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Hua International

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Berlin
Hua International

Founded in 2018, the gallery champions a cosmopolitan program across its Berlin and Beijing spaces, f

17/06/2026

Join us at (Booth 64), where we are thrilled to present new works by and

Open 15—21 June
Tue–Sat: 12:00-20:00
Sun: 11:00–16:00

13/06/2026

Alfredo Aceto has been nominated for the Swiss Art Award 2026 in Basel.

The presentation brings together a new series of lamp sculptures and the film Dsquared2Wasp , offering insight into Alfredo Aceto’s interest in the psychological and social
construction of domestic and rural space.

Distributed throughout the exhibition space, five lamps assemble oil and gasoline containers with domestic lampshades. Produced from recipients associated with engines and fuel, the sculptures
combine mechanical and domestic vocabularies. Their materials originate from environments tied to labour and masculine culture, while the lampshades evoke intimacy and decoration.

Decoration and ornament have traditionally been relegated to the domestic sphere, historically
coded as feminine within patriarchal systems. For Aceto, questioning structures of oppression and power can also involve subverting these inherited visual and social hierarchies. The sculptures are rooted in memories connected to Moncalieri, Italy, where Aceto spent his childhood and adolescence isolated within an agricultural environment, where forms of emancipation, sexuality and fantasy were deeply constrained.

Swiss Art Awards 2026
Opening / Vernissage:
Monday, June 15, 6–10 pm

Exhibition until June 21, 2026

Tuesday–Saturday, 10 am–8 pm

Messe Basel
Hall 1.1

You can also mention that Alfredo Aceto will present the book FastCash, published by eeeditions, at I Never Read, Art Book Fair Basel.

I Never Read, Art Book Fair Basel
with eeeditions

Opening / Vernissage:
Sunday, June 14, 6–10 pm

Until June 20, 2026

Monday–Saturday, 4–10 pm
Sunday, 2–10 pm

UBS Training Center
Viaduktstrasse 33
Basel

Oil Lamp (I Love You), 2026
Unique
39 × 30 × 60 cm
Fuel can, lampshade, cable, light bulb. Photo credit. Annik Wetter.

09/06/2026

Opening Monday June 15th the two-artist presentation at LISTE 2026, Booth 64, featuring the Italian-born
and Swiss-based artist Alfredo Aceto in dialogue with the Chinese artist Shi Yi. Approaching
Craig Owens’ notion of allegory, the two artists investigate questions of masculinity and
hegemonic culture. In line with Hua International’s dedication to working with emerging and
underrepresented artists, the presentation centers peripheral and marginalized experience.
A selection from the series Tongue Twister is shown on the right-hand side of the booth. In
it, tongues, and other objects of the (non-)intact masculine body, appear in an attempt to
explore the construction of stereotypical identities. Bocca con Matita
confronts the body by placing a pencil in partly opened lips and replacing one form of
expression, speech, with another, the touch of an object used to write. Aceto unearthed a selection of archival images from an unknown watch designer in Geneva, the global capital of such objects. This collection of around a hundred documents forms the foundation of the exhibition. They are scanned and modified by the artist and like their rough alterations, they embody a narrative of failure. Shi Yi will be presented to a European audience for the first time. It will also be his first
participation in an international art fair, in line with Hua International’s foundational
commitment to foregrounding marginal experiences. Exhibited opposite Alfredo Aceto’s
works, Shi Yi’s paintings draw inspiration from both the traditional painting traditions of his
hometown, Chaozhou, and Western, particularly Italian, art historical motifs.

22/05/2026

At Beijing Dangdai Art Fair 2026, Hua International is proud to present the artist collective CFGNY at Booth A4.

Based in New York, CFGNY explores the intersections of Asian diasporic identity, queerness, and the power of collective production. In their works “American Construction Study: Fragment I and “Four Vases, Cardboard, Shirt (Doubled)” the collective utilizes a combination of porcelain sculptures, architectural cardboard fragments, and low-fidelity reproductions of American pastoral landscape paintings to deconstruct historical colonial domesticity and modern consumer culture.

As Talia Heiman notes, CFGNY positions the manufacture of knock-offs “not as an attempt to copy an original source, but rather as a process that is always altering, a collective act of replication that adds new meanings with each shift.”

Find us at Booth A4

Pictures courtesy of Bel Ami.
Group portrait by Elle Pérez.

American Construction Study: Fragment I, 2022
cardboard, digital print, wood
83 3/4 x 39 x 5 in (212.7 x 99.1 x 12.7 cm)

Four Vases, Cardboard, Shirt (Doubled), 2022
glazed porcelain, steel
floor-to-ceiling height 6 x 6 in (floor-to-ceiling height x 15.2 x 15.2 cm)

22/05/2026

Now open “When Clouds are Floating White as Swans”, Jinbin Chen’s first solo exhibition with the gallery.

The title is taken from the opening line of a poem by the Latvian poet Eduards Veidenbaums (1867–1892), whose verses begin in romantic longing, clouds like swans, roses that never decay, before turning sharply on themselves: “Chuck your hope into the dark of the grave / We’ll never stroll in those sunny parts / In a tear-drenched swamp we live and slave.” The movement from romantic escape to the acknowledgement of a brutal real is also the movement of Chen’s exhibition. His works hold both impulses without resolving them: “All my works carry softness, but there is also alienation in them. I want the exhibition to become something in between or wandering between them.”

Link in bio for more information on the exhibition.
Slides:
Deer Leg Player 吹鹿腿者, 2026
Oil on linen
78.5 x 98.5 cm
Eudaimonia 良好生活, 2026
Oil on linen
60 x 80 cm
Reaffirming His Object Status as the Beloved 2 再次确认他作为被爱者的客体对象 2, 2026
Oil on linen
100 x 80 cm
Wandering Alix 流浪的埃里克斯, 2026
Oil and acrylic on handmade canvas mattress cover, polyurethane sponge
手工缝制的帆布面床垫套上油画及丙烯，聚氨酯海绵内衬
126 x 191 cm
When Clouds are Floating White as Swans 当云朵如天鹅洁白漂浮, 2026
Oil on linen
90 x 60 cm
Confrontation 2 对峙 2, 2026
Oil on linen
80 x 100 cm
Confrontation 1 对峙 1, 2026
Oil on linen

02/05/2026

Breathe. As in. (shadow)
with Qiu Ruixiang & Peter Welz

on view until June 27, 2026
at Hua International Berlin

The exhibition takes its title from a poem by Rosamond S. King, in which the gesture of breathing is held suspended between contraction and expansion, between inhalation and release. It is in this interval, this in-between, that the works of Qiu Ruixiang and Peter Welz find their common ground and their difference: where Qiu withholds and compresses, turning the gaze inward, Welz releases and dilates, projecting fragments outward until they constitute new worlds

photos by: .photo

17/04/2026

Breathe. As in. (shadow)
with Qiu Ruixiang and Peter Welz .welz

We are pleased to announce our upcoming exhibition for Gallery Weekend Berlin 2026 , opening Friday, 1 May, at our Berlin location.

The exhibition takes its title from a poem by Rosamond S. King, in which the gesture of breathing is held suspended between contraction and expansion, between inhalation and release.

It is in this interval, this in-between, that the works of Qiu Ruixiang and Peter Welz find their common ground and their difference: where Ruixiang withholds and compresses, turning the gaze inward, Welz releases and dilates, projecting fragments outward until they constitute new worlds.

Opening: 1 May, 6—9PM
On view 01.05.26—27.06.26

Hua International
Potsdamer Str. 81B,
10785 Berlin Germany

For more information check the link in our bio.

28/03/2026

"KNOT I: Soft Reality, Hard Dreams" is now open at Knotting Space, 7/F H Queen's, Central, Hong Kong.

Curated by Jims Lam and on view during Art Basel Hong Kong, 23 March–18 April 2026, Tue–Sat, 11am–7pm.

Featuring Vivian Caccuri (b. 1986, Brazil), Jinbin Chen (b. 1994, China) and Shi Yi (b. 1993, China).

Don't miss it this weekend .HK

13/03/2026

Opening tomorrow — 14 March, 4PM.

“Time Is the Thing a Body Moves Through”
Two-person exhibition with new works by Ming Yuan & Chen Dandizi.

On view 14.03.26 — 06.05.26.

HUA International
D08-3, 798 East Road
798 Art District
100015 Beijing

Poster design: .vinokoorov

installationart sculpture

07/03/2026

Join us this Saturday, March 14th for the opening of our new exhibition „Time Is the Thing a Body Moves Through“, at our Beijing location.

“We’re investigating the language of the present from the perspective of the utopic, which is an exploration of difference, and the only way we can find to this language takes us through each other.”
— T Fleishman

The exhibition Time is the Thing a Body Moves Through, titled after the novel by T Fleischmann, a reflective work about art, embodiment, and how perception unfolds across time, brings together Yuan Ming and Chen Dandizi, whose paintings, videos, and watercolours share an attention to fragile images, quiet gestures, and suspended states of perception. Across these works, images appear as fragments that invite the viewer to slow their gaze and experience time not as narrative or explanation but as something the body itself gradually moves through.

Alibi
At the centre of each composition sits a closed red box, lacquered but mostly silent. The object reads immediately as a jewellery case, but what it ought to contain is absent: the jewel is gone, not shown or perhaps never even existed. Yuan Ming elevates these empty containers into subjects in their own right, creating a tension between interior and exterior, between the promise of something precious and the void it conceals. In these sites of reflection, the artist removes the objects of desire to reveal a deeper exploration of value, identity, and aspiration, while the works highlight the tension between exclusivity and accessibility, desire and imitation, subtly commenting on class, consumption, and aestheticised identity. The title Alibi introduces a legal and identity-related dimension that acts like a proof of presence elsewhere and the trace of a meaningful absence. One interpretation is that the closed box becomes a symbol of a locked interiority, a subjectivity to which access is denied, a gesture that also operates as a critique of the orientalist gaze that objectifies Asian women, reducing them to appearances and attributes.

Yuan Ming
Alibi X, 2025
Oil on cotton canvas
25x25x5 cm

Adresse

Postdamer Str. 81 B
Berlin
10785

Öffnungszeiten

Dienstag	12:00 - 18:00
Mittwoch	12:00 - 18:00
Donnerstag	12:00 - 18:00
Freitag	12:00 - 18:00
Samstag	12:00 - 18:00

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+493025792410

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http://www.hua-international.com/

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