Robert Grunenberg Berlin

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Robert Grunenberg Berlin

Robert Grunenberg Berlin New destination for contemporary art in Berlin | First exhibition “Paradise is Now” until 30th of June 2018 - a group show about palm trees in art.
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28/05/2020

Last days of our current exhibition ‘Le Kitsch’ which closes this Saturday, May 30th. The exhibition brings together the work of painter Matthias Schaufler and sculptor Anna Fasshauer, exploring their intensive formal and discursive engagement with the figurative and the abstract.⁣
⁣
Stop by the gallery this week from 12-6pm for your last chance to view ‘Le Kitsch.’⁣
⁣
Where Schaufler explores the possibilities and limits of oil painting, Fasshauer experiments with the material aluminum in space.⠀⁣
⠀⁣
‘Le Kitsch’ is Schaufler's (@s.c.h.a.u.f.l.e.r ) first Berlin exhibition since 2014 and shows over 20 paintings in a variety of sizes from the past five years - a kind of mini retrospective. In the three rooms of the gallery, the show is laid out as a chronological tour from 2016 to 2020, which at the same time provides an overview of Schaufler's latest work, as well as the development of his practice, which documents a balancing act between abstraction and figuration. Schaufler's paintings are juxtaposed with four large-format sculptures by Anna Fasshauer from this year, which have a similarly high level of abstraction. In her material experiments, Fasshauer works with raw aluminum, such as is used in drywall and trade fair construction. ⠀⁣
⠀⁣
The title of the exhibition is a borrowed phrase from the Austrian poet Friederike Mayröcker. She lets this phrase appear in her breathless stream of consciousness whenever poetry threatens to become too clear, because it aims to create a certain feeling without going through the mind and thus threatens to become kitsch. The works in the exhibition also have a dual nature: they are based on a high degree of reflection, at the same time they reach the senses and feelings without detour. Similar to Mayröcker's poetry, Schaufler and Fasshauer operate outside of defined narratives that lie outside of art itself. Their art is about art and at the same time tells us something about life.⠀⁣
⠀⁣
Until 30 of May 2020.⠀⁣
⠀⁣
*in cooperation with Galerie Nagel Draxler (@nageldraxler )⁣
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Photo by Nick Ash.

20/05/2020

SAVE THE DATE⁣ ⚠️
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We are excited to announce our upcoming group show ⁣
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SINCERE INTENTIONS⁣
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13 June – 01 August 2020⁣
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Timon & Melchior Grau⁣
Tenki Hiramatsu⁣
Stefan Knauf⁣
Kris Lemsalu⁣
Brandon Lipchik⁣
Nadia Perlov⁣
Sonja Yakovleva⁣
Jan Zöller⁣
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On Friday, 12 June 2020 from 6 – 9 PM we are planning to open the exhibition to the public. In response to regulations concerning COVID-19, we are monitoring the situation and will adjust our opening event according to the rules of conduct. Please stay tuned.

19/05/2020

SAVE THE DATE for our summer group show 🥂🌈✌️⁣
⁣
⁣
SINCERE INTENTIONS⁣
⁣
13 June – 01 August 2020⁣
⁣
Timon & Melchior Grau⁣
Tenki Hiramatsu⁣
Stefan Knauf⁣
Kris Lemsalu⁣
Brandon Lipchik⁣
Nadia Perlov⁣
Sonja Yakovleva⁣
Jan Zöller⁣
⁣
On Friday, 12 June 2020 from 6 – 9 PM⁣ we are planning to open the exhibition to the public.⁣ In response to regulations concerning COVID-19, we are monitoring the situation and will adjust our opening event according to the rules of conduct. Please stay tuned.

05/05/2020

We are pleased to announce that we are extending the double feature exhibition “Le Kitsch” with works by the painter Matthias Schaufler (*1964) and the sculptor Anna Fasshauer (*1975) until 30 of May 2020.

The two artists both represent a genuine position in their respective discipline through their intensive formal and discursive engagement with the figurative and the abstract. Where Schaufler explores the possibilities and limits of oil painting, Fasshauer experiments with the material aluminum in space.⠀
⠀
"Le Kitsch" is Schaufler's (@s.c.h.a.u.f.l.e.r ) first Berlin exhibition since 2014 and shows over 20 paintings in a variety of sizes from the past five years - a kind of mini retrospective. In the three rooms of the gallery, the show is laid out as a chronological tour from 2016 to 2020, which at the same time provides an overview of Schaufler's latest work, as well as the development of his practice, which documents a balancing act between abstraction and figuration. Schaufler's paintings are juxtaposed with four large-format sculptures by Anna Fasshauer from this year, which have a similarly high level of abstraction. In her material experiments, Fasshauer works with raw aluminum, such as is used in drywall and trade fair construction. ⠀
⠀
The title of the exhibition is a borrowed phrase from the Austrian poet Friederike Mayröcker. She lets this phrase appear in her breathless stream of consciousness whenever poetry threatens to become too clear, because it aims to create a certain feeling without going through the mind and thus threatens to become kitsch. The works in the exhibition also have a dual nature: they are based on a high degree of reflection, at the same time they reach the senses and feelings without detour. Similar to Mayröcker's poetry, Schaufler and Fasshauer operate outside of defined narratives that lie outside of art itself. Their art is about art and at the same time tells us something about life.⠀
⠀
Until 30 May 2020.
⠀
*in cooperation with Galerie Nagel Draxler
Photos by Nick Ash.

04/05/2020

The gouache painting „My Doggy“ by Sonja Yakovleva @sonja_yakovleva is a contribution to Anika Meiers @anika Dog Series, that Meier has been compiling over the past weeks on her Instagram feed. ⁣
⁣
"My Doggy" is part of Yakovleva’s series “Misslungene Selfies" (Eng: „Failed Selfies“), gouache painting that are based on found imagery from Instagram. The original photos that Yakovleva appropriates often look clumsy and cheesy and are therefore perfectly suited to be turned upside down in a snappy sort of way. ⁣
⁣
"In my gouache painting series I am particularly interested in “failed” selfies or photographic images of people whose social media feed is thematically filled with portrayals of luxury, consumer lifestyle and sexiness. The failed selfie or failed post compels me to question the absurdity of our vanity fair consumer culture, although that was not the intention of the authors. For me, images like this are a testiment to their lack of creativity and reveal more about people than the perfect, cool selfie ever could. In such selfies or self-portrayal pictures, vulnerable and human sides of people emerge inadvertently, which is rarely found on Instagram's entire feed.“ ⁣
⁣
All works by Sonja Yakovleva from left to right:⁣

My Doggy, 2020, Gouache on Paper, 32 x 26 cm ⁣
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Kaviar Romantik, 2019 Gouache on Paper, 24 x 25 cm ⁣
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Ilya Kot, 2019. Gouache on Paper, 29 x 25 cm ⁣
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Luxus Fretchen, 2019, Gouache on Paper, 29 x 25 cm

28/04/2020

After weeks of quarantine, we are back 🦋

Doors are open: Wednesday - Saturday, 12-6pm

06/04/2020

For painter Matthias Schaufler @s.c.h.a.u.f.l.e.r the act of painting often requires the use of his entire body. The strong movement in front of the canvas, which can range from mere gestures to physical aggression, sometimes creates brute, but also sensual and poetic forms of expression.⁣
⁣
"Le Kitsch" is Schaufler's first Berlin exhibition since 2014 and shows over 20 paintings in a variety of sizes from the past five years - a kind of mini retrospective. In the three rooms of the gallery, the show is laid out as a chronological tour from 2016 to 2020, which at the same time provides an overview of Schaufler's latest work, as well as the development of his practice, which documents a balancing act between abstraction and figuration. ⁣
⁣
Matthias Schaufler 1964 born in Laichingen, Germany lives and works in Berlin. Schaufler studied Fine Art at Hochschule für Bildende Künste Hamburg (class of Erhard Walther and Mike Hentz) and at Städelschule Frankfurt (class Martin Kippenberger).⁣
⁣
Artwork shown: Method Painting, 2017, Oil on canvas , 210 x 190 cm ⁣
⁣
"LE KITSCH“ with works by Anna Fasshauer and Matthias Schaufler will run through 16 May 2020 . The exhibition can be viewed by appointment⁣. Photos by Nick Ash. ⁣
⁣

06/04/2020

For painter Mathias Schaufler @s.c.h.a.u.f.l.e.r the act of painting often requires the use of his entire body. The strong movement in front of the canvas, which can range from mere gestures to physical aggression, sometimes creates brute, but also sensual and poetic forms of expression.⁣
⁣
"Le Kitsch" is Schaufler's first Berlin exhibition since 2014 and shows over 20 paintings in a variety of sizes from the past five years - a kind of mini retrospective. In the three rooms of the gallery, the show is laid out as a chronological tour from 2016 to 2020, which at the same time provides an overview of Schaufler's latest work, as well as the development of his practice, which documents a balancing act between abstraction and figuration. ⁣
⁣
Matthias Schaufler 1964 born in Laichingen, Germany lives and works in Berlin. Schaufler studied Fine Art at Hochschule für Bildende Künste Hamburg (class of Erhard Walther and Mike Hentz) and at Städelschule Frankfurt (class Martin Kippenberger).⁣
⁣
Artwork shown: Method Painting, 2017, Oil on canvas , 210 x 190 cm ⁣
⁣
"LE KITSCH“ with works by Anna Fasshauer and Matthias Schaufler will run through 16 May 2020 . The exhibition can be viewed by appointment⁣.

Photos by Nick Ash. ⁣
⁣

31/03/2020

Sculptor Anna Fasshauer works with raw aluminum, such as is used in drywall and trade fair construction. To shape her pipe sculptures, she uses machines that are normally used for the industrial bending of metal.

With other sculptures Fasshauer uses her body to model by literally hugging them, as in the case of the pink cuboid seen in the exhibition and pictured here. The coloring comes before the molding. The mostly monochrome lacquer color of Fasshauer's sculptures blurs the industrial character of the material from which they are made, sometimes it is in the great contrast to it, such as in the work "Tactical Reserve," in which metallic hardness and pastel softness meet, and with its handle makes one think of a man-sized travel bag.

„Le Kitsch“ with works by Anna Fasshauers and Matthias Schaufler will be on display until 16 May 2020.

Fasshauers work is exhibited in cooperation with Galerie Nagel Draxler @nageldraxler

Anna Fasshauer 1975 born in Cologne, Germany lives and works in Berlin. Fasshauer studied Fine Art at the De Montfort University Leicester and received a Master of Fine Arts at the Chelsea School of Art and Design, London.

29/03/2020

"I often relate to myself negatively," says painter Matthias Schaufler @s.c.h.a.u.f.l.e.r describing his self-referentiality, "insofar as I do not continuously develop solutions to the problem that I once found." Thus Schaufler continuously tries out new color combinations, tools such as spatulas or razor blades, sometimes he dilutes the colors, sometimes he works with more white space, sometimes he fills the canvas almost completely.

"Le Kitsch" is Schaufler's first Berlin exhibition since 2014 and shows over 20 paintings in a variety of sizes from the past five years - a kind of mini retrospective. In the three rooms of the gallery, the show is laid out as a chronological tour from 2016 to 2020, which at the same time provides an overview of Schaufler's latest work, as well as the development of his practice, which documents a balancing act between abstraction and figuration.

Matthias Schaufler, Drei Schwestern, 2017. Oil on Canvas, 205 x 160 cm

Photo by Nick Ash.

27/03/2020

We are pleased to announce the double feature exhibition “Le Kitsch” with works by the painter Matthias Schaufler (*1964) and the sculptor Anna Fasshauer (*1975) - two artists, who both represent an original position in their respective discipline through their intensive formal and discursive engagement with the figurative and the abstract. Where Schaufler explores the possibilities and limits of oil painting, Fasshauer experiments with the material aluminum in space.⠀
⠀
"Le Kitsch" is Schaufler's (@s.c.h.a.u.f.l.e.r ) first Berlin exhibition since 2014 and shows over 20 paintings in a variety of sizes from the past five years - a kind of mini retrospective. In the three rooms of the gallery, the show is laid out as a chronological tour from 2016 to 2020, which at the same time provides an overview of Schaufler's latest work, as well as the development of his practice, which documents a balancing act between abstraction and figuration. Schaufler's pictures are juxtaposed with four large-format sculptures by Anna Fasshauer from this year, which have a similarly high level of abstraction. In her material experiments, Fasshauer works with raw aluminum, such as is used in drywall and trade fair construction. ⠀
⠀
The title of the exhibition is a borrowed phrase from the Austrian poet Friederike Mayröcker. She lets this phrase appear in her breathless stream of consciousness whenever poetry threatens to become too clear, because it aims to create a certain feeling without going through the mind and thus threatens to become kitsch. The works in the exhibition also have a dual nature: they are based on a high degree of reflection, at the same time they reach the senses and feelings without detour. Similar to Mayröcker's poetry, Schaufler and Fasshauer operate outside of defined narratives that lie outside of art itself. Their art is about art and at the same time tells us something about life.⠀
⠀
Until 16 of May. The show can be viewed by appointment. ⠀
⠀
*in cooperation with Galerie Nagel Draxler

Photos by Nick Ash.

12/03/2020

We regret to inform you that based on the recent reports and guidelines issued by the World Health Organisation concerning the coronavirus disease, our artist talk with Rosa von Praunheim has been postponed until further notice.

Our closing reception for Hallöchen has also been cancelled.

We hope to reschedule the talk for a later date, and will keep you updated on any future developments.

06/03/2020

Our current exhibition Hallöchen with Murat Önen @muratoenen and Sonja Yakovleva @sonja_yakovleva finishes next Saturday, March 14. Join us for the closing from 6-9pm. ⁣⁣
⁣⁣
You can also catch Murat playing at the following gigs in Berlin, Dusseldorf and Amsterdam this month. 🕺🎶⁣⁣
⁣⁣
#hallöchen #robertgrunenbergberlin #robertgrunenberg #muratönen #sonjayakovleva #kunstberlin #exhibitionopening #exhibitionopeningberlin #handicrafts #painting #emergingartists #berlinart #kunstwerk #artberlin #berlinartist

05/03/2020

We're saying goodbye to Hallöchen! 👋 Join us for the closing Saturday, 14 March from 6-9pm. 🎉⁣
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Director Rosa von Praunheim @rosa_von_praunheim_film, whose cult film 'Die Bettwurst' is currently on display in our project space will be joining us for an artist talk at 4pm.⁣
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Please RSVP to [email protected] to reserve your place at the artist talk as spots are limited.⁣
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Image courtesy of Rosa von Praunheim.⁣
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#robertgrunenbergberlin #robertgrunenberg #germanartist #kunstberlin #rosavonpraunheim #rosavonpraunheimfilm #diebettwurst #berlinart #kunstwerk #artberlin #berlinartist #cultfilm #hallöchen #finissage #exhibitionclosing #artisttalk

28/02/2020

We are excited to share a new work from Jan Zöller's studio 🙌
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"Training Balance to Make Bigger Steps" (2020). Acrylic, oil based colored pencil, charcoal, and pastels on canvas. 70 x 50 cm.⁣
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Image by Lukas Giesler, courtesy of the artist and Robert Grunenberg.⁣
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#janzöller #robertgrunenbergberlin #robertgrunenberg #germanartist #kunstberlin #newwork #painting #emergingartists #berlinart #kunstwerk #artberlin #berlinartist #mixedmedia #stars

23/02/2020

Big thank you @handelsblatt for featuring our gallery in this weekends newspaper. So excited and honored to be listed among dear colleagues from the neighborhood of Charlottenburg @galeriemaxhetzler @contemporaryfinearts @philiphaverkampf @galerieflorianschoenfelder @wolfgangwerner @wentrup_gallery⁣
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Come West and visit us and see works by @stefan_knauf @brandonlipchikstudio @sonja_yakovleva @janzoellerrr⁣
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Painting shown by Brandon Lipchik „Villa Garden and Artefacts"⁣, 2019
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Link to article in Bio.

21/02/2020

👋 On view now: Hallöchen with Sonja Yakovleva @sonja_yakovleva and Murat Önen @muratoenen until March 14. The gallery is open Wednesday - Saturday from 12-6pm and by appointment.⁣
⁣
For Sonja Yakovleva and Murat Önen, it is the moments of absence amid those of total visibility that raise questions of power, representation and visuality. Their work incorporates the impossible places, silent instants, untold stories and artistic practices that are rejected by the patriarchal system of high culture. How can one produce from a place of inaudibility? How can one view from a position that is completely paradoxical? And how can one hide and reveal oneself in front of eyes that already know what they have seen before they see it? ⁣
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Images ©️ Nick Ash.⁣
⁣
#hallöchen #robertgrunenbergberlin #robertgrunenberg #muratönen #sonjayakovleva #kunstberlin #exhibitionopening #exhibitionopeningberlin #handicrafts #painting #emergingartists #berlinart #kunstwerk #artberlin #berlinartist @ Robert Grunenberg Berlin

Adresse

Marburger Strasse 3
Berlin
10789

Öffnungszeiten

Mittwoch	12:00 - 18:00
Donnerstag	12:00 - 18:00
Freitag	12:00 - 18:00
Samstag	12:00 - 18:00

Telefon

+491714544046

Webseite

http://www.robertgrunenberg.com

Benachrichtigungen

Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von Robert Grunenberg Berlin erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.

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Videos

♥️ “Ich liebe dich, ich liebe dich. I love you, I love you.” 😍😘⁣ ⁣ Don't miss Rosa von Praunheim's cult film, "Die Bettwerst" on view in our project space on the ground floor. The gallery is open from Wednesday-Saturday, 12-6pm with our current exhibition Hallöchen. ⁣ ⁣ Rare photos from the film and a book with photographs from the estate of Rosa's aunt Luzi, who plays the main role in "Die Bettwurst," are also on display.⁣ ⁣ Clip from the famous "Bettszene" in Die Bettwurst (1970), courtesy of the artist @rosa_von_praunheim_film

Only three weeks left to see our current show with @janzoellerrr : „Possibly there‘s a possibility that everything is possible“ in cooperation with @meyerriegger ⁣ ⁣ Sequences: ⁣ Voyage (T,J,N) ⁣ video installation ⁣ 16 min

⁣ Only three weeks left to see our current show with @janzoellerrr : „Possibly there‘s a possibility that everything‘s possible“ in cooperation with @meyerriegger ⁣ Sequences: ⁣ Voyage (T,J,N), 2019⁣ Video Installation ⁣ 16 min

In our first video interview for our exhibition dossier of Rainer Fetting‘s show @Rainer fetting we spoke with Slava Mogutin @slavamogutin To see the full video go to our website

We are happy to share a snippet of the Artist Talk with @barthelemytoguo and @hansulrichobrist last week. Special thanks to @galerielelongparis and Felix Böhm / @artbeatsberlin for the video.

Thanks to everyone who joined us for the artist talk with Barthélémy Toguo and Hans Ulrich Obrist this Saturday. - #Repost @christophamend ・・・ the artist #barthélémytoguo in conversation with curator #hansulrichobrist about his work and the influence of #marcelduchamp #robertgrunenbergberlin gallery ps: brillant translation by #stefanieunternährer @sunternaehrer

Clip from 'The Thirsty Gardner' (2005) by Barthélémy Toguo. Whole video on view at our gallery until 30 November 2018 as part of ‚Secret Evidence‘ . With this video Barthélémy Toguo wanted to hold watering money up to ridicule, that is to say that watering money does not make it grow. According to Toguo "the dollar bill represents the world economy and capitalism in general. This video also points out the fact that if we are missing money (all around the world), why don't we create more bills? How does the economy run? When and why do we stop issuing bills? The watering can is nourishing the money. Is the flowing water washing away the sins attached to the money? It is also a paradox to see an African gardener watering a dollar bill. It is also a joke". (C) @bandjounstation and @galerielelongparis

Clip from 'The Thirsty Gardner' (2005) by Barthélémy Toguo. Whole video on view at our gallery until 30 November 2018. . With this video Barthélémy Toguo wanted to hold watering money up to ridicule, that is to say that watering money does not make it grow. According to Toguo "the dollar bill represents the world economy and capitalism in general. This video also points out the fact that if we are missing money (all around the world), why don't we create more bills? How does the economy run? When and why do we stop issuing bills? The watering can is nourishing the money. Is the flowing water washing away the sins attached to the money? It is also a paradox to see an African gardener watering a dollar bill. It is also a joke". Courtesy @bandjounstation and @galerielelongparis

Stefan Knauf working on the wax model for the bronze casting of his latest work „Piazza del Cuore Sviato I-V“, which can be seen in our current show "Losing My Virginity". Head over to Fyta Magazine to learn more about Stefan’s passion for plants and his research into transcience and the absurdity of existence >>> https://fyta.de/verstehen/sk1/ @connectwithplants @stefan_knauf

🔥TODAY FROM 6 PM: LOSING MY VIRGINITY with @stefan_knauf @paullevack1000 @janzoellerrr @die_roemischen_votzen @sonja_yakovleva 🔥

Last Day of ‚Paradise is Now‘ Join us for the Finissage today 6 - 9 pm to get your own cane palm tree seed. Stefan Knauf’s work studies the worldwide spread of the golden cane palm and the question of its natural survival. @salondahlmann Thanks Fyta Mag for your visit!