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Robert Grunenberg Berlin

Robert Grunenberg Berlin New destination for contemporary art in Berlin | First exhibition “Paradise is Now” until 30th of June 2018 - a group show about palm trees in art.
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31/07/2020

Brandon Lipchik's (@brandonlipchikstudio) work investigates the process of digital collage and painting within subjects of the male nude, queer identity, and Americana. He is often thought about in context with other contemporary painters which investigates identity between the sum of both real and digital spaces. ⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Lipchik uses 3-D modeling software and other digital tools to reconstruct and re-stage figurative settings as a means to begin the painting process. During the process of translation between digital compositions to paintings, Lipchik emphasizes the importance of discovering new possibilities with paint as influenced by digital screens. Opposed to reproducing the flatness that the digital screen provides, Lipchik emphasizes areas of tactile and physical qualities of paint to simultaneously engage in a dialogue between tactility of real-world experience and the flatness and immateriality of digital spaces.⁣⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Lipchik’s latest series of paintings featured in Sincere Intentions, continues to reference the history of male nudes, and queer and American narratives, however he forgoes a previously pastel hued palatte for a more sombre tone that connotes film noir and an aura of postwar cynicism. Instead of displaying these bright colours that are easily transmitted through digital screens, Lipchik’s shift in aesthetics is emotional and sentimental, focusing on light and drama that reflects the disenchantment of our times and the collective sense of uncertainty.⁣⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Image: Night Swim, 2020. Oil and acrylic on canvas, 100 x 93 cm. Courtesy of the Artist and Robert Grunenberg.⠀⠀⠀⠀⠀⠀⠀⠀⠀
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#brandonlipchik #brandonlipchikstudio #sincereintentions #digitalpainting #lapdance #americana #digitalcollage #queeridentity #digitalcomposition #robertgrunenberg #summerexhibition

31/07/2020

Last days to view: Stefan Knauf’s (@stefan_knauf) artistic practice embodies a unique vision of spatial continuity, employing formal displacement and the emptying out of architectural conventions as key strategies. His precisely crafted, technically proficient works combine structural forms and luxury materials that achieve a delicate equilibrium, while at the same time connecting ideals of art history and aesthetics. ⁣⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Knauf’s column sculptures and wall installations featured in our exhibition ‘Sincere Intentions’ form material collages, examining the stylistic and formal language of modernist and postmodernist design, interiors and architecture. However, architecture is not the only inspiration for Knauf; the landscapes of the Bavarian countryside and design objects, are all transmuted into his installations and sculptural explorations, often made of unexpected or seemingly archaic materials such as stone and bronze.

Knauf’s work raises questions on taste and trends, while emphasizing the fleeting insignificance of each moment, countered by the imperishability of the work’s source materials. Through interweaving notions of eternity and transience, Knauf simultaneously subverts the fetishization of materials, myths of salvation and our cultural understanding of time and value.⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Image: Columno, 2020. Brass, height: 54 cm, Ø: 7 cm. Edition of 5 plus 2 AP. ⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Courtesy of the artist and Robert Grunenberg.⠀⠀⠀⠀⠀⠀⠀⠀⠀
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#sincereintentions #stefanknauf #robertgrunenberg #luxurymaterials #columnsculptures #modernistdesign #postmodernarchitecture #bronzesculpture #wallinstallation

31/07/2020

Last days to view: Tenki Hiramatsu (@tenkihiramatsu) was born in 1986 in Wakayama, Japan. After graduating from Nihon University College of Art in Tokyo, Hirmatsu went on to undertake postgraduate study at the State Academy of Fine Arts in Karlsruhe, Germany where he is now based. His series of abstract paintings presented in Sincere Intentions focus on faces, nature and the human psyche. The works rely on individual perception, allowing for speculation and the possibility of mythical creatures and inventive narratives to emerge from the artist's own imaginative scenes. This notion is similar to how Hiramatsu approaches his practise, never having a precise plan in mind and instead allowing fictional characters to materialise on their own, often rotating the paper as he works. Using oil and acrylic in a layered wash, the small-scale works on paper are then mounted on board. ⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Hiramatsu’s paintings feature depictions of both Japanese folklore and western symbols from popular culture, and are often playful or comical in nature, while presenting a surreal landscape rife with unpredictable encounters.⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Image: Big moon, 2020. Oil and acrylic on paper mounted on wooden panel. 50 x 40 cm, artist frame.⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Courtesy of the artist and Robert Grunenberg.⠀⠀⠀⠀⠀⠀⠀⠀⠀
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#sincereintentions #tenkihiramatsu #surreallandscape #fictionalcharacter #japanesefolklore #japaneseartist #abstractpainting #berlinartgallery #robertgrunenbergberlin

31/07/2020

Last days to view: Nadia Perlov (@nadiaperlov) trained as a dancer in Tel Aviv and Rotterdam, before studying at the Bezalel Academy for Arts and Design in Jerusalem and the Städelschule Frankfurt am Main in the class of Judith Hopf until 2017. Perlov now lives and works between Frankfurt am Main, Germany, and Tel Aviv, Israel.

As a young Israeli artist, her work is deeply rooted in cultural history and the languages of its production; establishing connections between Jewish history and identity, and the contemporary cultural-political discourse of decolonization. Perlov’s multidisciplinary practise examines broad historical movements, particularly with regard to migratory cultures and their complex identity in relation to the politics of defined areas. ⁣⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Perlov presents her Bags & Bugs series in Sincere Intentions, including wall installations with paper bugs encapsulated in pattern-infused, custom made frames that function as an architectural specimen collection. Much like biological specimens, they call for contemplation and investigation, while repositioning notions of space and how architecture tends to occupy it. ⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Also featured in Sincere Intentions, Perlov’s intricate bag sculptures act as a status symbol: covered in glamorous feathers and patterns, they flaunt their beauty in the hopes of finding a suitable mate. The works have morphed from the motionless bugs trapped in their frames on the gallery walls, spreading and folding into animated three-dimensional creatures and then covering themselves with the extravagant fabrics that once housed them. Perlov’s works are a celebration of life, while conversely exhibiting mankind's fascination with killing and collecting creatures for observation.⁣⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Image: The Major, 2020. Fabric, paper, wood, plexiglas. 160 x 66 x 6 cm. ⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Image by Nick Ash, courtesy of the artist and Robert Grunenberg.

31/07/2020

Last days to view: Timon & Melchior Grau (@grau01) live and work in Berlin. Both studied at Städelschule, Frankfurt and are graduates of Willem de Rooij. Their collaborative work reflects on portraiture, the interdependence of humans and designed structures, and the intimate subject/object relationships forged through this connection.

In Sincere Intentions, Timon and Melchior Grau’s sculpture ‘Human’ resembles a figurative abstraction of the body. While at first the sharp, imposing object may seem threatening, it emanates human presence and signals comfort for the visitors' own body through its ostensibly relaxed pose.
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Also featured in the exhibition, their ‘Untitled’ works represent a new kind of exchange, centered around visual language. Questioning what a message becomes when it is sent and received on a screen instead of in a tangible object like a letter, the series of word paintings evolved from an exploratory practice over text message. Taking excerpts from the abrupt exchange and returning them to the physical realm as framed objects, the linguistic artefacts forge a new kind of corporeality: one where the authors are clearly absent. The reflective surfaces simulate a cold technological surface, while the impersonal messages summon viewers into an uncertain relationship.⁣⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Image: Untitled (Target), 2019. Inkjet print on dibond. 123 x 85cm, artist frame. Edition of 6, plus 2 artist's proofs.⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Courtesy of the artists and Robert Grunenberg.⠀⠀⠀⠀⠀⠀⠀⠀⠀
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#sincereintentions #grau #timongrau #melchiorgrau #sculpture #human #contemporarysculpture #berlinart #summerexhibition #graubrothers #sculptor

31/07/2020

Last days to view: Jan Zöller’s (@janzoellerrr) paintings are full of references to the failure of modernist utopia, German postwar modernity and ultimately the collapse of turbo-capitalism. As the anarchistic birds in his art are occupying fountains, bathrooms and saunas to co-opt them as a new place for their community, in a similar way Zöller uses the broken system of the art world in his paintings to recreate the foundation for a new utopia.

Zöller presents his work ‘Badebrunnen (cold water clear windows)’ in Sincere Intentions; featuring an abstract representation of a fountain and his signature ‘anarchist’ birds. In his paintings, the fountain is a place that brings together central themes: residential architecture, abstract human figures, birds and fire. Using these elements as a starting point, Zöller creates settings containing different protagonists in which he outlines the relationships and interdependencies between people and systems – interdependencies of emotions and social togetherness but also of economic cycles.⁣⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Image: Badebrunnen (taking a rest from painting), 2020. Acrylic, oil based colored pencil, charcoal and pastels on canvas. 50 x 70 cm, framed.

Courtesy of the artist and Robert Grunenberg.

#robertgrunenbergberlin #janzoeller #sincereintentions #modernistutopia #germanpainter #berlinart #modernity #abstractpainting #badebrunnen #pastels

24/07/2020

Sonja Yakovleva’s (@sonja_yakovleva) artistic practice questions the ideology behind material value and social inequality, specifically with regards to the absence and visibility of women that have been excluded from patriarchally organized high culture. Located at the boundary between art and handicraft, her paper cuts of alternative realities depict female protagonists, glorious histories, uncelebrated celebrations and female struggles.

However, Yakovleva stresses that her choice of medium is considered more feminine than it should be, as in reality it is rare that a handcraft is dominated by women. Her work is full of revealing observations of patriarchal structures and heteronormative power relations, creating images that acquire the unspeakable appeal of pleasure and in which a liberal self-conception can be felt. In Sincere Intentions the Frankfurt-based artist invites us to once again engage in her imagined feminine retrospective. Yakoleva’s inspiration for her latest series of papercuts center around female domination, displaying a number of mischievous scenes featuring empowered dominatrix.⁣⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Image: Santa Barbara, 2020. Paper cut, ⠀⠀⠀⠀⠀⠀⠀⠀⠀
sheet: 80 x 60 cm, frame: 84 x 64 cm. ⠀⠀⠀⠀⠀⠀⠀⠀⠀
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Image by Nick Ash, courtesy of the artist and Robert Grunenberg.

24/07/2020

ON VIEW NOW: SINCERE INTENTIONS.

Our current group exhibition closes next Saturday, 01 August.

Stop by the gallery from Wednesday - Saturday from 12-6pm for your last chance to view the show featuring Timon & Melchior Grau, Tenki Hiramatsu, Stefan Knauf, Kris Lemsalu, Brandon Lipchik, Nadia Perlov, Sonja Yakovleva & Jan Zöller.

Along with our four represented artists we have invited another four artists to exhibit in this group show titled "Sincere Intentions.” The guests are Timon & Melchior Grau, Kris Lemsalu, Tenki Hiramatsu and Nadia Perlov. ⁣
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Each of the artists have found their own artistic expression within their discipline, yet all of them represent a generation of artists that relate to each other, connecting elements of sensuality, handcraft and a sincere artistic practice. ⁣

Installation images by Nick Ash.

23/07/2020

Kris Lemsalu @krislemsalu first drew the art world’s attention at @friezeartfair 2015 in New York, when she lay motionless on a waterbed underneath a giant ceramic turtle shell for eight hours a day for her work ‘Whole Alone 2’, 2015.

Lemsalu, who represented Estonia at the @venice.art.biennale, has a reputation for pushing materials to unexpected and sometimes subversive places, often combining ceramic sculpture with found materials suggesting ambiguous narratives or becoming stages and props for her performances.

In “Sincere Intentions” Lemsalu shows her ceramic works ‘Immaterial Love‘ as well as ‘Blanket 4‘ consisting of porcelain, textile and mixed media, evoking bizarre and funny, yet empathic narratives.

Special thanks to #krislemsalu and @temnikovakaselagallery.

Image: Blanket 4, (2017) Kris Lemsalu. Porcelain, textile and mixed media. 145 x 115cm. Courtsey of the artist and Robert Grunenberg.

22/07/2020

SUMMER BREAK 🌞🏝🍹

The gallery will be closed for our summer break from the 02 - 31 August, 2020.

Our current exhibition 'Sincere Intentions' is still on view until August 01.

We wish you a wonderful summer and look forward to seeing you in September for the opening of Brandon Lipchik's solo exhibition on Wednesday, 09 September.

In the meantime, you'll find us here... (Actual footage of the gallery team on vacation post COVID-19).

Image: Rodney Graham, still from ‘Vexetation Island,’ 1997. Published in our exhibition catalogue "Paradise is Now," Hatje Cantz, 2018.

17/07/2020

SAVE THE DATE⁣
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We are delighted to announce our first solo exhibition with Brandon Lipchik (@brandonlipchikstudios) at the gallery. Opening Tuesday, 09 September 2020.⁣
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The exhibition will be on view until 24 October, 2020.⁣
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Brandon Lipchik is an American painter born in Erie, Pennsylvania and attended Rhode Island School of Design in Providence, RI. Lipchik works within the process of translation between digital compositions to paintings, emphasizing the importance of discovering new possibilities with paint as influenced by digital screens. Lipchik utilizes tactile areas and the physical qualities of paint to simultaneously engage in a dialogue between the materiality of real world experience, and the flatness and immateriality of digital space.

Image courtesy of Robert Grunenberg and @josephwolfgangohlert

16/07/2020

Brandon Lipchik (@brandonlipchikstudio) in his studio in Brooklyn, New York speaking about embracing the future for our Sincere Intentions videos series with art/beats (@artbeatsberlin).

14/07/2020

Brandon Lipchik's (@brandonlipchikstudio) work investigates the process of digital collage and painting within subjects of the male nude, queer identity, and Americana. He is often thought about in context with other contemporary painters which investigates identity between the sum of both real and digital spaces. Lipchik uses 3-D modeling software and other digital tools to reconstruct and re-stage figurative settings as a means to begin the painting process. During the process of translation between digital compositions to paintings, Lipchik emphasizes the importance of discovering new possibilities with paint as influenced by digital screens. Opposed to reproducing the flatness that the digital screen provides, Lipchik emphasizes areas of tactile and physical qualities of paint to simultaneously engage in a dialogue between tactility of real-world experience and the flatness and immateriality of digital spaces.⁣
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Lipchik’s latest series of paintings featured in Sincere Intentions, continues to reference the history of male nudes, and queer and American narratives, however he forgoes a previously pastel hued palatte for a more sombre tone that connotes film noir and an aura of postwar cynicism. Instead of displaying these bright colours that are easily transmitted through digital screens, Lipchik’s shift in aesthetics is emotional and sentimental, focusing on light and drama that reflects the disenchantment of our times and the collective sense of uncertainty.⁣
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Image: Lap Dance, (2020) Brandon Lipchik. Acrylic airbrush and mixed media on canvas, 120 x 110cm. Courtesy of the artist and Robert Grunenberg.

10/07/2020

art/beats (@artbeatsberlin) with Stefan Knauf (@stefan_knauf) for our Sincere Intentions video series, discussing his notion of future and transformation.⁣
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See Knauf's latest works in our current exhibition: Sincere Intentions. On view until 01.08.2020, opening hours are Wednesday - Saturday from 12-6pm.

09/07/2020

Sculptor Stefan Knauf’s (@stefan_knauf) artistic practice embodies a unique vision of spatial continuity, employing formal displacement and the emptying out of architectural conventions as key strategies. His precisely crafted, technically proficient works combine structural forms and luxury materials that achieve a delicate equilibrium, while at the same time connecting ideals of art history and aesthetics. ⁣
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Knauf’s column sculptures and wall installations featured in the exhibition form material collages, examining the stylistic and formal language of modernist and postmodernist design, interiors and architecture. However, architecture is not the only inspiration for Knauf; the landscapes of the Bavarian countryside and design objects, are all transmuted into his installations and sculptural explorations, often made of unexpected or seemingly archaic materials such as stone and bronze. ⁣
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Knauf’s work raises questions on taste on trends, while emphasizing the fleeting insignificance of each moment, countered by the imperishability of the work’s source materials. Through interweaving notions of eternity and transience, Knauf simultaneously subverts the fetishization of materials, myths of salvation and our cultural understanding of time and value.

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Videos

ON VIEW NOW: SINCERE INTENTIONS. Our current group exhibition closes next Saturday, 01 August. Stop by the gallery from Wednesday - Saturday from 12-6pm for your last chance to view the show featuring Timon & Melchior Grau, Tenki Hiramatsu, Stefan Knauf, Kris Lemsalu, Brandon Lipchik, Nadia Perlov, Sonja Yakovleva & Jan Zöller. Along with our four represented artists we have invited another four artists to exhibit in this group show titled "Sincere Intentions.” The guests are Timon & Melchior Grau, Kris Lemsalu, Tenki Hiramatsu and Nadia Perlov. ⁣ ⁣ Each of the artists have found their own artistic expression within their discipline, yet all of them represent a generation of artists that relate to each other, connecting elements of sensuality, handcraft and a sincere artistic practice. ⁣ Installation images by Nick Ash.

Brandon Lipchik (@brandonlipchikstudio) in his studio in Brooklyn, New York speaking about embracing the future for our Sincere Intentions videos series with art/beats (@artbeatsberlin).

art/beats (@artbeatsberlin) with Stefan Knauf (@stefan_knauf) for our Sincere Intentions video series, discussing his notion of future and transformation.⁣ ⁣ See Knauf's latest works in our current exhibition: Sincere Intentions. On view until 01.08.2020, opening hours are Wednesday - Saturday from 12-6pm.

Tenki Hiramatsu in the gallery for our Sincere Intentions video series with art/beats.

In our Sincere Intentions video series with art/beasts (@artbeatsberlin), Nadia Perlov (@nadiaperlov) discusses staying positive about the future in a world in crisis.⁣ ⁣ Visit the gallery to see Perlov's latest works in Sincere Intentions. The exhibition is on view until 01.08.2020, opening hours are Wednesday - Saturday from 12-6pm.

Timon & Melchior Grau (@grau01) in the gallery discussing the past, present and future for our ‘Sincere Intentions’ video series with art/beats (@artbeatsberlin). The exhibition is on view now, Wednesday - Saturday from 12-6pm.

Next up in our "Sincere Intentions" video series by art/beats is Jan Zöller @janzoellerrr, speaking about his vision of the future.⁣ ⁣ Sincere Intentions is on view until August 01, Wednesday - Saturday from 12-6pm.

Introducing the first of our ’Sincere Intentions’ video series, focusing on each artistic position featured in the show. ⁣⁣ ⁣⁣ The interviews were conducted in the gallery by art/beats @artbeatsberlin. ⁣⁣ ⁣⁣ First up is German artist Sonja Yakovleva @sonja_yakovleva, discussing how she plans to make her mark on the future.

♥️ “Ich liebe dich, ich liebe dich. I love you, I love you.” 😍😘⁣ ⁣ Don't miss Rosa von Praunheim's cult film, "Die Bettwerst" on view in our project space on the ground floor. The gallery is open from Wednesday-Saturday, 12-6pm with our current exhibition Hallöchen. ⁣ ⁣ Rare photos from the film and a book with photographs from the estate of Rosa's aunt Luzi, who plays the main role in "Die Bettwurst," are also on display.⁣ ⁣ Clip from the famous "Bettszene" in Die Bettwurst (1970), courtesy of the artist @rosa_von_praunheim_film

Only three weeks left to see our current show with @janzoellerrr : „Possibly there‘s a possibility that everything is possible“ in cooperation with @meyerriegger ⁣ ⁣ Sequences: ⁣ Voyage (T,J,N) ⁣ video installation ⁣ 16 min

⁣ Only three weeks left to see our current show with @janzoellerrr : „Possibly there‘s a possibility that everything‘s possible“ in cooperation with @meyerriegger ⁣ Sequences: ⁣ Voyage (T,J,N), 2019⁣ Video Installation ⁣ 16 min

In our first video interview for our exhibition dossier of Rainer Fetting‘s show @Rainer fetting we spoke with Slava Mogutin @slavamogutin To see the full video go to our website

We are happy to share a snippet of the Artist Talk with @barthelemytoguo and @hansulrichobrist last week. Special thanks to @galerielelongparis and Felix Böhm / @artbeatsberlin for the video.

Thanks to everyone who joined us for the artist talk with Barthélémy Toguo and Hans Ulrich Obrist this Saturday. - #Repost @christophamend ・・・ the artist #barthélémytoguo in conversation with curator #hansulrichobrist about his work and the influence of #marcelduchamp #robertgrunenbergberlin gallery ps: brillant translation by #stefanieunternährer @sunternaehrer

Clip from 'The Thirsty Gardner' (2005) by Barthélémy Toguo. Whole video on view at our gallery until 30 November 2018 as part of ‚Secret Evidence‘ . With this video Barthélémy Toguo wanted to hold watering money up to ridicule, that is to say that watering money does not make it grow. According to Toguo "the dollar bill represents the world economy and capitalism in general. This video also points out the fact that if we are missing money (all around the world), why don't we create more bills? How does the economy run? When and why do we stop issuing bills? The watering can is nourishing the money. Is the flowing water washing away the sins attached to the money? It is also a paradox to see an African gardener watering a dollar bill. It is also a joke". (C) @bandjounstation and @galerielelongparis

Clip from 'The Thirsty Gardner' (2005) by Barthélémy Toguo. Whole video on view at our gallery until 30 November 2018. . With this video Barthélémy Toguo wanted to hold watering money up to ridicule, that is to say that watering money does not make it grow. According to Toguo "the dollar bill represents the world economy and capitalism in general. This video also points out the fact that if we are missing money (all around the world), why don't we create more bills? How does the economy run? When and why do we stop issuing bills? The watering can is nourishing the money. Is the flowing water washing away the sins attached to the money? It is also a paradox to see an African gardener watering a dollar bill. It is also a joke". Courtesy @bandjounstation and @galerielelongparis

Stefan Knauf working on the wax model for the bronze casting of his latest work „Piazza del Cuore Sviato I-V“, which can be seen in our current show "Losing My Virginity". Head over to Fyta Magazine to learn more about Stefan’s passion for plants and his research into transcience and the absurdity of existence >>> https://fyta.de/verstehen/sk1/ @connectwithplants @stefan_knauf

🔥TODAY FROM 6 PM: LOSING MY VIRGINITY with @stefan_knauf @paullevack1000 @janzoellerrr @die_roemischen_votzen @sonja_yakovleva 🔥

Last Day of ‚Paradise is Now‘ Join us for the Finissage today 6 - 9 pm to get your own cane palm tree seed. Stefan Knauf’s work studies the worldwide spread of the golden cane palm and the question of its natural survival. @salondahlmann Thanks Fyta Mag for your visit!