Janovsky mastering Büro

Janovsky mastering Büro PROFESSIONAL AUDIO MASTERING.

Exceptionally manual control of the dynamic range and saturation, so that the life of the mix is preserved and its macrodynamics and transient information.

Design competition. Searching of decisions. Create beautiful things. 🔎💙
16/11/2022

Design competition. Searching of decisions. Create beautiful things. 🔎💙

When the excess is removed from the setup, the process becomes easier :).I decided to share the latest updates, because ...
05/03/2022

When the excess is removed from the setup, the process becomes easier :).
I decided to share the latest updates, because among the subscribers there are a bit of audiophiles and people who appreciate good sound and listening environment. So this post is not only about "pro" audio, the info can also be useful for those who like to listen to music in their living rooms for example, which means floor or table speakers 6-8 inches (without a subwoofer).
So recently I changed the desktop - now it's really small)) and minimally affects the sound in the room. The monitor stands were also replaced and the previous diffusers turned out to be no longer suitable (I will write a post about why I decided to move more towards diffusers rather than absorbers for my room). Actually, both the previous and the current solution are extremely primitive, but in my not ideal room this simple method also works very noticeably, namely two chipboard boards located at an angle (it’s worth experimenting on your own here) near the back wall behind the speakers, the effect is especially noticeable on phase inverter audio systems.
If you try to express the meaning in a nutshell, then physics dominates here, diffusers are designed not to absorb excess energy from the phase inverter, but to dissipate, and this is not bad idea if your room is not too small. Playing with the balance of dispersion and absorption allows you to become a master in the field of listening to music in different acoustic conditions. Once you have mastered this art, you will always be able to provide an acceptable listening environment in any more or less tolerable circumstances.
My 22 year old unbiased nephew participated in my last test)). He is impartial, listens to music in different genres, is not an audio engineer. I put him at the listening point, turned on the Mark Heaney album - there is a fairly clear, dense and distinct picture in the lower spectrum. While my nephew was listening to the same track in a circle, I walked between the monitors and either put or removed my non-tricky diffusers, let me remind you that they stand at a certain angle due to the best, purely physical dispersion parameters. Then we switched places.
What we heard is that the bass is of course less reflected off the surfaces and becomes more collected and focused, it does not become less (once again, this is not absorption), but the picture below acquires significantly better detail and overall bass composure, without ambition to audio surgery. But with enough listening experience and confidence in your abilities, it's enough to significantly improve the acoustic conditions in your living room or studio, which can require a number of compromises. My new diffusers are much higher than the previous ones, as a result of which the angle of inclination is less sharp than before, which did not critically affect the reproduction and taming of the remnants of fluttering bass. I will continue small experiments that make life easier not only for us, audio engineers, but also for connoisseurs of music and a good reproducing system. All the best, I will be happy to answer any clarifying questions. I wish you all more good music and enjoyment from it. 🎶🎧

❗English subtitles available❗One very simple life hack to make sure that your monitors are broadcastable in the low freq...
14/02/2022

❗English subtitles available❗

One very simple life hack to make sure that your monitors are broadcastable in the low frequencies.
I emphasize that this is not a panacea and not a ready-made, complex solution, but only one of the quick ways to check the performance of your speakers in the low end. In general terms, you should clearly hear the filter at various settings.
Ask questions, I'm interested in sharing experiences :).
I will try to make videos like this more often, especially if there is feedback;).
Bye bye, have a nice day everyone🖐️

#миксинг #мастеринг #гудитбас

Один очень простой лайфхак, позволяющий убедиться в приемлемой транслируемости ваших мониторов в области низких частот.Подчеркну, что это не панацея и не гот...

Release, clamp, lower, squeeze, smoothly, gently, vari MU!
19/11/2021

Release, clamp, lower, squeeze, smoothly, gently, vari MU!

Friends, you often contact me with a question about stem mastering, do I do it or I do exclusively stereo mixes... The a...
29/10/2021

Friends, you often contact me with a question about stem mastering, do I do it or I do exclusively stereo mixes... The answer is yes, this option is possible. So if for some reason this format is more convenient for you, I am open to look even deeper into your mixes. You can ask more detailed questions and get detailed answers in DM.
Enjoy your time 👌🎼.

5,6,3 or 2 db of headroom?Today I'll tell you a little about "headroom". From time to time you can find such requirement...
01/09/2021

5,6,3 or 2 db of headroom?

Today I'll tell you a little about "headroom". From time to time you can find such requirements for the file sent to the mastering engineer: please leave the headroom 5-6 db. Do you know where these 5-6 db of headroom values come from? They came from a lot of mixes with errors in balance and frequency spectrum, sent to mastering engineers. And headroom for example at 5! db simply allows the engineer to carry out the sometimes necessary manipulations to save the mix - thus the engineer has the opportunity to radically intervene in the mix, for example with an EQ, and produce an imbalance in the spectrum in the required direction.
I hope you understand that this is a problem and the compromise is still far from perfect. In fact, none of us as specialists would like to see this become common practice, although this has happened a long time ago. A really good mix does not require a headroom of more than 2-3 db, this is enough to glue the mix with a compressor, take the peaks, emphasize the nuances with an EQ and that's it! This is really enough.

However, of course there is no prohibition on the 5 - 6 db headroom 🙂, if you are used to leaving such a margin and at the same time making good mixes, this is not a problem in itself.

If this information was useful or interesting to you, I am very happy 🙂. And I will continue here from time to time to talk about the peculiarities of my work and preferences in equipment and software.

Have a nice day and great mixes! ;=)

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