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Dienstag 12:00 - 18:00 Mittwoch 12:00 - 18:00 Donnerstag 12:00 - 18:00 Freitag 12:00 - 18:00 Samstag 12:00 - 18:00

ChertLüdde

Gallery opening hours: Tuesday - Saturday 12.00 - 18.00 and by appointment

07/06/2026

ChertLüdde returns to in 2026 with a presentation of works spanning from the 1960s to the present day, reflecting the artists’ creative exploration as exhibited in various international shows over the past few months.

We are delighted to bring together the works of:

Petrit Halilaj
Sofía Salazar Rosales
Selma Selman .selma
Clemen Parrocchetti
Monia Ben Hamouda .benhamouda.studio
Álvaro Urbano
Sol Calero
Patrizio di Massimo
Heike Kabisch
Stephanie Comilang
Rodrigo Hernández
Ruth Wolf-Rehfeldt
& Ali Eyal

We look forward to seeing you at
📍 Booth N7, Hall 2.1, Art Basel
📅 16 – 21 June 2026

02/06/2026

ChertLüdde is taking part in Basel Exclusive, a new initiative by , which presents a selection of artworks unveiled at the fair’s opening this June.

Among the selection are the historic works of Clemen Parrocchetti, which have rarely been exhibited to the public, but are enjoying renewed interest from museums in recent years.

The Italian artist Clemen Parrocchetti (1923-2016) was an active participant in the feminist liberation movement in Italy in the 1960s and 1970s, a period that is still considered one of the most heated moments in the country’s history in the fight for women’s rights. This translated into a strong visual grammar of domestic objects and the female body, repurposed into the subversive tools of denunciation and protest.

Join us at our booth N7 Hall 2.1:

Art Basel in Basel
VIP days: June 16–17
Public days: June 18–21
📍 Messeplatz, Basel

Image: Clemen Parrocchetti next to “Telaio Infranto / Shattered Loom”, 1978. Courtesy Clemen Parrocchetti Archive

29/05/2026

Opening this Saturday, 30 May 2026 in Ortisei
With Álvaro Urbano

“(Future) Paradise Gardens“
10th edition of Biennale Gherdëina
Val Gardena, Dolomites
Curated by
31 May – 13 September 2026

The biennial explores the dialogue between contemporary artistic practices and the local context, its people, communities, and environment. In (Future) Paradise Gardens, the curator Samuel Leuenberger presents various chapters exploring the idea of the garden, which act as a metaphor for themes of Commoning, Divine Love and Growth, Violent Garden, Q***r Ecology, Botanical and Gardens as Spaces for Reflection and Poetry. These are spread across three main exhibition sites throughout the Val Gardena.

Image: Álvaro Urbano, “Zwischenzeit”, 2025; Disused street lamp, lighting effect designed to resemble a dialogue between two light bulbs. 92 leaves; Sculpture: 156 × 44 × 174 cm, Photo by Majorie Brunet Plaza

15/05/2026

Visit us today at the Gallery for Petrit Halilaj’s exhibition “Who does the earth belong to while painting the wind?!”
Within the exhibition, presents a new sculptural series called “Si bishri I Arnautëve / Like the tail of Arnauts“, 2026

This sculptural series exaggerates animal tails, particularly those of horses, using brass and synthetic hair. Much like the artist’s series of brass bird legs crowned with distinct feathers, each sculpture features a uniquely styled tail, giving it an individual character.

The series draws on discretionary caricatures historically used to justify violence and discrimination against the Albanian-Kosovar population. In 1913, Serbian Prime Minister Vladan Đorđević published a text that dehumanized Albanians, claiming they retained animal-like traits, including tails, well into the 19th century. Such eugenic rhetoric formed part of a broader discourse that contributed to systemic violence, suppression, and the attempted erasure of Albanian identity. However, as a Kosovar himself, Halilaj ridicules such statements, refusing to let these dehumanizing claims go unaddressed while simultaneously reappropriating the imagery of Albanian Kosovars.

Within the exhibition, the sculpture give context to the central conflict addressed in the exhibition though the burnt and vandalized storage container.

Images: Petrit Halilaj, Installation view of “Who does the earth belong to while painting the wind?!”, ChertLüdde, Berlin, 2026, Photo by Marjorie Brunet Plaza

15/05/2026

Opening today: Fri, 15 May 2026, from 7 pm
in
“Paravent ist ein Objekt des Dazwischen“
Curated by Jennifer Cierlitza

The folding screen divides – and connects. It creates intimacy without enclosing, structures space without fixing it. Foldable, mobile, and permeable, it becomes an instrument of a spatial in-between. As an object, the screen has long stood for thresholds, transitions, and possibilities – in architecture as well as in art history. As a mobile, permeable element, it subverts the idea of a fixed, closed space and instead brings processes of sharing, shifting, and reordering into focus. It operates through transparency and suggestion: it conceals and reveals at the same time, arousing curiosity about what lies behind it and opening associations between intimacy and staging.

The exhibition will also present work by Georgina Hill & David Douard.

Images: (1) Kasia Fudakowski, 1st Neighbour, Once Removed (Panel 4), 2017, Steel structure made with painted industry off-cuts, Produced by Ali Serhat Öztemir, İlker Çetin, and Ramazan Temel with production assistance from Gamze Öztürk and Hande Alpaslan, 220 × 120 × 1.5 cm, Photo by Trevor Good; (2-3) Climate Changing Room V (Panel 34), 2020, Painted steel fabricated by Eyyup Teymur and Serhut Öztemir in Istanbul, with production assistance from Hande Alpaslan, 200 × 110 × 2 cm, Photos by Billie Clarken; (4) The Undecidables (Head 11), 2024, Pigmented, handblown glass, steel, bolts, electrical cable, glass blown by David Hotař, assisted by Emil Kováč and Stanislav Beránek, 33 × 21 × 16 cm; (5-6) Kasia Fudakowski, “Portrait of the artist as a filter feeder I (Panel 44, 45 and 46)”, 2022; (Continuouslessness, 2017 – ongoing); Copper, steel, matt paint and production assistance from Lema Ahmadi, Photo by Billie Clarken

01/05/2026

Today we’re opening two new exhibitions at the gallery, and as we wait for the moment to celebrate with everyone around us, we’d like to take a moment to offer an heartfelt and sincere THANK YOU to those who make things happen.

Exhibitions don’t just appear by magic; works of art don’t find their way onto the walls on their own, and ideas don’t spring from thin air either.

Thank you for all the care and dedication, for the human intelligence that, with nurturing and respect, day after day, makes this magic possible.
Happy Labor Day to everyone!

Photo by
ChertLüdde team and Petrit Halilaj’s studio team during the setup of “Who does the earth belong to while painting the wind?!” opening today

01/05/2026

As part of the our new exhibition with Robert Rehfeldt opens on May 1, International Workers’ Day.

Celebrating more than ten years since our first exhibition with Robert Rehfeldt (“HOME ARCHIVES: Paulo Bruscky & Robert Rehfeldt’s Mail Art Exchanges from East Berlin to South America”, curated by Zanna Gilbert - - January-March 2015), today, on this special occasion, we remember the artist’s significant legacy in community work, in creating and maintaining networks among international artists, and in promoting collaborative ideas that empathize collective agency versus individual authority.

(...) “One serial self-portrait showing the artist in his studio and stamped with the slogan “ARTWORKERS UNITE” was sent by Rehfeldt to Bruscky on November 3, 1977. The images underneath the words were repeatedly copied from the same matrix until the artist’s figure became distorted and difficult to decipher. By contrast, the stamped phrase calling for the solidarity of “artworkers” stands out clearly. In a final ironic gesture, Rehfeldt stamped “Original” on the image most faded by the copying process, a reference to the rejection of unique works in mail art.” (extract from Zanna Gilbert “The Human Letter: Mail Art Exchanges between East Berlin and Northeast Brazil in the 1970s” - Fillip n.20, fall 2015

Images: selected Mail Art letters sent by Robert Rehfeldt to Paulo Bruscky

25/04/2026

Today, Saturday, April 25, 2026

Join a barbecue cooking session on the terrace of starting at 2:00 p.m. with

The Brenda oven-sculpture will be in operation, serving pizza and other snacks to visitors at DAS MINSK.

at 2:00 pm talk with Guest: Raphael Fonseca , art historian - together with the curatorial team Daniel Milnes and Anna Schneider

As part of the Collective Osmosis exhibition at DAS MINSK, Oscar Murillo @ invites you to participate in his collective painting process.
Starting April 25, all visitors will be able to participate in the creation of a new collaborative outdoor work and become part of the work’s constantly evolving context.
Collective painting is a central component of Oscar Murillo’s artistic practice and is conceived as an open, collective working process.

The barbecue marks the start of this participatory phase.
Brenda is a sculptural oven named after Chaile’s sister, featuring stylized facial elements reminiscent of pre-Columbian artefacts from his native region of Tucumán. Like many of his pieces, Brenda bridges form and function—at times serving as a silent guardian of cooking rituals, and at others as a working oven that invites people to gather, bake bread, and share in the rhythms of communal life.

Image: Gabriel Chaile, “Brenda”, 2022; Installation view of “ERDE/N”, Curated by Carole Kambli and Sabine Rusterholz Petko, Hof Blum, Samstagern, 2025

24/04/2026

As part of the schedule, our exhibitions open on May 1, International Workers’ Day.

For the vernissage for Petrit Halilaj’s exhibition “Who does the earth belong to while painting the wind?!” , has organised live music, food & storytelling from Kosovë.

As we celebrate the opening of Halilaj’s new exhibition, join us as we look back at the Kosovar emancipation that has manifested itself artistically, collectively, culturally, and politically since the country’s independence. The event will feature traditional songs from rural weddings, gojëdhana (gifts of words, or Albanian storytelling), and culinary delights such as flija, qaj, and rakija, highlighting folkloric elements deeply rooted in the artists’ homeland, Kosovo, and the broader Balkan region. The evening blends contemporary art and popular culture in a day dedicated to remembering the shared struggle for better working and living conditions.

Contributors include:
Marrja Zezë
Jehona Jahaj
ARBËRESHË .am.arbereshe
Dardan Hoti
Urim Hiseni
& food by

Opening reception: 1 May 2026 / 6-9 pm
Defa (Tambourine) tour, collective singing and dancing: 1 May 2026 / 7 pm
This event is open to everyone.

Marrja Zezë is a diasporic platform dedicated to performing arts, interactive storytelling and socio artistic events.

17/04/2026

Visit the ChertLüdde booth now at

This selection of works by Rodrigo Hernández (), Sofia Salazar Rosales (), Kasia Fudakowski, and David Horvitz () reference directly nature—how it intertwines with memory, history, the changing climate, and place. Explore these and other works at out booth:

📍 C06, miart
📅 until 19 April 2026

Images: David Horvitz, “Platanus racemosa”, 2025; Brass alloy casts from approximately fifty house keys traded with the artist for keys to the 7th Ave. garden; Dimensions variable; Sofía Salazar Rosales, De nieve y esmeralda, 2025, Copper, aluminium, iron, plastic bottle, plaster, 151 × 64.5 × 21 cm; Kasia Fudakowski, “Climate Changing Room III (Panel 32)”, 2020, Painted steel fabricated by Eyyup Teymur and Serhut Öztemir in Istanbul, with production assistance from Hande Alpaslan, 200 × 110 × 2 cm, Photo by Billie Clarken; Rodrigo Hernández, “Time is the fire in which we burn”, 2026; Oil on wood; 34.5 × 29.5 × 3 cm, Photo by Giorgia

Adresse

Hauptstraße 18
Berlin
10827

Öffnungszeiten

Dienstag	12:00 - 18:00
Mittwoch	12:00 - 18:00
Donnerstag	12:00 - 18:00
Freitag	12:00 - 18:00
Samstag	12:00 - 18:00

Webseite

http://www.chertluedde.com/

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