DITTRICH & SCHLECHTRIEM

DITTRICH & SCHLECHTRIEM The gallery has specialized in conceptual contemporary art across a wide range of media, concentrating on the representation of young artists and providing them with a platform for ambitious projects.

Wie gewohnt öffnen

19/12/2021

For our 2021 holiday card, the artist Andreas Greiner creates a digital winter scene based on the endangered forests of the Harz region in Germany. Here, nature is not recorded by human senses, but rather through the Deep-Learning Algorithm and Artificial Intelligence trained with over ten thousand pictures taken by the artist. Lost in the Woods_0010 aims to extend the “human gaze” on nature by employing AI and its new prominence in our radically changing world.

Andreas Greiner, Lost in the Woods_0010, 2021, video from AI-generated sequence of forest images, © Andreas Greiner, VG Bild-Kunst, Bonn 2021

@andreas.greiner.berlin #DittrichSchlechtriem

❤️ happy holidays ❤️For our 2021 holiday card, the artist Andreas Greiner creates a digital winter scene based on the en...
19/12/2021

❤️ happy holidays ❤️

For our 2021 holiday card, the artist Andreas Greiner creates a digital winter scene based on the endangered forests of the Harz region in Germany. Here, nature is not recorded by human senses, but rather through the Deep-Learning Algorithm and Artificial Intelligence trained with over ten thousand pictures taken by the artist. Lost in the Woods_0010 aims to extend the “human gaze” on nature by employing AI and its new prominence in our radically changing world.

The gallery will pause for winter break from 18. December 2021 to 17. January 2022. We will be available on occasion and by appointment only. On Friday, 21. January 2022, we will open with a new solo show of Klaus Jörres, titled Kleine Bilder, on the topics of digital output and valuation.

Image, Andreas Greiner, Lost in the Woods_0010, 2021, video still from AI-generated sequence of forest images, © Andreas Greiner, VG Bild-Kunst, Bonn 2021

@andreas.greiner.berlin #DittrichSchlechtriem

❤️ happy holidays ❤️

For our 2021 holiday card, the artist Andreas Greiner creates a digital winter scene based on the endangered forests of the Harz region in Germany. Here, nature is not recorded by human senses, but rather through the Deep-Learning Algorithm and Artificial Intelligence trained with over ten thousand pictures taken by the artist. Lost in the Woods_0010 aims to extend the “human gaze” on nature by employing AI and its new prominence in our radically changing world.

The gallery will pause for winter break from 18. December 2021 to 17. January 2022. We will be available on occasion and by appointment only. On Friday, 21. January 2022, we will open with a new solo show of Klaus Jörres, titled Kleine Bilder, on the topics of digital output and valuation.

Image, Andreas Greiner, Lost in the Woods_0010, 2021, video still from AI-generated sequence of forest images, © Andreas Greiner, VG Bild-Kunst, Bonn 2021

@andreas.greiner.berlin #DittrichSchlechtriem

__We asked #AndreasGreiner to create our annual holiday card and he made an edition as well together with #MaximilianSch...
15/12/2021

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We asked #AndreasGreiner to create our annual holiday card and he made an edition as well together with #MaximilianSchall

This rolling pin is made from a maple tree which has been attacked and destroyed by bark beetles. Feeding through the bark layers of trees, the bark beetles leave behind engravings in the wood - tracks that serve them through all their life circles, from birth to reproduction.

The immense propagation of the bark beetle represents one of the most urgent current environmental issues in Germany. The Harz region in particular is suffering an unstoppable forest decay. Due to increasing temperatures, lack of hydration, and the general weakness of monocultural commercial forests, the trees are no longer resilient against this insect.

The tree that was both witness and victim of the aforementioned proliferation provided the wood for the rolling pin - a common and yet festive household object.

ANDREAS GREINER AND MAXIMILIAN SCHALL
Codes of Multiplication
2021
Rolling pin made of maple tree wood attacked by maple bark beetle
6.5 x 44 x 6.5 cm / 2 ½ x 17 1/3 x 2 ½ in
Edition of 4 + 2 AP

@andreas.greiner.berlin #DittrichSchlechtriem

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We asked #AndreasGreiner to create our annual holiday card and he made an edition as well together with #MaximilianSchall

This rolling pin is made from a maple tree which has been attacked and destroyed by bark beetles. Feeding through the bark layers of trees, the bark beetles leave behind engravings in the wood - tracks that serve them through all their life circles, from birth to reproduction.

The immense propagation of the bark beetle represents one of the most urgent current environmental issues in Germany. The Harz region in particular is suffering an unstoppable forest decay. Due to increasing temperatures, lack of hydration, and the general weakness of monocultural commercial forests, the trees are no longer resilient against this insect.

The tree that was both witness and victim of the aforementioned proliferation provided the wood for the rolling pin - a common and yet festive household object.

ANDREAS GREINER AND MAXIMILIAN SCHALL
Codes of Multiplication
2021
Rolling pin made of maple tree wood attacked by maple bark beetle
6.5 x 44 x 6.5 cm / 2 ½ x 17 1/3 x 2 ½ in
Edition of 4 + 2 AP

@andreas.greiner.berlin #DittrichSchlechtriem

11/12/2021

private view

„The polar regions are this magnifying glass, which magnifies the present, magnifies climate disturbance, magnifies all the effects of climate change. And so I realized that I was standing on an oracle, that I could ask about the past, which was under my feet, but also ask about the present in order to foresee the future. And I think that’s what polar scientists have been doing for the last 70 years. They have been asking the oracle of the far north in order to answer the questions of the future. And they got some answers, and they give us these answers, but we never listen to them.“

- #JulianCharrière, on his solo exhibition Weight of Shadows, now on view at the @centrepompidou through 3. January 2022.

Please enjoy the full exhibition video with interview and additional commentary from Charrière. An exhibition catalog featuring his presentation at Centre Pompidou and his solo show in Berlin, titled Soothsayers, is available at the gallery and on our webshop.

@julian.charriere #CentrePompidou #PrixMarcelDuchamp #ADIAF #DittrichSchlechtriem

Video: @jo.foerster

08/12/2021
Adriano Sack meets Julian Charrière

15 min

DITTRICH & SCHLECHTRIEM is pleased to present the most recent episode of Fifteen Minutes, in which #AdrianoSack meets with #JulianCharrière on the final days of his solo show Soothsayers, exhibited at the gallery from September through the first week of December 2021. Reclining on coal pillows in the geological light matrix of Charrière's artwork Vertigo, the two wander through shared observations of waking dreams, James Bond, the midnight zone, Sicilian wine, and talking volcanoes.

@julian.charriere @adrianosack #DittrichSchlechtriem

out nowWe are proud to present our new publication design by the brilliant team @studio_yukiko The publication is accomp...
03/12/2021

out now

We are proud to present our new publication design by the brilliant team @studio_yukiko

The publication is accompanying the exhibitions Soothsayers at the gallery and Weight of Shadows at @centrepompidou by #JulianCharrière. Including two essays by #NadimSamman and #MartinGuinard

Available at the gallery, on our webshop or your local bookshop

@julian.charriere @nadim.samman @martinguinardterrin #DittrichSchlechtriem

Aus dem Feuilleton Die @welt Freitag 12.11.2021“Sammler der Schöpfung”FRÉDÉRIC DE GOLDSCHMIDT“Im Zentrum von Brüssel ...
13/11/2021

Aus dem Feuilleton Die @welt Freitag 12.11.2021

“Sammler der Schöpfung”

FRÉDÉRIC DE GOLDSCHMIDT

“Im Zentrum von Brüssel habe ich ein Gebäude renoviert, um dort Ausstellungen zu machen. Aus der letzten habe ich drei Kunstwerke behalten, eines davon ist von Julian Charrière, der in diesem Jahr für den Prix Marcel Duchamp nominiert war. „On the Sidewalk“ ist eine Arbeit von 2014, die er aus Bohrproben aus verschiedenen Teilen der Welt hergestellt hat und sein Interesse an geologischen und menschlichen Zeiträumen zum Ausdruck bringt. In seiner aktuellen Ausstellung bei Dittrich & Schlechtriem, seiner Berliner Galerie, erforscht Charrière postromantische Konstruktionen von Natur. Er mischt natürliche Elemente mit von Menschenhand geschaffenen Strukturen, die einen Hauch von Unheimlichkeit vermitteln. Ich finde, Charrière ist einer der besten Künstler seiner Generation. Er ermöglicht dem Betrachter, sich tatsächlich wie ein „Astronaut an Bord eines kleinen Raumschiffs namens Erde“ zu fühlen. So heißt auch ein großartiges Werk, das ich in meiner neuen Ausstellung „Inaspettatame“ zeigen kann.”

Frédéric de Goldschmidt ist Gründer des Ausstellungshauses @cloudseven.be in Brüssel, das an diesem Wochenende eröffnet
Bis 30.01.2022 mit #JulianCharrière und #SimonMullan

@frederic_net #FrédéricdeGoldschmidtCollection @julian.charriere @simon_mullan
Foto: @lorrie_ve

Photos from DITTRICH & SCHLECHTRIEM's post
08/11/2021

Photos from DITTRICH & SCHLECHTRIEM's post

November Exhibitions at No.9 Cork Street
02/11/2021
November Exhibitions at No.9 Cork Street

November Exhibitions at No.9 Cork Street

New exhibitions by i8 Gallery, DITTRICH & SCHLECHTRIEM and Allied Editions at No.9 Cork Street, opening 4-20 November

16/10/2021

@centrepompidou @julian.charriere @adiaf_o #JulianCharrière #PrixMarcelDuchamp #CentrePompidou #DittrichSchlechtriem

__Julian Charrière Weight of ShadowsPrix Marcel Duchamp 2021@centrepompidou 6. October 2021 - 2. January 2022@julian.cha...
05/10/2021

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Julian Charrière
Weight of Shadows
Prix Marcel Duchamp 2021
@centrepompidou
6. October 2021 - 2. January 2022

@julian.charriere #JulianCharrière #PrixMarcelDuchamp #CentrePompidou #ADIAF @adiaf_o #DittrichSchlechtriem

20/07/2021

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JULIAN CHARRIÈRE
Towards No Earthly Pole
02 May – 08 August, 2021
Dallas Museum of Art

For the full exhibition video go to our IGTV🔝 or our website

Towards No Earthly Pole is about the gap between the reality of a landscape that is changing at a rate that never has been encountered before. The Arctic landscape every year looks so different from the global climate crisis and global warming and, at the same time, our collective imagination is not adapting. On one hand, you have an established idea about a place. And on the other hand, you have the reality of a place. And those two are drifting away from one another. And that's where we are heading, to pull in this kind of gap. - Julian Charrière

DITTRICH & SCHLECHTRIEM is pleased to present the exhibition video for Towards No Earthly Pole, the first US solo museum exhibition by Julian Charrière, at the Dallas Museum of Art. Please enjoy the exhibition walk-through, as well as additional commentary from the artist and Dr. Anna Katherine Brodbeck, Hoffman Family Senior Curator of Contemporary Art.

@julian.charriere #JulianCharrière @dallasmuseumart #dallasmuseumofart #dittrichschlechtriemgallery

10/07/2021
Simon Mullan- Spacers

DITTRICH & SCHLECHTRIEM is pleased to present our third solo show in Berlin of Simon Mullan. The exhibition is on view through 28 August 2021. We are open Monday – Saturday, from 11 AM – 6 PM, and by appointment. We look forward to your visit.

_Simon MullanSpacers5 Jul 2021 – 28 Aug 2021DITTRICH & SCHLECHTRIEM is pleased to announce our third solo show in Berlin...
04/07/2021

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Simon Mullan
Spacers
5 Jul 2021 – 28 Aug 2021

DITTRICH & SCHLECHTRIEM is pleased to announce our third solo show in Berlin of Simon Mullan, featuring a sculptural environment in the main gallery. Titled SPACERS, the exhibition consists of a construction of fifty-eight wall-mounted hand-carved stone crosses, specifically sized and spaced on the four walls of the room. The grids and the negative spaces they define are an enlarged representation of standard-issue bathroom tiles. The stone reliefs hover over a deep blue wall-to-wall carpet, a reference to a 90s industrial trade fair setting as a symbolic space of economic opportunity. Additional sculptural and video works in the show highlight the labor history of the artist’s current studio on the premises of the former Baustoffe Stolpe GmbH.

@simon_mullan #SimonMullan #DittrichSchlechtriem

Frieze is delighted to announce details of the inaugural programme for No.9 Cork Street, a major new initiative offering...
30/06/2021
Frieze reveals opening programme for new initiative No.9 Cork Street

Frieze is delighted to announce details of the inaugural programme for No.9 Cork Street, a major new initiative offering flexible exhibition space for visiting galleries in the historic heart of Mayfair, London in November with Berlin-based Dittrich & Schlechtriem with an exhibition of works by Julian Charrière, Andreas Greiner and Julius von Bismarck.

Frieze revealed details of the inaugural programme for No.9 Cork Street, the art organization’s major new initiative, offering flexible exhibition space for visiting galleries in the historic heart of Mayfair, London.

__Simon MullanSpacers5 Jul 2021 – 28 Aug 2021DITTRICH & SCHLECHTRIEM is pleased to announce our third solo show in Berli...
22/06/2021

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Simon Mullan
Spacers
5 Jul 2021 – 28 Aug 2021

DITTRICH & SCHLECHTRIEM is pleased to announce our third solo show in Berlin of Simon Mullan, featuring a sculptural environment in the main gallery. Titled SPACERS, the exhibition consists of a construction of fifty-eight wall-mounted hand-carved stone crosses, specifically sized and spaced on the four walls of the room. The grids and the negative spaces they define are an enlarged representation of standard-issue bathroom tiles. The stone reliefs hover over a deep blue wall-to-wall carpet, a reference to a 90s industrial trade fair setting as a symbolic space of economic opportunity. Additional sculptural and video works in the show highlight the labor history of the artist’s current studio on the premises of the former Baustoffe Stolpe GmbH.

↳ Read more on our website 🔝

@simon_mullan #SimonMullan #DittrichSchlechtriem

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Simon Mullan
Spacers
5 Jul 2021 – 28 Aug 2021

DITTRICH & SCHLECHTRIEM is pleased to announce our third solo show in Berlin of Simon Mullan, featuring a sculptural environment in the main gallery. Titled SPACERS, the exhibition consists of a construction of fifty-eight wall-mounted hand-carved stone crosses, specifically sized and spaced on the four walls of the room. The grids and the negative spaces they define are an enlarged representation of standard-issue bathroom tiles. The stone reliefs hover over a deep blue wall-to-wall carpet, a reference to a 90s industrial trade fair setting as a symbolic space of economic opportunity. Additional sculptural and video works in the show highlight the labor history of the artist’s current studio on the premises of the former Baustoffe Stolpe GmbH.

↳ Read more on our website 🔝

@simon_mullan #SimonMullan #DittrichSchlechtriem

_JULIAN CHARRIÈRE is part of the group exhibition :Scratching the SurfaceWorks from the Nationalgalerie Collection, the ...
18/06/2021

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JULIAN CHARRIÈRE is part of the group exhibition :

Scratching the Surface
Works from the Nationalgalerie Collection, the Friedrich Christian Flick Collection im Hamburger Bahnhof and Loans
30.05.2021 to 07.11.2021

Hamburger Bahnhof – Museum für Gegenwart – Berlin @staatlichemuseenzuberlin

The exhibition Scratching the Surface looks to the recent history of art in order to trace some of the entanglements between human beings, technology and nature. The range of works collected in the Rieckhallen extends from post-1960s tendencies such as land art, Arte Povera, and Conceptual Art through to contemporary artistic practices that address environmental and ecological concerns.

Over the course of the past few years, public debate around the ecological crises of our time has broadened and grown more urgent. Phenomena such as climate change, extinction events, the depletion of natural resources and the spread of plastic waste have been acknowledged in different scholarly disciplines as indicators of a new geological epoch: the Anthropocene. This term describes how the actions of humanity (Greek: anthropos) now have a significant impact on developments in the Earth’s structure and systems. The works on display in Scratching the Surface illustrate how human understandings of the notion and image of landscape(s) and the environment have shifted over the past six decades.

A special exhibition by the Nationalgalerie of the Staatliche Museen zu Berlin.

Julian Charrière
We Are All Astronauts,
2014
Found globe, abraded with international mineral sandpaper, abraded dust from globe’s surface, vitrine base made out of wood and glass

Installation View, Scratching the Surface, Hamburger Bahnhof, 2021
Copyright the artist; VG Bild-Kunst, Bonn, Germany

@julian.charriere #JulianCharrière #DittrichSchlechtriem

_#JulianCharrière is participating in the @labiennale Architettura  2021 in Venice in collaboration with the Chair of Gü...
12/06/2021

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#JulianCharrière is participating in the @labiennale Architettura 2021 in Venice in collaboration with the Chair of Günther Vogt at ETH Zurich

«How will we live together ?» Venice, 22.05 – 21.11 2021

Common Water - The Alps
Central Pavillon

When considering water as a central resource of the Alpine landscape, the consequences of the rising temperature become clear to see. The rapidly progressing melting of the glaciers and the significance of the snow entail amongst other things a “liquefaction of the water balance”; i.e. the storage function of snow and ice becomes less important, so that the hydrological conditions are more strongly influenced by precipitation. The result is that the Alps can no longer completely fulfil their function as Europe’s water tower, particularly in summer. They will however continue to be of outstanding importance in the Central European water supply. The adjacent lowlands of the Alps also become drier in summer.
In order to explore the possibilities of how to deal with water in the Alps from now on, a broad discourse is necessary. This contribution to the exhibition puts forward a proposal for a new reading of the Alpine landscape as an “ecological island” at the centre of the continent, integrating various disciplines such as art, natural sciences, engineering and landscape architecture. Seen in a European frame of reference, totally new features arise: a resource space for (immaculate quality) water and energy; a hotspot of biodiversity; a tourist destination with pleasant climatic conditions; a cultural space free from the stress of dense populations, and a unique landscape.

@julian.charriere @vogtlandscape

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Dienstag 11:00 - 18:00
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DITTRICH & SCHLECHTRIEM

specializes in conceptual contemporary practices, in a wide-range of media.

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🔚 Derniers jours | Exposition du 21ème #PrixMarcelDuchamp au Centre Pompidou ••• ► Julian Charrière ••• La pratique de Charrière se situe à la croisée de l'art et des sciences environnementales, soulignant les tensions qui animent le rapport entre l'être humain et son écosystème. Son projet "Le Poids des Ombres" explore les liens qu'entretiennent les différentes formes du cycle du carbone avec la crise écologique actuelle. L'artiste rompt symboliquement un cycle d'exploitation de nos ressources, qu'il libère de toute valeur productive dans un geste réconciliateur. ••• ➡️ Jusqu'au 3 janvier 2022 📸 Production © CLAD / The Farm ADIAF DITTRICH & SCHLECHTRIEM Sean Kelly Gallery Sies + Höke Galerie Galerie Tschudi
J-1️⃣ : annonce du lauréat du #PrixMarcelDuchamp 2021 demain en live du Centre Pompidou ! ► Pour le Prix, Julian Charrière met le carbone au centre de son projet. Charbon, bulles de CO2 libérées par la fonte des glaces, diamants des têtes de forage pétrolières... De la terre au ciel, l'artiste explore la mémoire et les transformations de l'élément. ► Isabelle Cornaro déploie à l’occasion du Prix un ensemble d’œuvres dans lequel l’image se fait et se défait, laissant place à un investissement sensoriel et critique, questionnant les liens affectifs ambigus que nous entretenons avec les biens issus de l'industrie de masse. ► Dans un téléscopage de formes et de sons évoquant notre environnement contemporain et l’histoire coloniale qui le structure, le projet de Julien Creuzet pour le Prix met en avant la figure de Jacques Coursil, trompettiste, sémioticien et philosophe des mathématiques. ► À l’occasion du Prix, Lili Reynaud Dewar présente son projet "Rome, 1er et 2 Novembre 1975", initié en tant que pensionnaire à la Villa Medicis. Questionnant le rôle social et politique de l'art, il revient sur les derniers jours de Pier Paolo Pasolini, cinéaste, écrivain. 📸 © Centre Pompidou , 2021. Photos Bertrand Prévost DITTRICH & SCHLECHTRIEM Sean Kelly Gallery Sies + Höke Galerie Galerie Tschudi Balice Hertling Galerie Francesca Pia Hannah Hoffman Gallery Fundacja Galerii Foksal / Foksal Gallery Foundation HIGH ART DOCUMENT Clearing Gallery Galerie Emanuel Layr
🇫🇷 #PrixMarcelDuchamp 2021 | Exposition des artistes nommés au Centre Pompidou : Julian Charrière, Isabelle Cornaro, Julien Creuzet, Lili Reynaud-Dewar. 🔎 https://thefarm.paris/prix-marcel-duchamp-2021/ ► Pour le Prix, Julian Charrière met le carbone au centre de son projet. Charbon, bulles de CO2 libérées par la fonte des glaces, diamants des têtes de forage pétrolières... De la terre au ciel, l'artiste explore la mémoire et les transformations de l'élément. ► À travers l’installation, la peinture, la vidéo et le film, Isabelle Cornaro déploie à l’occasion du Prix un ensemble d’œuvres dans lequel l’image se fait et se défait, laissant place à un investissement sensoriel et critique. ► Dans un téléscopage de formes et de sons évoquant notre environnement contemporain et l’histoire coloniale qui le structure, le projet de Julien Creuzet pour le Prix met en avant la figure de Jacques Coursil, trompettiste, sémioticien et philosophe des mathématiques ► À l’occasion du Prix, Lili Reynaud Dewar présente son projet "Rome, 1er et 2 Novembre 1975", initié en tant que pensionnaire à la Villa Medicis. Il revient sur les derniers jours de Pier Paolo Pasolini, cinéaste, écrivain. • 6 octobre 2021 – 3 janvier 2022 | Curateur : Philippe Bettinelli • Annonce du lauréat le 18 octobre en live du Centre Pompidou • © Centre Pompidou, 2021. Photos Jean-Michel Sicot / Bertrand Prévost ADIAF #PrixMarcelDuchamp2021 #JulianCharrière DITTRICH & SCHLECHTRIEM Sean Kelly Gallery Sies + Höke Galerie Galerie Tschudi #IsabelleCornaro Balice Hertling Francesca Pia Hannah Hoffman Gallery Fundacja Galerii Foksal / Foksal Gallery Foundation #JulienCreuzet HIGH ART DOCUMENT #LiliReynaudDewar Clearing Gallery Galerie Emanuel Layr
[Les artistes nommés] #PrixMarcelDuchamp 2021 ► Julian Charrière Né en 1987 à Morges en Suisse Artiste français - Vit et travaille à Berlin Représenté par les galeries DITTRICH & SCHLECHTRIEM, Berlin ; Sean Kelly Gallery, New-York ; Sies + Höke Galerie, Dusseldorf ; Galerie Tschudi, Zuoz À travers l’installation, la photographie, la performance ou la vidéo, l’œuvre de Julian Charrière explore les relations qu’entretiennent, à l’heure de l’Anthropocène, nos sociétés contemporaines avec leur écosystème. ➡️ 5 octobre : exposition collective des 4 artistes nommés au Centre Pompidou. ➡️ 18 octobre : annonce du lauréat en live du Centre Pompidou. #JulianCharrière #ADIAF #PrixMarcelDuchamp2021
We recently filmed a conversation between journalist and photographer Frédéric Helmut Johannes Schwilden and artist Andreas Greiner, as part of DITTRICH & SCHLECHTRIEM 15-minutes video series. During their conversation in Berlin’s Grunewald forest, they discuss their mutual interest in nature as both a political and historical vector, as well as a site for contemplation and inspiration. Video by Mona | Produced by Monica Salazar | Filmed & Edited by Peter Cairns
In this video produced forDITTRICH & SCHLECHTRIEM, Simon Mullan walks through his exhibition ‘Spacers,’ his third solo show at the gallery. He speaks about the works on display and their significance in relation to his current studio space and its history as the site of the Baustoffe Stolpe GmBH. Video by MONA | Produced by Monica Salazar | Filmed and edited by Peter Cairns
Our list of must-see events this week includes exhibitions at Berghain / Panorama Bar, transmediale - festival for art and digital culture berlin, DITTRICH & SCHLECHTRIEM, carlier | gebauer, Momentum Worldwide, and other places in Berlin. Discover more here:
Simon Mullan's exhibition 'Spacers' opened yesterday at DITTRICH & SCHLECHTRIEM. Watch the video with Mullan and Petra Maria Singh discussing the show and the artist's practice.
Check out the latest video in DITTRICH & SCHLECHTRIEM ’s “15 Minutes” series, produced and filmed by MONA. On the occasion of his solo exhibition ‘SPACERS’ at Dittrich & Schlechtriem, artist Simon Mullan spoke to founder of Equator Production, Petra Maria Singh, about his practice and the concepts behind the works in show. The exhibition consists of a construction of 58 wall-mounted hand-carved stone crosses, specifically sized and spaced on the four walls of the room. The grids and the negative spaces they define are an enlarged representation of standard-issue bathroom tiles. Other works in the show include found objects from the site of the former Baustoffe Stolpe (now the artist’s studio), as well as a video piece.
Thank you Julian Charrière and DITTRICH & SCHLECHTRIEM for a preview of the haunting and beautiful “Towards No Earthly Pole” at Dallas Museum of Art! The artist's first solo show in the U.S. masterfully weaves themes of environmental science and cultural history. We know this immersive video installation, which brings together two opposing elements, water and fire, will definitely be burned in our memories for a long time. Hear the artist in his own words: https://vimeo.com/552444640.
“There are always ‘soft heroes’ that inhabit my exhibitions, as guardians of the shows I’m making.” In our recent video interview with the artist, on the occasion of the opening of his exhibition ‘Milo’ at DITTRICH & SCHLECHTRIEM, Thomas Liu Le Lann spoke about the chance encounter that gave the show its name, as well as his interest in the “soft heroes” as guardians for his exhibitions. The show runs at the gallery from April 29 - June 27, 2021. Video by MONA productions | Produced by Monica Salazar | Filmed & Edited by Peter Cairns
Hello, it is fantastic! I find something similar to the drawings of Maciej Swieszewski from Gdansk.