28/03/2026
NOW!
https://youtu.be/T0pRDqLLWl8?is=IbsnY6eBqJ7R_tx1
https://youtu.be/T0pRDqLLWl8 Two hours of vinyl – straight through, no sync, no safety net, just instinct, timing and the next record in my head.
The first hour is a classic warm-up journey through the underground. No peak-time blast, just a controlled build-up of pressure. I rummage through my collection, pulling out records from Delsin, Tresor and similar scenes – deep techno, dub textures, functional grooves that don’t scream but work. Long layering, clean blends, EQ work rather than gimmicks. Tracks are allowed to breathe, transitions are allowed to build. No quick cuts, but a flow that slowly tightens and prepares the floor without running it over straight away.
This isn’t a ‘let me show you my hits’ set, but rather a statement of my taste: selection over hype. If you listen closely, you’ll notice it’s less about individual tracks and more about the interplay – phrasing, tension, release.
After about an hour, the set opens up in a different direction. Not a break, more of a shift. Here come the records that have shaped me – my personal classics, which I’ve played over and over again for years or heard on dancefloors. Exactly the tracks that make you realise why you started DJing in the first place. More space, more emotion, sometimes rougher pressings, less perfectly quantised. And that’s exactly where it gets exciting: as a liquid mixer, I work a lot with feeling, with trailing off, with corrections in the moment. Not every transition is surgically perfect – but that’s what brings the whole thing to life. This isn’t a sterile mix, but movement.
And then there’s the reality of vinyl: I had to start playing my Electric Deluxe from the middle. No pressing fault – there’s a burn hole in it. At some point, someone put an ash on it. Maybe it was even me, somewhere between two nights, who knows. The fact is: the beginning is gone. So, a workaround in the mix. If anyone still has a clean copy of it – I’ll take it.
The set goes live tonight, Saturday, 8 pm on YouTube. Two hours of proper mixing – no edits, no tricks, no second chances.
BOOMBOX emerged from electronic music, not as a concept, but as a consequence.It was born during nights when time was irrelevant – between record crates, bas...
