Robert Grunenberg Berlin

Startseite
Deutschland
Berlin
Robert Grunenberg Berlin

New destination for contemporary art in Berlin | First exhibition “Paradise is Now” until 30th of June 2018 - a group show about palm trees in art.
(1)

Wie gewohnt öffnen

02/12/2020

📝 👀Oliver Koerner von Gustorf @oliverkoerner on Tenki Hiramatsu @tenkihiramatsu
⁣
„One can never be never sure whether Hiramatsu’s creatures are still in the process of becoming or whether they are already withering, fading, being brushed away. What exactly are they looking for in the surprisingly romantic landscapes that surround them, these landscapes that at times can become profound and monumental like William Turner’s North Sea paintings or the works of the Hudson River School painters that captivated the New World in the mid-19th century? Hiramatsu, too, is creating a visionary, new, outsider-like world in which nature, the history of painting and reflections of the human psyche merge. ⁣
⁣
The artist, born in 1986 in Wakayama, Japan, works with oil paint on paper, which is mounted onto wooden boards. This setup makes even the smallest gesture stand out. After studying art in Tokyo and focusing on drawing, Hiramatsu attended the art academy of Karlsruhe to study with Marcel van Eeden from 2016 to 2019. In his artistic work, painting and drawing develop organically, they become mutually dependent. His semi- abstract paintings, from which protruding eyes and uncanny, comic or tragic creatures gaze back at the spectator, are “narrative” only at first glance. Actually, they reflect the process, the concrete, factual quality of a painting, that always presents itself as an object with sculptural qualities, too.„⁣
⁣
Image: TV, 2020

01/12/2020

Please swipe left and surf through a selection of Nika Fontaine's @nikafontaine wonderful metal reliefs made from embossed aluminium. On view until 19th of December at the gallery.

The heart of Fontaine’s work centers around the exploration of spirituality, identity, transformation and healing. Fontaine’s artfully embossed metal reliefs, which are inspired by fables appearing in the Zohar and the Bhagavad Gita, resemble recreations of historic artefacts; others are related to the concept of fear as an obstacle for spiritual development.
Each of the embossed metal plates reflect the specific sites, characters and landscapes portraying found in those ancient narratives, exploring notions of theological and psychological concepts that give way to near-cosmic abstraction. In alchemist theory, the transformation of non-noble metals into the so-called philosopher’s stone, which in turn can be used to craft gold, embodies the principle of transmutation, of healing and catharsis, as well as inner refinement.

„The subtle qualities of the embossings serve as a beautiful metaphor for the knowledge which awaits to be revealed. There is no addition nor subtraction in the medium, only the trace of the spirit acting on matter. As light embraces the surface what is convex or concave merge in a single form. Being reversible, the works speak of: As above so below, as below so above." - Nika Fontaine.

Images: 'False evidence appearing real', embossed aluminium. 'Becoming Phoenix', embossed aluminium. 'The faithful guidance of the heart Pincha 167', embossed aluminium.
Images by Nick Ash, courtesy of the artist and Robert Grunenberg.

#nikafontaine #glitterpainting #metalrelief #embossedmetal #robertgrunenberg #galerierobertgrunenberg #healing

26/11/2020

Now on view in our solo exhibition 'F.E.A.R: False Evidence Appearing Real' by Nika Fontaine @nikafontaine 🔮

Artist Nika Fontaine presents a wide range of artistic and creative practices, that ranges from classical epic figurative oil painting, to the use of glitter pigments on canvas to create pop colorfield painting as well as beautifully crafted ceramic figures and delicate metal plates with engraved stories, blending her own biography with historical and mystical narratives.

"Through craftsmanship, I spiritualize matter and materialize the metaphysical in works that express concepts of mindfulness and emancipation. I source my inspiration primarily in antique and modern spiritual philosophies & techniques which I study and practice such as Kabbalah, Hermetism, lucid dreaming, vipassana meditation, 12 steps fellowships, Kundalini yoga. The timelessness and abilities to break behavior patterns of judgment and self/destruction are what make these ancient philosophies relevant nowadays. This quest for the sublime result in a proactive celebration of the body, mind, and soul manifested for the quintessential fulfillment of all. My art should be used as a vehicle to grow and transport oneself to new realms of understanding and sensorial acuteness. I like to consider my path as a parent of alchemical endeavors and witness of an initiatic way."
- Nika Fontaine.

Nika Fontaine's 'F.E.A.R: False Evidence Appearing Real' is
on view until December 19 at the gallery. We're open from Wednesday to Saturday, from 12 to 6pm.

Installation shots by Nick Ash, courtesy of the artist and Wild Palms.⠀
⠀
#nikafontaine #glitterpainting #metalrelief #embossedmetal #robertgrunenberg #exibitionopening #galerierobertgrunenberg
#transformation #healing⠀
⠀
🔮

24/11/2020

We invite you to Tenki Hiramatsu's @tenkihiramatsu first solo exhibition 'Lügen haben Beine' at the gallery.

"One can never be never sure whether Hiramatsu’s creatures are still in the process of becoming or whether they are already withering, fading, being brushed away.
What exactly are they looking for in the surprisingly romantic landscapes that surround them?
Hiramatsu, too, is creating a visionary, new, outsider-like world in which nature, the history of painting and reflections of the human psyche merge. Some of Hiramatsu’s characters simply dissolve in lines, streaks and knots, as if having lost all of their vigor, like Vavoom, the faceless Eskimo boy from Felix the Cat, drawn by Raymond Pettibon for decades — a greatly influential artist for Hiramatsu’s work.
Underneath the fur hood of his snowsuit he blurts out heart-stopping, powerful cries, that echo “VAVOOM!” across vast arctic planes, and that — in Pettibon’s body of work — are directed towards the USA. In his later work the character doesn’t emit sound waves anymore, but wonky meth-like crystals, instead.

- Passage from the exhibition text by Oliver Koerner von Gustorf.

TENKI HIRAMATSU: Lügen haben Beine. The show runs through 19 December 2020. Come by the gallery from Wednesday to Saturday, 12 to 6 pm.

Image 1: Nacht, 2020, oil and acrylic on paper, mounted on wooden panel.
Image 2: Wilderness, 2020, oil and acrylic on paper, mounted on wooden panel.
Image 3: Rumor, 2020, oil and acrylic on paper, mounted on wooden panel. Courtesy of the artist and Robert Grunenberg.

Installation shots by Nick Ash, courtesy of the artist and Robert Grunenberg.

#tenkihiramatsu #soloexhibition #exhibitionopening #exhibitionopeningberlin #robertgrunenberg #robertgrunenbergberlin

14/11/2020

OUT NOW:
'Link in Bio. Art after Social Media' featuring Brandon Lipchick @brandonlipchickstudio is out now throwing us back to one of last year's exhibition highlights at MdbK Leipzig @mdbkleipzig .

The exhibition catalogue published by @kehrerverlag on the occasion of the exhibition #LINKINBIO is featuring over 50 works illustrating how the production and reception of art are changing in the age of social media.

A big thank you to Anika Meier @anika and Alfred Weidinger @alfred_weidinger 🙏
It was a great pleasure.

The book includes essays by @marisaolson @tilmanbaumgaertel, @constantdullaart, @natasha_stagg, Angelika Schoder, @bogomirdoringer, Kathrin Wessling @ohkathrina, @ilona_hartmann and was edited by curator @anika Meier.

Cover img: @ines.alpha w/ @nicoleruggiero.

Image 1: Poolside, 2019. Acrylic airbrush and mixed media on canvas. Courtesy of the artist and Robert Grunenberg.⁣

Image 2: Garden Hose, 2019. Acrylic airbrush, oil and mixed media on canvas. Image courtesy of the artist and Robert Grunenberg.

Designed by @studio_yukiko
Published by @kehrerverlag

#linkinbio #brandonlipchick
#mdbklinkinbio #exhibitioncatalogue
#socialmediaart #digitalism #artistsoninstagram
#bibliophile #bookstagram #artbooks #bookoftheday #photobooks #kehrerverlag #wekehreraboutbooks

13/11/2020

OPEN NOW:

Jan Zöller @janzoeller presents his new show “It’s better to experience things, then to talk about them", opening today at Galerie Meyer Riegger @meyerriegger in Karlsruhe.

On View from November 13 - December 23.

Installation shots, courtesy of the artist and Galerie Meyer Riegger.

#meyerriegger #soloexhibition #karlsruhe #exhibitionopening
#newworks #janzoeller

⛲️

11/11/2020

We are delighted ⠀
to share images of our current solo exhibition ⠀
with the young Canadian artist Nika Fontaine.
⠀
The title 'F.E.A.R.: False Evidence Appearing Real' ⠀
is an acronym for self-generated fear. Fontaine’s work, ⠀
who was born in Montreal in 1985 and has lived in Berlin since 2008, deals with the exploration of identity, spirituality, transformation and healing. ⠀
⠀
The exhibition features Fontaine‘s spiritistic-cosmic glitter paintings from her 'Akasha' series (2017) of acrylic paint and glitter on canvas, a series of monumental earthenware pottery works 'Banishing Fears' that were created between 2019 and 2020 as well as Fontaine’s artfully embossed metal reliefs which are inspired by fables appearing in the Zohar and the Bhagavad Gita. ⠀
⠀
“By means of my craftswomanship I spiritualize matter and materialize the metaphysical” (Nika Fontaine).⠀
⠀
Installation shots by Nick Ash, courtesy of the artist and ⠀
Robert Grunenberg.⠀
⠀
#nikafontaine #glitterpainting #metalrelief #embossedmetal #robertgrunenberg #exibitionopening ⠀
#galerierobertgrunenberg⠀
#transformation #healing⠀
⠀
🔮

11/11/2020

'F.E.A.R: False Evidence Appearing Real' is the first solo show of Nika Fontaine at our gallery. Now on view until December 19.
Join us from Wednesday to Saturday, from 12 to 6pm 🌌 🔮 🌙

"Fontaine’s artfully embossed metal reliefs, which are inspired by fables appearing in the Zohar and the Bhagavad Gita, resemble recreations of historic artefacts. Her work cycles are often preceded by profound contemplations of spiritual traditions such as Buddhism, Hinduism, Christian and Jewish mysticism, alchemy, theosophy, folk art, or so-called “outsider art”. In her art, archetypal symbolism, medieval imagery, nods to abstract and post war-modernism meet at eye level with the aesthetic vocabulary of glam rock, gothic, dark metal, new wave, as well as the retro styles of 1970s and 1980s sci-fi, fantasy and horror flicks."

- Passage from the exhibition text by Oliver Koerner von Gustorf.

The exhibition features fourteen embossed aluminium works by Fontaine, some of them are illustrations from the Zohar,
the book of revelation from Kabbalah, others are related to the concept of fear as an obstacle to spiritual development.
The image shows the work 'The tower of precious stones Shlach Lecha', an illustration from the Zohar. The unrighteous will be in fear of the righteous blinded by the light.

Image by Nick Ash, courtesy of the artist and Robert Grunenberg.

#nikafontaine #metalrelief #embossedmetalart #robertgrunenberg #exibitionopening #galerierobertgrunenberg
#transformation #healing

✨

10/11/2020

CAPTION: “I believe that paintings are a medium of trust, and it seems to me that in the act of viewing them, frequently a lie may little by little become a truth.” - Tenki Hiramatsu.

We are delighted to share that our new solo exhibition featuring TENKI HIRAMATSU @tenkihiramatsu is open now. Visit 'Lügen haben Beine' before 19 December 💫🌛

"The artist is creating a visionary, new, outsider-like world in which nature, the history of painting and reflections of the human psyche merge. Hiramatsu works with oil paint on paper, which is mounted onto wooden boards. In his work, painting and drawing develop organically, they become mutually dependent. This setup makes even the smallest gesture
stand out." - Oliver Koerner von Gustorf

We look forward to welcoming you at the gallery from Wednesday to Saturday from 12 to 6pm ✨

Images: 'TV', 2020. Oil and acrylic on paper, mounted on wooden panel. 'Untitled', 2020. Oil and acrylic on paper, mounted on wooden panel. Courtesy of the artist and
Robert Grunenberg. Installation shots by Nick Ash,
courtesy of the artist and Robert Grunenberg.

#tenkihiramatsu #soloexhibition #exhibitionopening #exhibitionopeningberlin #robertgrunenberg #robertgrunenbergberlin

10/11/2020

Tenki Hiramatsu's @tenkihiramatsu
first solo exhibition 'Lügen haben Beine' is now on view at the gallery until
19 December, 2020 ✨

"At first sight, Tenki Hiramatsu’s paintings, semi-abstract, colorful and vibrant, frequently streaked with hues of nocturnal brown or black may resemble a cosmos full of sylvan spirits and therianthropes. However, the fantastical creatures populating Hiramatsu’s paintings appear even more rudimentary and subtle: with delicate brush strokes they are often times drawn, rather than painted. His creatures appear more illustrative than their modernist counterparts, such as in Louder than everything else, faster than everything else (2020).

Here, they slightly resemble the Moomins, the hippo-esque trolls created by the Swedish-Finnish author Tove Jansson in the late 1940s."

- Passage from the exhibition text by Oliver Koerner von Gustorf.

Louder than everything else, faster than everything else (2020) is now on view in our gallery. Visit us from Wednesday - Saturday, 12-6pm.

Image by Nick Ash, courtesy of the artist and Robert Grunenberg.

#tenkihiramatsu #soloexhibition #exhibitionopening #exhibitionopeningberlin #robertgrunenberg #robertgrunenbergberlin

04/11/2020

UPCOMING: NIKA FONTAINE

False
Evidence
Appearing
Real

On view from November 7 - December 19, 2020.

F.E.A.R: False Evidence Appearing Real, the title of Nika Fontaine's @nikafontaine first solo exhibition at the gallery, is an acronym for self-generated fear. At the heart of Fontaine’s work, who was born in Montreal in 1985 and has lived in Berlin since 2008, is the exploration of identity, spirituality, transformation and healing. Fontaine's own transition from man to woman, which began in 2014, also plays a decisive role - as a motif of permanent internal and external change.

Her work cycles are often preceded by intensive preoccupation with spiritual traditions such as Buddhism, Hinduism, Christian and Jewish mysticism, alchemy, theosophy, folk art or “outsider art”.

In Fontaine's paintings, sculptures and installations, the spiritual experience is combined with pop cultural experience and a radical questioning of art-historical and social hierarchies. Archetypal symbolism, medieval motifs, references to abstract modernism and post-war modernity meet the aesthetic vocabulary of glam rock, gothic, dark metal, new wave, the retro style of sci-fi, fantasy and horror films of the 1970s and 1980s.

Images courtesy of the artist and wildpalms.

#nikafontaine #glitterpainting #metalrelief #embossedmetal #robertgrunenberg #sculpture #fear

03/11/2020

UPCOMING:
TENKI HIRAMATSU - Lügen haben Beine.
On view from November 7 - December 19, 2020.

Tenki Hiramatsu @tenkihiramatsu presents his first solo exhibition 'Lügen haben Beine' at the gallery. The two-room cabinet show features his latest paintings, ranging in subject matter from romantic landscapes inhabited by fantastic creatures and grotesque scenes that emerge in profound depictions of nature.

Born in 1986 in Wakayama, Japan, the artist paints with oil on paper mounted onto wooden panels and directly on wood.

„I believe that paintings are a medium of trust, and it seems to me that in the act of viewing them, frequently a lie may little by little become a truth.”

Image: Stress, 2020. Oil and acrylic on paper, mounted on wooden panel. Courtesy of the artist and Robert Grunenberg and Galerie Barbara Seiler @barbaraseiler.

#tenkihiramatsu #soloexhibition #exhibitionopening #exhibitionopeningberlin #robertgrunenberg #robertgrunenbergberlin

28/10/2020

We are excited to share with you a charity auction by The Artist Charity Aid Network @artistcharityaidnetwork featuring Sonja Yakovleva @sonja_yakovleva.

The Artist Charity Aid Network (A.C.A.N.)—launched this summer by Kate Brown, Zuzanna Czebatul, Alexander Egger and Leon Eisermann—is a non-profit digital platform that connects artists with buyers and facilitates donations to various different charities.

“We are hoping to build awareness and support for a true diversity of causes that is seeded by artists and fertilized by buyers,” explain A.C.A.N.’s creators.

Proceeds from the sale of the work, which will be released this Friday, will go to Humble by Mulatto Meadows @mulattomeadowsandhumble, a project with the mission of exposing underprivileged and marginalized communities to the horse world, foster respect, confidence, and accountability for urban youth through equine experiential learning.

Adresse

Marburger Strasse 3
Berlin
10789

Öffnungszeiten

Mittwoch	12:00 - 18:00
Donnerstag	12:00 - 18:00
Freitag	12:00 - 18:00
Samstag	12:00 - 18:00

Telefon

+491714544046

Webseite

http://www.robertgrunenberg.com

Benachrichtigungen

Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von Robert Grunenberg Berlin erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.

Service Kontaktieren

Nachricht an Robert Grunenberg Berlin senden:

Videos

Now on view in our solo exhibition 'F.E.A.R: False Evidence Appearing Real' by Nika Fontaine @nikafontaine 🔮 Artist Nika Fontaine presents a wide range of artistic and creative practices, that ranges from classical epic figurative oil painting, to the use of glitter pigments on canvas to create pop colorfield painting as well as beautifully crafted ceramic figures and delicate metal plates with engraved stories, blending her own biography with historical and mystical narratives. "Through craftsmanship, I spiritualize matter and materialize the metaphysical in works that express concepts of mindfulness and emancipation. I source my inspiration primarily in antique and modern spiritual philosophies & techniques which I study and practice such as Kabbalah, Hermetism, lucid dreaming, vipassana meditation, 12 steps fellowships, Kundalini yoga. The timelessness and abilities to break behavior patterns of judgment and self/destruction are what make these ancient philosophies relevant nowadays. This quest for the sublime result in a proactive celebration of the body, mind, and soul manifested for the quintessential fulfillment of all. My art should be used as a vehicle to grow and transport oneself to new realms of understanding and sensorial acuteness. I like to consider my path as a parent of alchemical endeavors and witness of an initiatic way." - Nika Fontaine. Nika Fontaine's 'F.E.A.R: False Evidence Appearing Real' is on view until December 19 at the gallery. We're open from Wednesday to Saturday, from 12 to 6pm. Installation shots by Nick Ash, courtesy of the artist and Wild Palms.⠀ ⠀ #nikafontaine #glitterpainting #metalrelief #embossedmetal #robertgrunenberg #exibitionopening #galerierobertgrunenberg #transformation #healing⠀ ⠀ 🔮

We invite you to Tenki Hiramatsu's @tenkihiramatsu first solo exhibition 'Lügen haben Beine' at the gallery. "One can never be never sure whether Hiramatsu’s creatures are still in the process of becoming or whether they are already withering, fading, being brushed away. What exactly are they looking for in the surprisingly romantic landscapes that surround them? Hiramatsu, too, is creating a visionary, new, outsider-like world in which nature, the history of painting and reflections of the human psyche merge. Some of Hiramatsu’s characters simply dissolve in lines, streaks and knots, as if having lost all of their vigor, like Vavoom, the faceless Eskimo boy from Felix the Cat, drawn by Raymond Pettibon for decades — a greatly influential artist for Hiramatsu’s work. Underneath the fur hood of his snowsuit he blurts out heart-stopping, powerful cries, that echo “VAVOOM!” across vast arctic planes, and that — in Pettibon’s body of work — are directed towards the USA. In his later work the character doesn’t emit sound waves anymore, but wonky meth-like crystals, instead. - Passage from the exhibition text by Oliver Koerner von Gustorf. TENKI HIRAMATSU: Lügen haben Beine. The show runs through 19 December 2020. Come by the gallery from Wednesday to Saturday, 12 to 6 pm. Image 1: Nacht, 2020, oil and acrylic on paper, mounted on wooden panel. Image 2: Wilderness, 2020, oil and acrylic on paper, mounted on wooden panel. Image 3: Rumor, 2020, oil and acrylic on paper, mounted on wooden panel. Courtesy of the artist and Robert Grunenberg. Installation shots by Nick Ash, courtesy of the artist and Robert Grunenberg. #tenkihiramatsu #soloexhibition #exhibitionopening #exhibitionopeningberlin #robertgrunenberg #robertgrunenbergberlin

Next up in our video series with @artbeatsberlin, Brandon Lipchik @brandonlipchikstudio discusses the dialogue between paint and the digital and his how experience with virtual spaces shaped his perception of the real world. Today is the last day to view Brandon's solo exhibition 'Visions of Song' featuring paintings of acrylic airbrush, oil and mixed media on canvas, as well as poems and a poetry piece in VR. #brandonlipchik #brandonlipchikstudio #visionsofsong #virtualvsreality #virtualspace #artbeats #robertgrunenberg #artistinterview #videoseries

As Brandon Lipchik's @brandonlipchikstudio solo exhibition draws to a close, we take a closer look at his inspirations behind the works and the influence of dreams and memories in our video series with @artbeatsberlin. "In a painting space, anything can happen and exist, just like a dream world." - Brandon Lipchik Don't miss his solo exhibition 'Visions of Song' closing this Saturday, October 24. #brandonlipchik #brandonlipchikstudio #visionsofsong #dreams #memories #artbeats #robertgrunenberg #artistinterview #videoseries

This week is your last chance to view Brandon Lipchik’s @brandonlipchikstudio first solo exhibition at Robert Grunenberg, Visions of Song, before it closes this Saturday, October 24. The exhibition features paintings of acrylic airbrush, oil and mixed media on canvas, as well as poems and a poetry piece in VR.⠀ Brandon Lipchik - Visions of Song Wednesday - Saturday, 12-6pm ⠀ "Several sources of light illuminate the scenery in Lipchik's paintings but their placement and angles cannot quite be reconstructed. Not dissimilar to a carefully lit stage, drop shadows and spotlights further dramatize the scene. He is interested in the symptomatic and very contemporary glow that screens and smartphones cast onto human skin. The high-contrast play of light and shadow is reminiscent of the ever-customizable situations that 3D rendering software can artificially create." - Passage from the exhibition text by Boris Pofalla. Many thanks to everyone who has visited the show over the past few weeks, we are looking forward to sharing more of Brandon’s work with you in the near future. Installation shots by Nick Ash, courtesy of the artist and Robert Grunenberg. #brandonlipchik #brandonlipchikstudio #visionsofsong #robertgrunenberg #digitalpainting #digitalcollage #airbrush

ON VIEW NOW: SINCERE INTENTIONS. Our current group exhibition closes next Saturday, 01 August. Stop by the gallery from Wednesday - Saturday from 12-6pm for your last chance to view the show featuring Timon & Melchior Grau, Tenki Hiramatsu, Stefan Knauf, Kris Lemsalu, Brandon Lipchik, Nadia Perlov, Sonja Yakovleva & Jan Zöller. Along with our four represented artists we have invited another four artists to exhibit in this group show titled "Sincere Intentions.” The guests are Timon & Melchior Grau, Kris Lemsalu, Tenki Hiramatsu and Nadia Perlov. ⁣ ⁣ Each of the artists have found their own artistic expression within their discipline, yet all of them represent a generation of artists that relate to each other, connecting elements of sensuality, handcraft and a sincere artistic practice. ⁣ Installation images by Nick Ash.

Brandon Lipchik (@brandonlipchikstudio) in his studio in Brooklyn, New York speaking about embracing the future for our Sincere Intentions videos series with art/beats (@artbeatsberlin).

art/beats (@artbeatsberlin) with Stefan Knauf (@stefan_knauf) for our Sincere Intentions video series, discussing his notion of future and transformation.⁣ ⁣ See Knauf's latest works in our current exhibition: Sincere Intentions. On view until 01.08.2020, opening hours are Wednesday - Saturday from 12-6pm.

Tenki Hiramatsu in the gallery for our Sincere Intentions video series with art/beats.

In our Sincere Intentions video series with art/beasts (@artbeatsberlin), Nadia Perlov (@nadiaperlov) discusses staying positive about the future in a world in crisis.⁣ ⁣ Visit the gallery to see Perlov's latest works in Sincere Intentions. The exhibition is on view until 01.08.2020, opening hours are Wednesday - Saturday from 12-6pm.

Timon & Melchior Grau (@grau01) in the gallery discussing the past, present and future for our ‘Sincere Intentions’ video series with art/beats (@artbeatsberlin). The exhibition is on view now, Wednesday - Saturday from 12-6pm.

Next up in our "Sincere Intentions" video series by art/beats is Jan Zöller @janzoellerrr, speaking about his vision of the future.⁣ ⁣ Sincere Intentions is on view until August 01, Wednesday - Saturday from 12-6pm.

Introducing the first of our ’Sincere Intentions’ video series, focusing on each artistic position featured in the show. ⁣⁣ ⁣⁣ The interviews were conducted in the gallery by art/beats @artbeatsberlin. ⁣⁣ ⁣⁣ First up is German artist Sonja Yakovleva @sonja_yakovleva, discussing how she plans to make her mark on the future.

♥️ “Ich liebe dich, ich liebe dich. I love you, I love you.” 😍😘⁣ ⁣ Don't miss Rosa von Praunheim's cult film, "Die Bettwerst" on view in our project space on the ground floor. The gallery is open from Wednesday-Saturday, 12-6pm with our current exhibition Hallöchen. ⁣ ⁣ Rare photos from the film and a book with photographs from the estate of Rosa's aunt Luzi, who plays the main role in "Die Bettwurst," are also on display.⁣ ⁣ Clip from the famous "Bettszene" in Die Bettwurst (1970), courtesy of the artist @rosa_von_praunheim_film

Only three weeks left to see our current show with @janzoellerrr : „Possibly there‘s a possibility that everything is possible“ in cooperation with @meyerriegger ⁣ ⁣ Sequences: ⁣ Voyage (T,J,N) ⁣ video installation ⁣ 16 min

⁣ Only three weeks left to see our current show with @janzoellerrr : „Possibly there‘s a possibility that everything‘s possible“ in cooperation with @meyerriegger ⁣ Sequences: ⁣ Voyage (T,J,N), 2019⁣ Video Installation ⁣ 16 min

In our first video interview for our exhibition dossier of Rainer Fetting‘s show @Rainer fetting we spoke with Slava Mogutin @slavamogutin To see the full video go to our website

We are happy to share a snippet of the Artist Talk with @barthelemytoguo and @hansulrichobrist last week. Special thanks to @galerielelongparis and Felix Böhm / @artbeatsberlin for the video.

Thanks to everyone who joined us for the artist talk with Barthélémy Toguo and Hans Ulrich Obrist this Saturday. - #Repost @christophamend ・・・ the artist #barthélémytoguo in conversation with curator #hansulrichobrist about his work and the influence of #marcelduchamp #robertgrunenbergberlin gallery ps: brillant translation by #stefanieunternährer @sunternaehrer

Clip from 'The Thirsty Gardner' (2005) by Barthélémy Toguo. Whole video on view at our gallery until 30 November 2018 as part of ‚Secret Evidence‘ . With this video Barthélémy Toguo wanted to hold watering money up to ridicule, that is to say that watering money does not make it grow. According to Toguo "the dollar bill represents the world economy and capitalism in general. This video also points out the fact that if we are missing money (all around the world), why don't we create more bills? How does the economy run? When and why do we stop issuing bills? The watering can is nourishing the money. Is the flowing water washing away the sins attached to the money? It is also a paradox to see an African gardener watering a dollar bill. It is also a joke". (C) @bandjounstation and @galerielelongparis

Clip from 'The Thirsty Gardner' (2005) by Barthélémy Toguo. Whole video on view at our gallery until 30 November 2018. . With this video Barthélémy Toguo wanted to hold watering money up to ridicule, that is to say that watering money does not make it grow. According to Toguo "the dollar bill represents the world economy and capitalism in general. This video also points out the fact that if we are missing money (all around the world), why don't we create more bills? How does the economy run? When and why do we stop issuing bills? The watering can is nourishing the money. Is the flowing water washing away the sins attached to the money? It is also a paradox to see an African gardener watering a dollar bill. It is also a joke". Courtesy @bandjounstation and @galerielelongparis

Stefan Knauf working on the wax model for the bronze casting of his latest work „Piazza del Cuore Sviato I-V“, which can be seen in our current show "Losing My Virginity". Head over to Fyta Magazine to learn more about Stefan’s passion for plants and his research into transcience and the absurdity of existence >>> https://fyta.de/verstehen/sk1/ @connectwithplants @stefan_knauf

🔥TODAY FROM 6 PM: LOSING MY VIRGINITY with @stefan_knauf @paullevack1000 @janzoellerrr @die_roemischen_votzen @sonja_yakovleva 🔥

Last Day of ‚Paradise is Now‘ Join us for the Finissage today 6 - 9 pm to get your own cane palm tree seed. Stefan Knauf’s work studies the worldwide spread of the golden cane palm and the question of its natural survival. @salondahlmann Thanks Fyta Mag for your visit!