Colors of Assumption” - a new portrait.
A face is never neutral. 🎨

Before we hear a voice, before we know a story, before we ask a single question… we assume.

Race.
Age.
Strength.
Status.
Intentions.

We all do it. It’s human. But it also shapes how we see—and sometimes missee—each other.

“Colors of Assumption” is a series exploring how quickly identity becomes a projection rather than a truth. Every brushstroke, interruption, and layer asks the same question: Who are we really seeing?

Sometimes the assumptions we made about someone reveal more about ourselves than about the subject. 🫥

What was the first assumption you made when you looked at this portrait? 👀

100/100 ✅The final piece of my   project.🥳And yet, standing in front of it, I don’t feel like I’ve reached an ending.I f...
07/06/2026

100/100 ✅

The final piece of my project.🥳

And yet, standing in front of it, I don’t feel like I’ve reached an ending.

I feel like I’ve arrived at a beginning.

When I started this challenge, I had no idea where it would take me. I thought I was committing to a daily practice. What I didn’t know was that the work itself would start answering questions I hadn’t even asked yet.🧐

This painting feels like a snapshot of that process.

A face emerging and disappearing at the same time. Layers covering layers. Marks that reveal and conceal. The figure is there, but your eye catches the color first. The gesture first. The surface first.

And that realization became the seed for what comes next.

These 100 studies led me back to oil paint. Back to trusting instinct over perfection. Back to a way of painting that feels unapologetically me.💗

So while this is painting 100/100, it’s also painting 1/∞ of a new body of work.

The next series will be called “Skin Colors.”❤️

It explores how often we see a person’s color before we see the person themselves. How assumptions arrive before understanding. How identity can be reduced to a surface—and how much more exists underneath.

Thank you for being here for every experiment, every breakthrough, every ugly phase, every small victory, and every painting in between.

This chapter is complete.✅

The next one starts now.🏁

What do you see first when you look at someone? 🤔As I worked on Study 99/100✅, I kept thinking about how quickly we form...
02/06/2026

What do you see first when you look at someone? 🤔

As I worked on Study 99/100✅, I kept thinking about how quickly we form opinions. Before we know a person’s story, their struggles, their dreams, or their character, we often react to what we see on the surface.
The skin color, for instance.

This painting is about that.

The face is there, but not fully. Covered, interrupted, and fighting its way through layers of paint. The person exists beyond what is immediately visible.

And yes, there’s magenta. Again. 💖 Those of you who have followed my work for a while know this color keeps finding its way into my paintings. I didn’t choose it for this theme—it chose me long ago. Here, it became part of the conversation.
Magenta refuses to stay in the background. 💓💓💓It demands attention, much like the superficial characteristics we often notice first. 🚨Yet beneath the noise, there is still a person—complex, vulnerable, and impossible to reduce to a single trait.

I’m curious:

Have you ever caught yourself making an assumption about someone before really knowing them?

Study 99/100✅ of Project

Thank you for being part of this journey. ❤️
One more study to go. 💯/💯

17/05/2026

Today I had the pleasure of doing a pop-up exhibition together with 📍 — and what a beautiful day it was. ✨🎨

A day filled with art, honest encounters, thoughtful conversations, and moments that reminded me why sharing art in person matters so much. 🤍

One of the paintings I brought with me carried a question I’ve been thinking about for a long time.
Originally, I wanted to exhibit it upside down. 🔄

Why?

Because the painting speaks about a world that often feels upside down to me — a world where we too quickly see skin color before we truly see the human being behind it. A world where people are still classified, judged, or placed into categories because of the hue of their skin.

In the end, I chose to hang it “the right way up.”

Maybe art should sometimes make us physically uncomfortable in order to make us reflect. 🌍

What do you think — should I have exhibited it upside down? 💭
I would love to hear your thoughts on this one.❤️🙏🏻

Study 98/100✅“What do you see first — the skin color or the person?”This piece lives in that uncomfortable pause before ...
14/05/2026

Study 98/100✅
“What do you see first — the skin color or the person?”

This piece lives in that uncomfortable pause before recognition.

The palette references the way skin is categorized, labeled, compared, and consumed visually before humanity is even considered. I wanted the face to emerge slowly from the surface — almost fighting its way out of abstraction.

The neon interruptions act like noise, tension, judgment, memory.
The swatches become more than color studies; they become a system.

Oil, charcoal, acrylic, and instinct.
Still learning. Still questioning.

It’s been quiet here for a while… but I’m still here. I‘m just so busy with other art projects…🌿I haven’t shared much la...
05/05/2026

It’s been quiet here for a while… but I’m still here. I‘m just so busy with other art projects…🌿

I haven’t shared much lately — not here, and not on my Etsy shop — but some things have still been moving in the background. ✨

A small update: All five paintings from my series “unfinished stories” have found their homes. 🤍

This series was dedicated to women whose lives were cut short by femicide — stories that were never allowed to be fully lived, held, and remembered through these works. 🕊️

Thank you for staying with me.❤️
More to come. 🌱

Adresse

Heide

Benachrichtigungen

Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von Paula Bisi Art erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.

Service Kontaktieren

Nachricht an Paula Bisi Art senden:

Verknüpfungen

Teilen

Kategorie