
23/01/2023
ZOOM IN
Julia Whitney Barnes
Nocturnal Nature (Poppies, Bleeding Hearts,
Violet, Pollinators, Moon), 2022
Watercolor, Gouache and Cyanotype on Fabriano
Watercolor Paper
55.00 x 76.75 cm
7.200 EUR Incl. 19% VAT
Galerie Julian Sander is the eponymously named gallery of 2nd generation gallerist and 4th generatio
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ZOOM IN
Julia Whitney Barnes
Nocturnal Nature (Poppies, Bleeding Hearts,
Violet, Pollinators, Moon), 2022
Watercolor, Gouache and Cyanotype on Fabriano
Watercolor Paper
55.00 x 76.75 cm
7.200 EUR Incl. 19% VAT
ZOOM IN
Julia Whitney Barnes
Nocturnal Nature (Poppy, Bleeding Heart, Magnolia, Iris, Columbines, Fern), 2022
watercolor, ink, gouache and cyanotype on watercolor paper
35.50 x 27.75 cm
2.400 EUR incl. 19% VAT
ZOOM IN
Julia Whitney Barnes
Nocturnal Nature (Leaves, Red Hibiscus, Rose of Sharon), 2020
watercolor, ink, gouache and cyanotype on watercolor paper
27.75 x 35.50 cm
2.400 EUR Incl. 19% VAT
ZOOM IN
Julia Whitney Barnes
Nocturnal Nature (Bleeding Hearts, Anemones, Forget Me Nots, Ferns, Pollinators), 2022
Watercolor, gouache, India ink and cyanotype on Arches Cotton paper
81.25 x 66.50 cm
9.800 EUR incl. 19% VAT
ZOOM IN
Julia Whitney Barnes
Luminous Nature (Anemones, Cosmos, Poppies, Morning Glories), 2022
Watercolor, Gouache and Cyanotype on Fabriano Watercolor Paper
76.75 x 55.50 cm
10.500 EUR incl. 19% VAT
ZOOM IN
Julia Whitney Barnes
Floating Herbarium (Ferns, Monstera, Wild Ginger, Geranium, etc), 2022
Watercolor, gouache, India ink and cyanotype on Arches Platine paper
75.50 x 113.00 cm
10.500 EUR incl. 19% VAT
ZOOM IN
Julia Whitney Barnes
Luminous Nature (Dogwood, Iris, Forget Me Not, Fern, Violet, Poppy, etc), 2022
Watercolor, Gouache and Cyanotype on Fabriano Watercolor Paper
55.00 x 76.75 cm
10.500 EUR incl. 19% VAT
ZOOM IN
Julia Whitney Barnes
"Nocturnal Nature (Ferns, Daisy, Hibiscus, Poppy, etc), 2022
watercolor, ink, gouache and cyanotype on watercolor paper
35.50 x 27.75 cm
2.400 EUR incl. 19% VAT
PREVIEW 2023
We are happy to share our scheduled program for 2023 with you!
Stay tuned and follow us on social media for updates.
#2023
ZOOM IN
Julia Whitney Barnes
Nocturnal Nature (Poppies, Fern, Hummingbird), 2022
watercolor, ink, gouache and cyanotype on watercolor paper
35.50 x 27.75 cm
2.400 EUR incl. 19% VAT
The Team of Galerie Julian Sander wishes you all a happy New Year.
Thank you all for your support and interest in our program.
We look forward to the exciting year 2023 with new projects and exhibitions - Stay Tuned!
Image:
Larry Fink
New Years Private Party, NYC, 1978
#1978 #2023
* Merry Christmas *
The Team of Galerie Julian Sander wishes you all a cozy Merry Christmas!
image:
August Sander, Niederrhein-Köln
© Die Photographische Sammlung/
SK Stiftung Kultur – August Sander
Archiv, Köln: VG Bild-Kunst, Bonn, 2022.
ADVENTSKALENDER
Oliver Abraham
Trevor Paglen, artist, geographer, 2015
Baryt
80×60 cm
Edition of 6
Trevor Paglen
ist ein Künstler, dessen Arbeit Bildschaffende Künste, Bildhauerei, investigativen Journalismus, Schreiben, Ingenieurwesen und zahlreiche andere Disziplinen umfasst. Zu seinen wichtigsten Anliegen gehört es, den historischen Moment, in dem wir leben, zu sehen und Möglichkeiten für alternative Zukunftsformen zu entwickeln. Er arbeitete mit der Filmemacherin Laura Poitras an der Snowden-Dokumentation Citizen Four, die 2015 mit einem Oscar ausgezeichnet wurde. Mit Jacob Applebaum arbeitete er an einem Kunstwerk Namens Autonomy Cube.
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ADVENTSKALENDER
Jory Hull
Untitled (June 30, 2017)
Digital Chromogenic Print
21.5×21.5 cm
ADVENTSKALENDER
JOSEF SUDEK
Nuts and leaves still life, 1953
Gelatin silver print
22.7×27.8 cm
ADVENTSKALENDER
Peter Keetman
Drakenstein, 1959
Gelatin silver print
32.5×29 cm
ADVENTSKALENDER
José Maria Sert
Estudio para las pinturas de la catedral de Vic, 1938-45
Gelatin silver print
24×19.6 cm
ADVENTSKALENDER
Paul Miller
Chaplin Family
Gelatin silver print
23.8 x 19.3
ADVENTSKALENDER
Adolf Lazi
Gloves, ca. 1952
Gelatin silver print
17×22 cm
#1952
ADVENTSKALENDER
Jaromir Funke
Abstraction, um 1927-1930
Gelatin silver print
15.5×11.7 cm
ADVENTSKALENDER
Peter Keetman
Orbs, ca. 1952
Gelatin silver print
24×28.3 cm
glassorbs
ADVENTSKALENDER
Chargesheimer
Köln bei Nacht, ca.1955/57
Gelatin silver print
30×40 cm
ADVENTSKALENDER
Jory Hull
Composition 0489, 2007
Digital Pigment Print
A series of large scale, mounted photographs of varying size, taken by the artist on various transcontinental flights between 2006 and 2009.
All prints are unique photographs, in an edition of 1 each, plus an artist's proof. Also published
as an artist's book of 70 images, entitled Flyover State, in 2010.
ADVENTSKALENDER
Chargesheimer
Untitled, ca. 1960
Photogram
19.3×17.7 cm
ADVENTSKALENDER
Harold Edgerton
Fighting finches, 1936
Gelatin silver print
24.3×19.3 cm
.atelier
ADVENTSKALENDER
Painter (Gerd Arntz)
1927/28
August Sander
29.5 x 21.3 cm
Gelatin silver print, printed after 1945
1900 Remscheid – 1988 The Hague
German Modernist artist renowned for his black and white woodcuts. A core member of the Cologne Progressives.
Gerd Arntz was a master of reduction and clear expression. The German-Dutch graphic artist understood how to get complex facts in tiny pictures to the point and became one of the fathers of the pictogram.
1919 he started to study art with Lothar von Kunowksi. Arntz engaged loosely political, took part in left demonstrations and made in the Dusseldorf activists' Association finally the acquaintance of the painter Jankel Adler, who introduced him in the Cologne group ”stupid”. Here he interacted with the leading figures of political constructivism in Germany: Marta Hegemann, Heinrich Hoerle, Anton Räderscheidt and Franz Wilhelm Seiwert. After graduating in 1922 from a bookseller in Hagen, he took over the studio of Otto Dix after returning to Dusseldorf. Together with the Viennese economist Otto Neurath, he succeeded in shaping a new direction in applied art and ushering in the triumph of pictograms. In 1934 he emigrated to the Netherlands. In 1943 he was conscripted into German military service and later was a prisoner of war. After being released from captivity, he worked as a docker for a while before returning to The Hague in 1946. While Arntz already participated in numerous exhibitions in the Netherlands immediately after the end of the war, interest in Germany only awoke in the 1960s. In particular, a joint exhibition of The Hague artists in the famous “Malkasten” in Düsseldorf procured him in the Federal Republic of great reputation.
ADVENTSKALENDER
Lisette Model
Running Legs, NYC, 1940/1977
Gelatin silver print
50×40 cm
ADVENTSKALENDER
Larry Fink
Andy Warhol, March 1966/2016
Digital Pigment Print
48.3×32.5 cm
ADVENTSKALENDER
Louis Faurer
Agneta Frieberg, Paris 1966
Gelatin silver print
22.2×33 cm
ADVENTSKALENDER
Chargesheimer
At a home for the aged of the Poor Brothers of Saint Francis, 1955
Gelatin silver print
40×30 cm
ADVENTSKALENDER
Architect (Wilhelm Riphahn)
1932
August Sander
28.6 x 19.8 cm
Gelatin silver print, printed 1950s
Wilhelm Riphahn (1889-1963), Cologne architect.
Riphahn was no theorist, not the intellectual, he was the practical visionary. He mainly designed residential constructions with a focus on factual and rational construction principles. Clear forms and spacious rooms determine his work in the 20s-30s. He belongs with his work to the first ranks of the great German architects of modernism, alongside Mies van der Rohe (1886-1969), Gropius, Taut, Poelzig, Mendelsohn, Wagner, May and all the others who paved the way for modern architecture after the historicist excesses of the Gründerzeit and did not serve the N**i regime after 1933. He was significantly involved in the reconstruction of the city of Cologne after the 2nd world war. He became known i.a. through the construction of the Cologne Opera. Architecturally, the building projects of "Blauer Hof" and "Weiße Stadt" rank as Germany's most famous settlements in the Weimar Republic. In 1950 Riphahn was awarded an honorary doctorate.
ADVENTSKALENDER
Julia Whitney Barnes
Toned Nature (Anemones, Fritillaria, Pollinators, etc), 2021
75.5 cm x 56.75 cm
Watercolor, Gouache and Toned Cyanotype on Strathmore Gemini Paper
ADVENTSKALENDER
Rosalind Solomon
Untitled, 1980
Gelatin silver print
17.60 x 17.60
Carnival 1980 / Edition #2 of 4
This Portfolio of 12 original prints has been photographed and published by Rosalind Fox Solomon in 1980. The
edition includes 4 examples numbered 1 through 4.
The photographs have been taken in Bahia, Brazil, during the term of a Guggenheim Fellowship. The silver prints
have been made by the artist and processed archivally. The photographs are mounted on archival board with
Fusion 4000 tissue.
On the cover of each album is a mixed media assemblage designed and made by the artist of found objects and
fabric glued and sewn.
#1980
Julia Whitney Barnes
Current Exhibition until Jan 27th, 2023
In her collection, Whitney Barnes estimates that she currently has thousands of plants. She keeps the plants in her studio to press and examine. After looking at the different plant species, she picks different ones out to use in her current body of work.
“I carefully arrange elaborate cyanotype compositions at night and utilize long exposures under natural or UV light to create the prints,” Whitney Barnes explains. “Once the unique cyan imagery is fused, I meticulously paint the exposed watercolor paper with multiple layers of watercolor, ink, and gouache.”
ADVENTSKALENDER
Sean Hemmerle
Birds Nest, Beijing Olympic Stadium, Beijing, China, 2006/2022
Archival digital pigment print
32.50 x 48.00 cm
€1.800 inkl. MwSt
ADVENTSKALENDER
Afternoon Break
1938
August Sander
16.5 x 21.4 cm
Gelatin silver print
This motif hung in a large format next to the “Pharmacist” in August Sander's front room in his house in Kuchhausen. Therefore, one can assume that he gave this picture a special meaning.
There is also a connection to the painting “Angelusläuten” by Jean-Francois Millet from 1859, which August Sander knew and probably was inspired by.
“Afternoon Break” is part of the Portfolio “The Farmer – His Life and Work” out of the 7 Volume Book “People of the 20. Century”. It shows scenes of peasant work in the field, in the workplace and people working with machines and animals. Women, men and children are equally involved in agricultural work. The images give us insights into the realities of the peasants, whose everyday lives, work places and course of the year was well known by Sander.
Julia Whitney Barnes
Current Exhibition until Jan 27th, 2023
When creating cyanotypes, Whitney Barnes typically uses local flora from the Hudson Valley. Walking into her backyard, she will select ferns, poppies, petunias, daffodils, and a variety of other plant species. Next, she will press them for inspiration and use in her projects. She also receives plants from her neighbors and has been collaborating with two historic gardens, Locust Grove in Poughkeepsie and the Shaker Heritage Site in Albany.
Julia Whitney Barnes
Current Exhibition until Jan 27th, 2023
“I always had an interest in plants,” Whitney Barnes says. “When I moved to the Hudson Valley, I wanted something that felt more intimate. So, I started focusing on the plants around me.”
JULIA WHITNEY BARNES
Current Exhibition at Galerie Julian Sander!
We are open today!
.de
Galerienrundgang zur Art Cologne
Donnerstag 17. November, 18-21 Uhr.
Die Künstlerin ist anwesend!
Happy to welcome you at the gallery !
Bonner Straße
Cologne
50667
Dienstag | 12:00 - 18:00 |
Mittwoch | 12:00 - 18:00 |
Donnerstag | 12:00 - 18:00 |
Freitag | 12:00 - 18:00 |
Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von Galerie Julian Sander erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.
Nachricht an Galerie Julian Sander senden:
It’s a wrap!! What a great show, great guests, great collectors and some old friends. Thanks to @_daniel_hug and the @artcolognefair Team for an excellent show despite the ongoing challenges. See you all soon in our new space near #chlodwigplatz in the #koelnersuedstadt on Bonner Straße 82, 50677 Cologne.
When I was young my dad used to give my brother and I boxes of pictures to look through. He would tell us to pick the one, single, best picture in the box. No names, no prices, no other information. We would look and filter, and then choose. This was a key lesson in photography, and art in general. We were learning to see and read the content of the works. This picture by Frasnay was one that my dad and I discussed a couple of times. It is a portrait of the art world in a way. A marionette behind a mask. Such a simple image that bears such a strong message. I placed it beside the portrait that Oliver Abraham made in February 2020 right around the time of my fathers last exhibition. Daniel Frasnay Marionette Gelatin silver print 37.50 x 50 cm Oliver Abraham Gerd and Julian Sander Gelatin silver print 30.5 x 23.9 cm Number 1 of 3 @oliverabraham2.0
Chargesheimer (Man screaming,'), ca. 1957 40.00 x 30.00 cm Gelatin silver print ca. 1957 €4.500,00 Price valid until 28.Nov 2020 https://bit.ly/33Uo2Vu
A brief video walkthrough of the current exhibition. Let us know if anything tickles your fancy.
A #Chargesheimer #meditation #mill that was given to #GerdSander back when no one understood what these #kineticsculpture s were.
The Short Story of the gallery founded by the great-grandson of August Sander.
Galerie Julian Sander, formerly FEROZ Galerie, was founded in 2009 by Julian Sander, the son of esteemed gallery owner Gerd Sander. Showing a range of photography from the 19th century through the 21st century, the Galerie Julian Sander aesthetic is defined by the daring eye of a fourth generation photographer, and second generation gallerist in the market of photography. The gallery presents both emerging artists as well as established photographers, maintaining a schedule of 4-5 internal exhibitions per year, as well as international exhibitions with partner galleries, museums and other cultural institutions.
Galerie Julian Sander co-represents the Family Collection of August Sander together with Hauser & Wirth, in addition to the work of contemporary master photographers Sean Hemmerle, Jory Hull and Alfredo Srur.
Kunsträume der Michael Horbach Stiftung
Wormser StraßeLUP AG Digitale Kunsthandwerker
FilzengrabenOdrumPark and African Kaffee Koln
Gladbacher StraßeWildlife-Fotografie bei Bild + Rahmen Werklad
Rennebergstraße