Berlin Atonal

Berlin Atonal BERLIN ATONAL

Music, performance, sound and video art.

Berlin Atonal and silent green presented HTRK on Sunday 2 August at silent green Kuppelhalle, their exclusive Berlin sho...
07/08/2026

Berlin Atonal and silent green presented HTRK on Sunday 2 August at silent green Kuppelhalle, their exclusive Berlin show of 2026. Jonnine Standish and Nigel Yang brought the smouldering, dub-inflected register that has made them singular for two decades. Supporting the band at the sold out show was the wonderful Loraine James. 

Thank you to HTRK, to Loraine James, to the team at silent green and to everyone who came.

Photos by Frankie Casillo

HTRK Lo Jaymes silent green Kulturquartier

Berlin Atonal and silent green are proud to present HTRK for their exclusive Berlin show of 2026, with support from Lora...
28/07/2026

Berlin Atonal and silent green are proud to present HTRK for their exclusive Berlin show of 2026, with support from Loraine James.

Sunday 2 August at silent green Kuppelhalle. 

19:00.
Last tickets via RA - link in bio.

HTRK [‘hate rock’], the Australian duo of Jonnine Standish and Nigel Yang, have an uncanny ability to elevate musical mood to a singular, smouldering supremacy.

Their songs are often coded as fantasies, venturing deeper into the heady expanses of dub dream and memory. They make music that channels not just the heaviness and beauty of the world, but the surreal humour and inexplicable serendipity of it too, cataloguing desire, intimacy and spirit like few others.

HTRK’s albums have been released by labels including Fire, Blast First Petite, Boomkat Editions and Ghostly International. For their most recent full-length, Rhinestones, they founded their own imprint, N&J Blueberries.

Support comes from Loraine James, one of the most singular voices in UK electronic music, whose sound draws Hyperdub into unexpected territory. Her latest album, Detached From The Rest Of You, is her sharpest turn yet - glitch-laced, direct, and unmistakably her own.

Few artists move this fluidly between worlds, jazz, ambient, noise, pop, without ever losing the thread of who they are. James doesn’t so much cross genres as dissolve them, creating something that feels entirely her own each time. It’s rare to hear an artist this far into a catalogue still sound like they’re discovering new ground.

HTRK Lo Jaymes silent green Kulturquartier

Berlin Atonal and silent green are proud to present HTRK for their exclusive Berlin show of 2026. Sunday 2 August at sil...
29/06/2026

Berlin Atonal and silent green are proud to present HTRK for their exclusive Berlin show of 2026.
Sunday 2 August at silent green Kuppelhalle.
Tickets from RA in bio.

HTRK [‘hate rock'], the Australian duo of Jonnine Standish and Nigel Yang, have an uncanny ability to elevate musical mood to a singular, smouldering supremacy.

Their songs are often coded as fantasies, venturing deeper into the heady expanses of dub dream and memory. They make music that channels not just the heaviness and beauty of the world, but the surreal humour and inexplicable serendipity of it too, cataloguing desire, intimacy and spirit like few others.

HTRK’s albums have been released by labels including Fire, Blast First Petite, Boomkat Editions and Ghostly International. For their most recent full-length, Rhinestones, they founded their own imprint, N&J Blueberries.

Remembering The Infinite Now MAY 17/18 | SECOND DUSK 19:00 to 01:00Joy Guidry opened the closing arc with bassoon, elect...
29/05/2026

Remembering The Infinite Now MAY 17/18 | SECOND DUSK 19:00 to 01:00

Joy Guidry opened the closing arc with bassoon, electronics and a powerful voice, long resonant tones worked against breath and live processing. Keiji Haino then performed with guitar and electronics at length and at volume, the room held under sustained pressure. Actress brought the programme into electronic territory, dub-derived textures and abstract production drawn out into a longer set, the room shifting into propulsion for the first time in nearly twenty-four hours. 2k88 with Rainy Miller and Bianca Scout followed with a collaborative set of voice and electronics drawing on the North West UK currents that connect their separate practices, their voices and textures stacking up in the main hall. Terrence Dixon then closed The Infinite Now from 22:55 with A Cosmic Display of Beauty, the long programme dissolving slowly into the steady pulse of his closing set.

Berlin Atonal x Unsound, Kraftwerk Berlin, 16_17 May 2026.

Photo credits:
1,2,4,5,12,14
3,6,10,15,16 .de
7,8,13 ._
9,11

CONTRA, hour by hour.Here are the set times for the 70+ artists playing across Kraftwerk, Tresor, Globus & OHM this week...
28/05/2026

CONTRA, hour by hour.

Here are the set times for the 70+ artists playing across Kraftwerk, Tresor, Globus & OHM this weekend.

On both Saturday & Sunday, the festival's core programme begins in Kraftwerk's main hall in the early evening, before expanding across all of the complex's club spaces into the morning.

Final weekend passes & the very last Saturday & Sunday tickets are on RA.

CONTRA, hour by hour.Here are the set times for the 70+ artists playing across Kraftwerk, Tresor, Globus & OHM this week...
28/05/2026

CONTRA, hour by hour.

Here are the set times for the 70+ artists playing across Kraftwerk, Tresor, Globus & OHM this weekend.

On both Saturday & Sunday, the festival's core programme begins in Kraftwerk's main hall in the early evening before expanding across all of the complex's club spaces into the morning.

Final weekend passes & the very last Saturday & Sunday tickets are on RA.

Saturday 30.05: GlobusSarzRHR b2b Nick LeónDJ BassanGREGDevon Rexi meets John T. GastABADIR & HOGIRMoneyamaCatu DiosisSu...
27/05/2026

Saturday 30.05: Globus

Sarz
RHR b2b Nick León
DJ Bassan
GREG
Devon Rexi meets John T. Gast
ABADIR & HOGIR
Moneyama
Catu Diosis

Sunday 31.05: Globus

Head High
Lou Nour & Bakey
Beatrice M b2b Soa420
Evilgiane
EQ
Tracey
Jawnino
Dismantle

Both nights running from 22.00 – 08.00+

Final tickets on RA.

Remembering The Infinite Now MAY 17 | DAY 12:00 to 18:00Raphael Rogiński opened the afternoon with his solo guitar trans...
27/05/2026

Remembering The Infinite Now MAY 17 | DAY 12:00 to 18:00

Raphael Rogiński opened the afternoon with his solo guitar transposition of John Coltrane, single notes and bent intervals, the Coltrane material slowed into something closer to devotional listening than jazz performance. Aleksandra Słyż and Teoniki Rożynek then presented And the Sun Stood Still featuring the microtonal tuba trio Microtub, Słyż’s electronics and Rożynek’s composition setting brass overtones drifting through the hall in slow accumulation. Marta Salogni followed working tape, loops and dub-derived processing into a live electroacoustic set, textures spliced and re-spliced in real time. Marginal Consort closed the afternoon with their characteristic four-corner setup, the four members of the ensemble stationed at separate points around the room and the audience moving between them across nearly three hours of continuous free improvisation.

Berlin Atonal x Unsound, Kraftwerk Berlin, 16_17 May 2026.

Photo credits:

1,3,4,12,14,16,17,18,19,20
2 ._
5,6,8,10,11,13
7,9 .de
15

Remembering The Infinite Now MAY 17 | DAY 12:00 to 18:00Raphael Rogiński opened the afternoon with his solo guitar trans...
27/05/2026

Remembering The Infinite Now MAY 17 | DAY 12:00 to 18:00

Raphael Rogiński opened the afternoon with his solo guitar transposition of John Coltrane, single notes and bent intervals, the Coltrane material slowed into something closer to devotional listening than jazz performance. Aleksandra Słyż and Teoniki Rożynek then presented And the Sun Stood Still featuring the microtonal tuba trio Microtub, Słyż’s electronics and Rożynek’s composition setting brass overtones drifting through the hall in slow accumulation. Marta Salogni followed working tape, loops and dub-derived processing into a live electroacoustic set, textures spliced and re-spliced in real time. Marginal Consort closed the afternoon with their characteristic four-corner setup, the four members of the ensemble stationed at separate points around the room and the audience moving between them across nearly three hours of continuous free improvisation.

Berlin Atonal x Unsound, Kraftwerk Berlin, 16_17 May 2026.

Photo credits:

1,3,4,12,14,16,17,18,19
2 ._
5,6,8,10,11,13
7,9 .de
15

Remembering The Infinite Now MAY 17 | DAWN 08:00 to 12:45Adam Wiltzie soundtracked the morning with A Tired Reworking of...
25/05/2026

Remembering The Infinite Now MAY 17 | DAWN 08:00 to 12:45

Adam Wiltzie soundtracked the morning with A Tired Reworking of Stars of the Lid For the Sleep Deprived, material from the long Stars of the Lid catalogue thinned and slowed for bodies between rest and waking. Eiko Ishibashi and Jim O’Rourke’s Kotoński Reworked followed at 10:00, a recorded installation processing and reframing Włodzimierz Kotoński’s early Polish musique concrète. At midday Romeo Castellucci and Scott Gibbons gave the second performance of To Carthage then I came, choreographed movement in-situ elevated through Gibbons’s sound design into the same tightly-held atmosphere as the midnight performance, this time received by an audience newly awake.
Berlin Atonal x Unsound, Kraftwerk Berlin, 16_17 May 2026. Photo credits:

1,2,3,4,9,10,11
5 ._
6
7
8

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