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ART Biesenthal

Kontaktinformationen, Karte und Wegbeschreibungen, Kontaktformulare, Öffnungszeiten, Dienstleistungen, Bewertungen, Fotos, Videos und Ankündigungen von ART Biesenthal, Bildende Künste, Biesenthal.

Art Biesenthal is an annual art exhibition and summer program located in outer Berlin that focuses on bringing international emerging and established artists together to exhibit.

28/10/2025

Rosa Barba’s Double Rhymes (2024)

On view at Art Biesenthal 2025: Some Degree of Friction, curated by Tjioe Meyer Hecken

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Double Rhymes (2024) combines steel, glass, motors, 35mm film, and aluminum in a unique sculptural installation. Measuring 100 x 100 x 12 cm, this work is part of a limited series of 7 with 2 artist’s proofs. Barba engages film as both medium and object, interrogating its material, spatial, and sculptural possibilities. By staging film beyond the screen, she redefines its relationship to gesture, genre, and document, positioning the viewer within an expanded cinematic environment that blurs the boundaries of truth and fiction, myth and reality, metaphor and material.

From the Double Rhymes series.

Rosa Barba, born in Italy, lives and works in Berlin. She studied at the Academy of Media Arts Cologne and the Rijksakademie in Amsterdam, and completed her PhD at Lund University in 2018. Barba is the recipient of numerous awards including the Calder Prize (2020) and the PIAC Prize (2015). Her practice spans film, sculpture, and installation, often creating site-specific works that explore cinema’s capacity to articulate space and time.

Recent and upcoming exhibitions include The Ocean of One’s Pause, (2025); Meaning Distances, (2025); Under The Canopy, (2025). Other notable solo exhibitions include shows at (2023); (2023); (2021); (2017); and (2017).

Courtesy of
Special thanks to

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23/08/2025

Alicja Kwade’s “PRINCIPIUM” (2020)

On view at Art Biesenthal 2025: Some Degree of Friction’, curated by Tjioe Meyer Hecken

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PRINCIPIUM twists and coils, resembling a DNA double helix. Corresponding to a particular person, the sculpture reflects their respective body size. By stacking smartphone casts on top of each other, Kwade transforms these fundamentally contemporary objects, holding potentially the most meaningful stores of the average person’s personal information. Kwade’s work often explores the relationship between materialand information.

From the PRINCIPUM series.

Alicja Kwade, born 1979 in Katowice, Poland, lives and works in Berlin. Her recent major exhibitions include her 2025 solo shows at and . She also exhibited (2021–2022), participated in AlUla (2022), and created the commission ParaPivot for the Roof Garden in 2019.

Courtesy of Leonie Lang and Marc Müller Sammlung.
Thank you , and Frank Schmeichel, and Dr. Angela Wiechula.

Don’t miss the Finissage weekend on August 30–31. To plan your visit, go to www.wehrmuehle.de

Photos:

23/08/2025

Anna Uddenberg’s “Disconnect (Airplane Mode)” (2018/2023)

On view at Art Biesenthal 2025: Some Degree of Friction’, curated by Tjioe Meyer Hecken

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Through the feedback loop of consumerist culture, Uddenberg explores how body culture, spirituality, and self-presentation are deeply connected to the ways new technologies shape and mediate subjectivity. Her practice integrates approaches to gender while acting as a space for reflecting on taste and class, appropriation and sexuality.

Anna Uddenberg, born 1982 in Stockholm, Sweden, lives and works in Berlin. Her recent major exhibitions include (2025); (2024); (2024); and solo shows at (2023), (2022), and (2021).

Courtesy of .collection
Thank you

Don’t miss the Finissage weekend on August 30–31. To plan your visit, go to www.wehrmuehle.de

Photos:

14/07/2025

Some Degree of Friction

Art Biesenthal 2025 — Curated by Tjioe Meyer Hecken

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Opening Weekend: 19th & 20th of July 2025

Running from July 19th to August 31st, the exhibition inspired by A Thousand Plateaus by
Deleuze & Guattari (1987) and The Forest Maker by Volker Schlöndorff (2022). This project operates
through a rhizomatic structure — decentralized, non-linear, and open to multiplicity. Rather than
following a classic dramaturgy or fixed curatorial logic, each happening becomes a plateau: a zone of
sustained intensity where sound, performance, image, and body interweave. The exhibition evolves
through processes of resonance between artists, viewers, materials, and spatial conditions.

The emphasis lies on becoming-with — creating an interdependent structure of care, friction, flow,
and mutual recognition. Performance becomes a listening act. Sound becomes a holding space. The
audience becomes part of the assemblage.

Artists include & .rost .heerich .art and more.

The Wehrmuehle is a community-driven and artist-centered institution. It opens for seven weekends — Saturdays and Sundays from 12 PM to 7 PM —
hosting art performances, dance, sound art, and workshops. Visitors can also enjoy
culinary delights by .kiss .berlin
and others.

Thank you for your support .collection .goelitz .gallery

08/09/2024

Art Biesenthal 2024 | Aura’s Present Decay

“The Ephemeral Nature of Art -
Like the wilting flowers in a Baroque still life, Anna Talen’s huge bouquet, weighing as much as an adult, hangs from the ceiling on fine gold wires as a memento mori in the middle of the room. The transience of nature is revealed in the way time becomes artistic material in her work – in the solidification of the form through the drying process, in the fading of the floral splendour and in the spread of the sweet and bitter scents.” -

Stillleben
Flowers, Brass and Time
Wehrmuehle Museum
With the collaboration of Marsano Berlin

28/07/2024

Art Biesenthal 2024 | Aura’s Present Decay

An intense smell of flowers emanated from the room. The people spoke to me about parties, weddings, presents, funerals: situations where flowers appear in one wav or another. These living things that we cut and put into vases, to enjoy their beauty, are in a stage of being, as they say in German, ‚Stillleben’ or in Spanish ‚naturaleza muerta’. I always say that something unexpected appears in each installation, and here it was the smell. A different way of communicating, which triggers the sense of memory.

This installation reproduces the idea of the Baroque vanitas.
It muses on the transience of places and human beings. It tells us about the intermediate stages between the ruin and the new construction, the fragility of architecture and life, because nothing can escape its fate: “Vanity of vanities; all is vanity,” in the words of the Preacher in the Book of Ecclesiastes. And indeed, in the end, the power of nature prevails over any attempt at perpetuity.

Stillleben
Berlin, 2018
Flowers, Brass and Time
Wehrmuehle Museum
With the collaboration of Marsano Berlin

25/07/2024

Art Biesenthal 2024 | Aura’s Present Decay

Maryam Keyhani Arts and Craft
Sunday Workshops at Wehrmuehle

Maryam Keyhani, a Berlin-based artist and milliner, is renowned for her surreal and whimsical creations. Born in Tehran and having moved to Canada at 13, she studied painting and sculpture, which greatly influence her unique designs today. Her work often features large, playful hats and intricate sculptures that reflect a blend of fantasy and reality. Keyhani’s art serves as an escape and a means to express joy amidst life’s challenges. She recently opened a shop in Berlin where she continues to craft her imaginative pieces.

24/07/2024

Art Biesenthal 2024 | Aura’s Present Decay

Handcrafted by Sofia Clementina Hosszufalussy

24/07/2024

Art Biesenthal 2024 | Aura’s Present Decay

An intense smell of flowers emanated from the room. The people spoke to me about parties, weddings, presents, funerals; situations where flowers appear in one way or another. These living things that we cut and put into vases, to enjoy their beauty, are in a stage of being, as they say in German, ‚Stillleben‘ or in Spanish ‚naturaleza muerta‘. I always say that something unexpected appears in each installation, and here it was the smell. A different way of communicating, which triggers the sense of memory.

This installation reproduces the idea of the Baroque vanitas. It muses on the transience of places and human beings. It tells us about the intermediate stages between the ruin and the new construction, the fragility of architecture and life, because nothing can escape its fate: “Vanity of vanities; all is vanity,” in the words of the Preacher in the Book of Ecclesiastes. And indeed, in the end, the power of nature prevails over any attempt at perpetuity.

Stillleben
Berlin, 2018
Flowers, Brass and Time
Wehrmuehle Museum
With the collaboration of Marsano Berlin

22/06/2024

Artist Appreciation Post

Artist was part of Art Biesenthal 2023 | Let Life Be Beautiful Like Summer Flowers

05/05/2024

Antoni Starczewski (1924-2000)

Antoni Starczewski was one of the most distinguished Polish artists of the 20th century, a man who created compelling and original art and was more than once a pioneer of global trends and artistic practices. His art is notable for its multimedia and multi-layered use of a wide range of surfaces, techniques, and textures. These include ceramics, prints, textiles and in situ projects. He explored the fields of fine arts, music and language, combined and promoted them in a distinctive manner, One of the fundamental mandates of Antoni Starczewski’s work was his refusal to separate the visual arts from the applied arts. He deliberately sought to express his ideas in a variety of materials and techniques, seeing art as a realm in which related statements interact in many forms.

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04/05/2024

Blossoms, Birdsong, and Bliss 🌸 Our museum garden is in full bloom, welcoming weekends throughout May.

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