Errant Bodies

Errant Bodies Errant Bodies is an independent press and project space located in Berlin.

We're glad to share this new publication, with curator and artist Berit Fischer - on fluid composting.Conducted between ...
08/02/2026

We're glad to share this new publication, with curator and artist Berit Fischer - on fluid composting.

Conducted between 2022 and 2023, the conversation between Brandon LaBelle and Berit Fischer explores Fischer's pioneering work in creating embodied, transdisciplinary experiences. Fischer discusses her Radical Empathy Lab and the (Re-)Gaining Ecological Futures curriculum at Floating University Berlin, where she facilitates "affective encounters" grounded in alternative pedagogies and experiential knowledge production. Reframing empathy as "affective translation" Fischer articulates her vision of what she terms "energetic ecological citizenship"—a holistic knowledge formation engaging both body and mind.

Her post-representational curatorial and artistic approach emphasizes unmediated, embodied experiences that foster critical consciousness and interconnectedness, challenging anthropocentric worldviews. The interview also addresses Fischer's 2023 co-founding of the International Forum for Eco-Embodied Arts (IFEEA) and explores themes of technology, spirituality, and political love as agents for social and ecological transformation in an age of ecological crisis.

Complementing the interview the publication also includes an original essay by Fischer, which elaborates the notion of "fluid compos(t)ings" as a conceptual and practical methodology.

Available from les presses du reel: https://www.lespressesdureel.com/EN/ouvrage.php?id=12871&menu=0

Please join us on Thursday 5pm in celebrating the launch of Poetics of Listening: Inner Life, Social Transformation, Pla...
05/01/2026

Please join us on Thursday 5pm in celebrating the launch of Poetics of Listening: Inner Life, Social Transformation, Planetary Practices with Brandon LaBelle.

At the wonderful Anarres Book Café, Urtegata 39, Oslo

From self-determination to social participation, somatic healing to collective repair, political recognition to ecological engagement, listening is vitally influential in negotiating our most fundamental challenges. Poetics of Listening considers listening to be not only important to social struggles, but also a form of poetic imagination and communion. It moves listening toward a broader application and view, which includes the ability to listen across human and more-than-human worlds, to listen into or with one's body, or to listen out for futures to come as well as addressing unfinished histories, and it challenges us to think more broadly about what it means to hear and be heard within today's complex environments.

In addition, Brandon LaBelle and Manos Saklas will discuss the work of The Listening Biennial, and the recent publication The Listening Biennial Reader, vol. 2: Infralistening, elaborating on creative practices of listening within the arts today.

The Listening Biennial Reader, vol. 2: Infralistening, edited by Rebecca Collins and Brandon LaBelle, Errant Bodies Press, Berlin 2025. Including contributions from Miguel Buenrostro, Wanda Canton, Rebecca Collins, Henry Ivry, Nanna Hauge Kristensen, Brandon LaBelle, Margarida Mendes, Sara Mikolai, Mhamad Safa, Luísa Santos, James Webb. Photo: soundwalk with Clara Hancock, The Listening Biennial / Listen Gallery Glasgow 2023.

We are excited to launch the new 2nd volume of The Listening Biennial Reader on Saturday at 7pm. Editor Brandon LaBelle ...
14/10/2025

We are excited to launch the new 2nd volume of The Listening Biennial Reader on Saturday at 7pm. Editor Brandon LaBelle and contributing author Miguel Buenrostro will introduce the publication, and The Listening Biennial project, sharing insights into their critical and creative listening practices.

The publication is launched as part of The Listening Biennial 2025, currently active through October 26. It is edited by Rebecca Collins and Brandon LaBelle.

Including contributions from Miguel Buenrostro, Wanda Canton, Rebecca Collins, Henry Ivry, Nanna Hauge Kristensen, Brandon LaBelle, Margarida Mendes, Sara Mikolai, Mhamad Safa, Luísa Santos, James Webb.

Following an edition of The Listening Academy held in Bergen, Norway, the second volume of The Listening Biennial Reader brings together contributions from researchers, artists, educators and organizers involved in a range of pertinent initiatives and practices. Framing the publication is the concept of Infralistening which is put forward as a creative, critical methodology.

Infralistening is figured as a way of listening-into particular issues, histories, and urgent realities; it is a listening that comes up from below, that shadows certain territories, that wraps itself around sites and struggles, giving momentum to action and intervention. As the essays, interviews, projects and proposals presented in the Reader demonstrate, listening not only enables ways of building community, it moreover aids in fostering practices concerned with reworking dominant knowledge regimes: to foster transdisciplinary meeting points, holistic understandings, and forms of activism by way of an acoustic approach. This allows for critical arguments, engaged work, and poetic research in support of a vitalist, affirmative politics.
https://zabriskie.de/blogs/lesungen-und-prasentationen/the-listening-biennial-reader-vol-2-infralistening

We're looking forward to welcoming authors of the publication b for the birds Graeme Thomson and Silvia Maglioni (firefl...
05/09/2025

We're looking forward to welcoming authors of the publication b for the birds Graeme Thomson and Silvia Maglioni (firefly frequencies) for an informal conversation tonight at Ballhaus Ost - with Brandon LaBelle, they'll share thoughts on Third Listening and the possibility of a third form of Radio. Please join us for the special gathering as part of The Listening Biennial program.

https://listeningbiennial.net/articles/berlin-program-2025

Looking forward to welcoming Siestaria to the studio on Sunday, to dwell within their restful sounds.....
03/07/2025

Looking forward to welcoming Siestaria to the studio on Sunday, to dwell within their restful sounds.....

We look forward to being part of the Miss Read Pre-Fair Program, presenting our latest publication Epistemic Imaginaries...
04/06/2025

We look forward to being part of the Miss Read Pre-Fair Program, presenting our latest publication Epistemic Imaginaries – Learning as Festivity, on June 10 at 19:00, with Brandon LaBelle & Katía Truijen.

MISS READ RADIO × STATION OF COMMONS PRE-FAIR PROGRAM 2025

June 10–12, 2–10 PM, 2025
Miss Read Space
Gerichtstraße 45
13347 Berlin

Pre-Fair Party
Thursday, June 12, 7 PM
at Miss Read Space

Miss Read Radio × Station of Commons presents the pre-fair program at Miss Read Space in Wedding, Berlin. This three-day event features on-site workshops, presentations, publisher lectures, book launches, and sound art performances, streamed live on stationofcommons.org and missread.com/radio.

We'll be launching our new publication Errant Sound Reader – Thoughts and Practices from the Berlin Artist-Run Space, to...
10/05/2025

We'll be launching our new publication Errant Sound Reader – Thoughts and Practices from the Berlin Artist-Run Space, tomorrow at 18:00 at KUNSTPUNKT BERLIN – Raum für aktuelle Kunst. Schlegelstraße 6, 10115 Berlin / with an opening talk by Holger Schulze followed by live mixing with Golo Föllmer and Laura Mello.

Errant Sound Reader – Thoughts and Practices from the Berlin Artist-Run Space
Edited by Mario Asef, Golo Föllmer, Georg Klein, Brandon LaBelle
Published by Errant Bodies Press, Berlin

Errant Sound Reader brings together essays, interviews and documentation of projects by artists and researchers associated with Errant Sound, an artist-run space in Berlin. Since 2014, Errant Sound has been an active part of Berlin’s independent art scene, supporting work in sound art and experimental sonic practices. Over the years this has included a range of exhibition projects, performance events, discursive formats, and collaborative initiatives that investigate sound in diverse ways and through a variety of media. From spatial sound, interactive electronics and sonic sculpture to experimental voice, radio and performance practices, the publication offers critical insight onto creative methods and discourses central to the field of sound art.

With contributions by Mario Asef, Roberta Busechian,, Nico Daleman & Jutta Ravenna, Janine Eisenächer, Alessandra Eramo, Daniela Fromberg / Stefan Roigk, Golo Föllmer, Hanna Hartman, Georg Klein, Thom Kubli, Brandon LaBelle & Lílian Campesato, Laura Mello & Vanessa De Michelis, Kirsten Reese, Gerriet Sharma, Holger Schulze, Antje Vowinckel, Steffi Weismann, Georg Werner, Zorka Wollny, Jeremy Woodruff.

Thanks for the nice gathering at KIOSK in Rotterdam, sharing our latest publication Epistemic Imaginaries – Learning as ...
27/04/2025

Thanks for the nice gathering at KIOSK in Rotterdam, sharing our latest publication Epistemic Imaginaries – Learning as Festivity, with Katía Truijen, Zahra Malkani, amy pickles, Brandon LaBelle, and with many wonderful guests! and special thanks to Philippa Driest for the warm welcome!

We're glad to share news on this upcoming book launch for our new release, Epistemic Imaginaries: Learning as Festivity ...
13/04/2025

We're glad to share news on this upcoming book launch for our new release, Epistemic Imaginaries: Learning as Festivity at KIOSK Rotterdam
Friday April 25th, 17:00–19:00, KIOSK, Pieter de Raadtstraat 35A, Rotterdam
https://kioskrotterdam.com/

In celebration of the new publication Epistemic Imaginaries – Learning as Festivity, editors Brandon LaBelle and Katía Truijen host a launch gathering at KIOSK Rotterdam, with a conversation on experimental and alternative learning situations. They will be joined by some of the contributors to the book.

Epistemic Imaginaries brings attention to creative educational initiatives and how alternative learning situations work at reinventing community and related knowledge practices. Central to the publication is emphasizing such initiatives as grounded in festivity, appreciating how they support and celebrate new ways of being together. From feasting on ideas to hosting dissident knowledges, from blending individual and collective work, along with discursive and somatic methods, to growing sustainable knowledge environments and enacting care practices, alternative learning situations are underscored as vital interventions that equate learning with joy, affection and communal flourishing.

Comprised of essays, reflections, conversations and documentation from a range of international contributors and contexts, Epistemic Imaginaries is a celebration of the critical, experimental ethos central to doing-knowledge.

Including contributions from Dele Adeyemo, Suman Bhagchandani, Cláudio Bueno (Explode!), Gabrielle Civil, Nico Dockx and Laure Severac, Yim Sui Fong (The Rooftop Institute), Zahra Malkani and Shahana Rajani (Karachi LaJamia), Tabara Korka Ndiaye and Stéphane Verlet-Bottéro (School of Mutants), amy pickles (Varia), Akil Scafe-Smith (RESOLVE Collective) and Najia Bagi and Siegrun Salmanian (The Mosaic Rooms), Pelin Tan, Katía Truijen, Sveinung Unneland (Joy Forum) and Brandon LaBelle (The Pirate Academy).

More to follow on the release of the new book.

For the closing of the exhibition Notes from the hidden sphere by Oficina de Autonomia at Liebig12 Berlin, Octavio Camar...
31/01/2025

For the closing of the exhibition Notes from the hidden sphere by Oficina de Autonomia at Liebig12 Berlin, Octavio Camargo, Chiris Gomes, and Brandon LaBelle will be performing a live soundtrack to the video, The Ghost Party.

Octavio Camargo is a composer and theatre director from Curitiba, Brazil. He is also Professor of Composition and Aesthetics at the School of Music and Fine Arts of Parana since 1992. He has presented a number of performances of the Iliad, developing a unique approach to the work, including a 24-hour performance at the Festival de Curitiba in 2016.

Chiris Gomes is an actress and singer, working in Curitiba, Brazil. She has appeared in numerous theatrical productions and films, and is currently participating in supporting an emerging Deaf Theatre culture in Brazil.

Brandon LaBelle is an artist, writer and theorist working with sound culture, voice, and questions of agency. He develops and presents artistic projects and performances within a range of international contexts, often working collaboratively and in public. In collaboration with Octavio Camargo, he is active in the collective project Oficina de Autonomia.

Agustín Genoud will be performing this Saturday at Liebig12 in Berlin, producing a live soundtrack to the video, The Gho...
28/01/2025

Agustín Genoud will be performing this Saturday at Liebig12 in Berlin, producing a live soundtrack to the video, The Ghost Party, as part of the exhibition Notes from the hidden sphere, by Oficina de Autonomia (Brandon LaBelle / Octavio Camargo)

Agustín Genoud (1984 – Argentina, Baradero) Performer, musician and academic in the fields of contemporary voice and posthumanism. I build systems and design processes that expand and transform vocal production. I produce expanded voice techniques that modulate and interfere with the sounds humanly assigned to the vocal tract through machinic and animalistic gestures. I facilitate collective spaces such as workshops and practices on processes of dehumanization of the voice and vocal and sound deterritorialization.

We’re glad to announce this upcoming series of three workshops in collaboration with Liebig12, ,as part of the exhibitio...
15/01/2025

We’re glad to announce this upcoming series of three workshops in collaboration with Liebig12, ,as part of the exhibition Notes from the hidden sphere (location: Liebigstraße 12, 10247 Berlin)
https://liebig12.net/notes-from-the-hidden-sphere/

Workshops on Elemental*Experimental practices:
Monday, January 27th, 15:00 - 18:00: with Andreas Philoppopoulos-Mihalopoulos, on water and Hydrojustice

Tuesday January 28th, 15:00 - 18:00: with Brandon LaBelle, on air, breathing and sounded life

Thursday January 30th, 15:00 - 18:00: with ~pes (elizabeth gallón droste and pablo torres gómez), on earth, slow vibrations and the geophonic

*Please register by writing to: [email protected]

*
Monday, January 27th, 15:00 - 18:00
Andreas Philippopoulos-Mihalopoulos
On Hydrojustice: floating / swimming / diving

A session to explore aquatic horizontality and how it opposes to human verticality. Hydrojustice thinks of the globe and all its bodies (human and nonhuman) as mediated by water, and advocates that all political and legal decisions must be taken in relation to water. In this session, we will explore hydrojustice through readings of Andreas Philippopoulos-Mihalopoulos forthcoming book Hydrojustice as well as his poetic renderings of water as seen in his fictional works Book of Water and Our Distance Became Water, and through his artistic, performative practice. We will engage in somatic cognition exercises in relation to water and flow, and we will experiment with horizontality as a strategy of adaptation.
Andreas Philippopoulos-Mihalopoulos is an artist / academic / fiction author. His practice includes performance / legal theory / ecological pedagogy / lawscaping / performance lecture / video art / spatial justice / moving-poems / critical autopoiesis / online performance / radical ontologies / installation art / picpoetry / performance machines / fiction writing / sculpture / wavewriting / clay making / hydrotheory / painting / continental philosophy / posthumanism / anthropocenes. He is Professor of Law & Theory at the University of Westminster, and Director of The Westminster Law & Theory Lab. His academic books include the monographs Absent Environments (2007), Niklas Luhmann: Law, Justice, Society (2009), and Spatial Justice: Body Lawscape Atmosphere (2014). His fiction includes Book of Water (2022) and the novel Our Distance Became Water (2023). His art practice has been shown at Palais de Tokyo, the 58th Venice Art Biennale 2019, the 16th Venice Architecture Biennale 2016, the Tate Modern, among others.

Tuesday January 28th, 15:00 - 18:00
Brandon LaBelle
On air, breathing and sounded life

What is this invisible, seemingly immaterial thing called air? How to follow it, and to grasp the vital energy it contains and provides? We’ll delve into air, following the aerial dimension as what connects us in ever-complex ways. This includes the experience of breath as the very rhythm of embodied vibrancy, and how breathing is vulnerable to an increasing array of pollution, toxicity, infection. From planetary connection to feelings of interdependency, we’ll further experiment with air through the medium of sound, listening to the ways in which it moves air, traveling along its material, cultural and spiritual currents. To find in sound an elemental practice by which to elaborate the living.
Brandon LaBelle is an artist, writer and theorist living in Berlin. His work focuses on questions of agency, community, pirate culture, and poetics, which results in a range of collaborative and extra-institutional initiatives, including The Listening Biennial and Academy. In 1995 he founded Errant Bodies Press, an independent publishing project supporting work in sound art and studies, performance and poetics, artistic research and contemporary political thought. His publications include: Dreamtime X (2022), Acoustic Justice (2021), The Other Citizen (2020), Sonic Agency (2018), Lexicon of the Mouth (2014), among others.

Thursday January 30th, 15:00 - 18:00
~pes (elizabeth gallón droste and pablo torres gómez)
On Earth, Slow Vibrations & the Geophonic

The workshop delves into the subtle and often imperceptible frequencies of the environment. Through discussions on infrasound and its planetary sources, the human perception of these vibrations, and the role of modern technologies like geophones, duo ~pes invites participants to engage with listening beyond the otocentric—where our bodies may become viscous antennas attuned to the earthly, multiple interwoven temporalities. Guided exercises will integrate bodily sensing, movement, and possible infrasound transduction modes, transforming matter into a resonant network of interactions.
~pes is a collaborative artistic research process between bogotá-born and berlin-based elizabeth gallón droste and pablo torres gómez. Through site-specific investigation, ~pes evokes multimodal encounters with the interspecific weave we are part of, enacting partial encounters with divergent temporalities and beings in processes of becoming.

Adresse

Friedrichshain

Benachrichtigungen

Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von Errant Bodies erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.

Service Kontaktieren

Nachricht an Errant Bodies senden:

Teilen

Kategorie