Tatwerk Performative Forschung

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Tatwerk Performative Forschung

Tatwerk Performative Forschung Studio for the performing arts in the heart of Berlin Kreuzkölln. Furthermore we offer support in technical questions, in the production and PR.
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TATWERK | PERFORMATIVE FORSCHUNG is a production centre and studio for the performing arts in Berlin. The artistic research focus in physical theatre, dance and performance with a particular attention to interdisciplinary projects. TATWERK is a crossing point for artists who chose the body as material and the research as a tool for their work. Our work consists in offering an artisic exchange plat

form for ideas, artistic practices and projects. Our main interest concentrates on multidisciplinary, political and poetic projects in the field of the performing arts. We are particulalry interested in the research of thematic and aestheitc tension fields beween different artistic, social and scientific disciplines. The resulting program consisting o classes, workshops and performance projects is completed by events ans festivals where chosen artists present their work in form of previews, work in progress or ready productions. We open our network and activate new, unexpected connections. TATWERK | PERFORMATIVE FORSCHUNG responds to the need of many artists for an open space and pursues long term work relationships.

27/03/2025

Dance residency at TATWERK and in Hasenheide

The UNKNOWN GEOGRAPHIES residency programme focuses on somatic and choreographic practices in conversation with public space and nature, that link urban ecology with post-human insights and inclusive concepts of agency.
The residency will hold Volkspark Hasenheide and TATWERK’s studio as the working locations, allowing the physical dimensions of urban space to be explored in depth.

Depending on their practice and interests, artists can focus on different aspects within the ‘unknown geographies‘. Artists should explore any aspect of the park that calls them and incorporate the local context, and can further deepen and consolidate established practices or find the space to explore new practices.

📆 RESIDENCY PERIOD: 07.07.25 - 01.08.25

🤸‍♂️🌿🏙️ Who we’re looking for:

⁃ Individual artists or artist groups of max. 4 people who live and work in Berlin, whose work focuses on dance
⁃ Research interest in public space, urban green spaces, human-nature relations, and power relations in the urban fabric
⁃ Artists who have not previously worked with TATWERK
⁃ Artists who have been excluded from fundings due to discrimination
⁃ University-enrolled artists at the time of residency are ineligible

🤝💡 What we offer:
⁃ €2000 scholarship for the residency
⁃ TATWERK studio access (14.07 - 01.08)
⁃ Kick-off meeting in Hasenheide (07.07.25) + ongoing mentoring & dramaturgical support
⁃ Connection to TATWERK networks for future research & production
⁃ Professional photo & video documentation

The residency artist or group is selected by the curatorial team Aurora Kellermann and Aru Ray Tormann in collaboration with initiatives active in Volkspark Hasenheide.

📌📆 APPLICATION DEADLINE: 17.04.25
All artists will receive feedback by the end of May.

https://tatwerk-berlin.de/en/projects/347-unknown-geographies-en
Only complete applications will be considered for selection.

Funded by the Senate Department for Culture and Social Cohesion of the State of Berlin.

27/03/2025

Decentralized and democratic curation - Neighborhood commissions of care

A knowledge sharing collaboration with Milano Mediterranea and Tatwerk in Berlin, to imply a new way of curating and community organizing in the area of our community hub, Szendvicsbar. The artistic director of Placcc, Fanni is now spending a week in Tatwerk, attending workshops, and preparing the open call plus strategies of a truly diverse and accessible neighborhood committee! In Hungary, people often feel powerless to have influence on their life and supportsystems, and there is little to no embodied experience of democratic decision having direct impact - especially for those, who’s rights are limited and didn’t even allow them to vote, or the communities otherwise excluded from processes through unaccessibility.

🏘️A thousand doors, but one story!
Only a few days left to reach the goal of our crowdfunding. Donate now, and support independent, intercultural, grassroot organizing in Hungary!
https://whydonate.com/en/fundraising/a-mi-csikagonk-szomszedunnep-our-csikago-neighbourhood-festival

Neighbourhood Committees of Care aims at exchanging good practices at a European level to implement participatory processes and community engagement on just transition matters through artistic projects. Milano Mediterranea’s (Mimed) methodology on participatory practices in socio-economic peripheral areas will be scaled in two districts of Berlin and Budapest where Tatwerk Performative Forschung and PLACCC Festivals are based. An intergenerational, multilingual and multicultural neighborhood art committee of local inhabitants will be established in each local context and will design an open call to collect innovative and participatory artistic proposals on urgent environmental challenges to achieve a just transition. Artists and local communities will be invited to co-produce an artwork during a month-long residency. Results from the processes in each country will be presented to a broader audience both at Twiza festival in Milan and in PLACCC festival in Budapest as examples of bottom-up urban regeneration processes.

This project was made possible with the financial support of the Culture of Solidarity Fund powered by the European Cultural Fundation.

The participation in the meeting was supported by Collegium Hungaricum Berlin..

Decentralizált és demokratikus döntéshozás a kurátori feladatokban- Szomszédsági gondoskodó bizottságok

Helyi ügyekért a helyiekkel!
Tudásmegosztó együttműködés a Milano Mediterranea és a berlini Tatwerk művészeti terekkel, hogy a kurátori és közösségszervezési tevékenység új módját vezessük be közösségi terünk, a Szendvicsbár szomszédságában. A Placcc művészeti vezetője, Fanni most egy hetet tölt a Tatwerkben, workshopokon vesz részt, és előkészíti a hamarosan publikálásra kerülő nyílt felhívásunkat, valamint egy igazán sokszínű és elérhető szomszédsági bizottság stratégiáit dolgozzák ki! Magyarországon az emberek gyakran érzik magukat tehetetlennek, kiábrándulunk a demokrácia eszközeiből, és kevés vagy egyáltalán nincs valódi tapasztalata annak, hogy a demokratikus döntéseknek közvetlen hatása van - különösen azok számára, akiknek a jogai korlátozottak, és még a szavazást sem tették lehetővé számukra, vagy azoknak a közösségeknek, akiket egyéb rendszerszintű hozzáférhetetlenség miatt zárnak ii a folyamatokból.

🏘️A ezer ajtó, de egy történet!
Már csak néhány nap van hátra a crowdfundingunk céljának eléréséig. Adományozz most, és támogasd a független, interkulturális, alulról szerveződő magyarországi szerveződést!
https://whydonate.com/en/fundraising/a-mi-csikagonk-szomszedunnep-our-csikago-neighbourhood-festival

A Neighbourhood Committees of Care célja jó gyakorlatok cseréje európai szinten, hogy művészeti projekteken keresztül valósítson meg részvételi folyamatokat és közösségi elkötelezettséget ún. "Just transitions"folyamatokban. A Milano Mediterranea (Mimed) módszertanát a társadalmi-gazdasági periférikus területeken folytatott részvételi gyakorlatokról Berlin és Budapest két kerületében fogjuk újraértelmezni. A helyi lakosokból álló, intergenerációs, többnyelvű és multikulturális művészeti bizottság egy nyílt felhívást fog kidolgozni, majd kiválasztani azokat az innovatív és részvételi művészeti javaslatokat, melyek égető helyi kérdésekre reflektálnak. A művészek és a helyi közösségek egy hónapos rezidencia során közösen hoznak létre egy projektet. Az egyes országokban zajló folyamatok eredményeit a milánói Twiza fesztiválon és a budapesti PLACCC fesztiválon a szélesebb közönségnek is bemutatják, mint az alulról építkező városrehabilitációs folyamatok példáit.

27/03/2025

Open CALL 2025: Artistic residency in the frame of ‘Neighbourhood Committee of Care’ at TATWERK and Hasenheide

‘Neighborhood Committee of Care’ (NCC) is a cooperation project between TATWERK in Berlin, Milano Mediterranea ميلانو المتوسّطيةّ in Milan and Szendvicsbár közösségi tér / Sandwich Bar community hub in Budapest. In Berlin, NCC will focus on Volkspark Hasenheide.

We are looking for projects that deal with Volkspark Hasenheide as an urban space with its inherent diversity, and want to enter into dialogue with the people who use the park. There are no restrictions in terms of art, genre, or language. Artists can deepen and consolidate existing practices or explore new approaches during the residency period.

📆 RESIDENCY PERIOD: 04.08.25 - 22.08.25

🌿🏙️ Who we’re looking for:
⁃ Individual artists living and working in Berlin
⁃ Research interest in public space, urban green spaces, human-nature relations, and power relations in the urban fabric
⁃ Artists who have not previously worked with TATWERK
⁃ Artists who have been excluded from fundings due to discrimination
⁃ University-enrolled artists at the time of residency are ineligible

🤝💡 What we offer:
⁃ €2000 scholarship for the residency
⁃ Budget for material costs, to be agreed
⁃ TATWERK studio access (04.08 - 22.08)
⁃ Kick-off meeting in Hasenheide (24.07.25) + ongoing mentoring & dramaturgical support
⁃ Connection to TATWERK networks for future research & production
⁃ Professional photo & video documentation

The selection of the residency artist will be made by the NCC. The process is led by the residency curatorial team, Aurora Kellermann and Aru Ray Tormann with the participation of our Milan and Budapest partners.

📌📆 APPLICATION DEADLINE: 17.04.25
All artists will receive feedback by the end of June.

All of the info are two clicks away on our website. Only complete applications will be considered for selection.

This project was made possible thanks to the financial support of the Culture of Solidarity Fund powered by the European Cultural Foundation.

12/03/2025

News from Tatwerk: Spring 2025 - https://mailchi.mp/772a9b1cb5e2/tw_spring25

We are back this Saturday with MAMA FURIA! Still some spots available via previous registration, all info on our website.

Stay tuned for our upcoming open calls for NEIGHBOURHOOD COMMITTEE OF CARE and UNKNOWN GEOGRAPHIES!

27/02/2025

We are very happy to announce that we will be hosting "MAMA FURIA" by Nora Decker and Carla-Frieda Nettelnbreker at Tatwerk on the 15th of March 2025.

For all the info: https://tatwerk-berlin.de/projekte/345-mama-furia

21/02/2025

Despite the challenging times, we move forward- together.
Support your local production centre!

Tatwerk is available from now till the end of April.

Get in touch!
[email protected]

21/02/2025

The loss of hope for the cultural landscape of Berlin is a loss of hope for the diversity of our city!

📌Join us this Saturday at 2pm at Rotes Rathaus to voice against the Berlin Senate’s cultural funding cut policy

📢 Additional Upcoming Dates

🔻03 March, 14:00-17:00
Committee for Culture, Engagement and the Promotion of Democracy

🔻 04 March, from 16:00
General meeting of the Berlin Cultural Conference
🔻🔻21:00 Party of the campaign at Schwuz

🔻 07 March
2nd ‘cultural dialogue’ meeting with the governing mayor, Rotes Rathaus
🔻🔻 - Call for vigils:
! Time tbc, Rotes Rathaus

20/02/2025

14/02/2025

10 YEARS OF TATWERK - POSSIBLE FUTURES
13th December 2024

Last December, we celebrated Tatwerk’s 10th birthday with a day-long celebration filled with memories, performances, and future visions.
The event featured Tatwerk’s archive, a shared dinner, the installation “Collective Projections”, and a series of performative intervensions as gifts by: Ana Kavalis, Dan Dansen, RILABEN, Giorgia Bovo & Carley Marholin, Min Yoon, Ludomir Franczak, and Ping-Hsiang Wang & Yi-Wei Tien - all culminating in and a silent disco dancefloor.

The event was conceptualized and organized in collaboration with Lik Kollektiv, who also moderated the event.

We want to thank everyone who has contributed to building TATWERK’s history and who joined us to share this special day, bringing their memories and visions.
A special thanks to the artists who gifted us with their interventions, and to LIK Kollektiv for their dedication and support.

Performances:
"Bittersweet Goodbye" by Dan Dansen
"Dancing-being-in-time" by Min Yoon
"Fluxus Maximus" by Ana Kavalis
"People Pleaser" by Giorgia Bovo & Carley Marholin
"Fallen Bird" by Rilaben
"Employee of the Month" by Ping-Hsiang Wang
"Atlas of Sounds - Hasenheide" by Ludomir Franczak

Concept & organisation: TATWERK + LIK Kollektiv
Assistance & archive: Beatrice Zanesco, Asya Kolsuz, Jane Su
Dinner: Riccardo & Jack

© Anna Stri

04/12/2024

POSSIBLE FUTURES - 10 YEARS OF TATWERK
will feature “Collective Projections”, a collective installation of materialized memories.

To participate in it, please bring a small object, fabric, or another material that has been part of your work, or a specific production, and that you are ready to part from. By donating it to the installation you will give it a new possible future.

All info on POSSIBILE FUTURE - 10 YEARS OF TATWERK on our website, link in bio.

04/12/2024

POSSIBLE FUTURES - 10 YEARS OF TATWERK
will feature "Collective Projections", a collective installation of materialized memories.

To participate in it, please bring a small object, fabric, or another material that has been part of your work, or a specific production, and that you are ready to part from. By donating it to the installation you will give it a new possible future.

All info on POSSIBILE FUTURE - 10 YEARS OF TATWERK:
tatwerk-berlin.de/en/projects/340-10-years-of-tatwerk-possible-futures

03/12/2024

INVITATION to celebrating

10 YEARS OF TATWERK - POSSIBLE FUTURES

with us!

On Friday, 13th December 2024, from 3pm, we want to find together a common way of coping, of resisting and projecting ourselves into POSSIBLE FUTURES.

Our birthday party is about celebrating what TATWERK means, enables, and has built over the years along with the existing community around us - although the circumstances on both the local and global level might feel like we are heading at full speed towards the end of the world.

We invite you for a day-long celebration of our common POSSIBLE FUTURES. We will display TATWERK’s archive of the past 10 years, host a dinner, propose a collective installation of materialized memories, and share performative interventions by Ana Kavalis, Dan Dansen, L'Abbate, Gabriela Turano, Giorgia Bovo & Carley Marholin , Min Yoon, Ludomir Franczak und -Hsiang Wang & Yi-Wei Tien.

Later on, we hope to dance the night away.

We would be really happy to have you with us on this special day in TATWERK's history!

Let us know by December 6th that you’re coming by via e-mail to [email protected] .

We were all unicorns. We can all be phoenixes.

29/11/2024

Today 29th of November 2024, 3-6pm.
Funeral march against planned cuts to Berlin’s cultural budget.
Neptunbrunnen - Brandenburger Tor

We are in danger. All of us. The fragile ecosystem that has sustained us, the workers of the Freie Szene, is crumbling.
We all know the figures by now. We express our solidarity with all artists and workers affected by the budget cuts, and with all Berliners who will suffer the silence imposed on us.

09/10/2024

TOMORROW!

We will collectively clean Hasenheide up and do some archeology of the future. Be there!

Stadtnatur Berlin

08/10/2024

Faserland-Boys und Ich – Labern über Männerliteratur
A performance by Fatima Çalışkan

📆 OPEN REHEARSAL on October 16th, 2024
⏰ 6pm

Further shows:
October 26th, 2024 | 8pm
October 27th, 2024 | 8pm
October 29th, 2024 | 8pm
October 30th, 2024 | 6pm

ℹ️ https://tatwerk-berlin.de/en/projects/339-faserland-boys-und-ich-labern-ueber-maennerliteratur
🎫
For Open Rehearsal: Register at [email protected]

Inspired by Christian Kracht’s novel »Faserland« and babbling podcasts with a male double cast, she explores the cliché of the young, West German academic who goes through life as a checker surrounded by status symbols and successes over a glass of champagne. In »Faserlandboys und Ich«, she scrutinises the pop-cultural zeitgeist of the turn of the millennium from a female, post-migrant perspective. Between bookshelves and piles of books, Fatima Çalışkan rambles back uninhibitedly, interweaves pop-cultural references and overwrites Kracht’s bestsellers with her voice and simply reviews her work herself in a literary quartet for the stage.

🗝️ Language: German
👩‍👩‍👧‍👦 Trigger Warning: Mention of: physical and psychological violence, addictions (alcohol, drugs, compulsions, etc.), racism, sexism, ageism, other forms of discrimination, swearing, profanity | Explicit depiction: self-harm.

A production by Fatima Çalışkan in co-production with TATWERK | Performative Research, in co-operation with Ballhaus Ost.
Funded by the Senate Department for Culture and Social Cohesion. Media partner is taz. die tageszeitung.

Artistic Director, Performer, Text: Fatima Çalışkan
Dramaturgy and Co-concept: Felizitas Stilleke
Scenic Implementation and Co-director: Aurora Kellermann
Scenography and Lighting Design: Raquel Rosildete
Costume: Andreína Vieira dos Santos
Public Relations: Nora Gores
Graphics: Ana Maria Sales Prado
Photography: Marcus Glahn
Audio Description: Felix Koch and Johanna Krins
Production Management: Chris Wohlrab
Direction and Dramaturgy Assistant: Alena Kolbach
Stage Assistant: Marlena Wengler

Image credits: Marcus Glahn

01/09/2024

FIVE LINES
A performance by FrauTrapp

📆 September, 4th 2024
⏰ 8pm

ℹ️ tatwerk-berlin.de/en/projects/337-five-lines
🎫 rausgegangen.de/en/events/five-lines-0/

„FIVE LINES“ is the new hybrid creation of The FrauTrapp Company. A new form of performing art named Micro Cinema Theatre, which combines theatre and puppetry, audio-visual art, and live music.

Scale models, acting, live music and audiovisuals come together to bring the story of a musician to life in a hypothetical dystopian world.
FIVE LINES is a multidisciplinary performance in which the various situations that the protagonist tells us through an off-voice can be observed from different points of view, thanks to the synthesizing power of the language of the micro cinema theatre.
A dystopian setting in which the earth, dying of climate collapse, pushes society to adapt by locking itself in claustrophobic spaces, sacrificing freedom in exchange for security. Love and the will to live will accompany, like a distant melody, the flow of this adventure in which we must find out if we still have alternatives in this life path.

In FIVE LINES we claim the ironic persistence of hope even in the toughest situations, which allows us to imagine and sometimes create better worlds.

The performance premiered in april 2023 in Barcelona‘s IX Puppet Festival „Rombic“.

🗝️ Language: German, French, English, Spanish, Catalan, Italian.
👩‍👩‍👧‍👦 Audience: adults and teens from 12 years old

„FIVE LINES“ is a Spanish/Swiss co-production Between the FrauTrapp company and Bern‘s Schlachthaus Theatre.

WIth the support of: Stanley Thomas Johnson Foundation, Ernst Gühner Foundation, Can Gassol Mataró, SSA, Interpreten Foundation, Ateneu Nou Barris, Dätwyler Foundation.

Script By: Matteo Frau, Natalia Barraza, Mina Trapp
Direction: Natalia Barraza
Interpretation and Manipulation: Matteo Frau, Mina Trapp, Sebi Escarpenter, Ariel F. Verba
Original Music: Matteo Frau
Camera, Technique, Editing: Ariel F. Verba, Sebi Escarpenter
Miniature, Scenography: Mina Trapp
Costumes: Mina Trapp
Light Design: Ivan Tomasevic
Miniature Light Design: Sebi Escarpenter
Production: The Frau Trapp Company
Promotion: Mina Trapp
Voice Off: Mila Von Chobiak

Image credits: Sebi Escarpenter

29/08/2024

Read our latest newsletter here:
News from TATWERK: summer 2024 - https://mailchi.mp/ca9bab8becac/tw_summer24-9452564
On September 4th we present Five Lines by Frau Trapp!

25/08/2024

FIVE LINES
A performance by FrauTrapp

📆 September, 4th 2024
⏰ 8pm

ℹ️ tatwerk-berlin.de/en/projects/337-five-lines
🎫 rausgegangen.de/en/events/five-lines-0/

„FIVE LINES“ is the new hybrid creation of The FrauTrapp Company. A new form of performing art named Micro Cinema Theatre, which combines theatre and puppetry, audio-visual art, and live music.

Scale models, acting, live music and audiovisuals come together to bring the story of a musician to life in a hypothetical dystopian world.
FIVE LINES is a multidisciplinary performance in which the various situations that the protagonist tells us through an off-voice can be observed from different points of view, thanks to the synthesizing power of the language of the micro cinema theatre.
A dystopian setting in which the earth, dying of climate collapse, pushes society to adapt by locking itself in claustrophobic spaces, sacrificing freedom in exchange for security. Love and the will to live will accompany, like a distant melody, the flow of this adventure in which we must find out if we still have alternatives in this life path.

In FIVE LINES we claim the ironic persistence of hope even in the toughest situations, which allows us to imagine and sometimes create better worlds.

The performance premiered in april 2023 in Barcelona‘s IX Puppet Festival „Rombic“.

🗝️ Language: German, French, English, Spanish, Catalan, Italian.
👩‍👩‍👧‍👦 Audience: adults and teens from 12 years old

„FIVE LINES“ is a Spanish/Swiss co-production Between the FrauTrapp company and Bern‘s Schlachthaus Theatre.
WIth the support of: Stanley Thomas Johnson Foundation, Ernst Gühner Foundation, Can Gassol Mataró, SSA, Interpreten Foundation, Ateneu Nou Barris, Dätwyler Foundation.

Script By: Matteo Frau, Natalia Barraza, Mina Trapp
Direction: Natalia Barraza
Interpretation and Manipulation: Matteo Frau, Mina Trapp, Sebi Escarpenter, Ariel F. Verba
Original Music: Matteo Frau
Camera, Technique, Editing: Ariel F. Verba, Sebi Escarpenter
Miniature, Scenography: Mina Trapp
Costumes: Mina Trapp
Light Design: Ivan Tomasevic
Miniature Light Design: Sebi Escarpenter
Production: The Frau Trapp Company
Promotion: Mina Trapp
Voice Off: Mila Von Chobiak

Image credits: Sebi Escarpenter

Adresse

Hasenheide 9, Gewerbehof/Aufgang 1, 3. OG
Berlin
10967

Telefon

+493068322770

Webseite

http://www.tatwerk-berlin.de/, https://en.wonderlink.de/@tatwerkberlin

Benachrichtigungen

Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von Tatwerk Performative Forschung erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.

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Videos

An amazing afternoon with LivecoderA. Thank you so much to all the artists involved with their amazing pieces. Mars Nikola Lutz Alexandra Cárdenas Chemical Adam Prieste5s But thank you also to everyone who joined us, both in person and on streaming, and to who, with their joint effort made this possible! Video: Prieste5s, 13/04/2024 live set A project by Tatwerk | Performative Forschung in cooperation with LivecoderA. Funded by the Project Fund for Cultural Promotion of the Friedrichshain-Kreuzberg district. #tatwerkberlin #tatwerk #kultur_foerderung_xhain #independenttheatre #freieszene #freieszeneberlin #theaterinberlin #independentarts #freiekunst #independentperformingarts #freiedarstellendekuenste #contemporarytheatre #zeitgenoessischestheater #experimentaltheatre #experimentellestheater #allworkandnoplayisnofunatall #weareallunicorns #livecodera #livecoding #creativecoding #jamsession #streaming

LivecoderA now!

LivecoderA Berlin 13th April 2024 4pm - 8pm at Tatwerk Berlin Entrance: 15€ | 10€ reduced Also live streamed in the Tatwerk’s Twich Channel and Eulerroom’s YouTube Channel Featuring: Alexandra Cardenas/Tiemposdelruido, Chemical Adam, Mars, Nikola Lutz, Hellen Wu @tiemposdelruido @chemicaladam @new_theft_realists @prieste5s A LivecoderA is a woman* who arrived to code to use it as a weapon, a song, a dress. Looking to society, she decided to create a different possible future for it through its most potent element: culture. I care about eating, doing art, f**king, sleeping and coding. A LivecoderA, with some or a very few privileges, made a life route through patriarchal hostility. This LivecoderA is fully aware. Each space gained is an opportunity to subvert logic, to weave ties, to implant love. A LivecoderA is a code worker (which is never neutral) who has to fight for her rigths on several spaces. Daily she faces different types of gender violence (symbolic, psychological, economical, physical, sexual), but she debates them in order to mend it collectively. Live coding was born from the meeting of two subcultures: that of hackers and that of electronic music, with frequent references to rave culture. There are the ideals of knowledge sharing, the rejection of hierarchies, leaders and performance principles. Livecodera takes this to another level by creating a safe space for FLINTA* people in this context. A group consisting exclusively of FLINTA* offers group members a safe space in which they can develop their individual voices without running the risk of being overshadowed within the larger, male-dominated group.  We welcome allies of any gender in our audience! Show your support! In this event we combine different techniques with live coding to create a unique experience. A project by TATWERK | Performative Research in cooperation with LivecoderA Berlin.  Funded by the Project Fund for Cultural Promotion of the Friedrichshai