Kunsthandel Ralph R. Haugwitz

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Unknown photographer, probably active in Copenhagen around the turn of the century Young cyclistColor variations and ori...
14/04/2025

Unknown photographer, probably active in Copenhagen around the turn of the century
Young cyclist
Color variations and original
Photo on albumen paper. Dated around 1890-1910, 100 x 74 mm.
Framers: Otto Moeller, Holmbladsgade 34, Copenhagen
#

GALLE, CORNELIS (1576 Antwerpen 1650)After:CIGOLI, LODOVICO (1559 Castelvecchio di Cigoli - 1604 Rom)Published by CAYMOX...
19/01/2025

GALLE, CORNELIS (1576 Antwerpen 1650)

After:

CIGOLI, LODOVICO (1559 Castelvecchio di Cigoli - 1604 Rom)

Published by

CAYMOX, BALTHASAR (1561 Beese/Brabant - 1635 Nürnberg)

„LVCIFER“

Lettered extensively around image with excerpts of Dante’s Divina Comedia. Lettered with publication line below image: „B. Caimax excudit“.

The Devil at centre, with three faces and three pairs of wings, standing in a pool and devouring a damned soul, against dark background; after Lodovico Cigoli.
Engraving, motif: 262 x 193 mm, leaf: 381 x 244 mm.
Bibliographic references:
Hollstein / Dutch and Flemish etchings, engravings and woodcuts c. 1450 -1700 (277)

Acquisition date: November 5, 2024

Ludovico Cigoli (1559-1613) made drawings for the engraving in Florence around 1595. A sketchy sheet without writing can be found in the Uffizi. (Red chalk, pen and brown ink, blue wash, 26 × 20 cm, Florence, Gabinetto Disegni e Stampe degli Uffizi (GDSU 8951 F)
A more elaborate preparatory drawing was offered on the American art market in 2007. (Pen and brown ink, 268 x 213 mm). The inscription “LUCIFER” is already at the top in capital letters. The outlines of the cartouches can be seen on the sides, the writing is missing. See the illustrations.
Cigolis devil figure is based on Giovanni Stradano’s depiction of 1588 (Florence, GDSU 2739F.). This in turn is based on a drawing by Botticelli.

A relief mask by Michelangelo Februcci (1559 Fisole - 1626 Florence) was probably created around the same time. See the last photo.

SCHROETER, BERNHARD (1848 Meissen 1911)Winter NightPastel, ca. 440 x 410 mm, signed lower right: “Bernhard Schröter”.Pos...
16/01/2025

SCHROETER, BERNHARD (1848 Meissen 1911)

Winter Night

Pastel, ca. 440 x 410 mm, signed lower right: “Bernhard Schröter”.

Possibly identical to the “Winternacht”, which was exhibited at the German Art Exhibition in Dresden in 1899 under the catalog number 453 on page 36.
See: Offizieller Katalog Der Deutschen Kunst-Ausstellung, Dresden 1899, (.....) Dresden Blasewitz 1899, page 36 (“Official catalog of the German Art Exhibition, Dresden 1899”, Dresden Blasewitz 1899, page 36).

The path leading from the foreground into the depths is covered with heavy snow and therefore almost inaccessible. The cold moonlight of a clear winter night determines the color scheme.
Bluish-white snow dominates the foreground, forming an idiosyncratic, cool color harmony with the flowing, vegetal forms of bare, brownish trees with withered leaves.
The stillness and solitude of the winter forest at night and the metamorphosis of a landscape in the cold season are the subject of this pastel.

Due to current events:(You rarely learn from history! Even in the 18th century, the perpetrators of excesses with firewo...
04/01/2025

Due to current events:
(You rarely learn from history! Even in the 18th century, the perpetrators of excesses with fireworks were probably alcoholized men).

RIEDEL, GOTTLIEB FRIEDRICH graphic artist active in Augsburg around 1800; details still unknown

RIEDEL, GOTTLIEB FRIEDRICH graphic artist active in Augsburg around 1800; details still unknown

Traurige Veranlassung zu dem schmerzvollen Tod des Erzherzog Alexander Leopold Palatinus von Ungarn (Sad cause of the painful death of Alexander Leopold, Archduke of Hungary)

Etching, 214 x 191 mm

#1795

Probably by a German-speaking draughtsman around 1730-60.Allegory of winter. Black and white chalk on blue handmade pape...
05/12/2024

Probably by a German-speaking draughtsman around 1730-60.

Allegory of winter.

Black and white chalk on blue handmade paper (undetermined watermark: two-part crowned coat of arms).

Approx. 371 x 267 mm.

The drawing technique, with many parallel lines, suggests an artist who also worked as an engraver.
Stylistically, this work is based on French models of the Grand Siècle, the era of Louis XIV.
Compare it with the 1699 painting by Jean Jouvenet (1644 - 1717) in the Château de Marly.
No direct model for this Winter Allegory has been identified.
The free style of drawing in the lower part of the picture, where there are also pentimenti, contrasts strikingly with the precise strokes in the upper part of the subject.
They illustrate the draughtsman’s process: the overall image was first created as a summary sketch and then meticulously reworked.

drawing

JACOBÉ, JOHANN (1733 Vienna 1797)after:QUADAL, MARTIN FERDINAND (Niemtschitz / Bohemia - ca. 1810 St. Petersburg / Russi...
19/11/2024

JACOBÉ, JOHANN (1733 Vienna 1797)
after:
QUADAL, MARTIN FERDINAND (Niemtschitz / Bohemia - ca. 1810 St. Petersburg / Russian Empire)

“LA SALLE DU MODELL DE L’ ACADÉMIE - IMP: ROY: DES BEAUX ARTS A VIENNE”
etc.
The living space of the Royal Academy of Vienna

Mezzotint, 553 x 800 mm (image)
Conservation defects

The living room of the Royal Viennese Academy in 1790, with a male model under a lamp and Academy artists copying him in their specialties.

#1790

TOMBA, GIULIO (Bologna c. 1780-1841 Faenza?) EngraverGIANI, FELICE 1758 (San Sebastiano Curiore (Alessandria)- 1823 Rome...
18/11/2024

TOMBA, GIULIO (Bologna c. 1780-1841 Faenza?) Engraver
GIANI, FELICE 1758 (San Sebastiano Curiore (Alessandria)- 1823 Rome), draughtsman
and etcher
FRAUENHOLZ, JOHANN FRIEDRICH (1758 Brunst - 1822 Nuremberg) Publisher

“Rosaspina’s school of drawing”, 1811
Rosaspinas’s school of drawing, 1811

299mm x 411 mm (motif)
313mm x 420 mm (sheet)
333 x 440 mm (sheet)

Rosaspina’s drawing academy: class of students sketching seated around a table with Rosaspina at the end of the table with women and other

school _Tomba Giani

November 11, 1942 - September 18, 1970In a very short period of time, he went from the trivial to the brilliant
18/09/2024

November 11, 1942 - September 18, 1970

In a very short period of time, he went from the trivial to the brilliant

Impressions from the opening ceremony of the Caspar David Friedrich exhibition in Dresden on August 23, 2024
26/08/2024

Impressions from the opening ceremony of the Caspar David Friedrich exhibition in Dresden on August 23, 2024

GALLIARI, GASPARO (1760 Treviglio - ca 1823 Milan)Stage set with rotunda in Gothic style Preparatory study for the picto...
12/08/2024

GALLIARI, GASPARO (1760 Treviglio - ca 1823 Milan)
Stage set with rotunda in Gothic style
Preparatory study for the pictorial drawing of the National Gallery of Art (Accession Number 1997.75.4)
Graphite, ca. 246 x 348 cm, on laid paper with watermark „Three Crescents of the Moon“ (Northern Italy).

Studio of Jakob A. Lorent (1813 - 84)or Carlo Naya (1816 - 82)Venezia la Notte circa 150 anni fa Titled in black ink:“Do...
07/08/2024

Studio of Jakob A. Lorent (1813 - 84)
or Carlo Naya (1816 - 82)
Venezia la Notte circa 150 anni fa
Titled in black ink:
“Dogana e la Salute del Giardinetto”
“Canal grande coi palazzi Rezzonico Giustinian e Foscati”
Colored albumen prints
Size of the photographs: 26 x 35 cm
Mounted on cardboard at the time of creation: 38.5 x 47 cm

Studio of Jakob A. Lorent (1813 - 84)or Carlo Naya (1816 - 82)Venezia la Notte circa 150 anni fa Titled in black ink:“Do...
07/08/2024

Studio of Jakob A. Lorent (1813 - 84)
or Carlo Naya (1816 - 82)
Venezia la Notte circa 150 anni fa
Titled in black ink:
“Dogana e la Salute del Giardinetto”
“Canal grande coi palazzi Rezzonico Giustinian e Foscati”
Colored albumen prints
Size of the photographs: 26 x 35 cm
Mounted on cardboard at the time of creation: 38.5 x 47 cm
#1870

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Charlottenburg

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