Galerie Priska Pasquer

Galerie Priska Pasquer change. curate. collect. PRISKA PASQUER is specialized in 20th and 21th century art with the concentration on art in times of change and upheaval - 1920s, 1970s, after 2000.

Wie gewohnt öffnen

Posted @withregram • @hamburger.kunsthalle FACE DETECTIONHi, this is @johanna.m.reich taking over the museum's instagram...
05/01/2022

Posted @withregram • @hamburger.kunsthalle FACE DETECTION

Hi, this is @johanna.m.reich taking over the museum's instagram account for today.
#takingoverKunsthalleHH

I am very happy that one of my works is integrated in the next exhibition “Futura” #beginningofanewyear #future
Our smartphone tells us the weather, examines our sleep and knows what we want buy next, technology seems to understand us better than we understand ourselves.
#challenge of #disruptivetechnologies

My work FACE DETECTION explores the relationship between man and machine in the digital age. When #algorithms are becoming more and more human, more like us or even better - one question is: what does it means to be human? And - maybe the more important question: when does the software thinks something is human?
So I took some clumps of clay and formed them in front of a smartphone camera. I stopped when the cameras #facedetection marked the face and identified the clump as human.

Until March 27, 2022 on view @lehmbruckmuseum ME AND MY MACHINE

installation views:
@gallerypriskapasquer Cologne
@martaherford

Posted @withregram • @hamburger.kunsthalle FACE DETECTION

Hi, this is @johanna.m.reich taking over the museum's instagram account for today.
#takingoverKunsthalleHH

I am very happy that one of my works is integrated in the next exhibition “Futura” #beginningofanewyear #future
Our smartphone tells us the weather, examines our sleep and knows what we want buy next, technology seems to understand us better than we understand ourselves.
#challenge of #disruptivetechnologies

My work FACE DETECTION explores the relationship between man and machine in the digital age. When #algorithms are becoming more and more human, more like us or even better - one question is: what does it means to be human? And - maybe the more important question: when does the software thinks something is human?
So I took some clumps of clay and formed them in front of a smartphone camera. I stopped when the cameras #facedetection marked the face and identified the clump as human.

Until March 27, 2022 on view @lehmbruckmuseum ME AND MY MACHINE

installation views:
@gallerypriskapasquer Cologne
@martaherford

Posted @withregram • @artlandapp Pieter Hugo’s striking photographs depict marginalized subjects across the globe. The a...
02/01/2022

Posted @withregram • @artlandapp Pieter Hugo’s striking photographs depict marginalized subjects across the globe. The artist began his career capturing life across Africa and has, in recent years, ventured beyond the continent. Throughout his stylized, posed portraits and landscapes, Hugo has captured bush fires in Oaxaca, itinerant entertainers who perform with hyenas, and a technology dumpsite in Ghana. 📸

👆🏼 1. Alan, Paris, 2019
2. Alis, Cape Town, 2021
3. Sam, London, 2020
4. Chintia, Paris, 2019
5. Matt, London, 2020

Photography, pigment print
Available at @gallerypriskapasquer

Link in Bio!

01/01/2022

Happy New Year 🤍

Let’s move on ! Wishing you all a healthy, joyful and bright 2022 ! Card by @charlie_stein_official
01/01/2022

Let’s move on ! Wishing you all a healthy, joyful and bright 2022 !


Card by @charlie_stein_official

Let’s move on ! Wishing you all a healthy, joyful and bright 2022 !


Card by @charlie_stein_official

December 20, 2021 - January 10, 2022 only by appointment +49 170 423 0636  priska@priskapasquer.de...#holidayseason @gal...
17/12/2021

December 20, 2021 - January 10, 2022 only by appointment +49 170 423 0636 [email protected]

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#holidayseason @gallerypriskapasquer @priskapasquer

December 20, 2021 - January 10, 2022 only by appointment +49 170 423 0636 [email protected]

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#holidayseason @gallerypriskapasquer @priskapasquer

Internet Explorer: Kunst online #11 - gallerytalk.net
16/12/2021
Internet Explorer: Kunst online #11 - gallerytalk.net

Internet Explorer: Kunst online #11 - gallerytalk.net

Banz & Bowinkel bei Priska Pasquer, Transmediale, Leon Roth und die “New Viewings 37” bei Barbara Thumm konfrontieren mit der Realität und denken sie um.

In various thematic series, he documents the many contradictions and global upheavals of our age such as the various mec...
08/12/2021

In various thematic series, he documents the many contradictions and global upheavals of our age such as the various mechanisms of social control and surveillance, the effects of climate change, and protest movements like Black Lives Matter in the USA and the demonstrators in Belarus. The images of social, ecological, political, and economic unrest and crises originate in the world of news, where they are produced in quick succession as means of communication. By transferring them to the medium of painting, Milak creates experimental access to our visual memory. (Wiebke Hahn)
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On view at PRISKA PASQUER in Cologne and in our VIRTUAL GALLERY (link in bio)

RADENKO MILAK
Black Lives Matter Minneapolis
2020
watercolor on paper
35 x 25 cm
Framed
RM587

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@radenkomilak @w_ie_bke @gallerypriskapasquer @priskapasquer

In various thematic series, he documents the many contradictions and global upheavals of our age such as the various mechanisms of social control and surveillance, the effects of climate change, and protest movements like Black Lives Matter in the USA and the demonstrators in Belarus. The images of social, ecological, political, and economic unrest and crises originate in the world of news, where they are produced in quick succession as means of communication. By transferring them to the medium of painting, Milak creates experimental access to our visual memory. (Wiebke Hahn)
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On view at PRISKA PASQUER in Cologne and in our VIRTUAL GALLERY (link in bio)

RADENKO MILAK
Black Lives Matter Minneapolis
2020
watercolor on paper
35 x 25 cm
Framed
RM587

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@radenkomilak @w_ie_bke @gallerypriskapasquer @priskapasquer

BANZ & BOWINKELPrimitives | 12From the series Primitives2018CGI Fine Art Print100 x 125 cm...@banzbowinkel @galleryprisk...
07/12/2021

BANZ & BOWINKEL
Primitives | 12
From the series Primitives
2018
CGI Fine Art Print
100 x 125 cm

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@banzbowinkel @gallerypriskapasquer @iazzu

04/12/2021

@prix_pictet What does #Fire mean to Japanese photographer @rinkokawauchi? Standing in front of her works at our #PrixPictetFire exhibition currently on show in Tokyo’s @topmuseum, the twice shortlisted #PrixPictet photographer tells us about her series ‘Hanabi, 2001’.

Today instagram live talk at 6 pm PRISKA PASQUER GALLERY]ARTIST/CURATOR TALKBANZ & BOWINKEL& TINA SAUERLAENDER...@banzbo...
02/12/2021

Today instagram live talk at 6 pm PRISKA PASQUER GALLERY]

ARTIST/CURATOR TALK

BANZ & BOWINKEL

&

TINA SAUERLAENDER

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@banzbowinkel @tinissima PRISKA PASQUER GALLERY]

Today instagram live talk at 6 pm PRISKA PASQUER GALLERY]

ARTIST/CURATOR TALK

BANZ & BOWINKEL

&

TINA SAUERLAENDER

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@banzbowinkel @tinissima PRISKA PASQUER GALLERY]

01/12/2021

Posted @withregram • @mkv_berlin member @tinissima (director and head curator of @peertospace) curates 𝙍𝙄𝙎𝙀 𝙊𝙁 𝙂𝙄𝘼𝙉𝙏𝙎 presenting works by mkv members @banzbowinkel at the virtual @gallerypriskapasquer

Join the Insta-Live-Talk tomorrow, December 2, 6 pm via @gallerypriskapasquer

#exhibition #onlineartexhibition #mozillahubs #opensource #virtualrealityworld #virtualrealityspace #vrartist #vrartist #digitalart #digitalartist #postdigital #digitalspace #priskapasquergallery #priskapasquervirtualgallery #riseofgiants #virtualart #newtechnology #digitalhuman #bots #cyborg #algorithm #mkvmember #tinasauerlaender #banzbowinkel #giuliabowinkel #friedemannbanz #mkv_berlin

BANZ & BOWINKELPrimitives | 15From the series Primitives2018CGI Fine Art Print175 x 140 cm...@banzbowinkel @galleryprisk...
01/12/2021

BANZ & BOWINKEL
Primitives | 15
From the series Primitives
2018
CGI Fine Art Print
175 x 140 cm

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@banzbowinkel @gallerypriskapasquer @iazzu

25/11/2021

Join us now (link in bio)

Today virtual openingBANZ & BOWINKELRISE OF GIANTScurated by Tina Sauerlaender (Peer to Space)Thursday, November 25, 202...
25/11/2021

Today virtual opening

BANZ & BOWINKEL
RISE OF GIANTS

curated by Tina Sauerlaender (Peer to Space)

Thursday, November 25, 2021, from 6 to 8 pm
Introduction at 6.30 pm

in PRISKA PASQUER VIRTUAL GALLERY (Link in link tree in bio)

https://hubs.mozilla.com/mwc7rDo/PRISKA-PASQUER-VIRTUAL-GALLERY-BANZ&BOWINKEL
#virtualopening @banzbowinkel @tinissima @gallerypriskapasquer @priskapasquer

Today virtual opening

BANZ & BOWINKEL
RISE OF GIANTS

curated by Tina Sauerlaender (Peer to Space)

Thursday, November 25, 2021, from 6 to 8 pm
Introduction at 6.30 pm

in PRISKA PASQUER VIRTUAL GALLERY (Link in link tree in bio)

https://hubs.mozilla.com/mwc7rDo/PRISKA-PASQUER-VIRTUAL-GALLERY-BANZ&BOWINKEL
#virtualopening @banzbowinkel @tinissima @gallerypriskapasquer @priskapasquer

Radenko MilakDawn of Quarantine 27 April, 20202020watercolor on paper35 x 25 cm ...@radenkomilak @w_ie_bke @galleryprisk...
23/11/2021

Radenko Milak
Dawn of Quarantine 27 April, 2020
2020
watercolor on paper
35 x 25 cm

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@radenkomilak @w_ie_bke @gallerypriskapasquer @priskapasquer

Radenko Milak
Dawn of Quarantine 27 April, 2020
2020
watercolor on paper
35 x 25 cm

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@radenkomilak @w_ie_bke @gallerypriskapasquer @priskapasquer

IG Live Talk, WIEBKE HAHN & ANN-KRISTIN KREISEL about RADENKO MILAK | Save the Dates “BANZ & BOWINKEL - RISE OF GIANTS",...
19/11/2021

IG Live Talk, WIEBKE HAHN & ANN-KRISTIN KREISEL about RADENKO MILAK | Save the Dates “BANZ & BOWINKEL - RISE OF GIANTS", curator TINA SAUERLAENDER💥 - https://mailchi.mp/priskapasquer.de/ig-live-talk-wiebke-hahn-ann-kristin-kreisel-about-radenko-milak-save-the-dates-banz-bowinkel-rise-of-giants-curator-tina-sauerlaender

IG Live Talk, WIEBKE HAHN & ANN-KRISTIN KREISEL about RADENKO MILAK | Save the Dates “BANZ & BOWINKEL - RISE OF GIANTS", curator TINA SAUERLAENDER💥 - https://mailchi.mp/priskapasquer.de/ig-live-talk-wiebke-hahn-ann-kristin-kreisel-about-radenko-milak-save-the-dates-banz-bowinkel-rise-of-giants-curator-tina-sauerlaender

Radenko MilakA woman wears a mask while riding an electric bicycle near the closed Huanan Seafood Wholesale Market2020wa...
18/11/2021

Radenko Milak
A woman wears a mask while riding an electric bicycle near the closed Huanan Seafood Wholesale Market
2020
watercolor on paper
25 x 35 cm

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@radenkomilak @w_ie_bke @gallerypriskapasquer @priskapasquer

Radenko Milak
A woman wears a mask while riding an electric bicycle near the closed Huanan Seafood Wholesale Market
2020
watercolor on paper
25 x 35 cm

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@radenkomilak @w_ie_bke @gallerypriskapasquer @priskapasquer

CURATOR TALKWIEBKE HAHN & ANN-KRISTIN KREISEL, MARTA HERFORDThe two curators will discuss how Milak's pictures can unfol...
17/11/2021

CURATOR TALK
WIEBKE HAHN & ANN-KRISTIN KREISEL, MARTA HERFORD

The two curators will discuss how Milak's pictures can unfold different meanings depending on composition and context
Saturday, November 20, 2021
INSTAGRAM LIVE CURATOR TALK PRISKA PASQUER GALLERY] at 3 pm

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#curator #wiebkehahn #annkristinkreisel #artist #radenkomilak @radenkomilak @w_ie_bke
@annkristinkreisel PRISKA PASQUER GALLERY] @priskapasquer

CURATOR TALK
WIEBKE HAHN & ANN-KRISTIN KREISEL, MARTA HERFORD

The two curators will discuss how Milak's pictures can unfold different meanings depending on composition and context
Saturday, November 20, 2021
INSTAGRAM LIVE CURATOR TALK PRISKA PASQUER GALLERY] at 3 pm

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#curator #wiebkehahn #annkristinkreisel #artist #radenkomilak @radenkomilak @w_ie_bke
@annkristinkreisel PRISKA PASQUER GALLERY] @priskapasquer

SOFT OPENING IN OUR PHYSICAL GALLERYRADENKO MILAKRELICS OF TOMORROWcurated by WIEBKE HAHN Saturday, November 13, 2021fro...
12/11/2021

SOFT OPENING IN OUR PHYSICAL GALLERY

RADENKO MILAK
RELICS OF TOMORROW

curated by
WIEBKE HAHN

Saturday, November 13, 2021
from 12 pm to 6 pm

SOFT OPENING IN OUR PHYSICAL GALLERY

RADENKO MILAK
RELICS OF TOMORROW

curated by
WIEBKE HAHN

Saturday, November 13, 2021
from 12 pm to 6 pm

Soft Opening, RADENKO MILAK - Relics of Tomorrow, curator Wiebke Hahn, Saturday, November 13, 2021, from 12 pm - 6 pm - ...
11/11/2021

Soft Opening, RADENKO MILAK - Relics of Tomorrow, curator Wiebke Hahn, Saturday, November 13, 2021, from 12 pm - 6 pm - https://mailchi.mp/priskapasquer.de/soft-opening-radenko-milak-relics-of-tomorrow-curated-by-wiebke-hahn-at-priska-pasquer-in-cologne

Soft Opening, RADENKO MILAK - Relics of Tomorrow, curator Wiebke Hahn, Saturday, November 13, 2021, from 12 pm - 6 pm - https://mailchi.mp/priskapasquer.de/soft-opening-radenko-milak-relics-of-tomorrow-curated-by-wiebke-hahn-at-priska-pasquer-in-cologne

In the series COVID-19, to which new images are added almost daily, Milak records how the virus has changed the way in w...
11/11/2021

In the series COVID-19, to which new images are added almost daily, Milak records how the virus has changed the way in which we live together in unprecedented ways. The oppressive images of eerily empty public places such as airports, squares, and shopping malls as well as sealed borders and the cultural lockdown are made more tangible by the mirror of painting and the deceleration caused by transfer from one genre to another. Wiebke Hahn

Radenko Milak
In front of an empty shelves inside a grocery store on February 9, 2020 in Hong Kong, China
2020
watercolor on paper
35 x 25 cm

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@radenkomilak @w_ie_bke @gallerypriskapasquer @priskapasquer

In the series COVID-19, to which new images are added almost daily, Milak records how the virus has changed the way in which we live together in unprecedented ways. The oppressive images of eerily empty public places such as airports, squares, and shopping malls as well as sealed borders and the cultural lockdown are made more tangible by the mirror of painting and the deceleration caused by transfer from one genre to another. Wiebke Hahn

Radenko Milak
In front of an empty shelves inside a grocery store on February 9, 2020 in Hong Kong, China
2020
watercolor on paper
35 x 25 cm

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@radenkomilak @w_ie_bke @gallerypriskapasquer @priskapasquer

Some of the works from Illuminance are correctly display in the permanent collection of the V&A museum in London. Until ...
11/11/2021

Some of the works from Illuminance are correctly display in the permanent collection of the V&A museum in London. Until 6 November 2022.

V&A museumのコレクション展にてIlluminance より数点展示されています。
2022年11月6日まで。

Seen from afar, Milak’s works appear like photographs. Only on closer inspection is his virtuoso, artistic style reveale...
05/11/2021

Seen from afar, Milak’s works appear like photographs. Only on closer inspection is his virtuoso, artistic style revealed via the water stains characteristic of watercolor and the interplay between translucent and opaque patches of paint. By painting his pictures as a recipient of the world of news rather than an eyewitness, Milak explores the various possibilities of depicting and conveying events. His painterly transformation of media images questions the relationship between image content and form: How does the perception of the pictorial narrative change when it’s perceived through painting? Photography is now regarded as more than just a way of recording images, having long since asserted itself as an independent form of artistic practice. Nevertheless, the different surfaces of painting and photography generate their very own manner of perception and narrative structure. While there is still a mental link between photography and reality, in painting, the artist’s hand directly reproduces what they see, creating subjective expression and the impression of fiction. But what happens when, in a virtual gallery, a painting becomes a digital image again? In Relics of Tomorrow, the narrative between objective reality, subjective reality, and illusionary space becomes blurred yet again, opening up our gaze to aspects that would otherwise remain concealed. (Virtual gallery link in bio)
Wiebke Hahn

RADENKO MILAK

The Injured Man - Rhapsody for a new Exodus, From the series University of Disaster 2018

Watercolor laminated on Dibond

200 x 140 cm

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@radenkomilak @[email protected] @priskapasquer

Seen from afar, Milak’s works appear like photographs. Only on closer inspection is his virtuoso, artistic style revealed via the water stains characteristic of watercolor and the interplay between translucent and opaque patches of paint. By painting his pictures as a recipient of the world of news rather than an eyewitness, Milak explores the various possibilities of depicting and conveying events. His painterly transformation of media images questions the relationship between image content and form: How does the perception of the pictorial narrative change when it’s perceived through painting? Photography is now regarded as more than just a way of recording images, having long since asserted itself as an independent form of artistic practice. Nevertheless, the different surfaces of painting and photography generate their very own manner of perception and narrative structure. While there is still a mental link between photography and reality, in painting, the artist’s hand directly reproduces what they see, creating subjective expression and the impression of fiction. But what happens when, in a virtual gallery, a painting becomes a digital image again? In Relics of Tomorrow, the narrative between objective reality, subjective reality, and illusionary space becomes blurred yet again, opening up our gaze to aspects that would otherwise remain concealed. (Virtual gallery link in bio)
Wiebke Hahn

RADENKO MILAK

The Injured Man - Rhapsody for a new Exodus, From the series University of Disaster 2018

Watercolor laminated on Dibond

200 x 140 cm

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@radenkomilak @[email protected] @priskapasquer

PIETER HUGOEnzo, London2020from the series Solus Vol. 1pigment printImage size: 42,7 x 32 cm Paper size: 53 x 42 cm...@p...
04/11/2021

PIETER HUGO
Enzo, London
2020
from the series Solus Vol. 1
pigment print
Image size: 42,7 x 32 cm
Paper size: 53 x 42 cm

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@pieter.hugo.official @gallerypriskapasquer @priskapasquer

PIETER HUGO
Enzo, London
2020
from the series Solus Vol. 1
pigment print
Image size: 42,7 x 32 cm
Paper size: 53 x 42 cm

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@pieter.hugo.official @gallerypriskapasquer @priskapasquer

Ever since the new climatic phase known as the Anthropocene Epoch was coined some 20 years ago by Paul Crutzen, winner o...
02/11/2021

Ever since the new climatic phase known as the Anthropocene Epoch was coined some 20 years ago by Paul Crutzen, winner of the Nobel Prize in Chemistry, his thesis that humanity has fundamentally changed the natural environment since the beginning of the industrial age has garnered plenty of attention. Milak’s series of works emphasizes that the Anthropocene Epoch has long been a reality, even though it hasn’t yet been officially recognized by science. Then again, the close link between the destruction of the environment and the increase in epidemics and pandemics has been scientifically proven.
Wiebke Hahn

RADENKO MILAK
Anthropocene, Amazon fire 2019
2020
watercolor on paper
252 x 185 cm

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@radenkomilak @w_ie_bke @gallerypriskapasquer @priskapasquer

Ever since the new climatic phase known as the Anthropocene Epoch was coined some 20 years ago by Paul Crutzen, winner of the Nobel Prize in Chemistry, his thesis that humanity has fundamentally changed the natural environment since the beginning of the industrial age has garnered plenty of attention. Milak’s series of works emphasizes that the Anthropocene Epoch has long been a reality, even though it hasn’t yet been officially recognized by science. Then again, the close link between the destruction of the environment and the increase in epidemics and pandemics has been scientifically proven.
Wiebke Hahn

RADENKO MILAK
Anthropocene, Amazon fire 2019
2020
watercolor on paper
252 x 185 cm

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@radenkomilak @w_ie_bke @gallerypriskapasquer @priskapasquer

Adresse

Konrad-Adenauer-Ufer 83
Cologne
50668

Subway station Friesenplatz

Allgemeine Information

http://edition.priskapasquer.com/sh/

Öffnungszeiten

Dienstag 11:00 - 18:00
Mittwoch 11:00 - 18:00
Donnerstag 11:00 - 18:00
Freitag 11:00 - 18:00
Samstag 11:00 - 16:00

Telefon

+492219526313

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Bemerkungen

📣 Przedstawiamy pierwszą kuratorkę Sekcji ShowOFF 2022! Inga Schneider – kulturoznawczyni, kuratorka, freelancerka, od 2006 mieszka w Kolonii. Pracowała w Galerie Priska Pasquer i prowadziła galerię V8, której działalność koncentrowała się na projektach fotograficznych z Europy Wschodniej. Jako niezależna kuratorka współpracowała z wieloma festiwalami fotograficznymi, a od 2013 roku zasiada w zarządzie Internationale Photoszene Köln i odpowiada za planowanie projektu Artist Meets Archive. Jest jedną z założycielek NEXT! Festival der Jungen Photoszene, ogólnokrajowego festiwalu fotograficznego dla dzieci i młodzieży. Inga czeka na projekty młodych twórców i twórczyń, zależy jej przede wszystkim na budowaniu relacji oraz dialogu między artystą a kuratorem. Współtworzy zespół kuratorski ShowOFF, ponieważ bliska jest jej idea współpracy, partnerstwa i wsparcia mentorskiego. 💥 Aplikuj teraz – do 24 grudnia możesz skorzystać z naszej oferty i zgłosić jeden lub dwa projekty w promocyjnej cenie: https://contests.picter.com/showoff-2022-by-krakow-photomonth -- 📣 Introducing first member of #ShowOFF curatorial team! Inga Schneider studied Cultural Sciences in Hildesheim (DE). Since 2006, she has been based in Cologne. She worked for Galerie Priska Pasquer and ran the V8 Gallery, which focused on photographic projects from Eastern Europe. As a freelance curator she has realised projects for many international photo festivals. Since 2013, she has been on the management board of Internationale Photoszene Köln, and in charge of programming for the Artist Meets Archive. She is one of the founders of the NEXT! Festival der Jungen Photoszene, a nationwide photo festival for children and young people. Inga is looking for projects from young, emerging artists – her main focus is on the relationship and dialogue between between artists and curators. As a member of #ShowOFF jury she sees her role as a mentor who accompanies the artist in their decisions. 💥 APPLY NOW – our special entry fee offer ends on December 24! https://contests.picter.com/showoff-2022-by-krakow-photomonth
KÖLN-REVIEW: Die Künstlerin Zohar Fraiman reflektiert bei Galerie Priska Pasquer, wie sich weibliche Identität zwischen Disney-Prinzessinnen, Cartoon-Figuren und Sozialen Medien bildet und konstruiert. Wer sind unsere Sheroes?
Find unique work by Fabian Herkenhoener by clicking on the link https://iazzu.app.link/4a478mfhj4s0 or scanning the QR-Code. ENG: FABIAN HERKENHOENER paints text images. Sometimes his canvases contain entire poems, other times just individual words. The letters structure the space into compact blocks or small groups and do not always retain the last word in the picture. Some letters are also painted over again by the artist. Or, to be more specific, “sprayed over”, as Herkenhoener uses spray cans to create his work. This technique ties in with his fast, direct approach to work, which transfers the rapid style of the drawing pencil to large-scale formats in a defined space. DE: FABIAN HERKENHOENER malt Text-Bilder. Auf seinen Leinwänden stehen manchmal ganze Gedichte, manchmal auch nur einzelne Worte. Als kompakte Blöcke oder kleine Gruppen strukturieren die Buchstaben die Fläche. Nicht immer behalten sie im Bild das letzte Wort. Manche Buchstaben werden vom Künstler auch wieder übermalt. Genauer gesagt: übersprüht, denn Herkenhoener malt seine Werke mit der Sprühdose. Diese Technik entspricht seiner schnellen, unmittelbaren und direkten Arbeitsweise, die den raschen Duktus des Zeichenstifts auf die Bearbeitung großer Formate im Raum überträgt. Text by Galerie Priska Pasquer Priska Pasquer Fabian Herkenhoener
Born in New York in 1958; lives and works in Berlin and Los Angeles Find some of his exclusive work on @iazzu and visualize it in your space. Access to his profile via link https://iazzu.app.link/5h84empvvo50 or by scanning his exclusive QR-Code. About: WARREN NEIDICH studied photography, video and cognitive neurosciences, medicine and architecture. He taught at Berlin Weissensee School of Art and was a visiting academic at the Otis College of Art and Design in Los Angeles. NEIDICH is the founding director of the Saas-Fee Summer Institute of Art. As an author, art theoretician, and interdisciplinary post-conceptual artist, WARREN NEIDICH examines how digital possibilities change our habits, perceptions, and ideas. His exploratory work focuses on the neuroaesthetics field of artistic research, in which sensory impressions, perception, and consciousness are examined with the aid of techniques, methods, devices, critiques, and the history of artistic production. Text copyright by Galerie Priska Pasquer. Warren Neidich Studio
mkv members Banz & Bowinkel and Ornella Fieres are part of the NFT art exhibition WIND OF CHANGE at Galerie Priska Pasquer virtual gallery. Opening TODAY, June 16, 7-9 pm. Check Priska Pasquer for more details. #exhibition #groupexhibition #groupshow #virtualexhibition #onlineexhibition #nftexhibition #artexhibition #nft #nftart #nftartist #nftartgallery #nftartwork #blockchain #digitalart #digitalartwork #digitalartists #virtual #immaterial #animated #artmarket #priskapasquer #priskapasquergallery #priskapasquervirtualgallery #mkvmember #banzbowinkel #ornellafieres #mkv_berlin
¡A la gente le encanta esta pieza! 😍😍😍 Discover more of Gabriella Torrese-Ferrer art on @iazzu by clicking this link: https://iazzu.app.link/MyGallerySC Not only do clouds store valuable data, they also mediate data production, exchange, and commodification. The ongoing work series Isn't the World Just a Great Big Pyramid Scheme addresses the decentralized and unregulated value chains surrounding data in the digital space. Personal data, often extracted without the knowledge or consent of its owners, represents a powerful tool. For example, it is able to supply individualized information packages and mirror them back to targeted audiences in the form of advertising. Gabriella Torres-Ferrer’s series examines the semiotics that shapes the (near-ubiquitous) digital neighborhood. Spanning from targeted ads to immersive videos, to poetry, the interconnected works play with the aesthetics of targeted advertising and use graphics that challenge both the Internet's false empathy and the illusion of privacy. Their commercial détournement ironically celebrates the low style of global capital while addressing a time in which peoples’ behavioral data points may have become more valuable than their actual lives. Surrounded by the misty layers of the cloud, Gabriella Torres-Ferrer sensually makes tangible the ways in which surveillance companies such as Google and Facebook – under the pretext of ethics, accountability, and free choice architectures – repurpose bodies in order to profit from them. (Text Credit: Priska Pasquer) GABRIELLA TORRES-FERRER Positive y from the series Isn’t the World Just a Great Big Pyramid Scheme 2021 LED screen matrix, electric cords, and plugs 2,5 x 2,5 x 0,12 m Priska Pasquer Galerie Priska Pasquer Galerie Priska Pasquer
In-Demand Artists on iazzu: Ornella Fieres Galerie Priska Pasquer / C_ROOM 2 curated by Tina Sauerländer Link to Ornella's profile: https://iazzu.app.link/4d5a896r5nl0 Install the iazzu app and enjoy the show! (Free) bonus for registered users: Upon user-registration, you’re free to save as many photos of your rooms in your profile as you wish. This allows you to easily check at any time how well newly discovered artworks fit into your life. Use the "SHARE" function to show your creations to the world.
Der neue Band ist da! UTOPIA Weltentwürfe und Möglichkeitsräume in der Kunst Wie wollen wir unsere Zukunft gestalten? Kaum etwas scheinen wir derzeit dringender zu benötigen als Utopien – Ideen, Hoffnungen und Pläne, wie es weitergehen könnte. Obwohl wir inzwischen wissen, dass alles mit allem zusammenhängt und konstruktive Zukunftsgestaltung nur aus diesem Wissen heraus geschehen kann, folgen dieser Erkenntnis nicht die entsprechenden Schlüsse. Daraus resultieren vielerorts Pessimismus, Angst und Wut, die sich impulsiv und rückwärtsgewandt mit der Forderung nach dem alten Zustand gegen die im Momentum unerträglich empfundene Situation entladen. Kunst und Kultur setzen hier mit notwendigen Gestaltungsprozessen ein: Es entstehen Gedanken und alternative Weltentwürfe, die das Blickfeld weiten und Möglichkeitsräume eröffnen. Sehnsüchte und Alternativen werden gleichermaßen sichtbar gemacht. Sie bieten Anlass und Potential zur Entwicklung neuer Lebensweisen und Strukturen für ein anderes, vom Effizienzstreben befreites Zusammenleben. Im vorliegenden Themenband untersucht Gastherausgeberin Ann-Katrin Günzel, in Essays und Gesprächen, u. a. mit der Künstlerin Cao Fei, dem Soziologen Bruno Latour oder dem „Team 2038“ der Architekturbiennale Venedig 2021 Utopien, die mitten in post-futuristischen Zeit erwachen und von ihnen hervorgebracht werden, um Antworten auf die Frage zu finden: Wie können wir diese Welt, in der wir leben, zu einem besseren Ort machen, from nowhere to now-here? Jetzt mehr erfahren und den neuen Band 274 entdecken via Link Vincent Callebaut Architectures Utopiastadt ruangrupa She BAM ZKM - Zentrum für Kunst und Medien Karlsruhe Ben J. Riepe Gropius Bau KW Institute for Contemporary Art JULIA STOSCHEK COLLECTION KINDL - Zentrum für zeitgenössische Kunst Kunstraum Kreuzberg/Bethanien Kestnergesellschaft Kunsthalle Lingen Galerie Christian Lethert Galerie Priska Pasquer Bonner Kunstverein SCHIRN KUNSTHALLE FRANKFURT Kunsthal Rotterdam Lenbachhaus und Kunstbau München Belvedere Museum Kunsthaus Zürich Lisson Gallery Saatchi Yates beuys 2021 K20 K21 Kunstsammlung Nordrhein-Westfalen Stiftung Museum Schloss Moyland Museum Morsbroich #anikameier #kunstforum #kunstforum_international
What divides us and what unites us? Artwork: The Hyena Men of Abuja, Lagos, Nigeria Artist: Pieter Hugo, Johannesburg, South Africa Link to artist (iazzu App): https://iazzu.app.link/4vjbobt3lji0 Weblink to full gallery portfolio: https://iazzu.com/g/galerie-priska-pasquer Galerie Priska Pasquer Priska Pasquer Pieter Hugo