Galerie Julian Sander is the eponymously named gallery of 2nd generation gallerist and 4th generation photographer Julian Sander.
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The #first #picture is on the wall. A dyetransfer print by #BillChristenberry from way back.
Bill was legend. As a child I used to play in his studio on Connecticut Ave. in DC when there was business going in in the #SanderGallery across the way. Bill was such a gentle inquisitive man.
My staff picked this picture for their view when they leave their office. Great choice!
#gjsmoves #gallerylife #art #love #time
The #ravenwings that commemorate my father in the #gerdsanderlibrary
One step closer to being finished. January 2022 we will have our first show and the Library will be Open and ready for visitors.
Some things just take time. The new Galerie Julian Sander is to be a place to engage with art and culture in the broadest sense. That being the goal we are taking the time to make the space right.
Christmas is close and we can all use the time to get together with what is really important, our loved ones. We are here at the new location and are working to be ready.
In January 2022 we will host our first exhibition in the new space. Stay tuned for what the show will be.
Until then we hope that all of you stay healthy and happy.
#gjsmoves #newfigs #digitalart #photography #gallerylife #galeriejuliansander #juliansandergallery #juliansander #exhibitionnews
We are almost done. Stay tuned for news about our first exhibition in our new space.
#gjsmoves #gallerylife #gutreno #juliansaneergallery
August Sander worked during a time of dramatic social change. The Zeitgeist led to thinkers like Nietzsche and Jung. The discussions around industrialization, socialism and communism were happening. Electricity, telephones, I’d cards with pictures all became more common in his lifetime.
His search for the archetype was at the highest level of artistic abstraction. A search for the hero in every narrative of every day life.
#augustsander #nietzsche #jung #abstractart #abstraction #photography #art
#nft is basically a digital certificate that gives the owner the right to sell or resell the asset associated with it.
In the case of a purely digital artwork the owner of the NFT is the one who can make money with it. Sort of like the Banana with Duct tape. Anyone can tape a piece of fruit to their wall. Only 3 people can sell the certificate that says they have the right to tape said fruit.
The single best reason to adopt the use of NFTs in the art world is their use as a vehicle to give artists access to resale shares. The caveat is that smart contracts must remain within legal terms as they cannot be changed after the fact. They are programs, and programs require binary answers to assertions.
#nft #gallerylife #blockchain #digitalart #bravenewworld #art #artist
#order and #chaos the first small step in unpacking the 1000’s of books that are the #gerdsanderlibrary
#gjsmoves #gallerylife #suedstadt #chlodwigplatz #juliansandergalerie
#johncohen #gerdsander #elfriedestegemeyer in the #viewingroom of the new #space on #Bonnerstr82
It’s a wrap!! What a great show, great guests, great collectors and some old friends. Thanks to @_daniel_hug and the @artcolognefair Team for an excellent show despite the ongoing challenges. See you all soon in our new space near #chlodwigplatz in the #koelnersuedstadt on Bonner Straße 82, 50677 Cologne.
@oliverabraham2.0 came by the booth 11.2 C22 today to have a look at the works of @shemmerle @chrisleedalton and @alfredosrur . All artists we represent.
Come visit us @artcolognefair with works by Sean Hemmerle @shemmerle , Alfredo Srur @alfredosrur and Chris Lee Dalton @chrisleedalton
We are located on the upper floor stand C22
Halle 11.2 Stand C22
Gerd went often with his Opa to photograph landscapes in the time he lived with them after WW2. There was a shot that August was looking to capture. Gerd and August went, on a motorcycle, to the same spot day after day. They set up the camera, framed the shot and waited.
At some point the young Gerd asked “Opa, why don’t you take the picture?” August responded by saying: “The clouds aren’t right.”
The fact that he explained it to his grandson is so very key. It is a respect for the completeness of the child. This understanding is why August Sanders work is so very important, now more than ever.
So, happy birthday great-grandfather.
Gerd went often with his Opa to photograph landscapes in the time he lived with them after WW2. There was a shot that August was looking to capture. Gerd and August went, on a motorcycle, to the same spot day after day. They set up the camera, framed the shot and waited.
At some point the young Gerd asked “Opa, why don’t you take the picture?” August responded by saying: “The clouds aren’t right.”
The fact that he explained it to his grandson is so very key. It is a respect for the completeness of the child. This understanding is why August Sanders work is so very important, now more than ever.
So, happy birthday great-grandfather.
@artcolognefair is now open for preview guests.
We are showing works by our gallery artists Sean Hemmerle and Alfredo Srur as well as a new member of our artist roster Chris Lee. Please come visit and discover the continued excellence of our artists as well as the work of Chris Lee which has never been shown in Europe before.
@chrisleedalton
@alfredosrur
@shemmerle
#galeriejuliansander #gallerylife #artcologne2021 #newart #nycartists @thegeepee
We will be showing an artist that I met via Social Media at ART Cologne this week along side some old friends. His name is Chris Lee Dalton. An American artist with his finger on the pulse of the American experience. He is joined by my dear friends Alfredo Srur and Sean Hemmerle. You can find us at 11.2 C22 @artcolognefair @chrisleedalton @alfredosrur @shemmerle #artcologne #gallerylife #juliansandergallery #artcologne #artcologne2021
Bye, and thanks for the apple.
Bye, and thanks for the apple.
A portrait of a camera. Lisette Model always said that the Camera asks questions.
This picture, which is the only print in existence of this negative, was printed by my father in 1980‘s during the time when my dad was doing darkroom work for Lisette. He told me that he found the negative in her archives and made the print. He then showed it to Lisette and asked if he could print more. She declined, but said he could keep the one print.
For me this is a picture of a camera. A tripod with the most important part of the camera, a human eye. It is another example of my fathers deep understanding of visual language.
Lisette Model
Paris
Gelatin Silver Print by Gerd Sander
51 x 41.50 cm
Raking light used to show 2 different dimensions of a group of Thumbtacks. This photogramm by Claude Tolmer is an example of how Tolmer used the photographic medium as a toolkit to draw with light.
Tolmer comes from the House Tolmer of Parisian fame. It was the preeminent graphic design studio in Paris before WW2. Claude Tolmer was searching for ways to create new renderings of ideas for his graphic design work.
At some point years ago dad told me he had sold this picture. It was even marked as sold in his database. Then when I visited him about 2 years ago I see it laying on his table. Turns out is marked it as sold but actually meant NFS. That brought a whole new level of difficulty in using his data when I started to take over his inventory. Uff… dad was a pencil and paper dealer. And he had his mysterious ways.
Claude Tolmer
Thumbtacks, ca. 1930
Gelatin silver print
15 x 10 cm
Music has played a role in every generation of the Sander Family. August was a lute player. Gunther was a chello player. Gerd was a drummer. I am a guitarist.
Dad and I agreed that there is a special bond between music and photography. Both are dependent on time.
And then there is humor. And this Lein Levinstein is just plain funny. Dad bought this through Howard Greenberg who is another of the old school dealer and friend.
And hanging this beside Kerouac was just plain fun.
Leon Levinstein
Untitled (Tattooed man playing the recorder)
Vintage gelatin silver print
34 x 26.20 cm
@howardgreenberggallery @hggparis
If we stop having fun in this job then what’s the point?! This group comes in part from Gerd Sanders collection of artist portraits and his collection of pictures about the artist and model. On the left we see a triptych of Magritte with his dog. Then we see Derain in his studio with his model in the background. This is followed by Addy who was Man-Rays muse. And finally an picture of a model as seen by the artist (vo**ur).
Dad and I had a lot of fun telling stories with pictures. We always said that the curation is a form of story telling. The pictures are words or phrases, the curation is the poetry. That is why I do not put expensive beside affordable art.
I tell stories.
Marcel Marïen
Magritte with Dog, 1946
Gelatin silver print
9.6 x 3.7 cm
(Otto Maximilian Umbehr) Umbo
Portrait of Derain, 1928
Gelatin silver print
23.60 x 13.70 cm
(Alfred Otto Wolfgang Schulze) Wols
Addy, ca. 1937
Gelatin silver print
24.30 x 18 cm
A. Anonymous
Mon petit Courbet, ca. 1950/58 MX Seite 180
1:1 Photographic Print
10.20 x 9.8 cm
If we stop having fun in this job then what’s the point?! This group comes in part from Gerd Sanders collection of artist portraits and his collection of pictures about the artist and model. On the left we see a triptych of Magritte with his dog. Then we see Derain in his studio with his model in the background. This is followed by Addy who was Man-Rays muse. And finally an picture of a model as seen by the artist (vo**ur).
Dad and I had a lot of fun telling stories with pictures. We always said that the curation is a form of story telling. The pictures are words or phrases, the curation is the poetry. That is why I do not put expensive beside affordable art.
I tell stories.
Marcel Marïen
Magritte with Dog, 1946
Gelatin silver print
9.6 x 3.7 cm
(Otto Maximilian Umbehr) Umbo
Portrait of Derain, 1928
Gelatin silver print
23.60 x 13.70 cm
(Alfred Otto Wolfgang Schulze) Wols
Addy, ca. 1937
Gelatin silver print
24.30 x 18 cm
A. Anonymous
Mon petit Courbet, ca. 1950/58 MX Seite 180
1:1 Photographic Print
10.20 x 9.8 cm
Chargi (Chargesheimer) was my fathers big brother from a different mother. He was an extraordinary artist for whom both my dad and I have worked extensively to bring his work to a larger audience.
This picture is a great example of how very precise and controlled Chargesheimer was. The process required to make this image was first to develop the print and then chemically reverse the exposure on certain part of the image. In this specific case the de-exposure is so organic as to appear that the negative looked like this. The sign of an absolute master who used his skill in service of the image.
There is a show of camera less work at Tom Gitterman’s Gallery if you are in NYC. Tom is a great friend and colleague who is also passionate about Chargesheimer.
(Hargesheimer, Karl-Heinz) Chargesheimer
Night out Woman
Gelatin silver print
23 x 16.80 cm
@gittermangallery #chargesheimer #gerdsander
When I was young my dad used to give my brother and I boxes of pictures to look through. He would tell us to pick the one, single, best picture in the box. No names, no prices, no other information. We would look and filter, and then choose. This was a key lesson in photography, and art in general. We were learning to see and read the content of the works.
This picture by Frasnay was one that my dad and I discussed a couple of times. It is a portrait of the art world in a way. A marionette behind a mask. Such a simple image that bears such a strong message.
I placed it beside the portrait that Oliver Abraham made in February 2020 right around the time of my fathers last exhibition.
Daniel Frasnay
Marionette
Gelatin silver print
37.50 x 50 cm
Oliver Abraham
Gerd and Julian Sander
Gelatin silver print
30.5 x 23.9 cm
Number 1 of 3
@oliverabraham2.0
Some of the pictures my dad collected were imbued with particular meaning. This group I put together to help frame the vanitas by Josef Sudek.
The picture was one dad spent years looking for. He finally found it through Johannes Faber. Johannes is on old colleague and friend. My father cherished that print deeply.
The group consists of:
Jean Paul Belmondo, ca. 1956
Gelatin silver print
40 x 30 cm
Marcel Broodthaers
Marcel von Maele, le Poète, 1967
Collage
15.80 x 23.30 cm
Josef Sudek
Portrait of a King, 1968
Gelatin silver print
23.50 x 29.50 cm
Gerard Fieret
Self-Portrait (bearded, wearing cap) 1960'
Gelatin silver print
17.80 x 23.90 in
@galeriejohannesfaber #gerdsander @parisphotofair
Larry Fink was one of the artists my father showed at his gallery from very early on. Well known for his incisive work as a photographer of social movements and flows he was a fixed figure in my youth. Larry visited my father the last time he was in Europe which made my father very happy.
Dad lived people. He was very true and faithful. His friendships lasted a lifetime. This was the case with Larry as with many others.
This picture shows a party in NYC in the 1970s. A truly vintage print which we have had for a great long
Larry Fink
Untitled, 1977
Vintage Gelatin silver print
23.20 x 23.20 cm
@larryfinkphoto @parisphotofair stand C11
The collection of my father Gerd Sander (1940-2021) was a photographers collection. He was born into a family of photographers. He loved the medium for what it was and how it worked. And he particularly loved photos that had a history, and signs thereof.
A case in point is this Weegee which shows a rent party in NYC. This picture speaks to the ideal that there can be social equality, that we can get along. The condition, which dad referred to as "Weegee Condition" is a testament to the fact that this picture was important to the artist. He loved it. He lived with it. It shows.
(Felling, Arthur) Weegee
Rent Party in Greenwich Village, ca. 1950
27.00 x 33.50 cm
Gelatine silver print
@galeriejuliansander @parisphotofair #gerdsander #C11
Galerie Julian Sander updated their phone number.
Galerie Julian Sander updated their address.
#details #gjsmoves the #mysterious #skylight
Nach fünf Jahren am #Neumarkt in Köln werden wir in den Kölner Süden umsiedeln um die wachsende Tätigkeit der #GalerieJulianSander gerecht zu werden. Sie erreichen uns dort ab Mitte November an die Haltestellen #Chlodwigplatz oder #Bonner-Wall
After 5 years at the Neumark in Cologne we are moving to a new and larger space to keep up with the expanding activity of the gallery. Take the #VRS to Chlodwigplatz or Bonner-Wall.
Nach fünf Jahren am #Neumarkt in Köln werden wir in den Kölner Süden umsiedeln um die wachsende Tätigkeit der #GalerieJulianSander gerecht zu werden. Sie erreichen uns dort ab Mitte November an die Haltestellen #Chlodwigplatz oder #Bonner-Wall
After 5 years at the Neumark in Cologne we are moving to a new and larger space to keep up with the expanding activity of the gallery. Take the #VRS to Chlodwigplatz or Bonner-Wall.
Unser Neue Addresse ist:
Bonner Str. 82
50677 Köln
#gjsmoves #newdig #gallerylife #juliansandergallery
Unser Neue Addresse ist:
Bonner Str. 82
50677 Köln
#gjsmoves #newdig #gallerylife #juliansandergallery
Bonner Straße
Cologne
50667
| Dienstag | 12:00 - 18:00 |
| Mittwoch | 12:00 - 18:00 |
| Donnerstag | 12:00 - 18:00 |
| Freitag | 12:00 - 18:00 |
A gallery for modern and contemporary art with a focus on photography.
Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von Galerie Julian Sander erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.
Nachricht an Galerie Julian Sander senden:
Chargesheimer (Man screaming,'), ca. 1957 40.00 x 30.00 cm Gelatin silver print ca. 1957 €4.500,00 Price valid until 28.Nov 2020 https://bit.ly/33Uo2Vu
A brief video walkthrough of the current exhibition. Let us know if anything tickles your fancy.
#brocant is open again. I am here in the gallery until 18:00 today. #staysafe
A #Chargesheimer #meditation #mill that was given to #GerdSander back when no one understood what these #kineticsculpture s were.
#facts with works by #ariawatson #seanhemmerle and #joryhull on view at our new gallery space until June 24 @galeriejuliansander
ALFREDO SRUR in Berlin #EuropeanMonthOfPhotography Noch bis 29. Oktober in der Torstr. 161 Fotos: (c) Ingo Mende, Berlin
The Short Story of the gallery founded by the great-grandson of August Sander.
Galerie Julian Sander, formerly FEROZ Galerie, was founded in 2009 by Julian Sander, the son of esteemed gallery owner Gerd Sander. Showing a range of photography from the 19th century through the 21st century, the Galerie Julian Sander aesthetic is defined by the daring eye of a fourth generation photographer, and second generation gallerist in the market of photography. The gallery presents both emerging artists as well as established photographers, maintaining a schedule of 4-5 internal exhibitions per year, as well as international exhibitions with partner galleries, museums and other cultural institutions.
Galerie Julian Sander co-represents the Family Collection of August Sander together with Hauser & Wirth, in addition to the work of contemporary master photographers Sean Hemmerle, Jory Hull and Alfredo Srur.
James Joyce Irish Pub Köln - Bonner Straße 39
Bonner Straße 39K11 - Boulderhalle in Köln Süd
Kyllstraße 11
Thomas Rehbein Galerie : Koeln
Aachener Straße 5
Miriam Wolff | Friseur + Kunstraum
Am Weidenbach 39
Landmann-31 - Eine ART Passage
Landmannstrasse 31
Tigres-Silk Tai-Chi Anzüge und mehr / Rani Ka
Rolandswerther Strasse 14