Gabriel Gauvain

Gabriel Gauvain Gabriel Gauvain An idea that is free, independent, abstract, universal, and absolute is called pure thought. There is no object of knowledge behind an idea.

Such thoughts have no limitations and exist independently of space and time. Ideas have nothing comparable to a tangibled existence in reality. The word idea simply denotes a mental conception that exists completely detached from concrete reality. Everyone can have different ideas about anything because we are born thinkers. We cannot think unless we first imagine. "The ideas in the platonic sense

are not brilliant figures, tied up like concepts, but rather a little shaky waste on a vague ground." Gabriel Gauvain. Gabriel Gauvain presents the material not as that which serves, but as something independent, abstract and universal, the absolute matter manifested in its glory. Even if meaning emerges from the canvas: the pen and the paint remain “things” of nothing that cannot be resolved by any subsequent meaning. Making the matter appear as fact, paper or canvas are direct components from which the works are created in a sculptor's manner. These are the gestures with which Gabriel Gauvain spells matter, they are works in which matter unfolds into shape, a statement in fact. Gabriel Gauvain scribbles the canvas with a tangle of lines and stains, he stretches it as if to intervene with his fingers, until the matter reveals its essence and gives us the certainty of its name: this is pen... in the relaxed guidance of gestures lies something different, maybe an alternative or even the higher truth of things. Gabriel Gauvain' s art is also an art of writing and signs, it draws on the pool of calligraphy, in which concepts in their universal idea seem to dissolve in the fleetingness of grasping and letting go. Why mythology is central to Gabriel Gauvain and what role it plays in the creative process, the mirror image as the totality of human thought, it is the 'imagination', the idea as an experience in the current moment, the human being at the center and the breath of this setting and the main character in the battle between the worlds. Morpheus is depicted with two faces - both asleep and awake, representing either the Dreamtime or real life. Thinking refers to ideas or beliefs that are expressed through language to convey some type of meaning or purpose. Aristotle believed that humans are capable of reasoning, learning, and knowing things, so thinking was his concept of knowledge. The Latin word pensare means "to consider," "to consider," or "to consider." The first written account referring to pure thought comes from Plato in 428 BC. Morpheus, whose name comes directly from Latin and means "dream", is associated with the concept of dreaming. His character represents the unconscious self.

“The ideas in the platonic sense are not conceptual concepts, but rather a little shaky on indeterminate ground.” Richard Bartes. Member of the BBK. Diploma from the htk art academy, diploma from the hda college for design. Doctoral thesis on aesthetic theory. Art Development Lecturer. Contact: [email protected] | is defined as a form and style. develop and present.

GABRIEL GAUVAINContemporary Art / GegenwartskunstAbstract / Abstract Expressionism / InformalInfluences: Philip Guston, ...
26/07/2022

GABRIEL GAUVAIN
Contemporary Art / Gegenwartskunst
Abstract / Abstract Expressionism / Informal

Influences: Philip Guston, Hans Hartung,
Cy Twombley, Joan Mitchell.

Inspired by philosophy, mythology and literature.

WHO AM I? EVEN IF MEANING EMERGES FROM THE CANVAS: THE PEN AND THE PAINT REMAIN "THINGS", THE PERSISTENCE OF NOTHING (NO SUBSEQUENT MEANING) TO BE RESOLVED.

"THE IDEAS IN THE PLATONIC SENSE ARE NOT CONCEPTUAL CONCEPTS, BUT RATHER A LITTLE SHAKY ON INDETERMINATE GROUND.” RICHARD BARTES.

I’M HAPPY TO TALK - FOR GENERAL ENQUIRIES, PRESS RELEASES, WORKING TOGETHER OR IF YOU WANT TO GRAB A LATTE IN NUREMBERG, JUST HIT ME UP AT: GABRIEL GAUVAIN, The form of freedom, Painter / Object Artist. GERMANY.

Material: 300G/M2 / PaperFramed: Natural WengeMedium: Oil-wax mixtureDimension: 29 x 42, Depth 2 cmCategory: Drawing - P...
23/07/2022

Material: 300G/M2 / Paper
Framed: Natural Wenge
Medium: Oil-wax mixture
Dimension: 29 x 42, Depth 2 cm
Category: Drawing - Painting
Subject: Abstract / Abstract Expressionism
Styles: Contemporary Art / Gegenwartskunst
Signature: Back

Date: 2022


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I’M HAPPY TO TALK - FOR GENERAL ENQUIRIES, PRESS RELEASES, WORKING TOGETHER OR IF YOU WANT TO GRAB A LATTE IN NUREMBERG, JUST HIT ME UP AT: GABRIEL GAUVAIN, GERMANY.

23/07/2022

GABRIEL GAUVAIN
Contemporary Art / Gegenwartskunst
Abstract / Abstract Expressionism

WHO AM I? EVEN IF MEANING EMERGES FROM THE CANVAS: THE PEN AND THE PAINT REMAIN "THINGS", THE PERSISTENCE OF NOTHING (NO SUBSEQUENT MEANING) TO BE RESOLVED.

"THE IDEAS IN THE PLATONIC SENSE ARE NOT CONCEPTUAL CONCEPTS, BUT RATHER A LITTLE SHAKY ON INDETERMINATE GROUND.” RICHARD BARTES.

I’M HAPPY TO TALK - FOR GENERAL ENQUIRIES, PRESS RELEASES, WORKING TOGETHER OR IF YOU WANT TO GRAB A LATTE IN NUREMBERG, JUST HIT ME UP AT: GABRIEL GAUVAIN, GERMANY.

The painting "Death in Venice" by Gabriel Gauvain was created between 2021 and 2022 and was painted in an oil and wax mi...
22/07/2022

The painting "Death in Venice" by Gabriel Gauvain was created between 2021 and 2022 and was painted in an oil and wax mixture on canvas. The painting, which is owned by the artist in Nuremberg, can be assigned to the style of the abstract and the epoch to the "contemporary art". Richard Bartes

Das Gemälde “Der Tod in Venedig“ von Gabriel Gauvain entstand zwischen 2021 und 2022 und wurde in einer Öl-Wachsmischung auf Leinwand gemalt. Das Gemälde, das sich im Besitz des Künstlers in Nürnberg befindet, lässt sich dem Stil nach der Abstrakten und der Epoche nach der „Zeitgenössischen Kunst“ zuordnen. Richard Bartes

Material: Canvas
Medium: Oil-wax mixture
Dimension: 100 x 80, Depth 3 cm
Category: Drawing - Painting
Subject: Abstract
Styles: Contemporary Art
Signature: Back

Date: 2022 / NFT - Not Available


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Member of the BBK,htk academy, college for design, thesis on aesthetic theory. Art Development Lecturer.
Contact: [email protected] |
GABRIEL GAUVAIN is a registered trademark.

"I was standing next to Visconti when this blond boy walked in, you could almost see Visconti's whole body come to life ...
20/07/2022

"I was standing next to Visconti when this blond boy walked in, you could almost see Visconti's whole body come to life — he had a special vibe, he seemed fragile, on screen it's wonderful."
MARGERETA KRANTZ / Casting director of Death in Venice 1971 , October 8, 2021.

NOW THE TIME HAS COME! After a long development phase, my HOMEPAGE gabrielgauvain.art is ONLINE! I would like to thank t...
09/07/2022

NOW THE TIME HAS COME! After a long development phase, my HOMEPAGE gabrielgauvain.art is ONLINE! I would like to thank the collector and my good friend Richard Bartes in advance for the extraordinary contributions and wish everyone a lot of fun with my future contributions.

NUN IST ES SOWEIT! Nach einer langen Entwicklungsphase ist meine HOMEPAGE gabrielgauvain.art ONLINE! Ich danke im voraus dem Sammler und meinem guten Freund Richard Bartes für die außergewöhnlichen Beiträge und wünsche allen viel Freude bei meinen zukünftigen Beiträgen.

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