Galerie Nagel Draxler

07/12/2022

CHRISTIAN KOSMAS MAYER: “The Life Story of Cornelius Johnson’s Olympic Oak and Other Matters of Survival”

The solo exhibition at the Austrian Cultural Forum in NYC is open until January 10, 2023.

“A potted oak seedling given to the Black US American high jumper Cornelius Cooper Johnson at the medal ceremony for his gold medal in the high jump at the Nazi-supported 1936 Berlin Olympics was the artistic inspiration for Christian Kosmas Mayer's installation . Mayer, whose work is based on in-depth historical and contemporary research, became interested in the fate of the trees after reading a book about the 1936 Olympics. The oak seedlings—'Olympic oaks’—were considered symbols of superiority and strength by the N***s. In the artist's work ‘The Life Story of Cornelius Johnson’s Olympic Oak and Other Matters of Survival’, one is shown the complex interweaving of cultural, personal and biological narratives that surround Johnson’s Olympic oak.

Mayer is a Vienna-based artist working in a wide range of disciplines including photography, sculpture, biotechnology, writing, music, journalism and numerous other disciplines.

Mayer’s work has had solo exhibitions at the Museum of Modern Art Vienna (mumok); Belvedere, Vienna; Centrum Kultury Zamek, Poznan; Kunststiftung Baden-Württemberg, Stuttgart; Austrian Cultural Forum, Warsaw; and participated in several international group exhibitions.”

[Excerpt of the press release by ACFNY]

Images:

1. Cornelius Cooper Johnson at the award ceremony of the Olympic games, 1936
2. “The Life Story of Cornelius Johnson's Olympic Oak and Other Matters of Survival”, Exhibition view, ACFNY 2022
3. -5., 7.-8. “The Life Story of Cornelius Johnson's Olympic Oak and Other Matters of Survival” (installation details), 2017
6. “The Life Story of Cornelius Johnson's Olympic Oak and Other Matters of Survival”, Video still, 2017
9. Exhibition opening, ACFNY 2022
10. Exhibition poster, Entrance ACFNY 2022
All photos by David Plakke for the ACFNY

06/12/2022

Congratulations to Zandile Tshabalala!
Her painting "Two Reclining Women“ was chosen for the catalogue of the group exhibition „ When We See Us: A Century of Black Figuration in Painting“ .
The book is available via the Zeitz MOCAA shop.

The exhibition runs until September 3, 2023.

Images:
1. Exhibition catalogue „When We See Us“, 2022
2. Portrait of Zandile Tshabalala and Togo Ntokozo Langa at the exhibition opening, Zeitz MOCAA, 2022
3. "Two Reclining Women“ (detail), 2020

26/11/2022

RIP Ernestine Bitz friend and neighbour

25/11/2022

PETER ZIMMERMANN: STICKERWAND

The solo exhibition by in our Cologne gallery runs until January 14, 2023.

Peter Zimmermann's conceptual research began in the late 1980s with his "Book Cover Paintings", in which he applied covers of atlases, art books, travel guides, and dictionaries to canvas in large formats using epoxy resin. In the course of context-art of the 1990s, he recreated for example the layout of product packaging and advertising posters but replaced their lettering with art theoretical texts. At a very early state he became interested in digitalization and its processes.

Capturing the visual ephemerality of modern media technology and translating it into a traditional medium - painting - is the focus of Peter Zimmermann's interest. In his exhibition "Stickerwand", these paintings are now juxtaposed for the first time with ornaments made of stickers, whose motifs are taken from the current Zeitgeist in the form of memes or coming from Instagram and Twitter. The ironic view that results from this juxtaposition and refraction of the new medium in painting allows a distanced observation of the new technologies. Zimmermann reflects on the relationship between reality, image, and art, always with the question in mind: at which point does the image become an independent work of art?

Peter Zimmerman was born in Freiburg im Breisgau in 1956. He studied at the Stuttgart Art Academy from 1978 to 1983. Today Zimmermann lives and works in Cologne, where he was a professor at the Academy of Media Arts from 2002 to 2007.

Images:
1. “Stickerwand” (detail), 2022
2. “Stickerwand”, GND Cologne, installation view, 2022
3. “fountain” (detail), 2022
4. “script”, 2022
5. “endless” (detail), 2022
6. “Stickerwand”, 2022
7. “infinite” (detail), 2022
8. “refrain”, 2022
9. “pattern”, 2022
10. Installation view (fLtR): “Stickerwand”, “spectre”, “mikado”, 2022
All photos by Simon Vogel

24/11/2022

Clegg & Guttmann: REJECTED

The exhibition Esch is open until January 15, 2023.

“Present on the international contemporary art scene since the early 1980’s, Clegg & Guttmann take up a visual rhetoric reminiscent of the bourgeois portraits of the Dutch Golden Age, while at the same time referencing the group images that crystallize the powers of the 20th and 21st centuries. They use the conventions of 17th century Dutch portraiture to place them in a contemporary context. Clegg & Guttmann’s portraits, presented in the exhibition at the Konschthal Esch, are rejected commissions which involve a very particular protocol in the Clegg & Guttmann method. Thus, the subjects have commissioned a portrait from the artists, but are free to refuse the result. However, the artists retain the right to show and publish the work, which remains their property, even after the commissioner has refused it. This reverse tactic is also symbolic of the power issues in the particular category of portraiture.”
[Excerpt of the press release by ]

Images:
1. “The curators of the 1987 Whitney Biennial”, 1987
2. “REJECTED”, Konschthal Esch, 2022, installation view, photo by Christof Weber
3. “The Board of Regents” (detail), 1988
4. “Gazes of Decreasing Intensity” (detail), 2017
5. “Group Portrait of Bundesministers” (detail), 2000
6. “Portrait of a Photography Dealer (Rudolf Kicken)” (detail), 2003
7. “The Financiers” (detail), 1986
8. “Matrimonial Portrait” (detail), 1987
9. “REJECTED”, Konschthal Esch, 2022, installation view, photo by Christof Weber

22/11/2022

Our Online Viewing Room at Art|Basel Miami Beach is now open, representing works by Sarah Friend ().

As an artist, technologist, and software developer, Sarah Friend works at the imbricated fringes of art, finance, and blockchain technology. Her latest works deal with internet infrastructure and mining: both in terms of hardware and the tensions between cooperation and competition that operate at the incentive layer. The works include sculptures made from waste materials from a Berlin data center and visualizations of the iterated prisoner's dilemma.

Access for OVR: Miami Beach
until November 23, 2022 (VIPs only)
November 23 - December 5, 2022 (public days)



Images:
1. „Broken Window #1“, 2022
2. „Gate“, 2022
3. Click Mine Physical Token Edition“, 2018
4. „Lifeform Display Surface #3 (Second Generation)“, 2022
5. Proof of Stake“, 2022
6. „Defense Mechanism #2“, 2022
7. „Shadow of the Future“, 2022
8. „Threshold“ (detail), 2022
9. „Threshold“, 2022

19/11/2022

We are happy to announce our representation of Jonas Fahrenberger ().

Fahrenberger had his first solo exhibition in 2022 with „Glücksshwein“ at Nagel Draxler Gallery in Munich. His work „Hafenkiosk 1“ is part of the PIN online auction organised by .freunde, which closes November 20, 2022 at 3pm.
Jonas Fahrenberger, born in 1995, lives and works in Offenbach, Germany. Fahrenberger, a student at the Hochschule für Gestaltung in Offenbach since 2015, is one of the gallery’s most recent discoveries and was introduced to a broader collector’s audience a few months ago with great success.

In a collage-like mix of garish motifs, bright colours and loud slogans, Fahrenberger combines fragments from everyday life. For Fahrenberger, his adopted hometown of Offenbach is both an inspiration and a source of inspiration: on the one hand, one of the poorest cities in Hesse and, on the other, in the immediate vicinity of the gleaming skyscrapers of Frankfurt.

Images:
1. Portrait of Jonas Fahrenberger, photo by .arnaut
2. Jonas Fahrenberger: "Hafenkiosk 2“, 2022, photo by Ulrich Gebert
3. Jonas Fahrenberger: "Hafenkiosk 1“, 2022, installation view
4. Jonas Fahrenberger: "Goldene 7“, 2021, photo by Ulrich Gebert
5. Jonas Fahrenberger: exhibition„Glücksschwein“, GND Munich, 2022, installation view, photo by Ulrich Gebert
Wall (fLtR): „Pillen in Club“, 2022 | „Hotel Europa“, 2022 | „Michael, es geht ums Ganze!“, 2022
Sculpture: „Barriers“, 2020
6. Jonas Fahrenberger: „Barriers“, 2020, photo by Ulrich Gebert
7. Jonas Fahrenberger: „Deutsche Romantik“, 2019, photo by Ulrich Gebert
8. Jonas Fahrenberger: „Spielplatz 1", 2020, photo by Ulrich Gebert
9. Jonas Fahrenberger: „How much is the fish?“, 2019, photo by Ulrich Gebert
10. Jonas Fahrenberger: „Mittwoch Mittag“, 2021, photo by Ulrich Gebert

18/11/2022

We cordially congratulate Carl Hegemann to the inauguration of his sculpture Four Sides Of Being
Image:
Carl Hegemann ‘Four Sides of Being’, Coquillade, Provence
Courtesy the artist and Galerie Nagel Draxler
Thanks to Oliver and Tobias Rhis






Throughout his life, Carl Hegmann, philosopher and theatre dramaturge, dealt with two central concepts in his theoretical reflections and in his aesthetic practice: REALITY and BEAUTY. So when the cultural and music theorist Diedrich Diederichsen was rummaging through his record shelf 20 years ago, he made a discovery that electrified Hegemann. Diederichsen thought he could decipher the word REALITY on the back of one of the densely packed covers. But in fact it was Ornette Coleman's LP BEAUTY IS A RARE THING. So he was able to learn that beauty and reality are at least half the same thing if you write the two words in English and in capital letters: BEAUTY & REALITY.
Hegemann has since used the changing figure in his teaching, as well as in his theatre work. In 2021, he finally designed his sculpture Four Sides of Being to memorialise the mysterious intertwining of BEAUTY and REALITY in a single half-word. As a temporary "water sculpture", it was realised for the first time on Hamburg's Außenalster in May 2022.
On 17 November 2022, a permanent land art version of this sculpture was publicly unveiled in the park of Hotel Coquillade in Provence, a place for contemplation and vision.
Hegemann's sculpture is a sensual dialectical phenomenon that makes one of the great contrasts of Western thought visible with a few letters cut in half lengthwise.

17/11/2022

KALIN LINDENA: ERZÄHL DER ZEIT

on view until January 7, 2023
at Galerie Nagel Draxler Berlin

On the occasion of twenty years of collaboration with Kalin Lindena, Galerie Nagel Draxler is pleased to host the solo exhibition „Erzähl der Zeit". The artist has created new paintings and sculptures, using textiles from the Wedding based fashion brand PICALDI as well as bus stop poles as they are found in Berlin’s public transport. They reflect everyday objects from her life as well as various techniques that have accompanied and shaped Kalin Lindena over the past two decades. The works are an attempt to explore this time, to immerse oneself in it, to review it and let it drift.

Images:
1. Kalin Lindena & Christian Nagel, 11.11.2022
2. "Tulpen und Narzissen", 2022
3. Installation view (fLtR): „Hand" | "unendlich, aufrecht" | "Erzähl der Zeit" | "Wir nennen ein Bild nach Dir" | "Versuch über" – 2022
4. „Hand“, 2022
5. "unendlich, aufrecht", 2022
6. „Wir nennen ein Bild nach Dir“, 2022
7. Installation view (fLtR): „Versuch über“ | „den Versuch“ | „Erzähl der Zeit“ – 2022
8. Installation view (fLtR): „Versuch über“ | „den Versuch“ – 2022
9. „Lampion", 2022
10. „Deine 20“, 2022
All photos by Simon Vogel.

#20

16/11/2022

We are delighted to present our booth .

ART COLOGNE is open to the public from November 17-20, 2022. Visit us in hall 11.1 at BOOTH A 129.

We are presenting works by
POUREA ALIMIRZAEE [new positions]
KADER ATTIA
KEREN CYTTER
JONAS FAHRENBERGER
ANNA FASSHAUER
HELL GETTE
SAYRE GOMEZ
SVEN JOHNE .johne
ANNA RIDLER
MIRJAM THOMANN
KENNY SCHACHTER
DOMINIK SITTIG
CHRISTINE WANG
ALEX WISSEL .alex
HEIMO ZOBERNIG

Images:
1. Sayre Gomez: America’s Tire, 2022.
2. installation view, with works by (fLtR) Kenny Schachter, Jonas, Fahrenberger, Alex Wissel, Mirjam Thomann, Keren Cytter, Christine Wang, Anna Ridler
3. Kenny Schachter: Mulch, 1998, video still.
4. installation view with works by (fLtR) Keren Cytter, Christine Wang, Anna Ridler
5. installation view with works by (fLtR) Pourea Alimirzaee & Alex Wissel
6. installation view with works by (fLtR) Alex Wissel, Anna Fasshauer, Hell Gette, Sven Johne
7. installation view with works by (fLtR) Pourea Alimirzaee, Dominik Sittig, Anna Fasshauer
8. Pourea Alimirzaee: Untitled, 2022.
9. installation view with works by (fLtR) Kader Attia, Mirjam Thomann, Heimo Zobernig
10. installation view with works by (fLtR) Hell Gette, Heimo Zobernig, Mirjam Thomann
All photos by Simon Vogel.

04/11/2022

We are delighted to present you our booth at Artissima in Turin!

The fair’s public days are November 4-6, 2022. Visit us at BOOTH 9/10 in the main section.

We are presenting works by Mark Dion (), Anna Fasshauer (), Stefan Müller (), Martha Rosler, Joëlle Tuerlinkcx, Luca Vitone, Christine Wang (), Pedro Wirz (), Peter Zimmermann (_peterzimmermann_) and Heimo Zobernig.

Images:

1: Heimo Zobernig »Untitled« 2015/2020/2014/2014/2015, Acrylic on canvas, each 200 x 200 cm.
2: Luca Vitone »Der Zukunft Glanz (Karussell)«, 2014 and Installation view with works by Pedro Wirz and Christine Wand.
3: Stefan Müller »Marilyn«, 2022. Acrylic on canvas, 260h x 230w cm.
4: Installation view with works by Anna Fasshauer, Martha Rosler and Joëlle Tuerlinckx.
5: Mark Dion »Cabinet of Marvels«, 2019. Mixed media, 190 x 130 x 48 cm.
6: Peter Zimmermann »invisible«, 2022. Epoxy resin on canvas, 150h x 110w cm.
7: Pedro Wirz »Sandest #8 (Frog)«, 2022. Wood construction, textile debris, metal staples, dirt, bitume, acrylic binder, UV acrylic shield, 80 x 33 x 15 cm.
8: Installation view with works by Peter Zimmermann, Anna Fasshauer, Pedro Wirz, Mark Dion and Martha Rosler.
9: Anna Fasshauer »Fuzz Banana«, 2022. Powder coated aluminum, 150 x 120 x 110 cm. 10: Installation view with works by Luca Vitone, Anna Fasshauer, Christine Wang.

02/11/2022

With the »Faces of Water« group exhibition, is focussing on artistic approaches to water, and it’s humanistic, moral, emotional, aesthetic and ethical values. As part of a residency, created a new corpus of work: «Pieces of the North Sea Port and The Landscape of Finance». As an artist and researcher Ridler uses her practice in order to better understand the world. With this multimedia installation, she visualizes her collected dataset and presents us a new calculated view on the North Sea Port of Belgium.

We are happy to already give you a glimpse of this important work, that will be part of our booth representation in the main section of this year’s .

»Faces of Water« is on view until December 5, 2022.

Images: Exhibition view, Bozar, Belgium 2022. All photos by Kristien Daem.

03/11/2021

Two great exhibitions by Renée Green are on view in Berlin!
Inevitable Distances and @ daadgalerie

1. Renée Green, Übertragen/Transfer, 1997. Installation view of the exhibition Renée Green: Inevitable Distances at KW Institute for Contemporary Art, Berlin 2021. Courtesy Museum Ludwig, Cologne; Photo: Frank Sperling
2. Installation view of the exhibition Renée Green: Inevitable Distances at KW Institute for Contemporary Art, Berlin 2021; Photo: Frank Sperling
3. Renée Green, Idyll Pursuits, 1991. Installation view of the exhibition Renée Green: Inevitable Distances at KW Institute for Contemporary Art, Berlin 2021. Courtesy Kunststiftung Ingvild und Stephan Goetz, Munich; Photo: Frank Sperling
4. Renée Green, Import/Export Funk Office, 1992–1993. Installation view of the exhibition Renée Green: Inevitable Distances at KW Institute for Contemporary Art, Berlin 2021. Courtesy Museum of Contemporary Art, Los Angeles, Gift of Gaby and Wilhelm Schürmann; Photo: Frank Sperling
5. Installation view of the exhibition Renée Green: Inevitable Distance at daadgalerie, Berlin 2021; Photo: Thomas Bruns

20/10/2021

We are pleased to participate in this years Online Viewing Rooms with a presentation of works by Ken Lum.

October 21 - 24, 2021
Preview, October 20, 2021

Born in Vancouver in 1956 as son to Chinese immigrants, the Canadian artist Ken Lum has developed an extensive Œuvre of conceptual artworks concerned with questions of identity and interrogating stereotypes in relation to race, gender, and spatial politics. In addition to his occupation as painter, sculptor, and photographer, Lum is an active writer, curator and academic, currently holding a professorship of Fine Arts at the University of Pennsylvania.

03/10/2021

Congratulations 2021 exhibition opening today!

02/10/2021

Congratulations to for receiving the Kaiserring Grant 2021!

On this occasion, visit her first institutional exhibition in Germany . Opening tomorrow, October 3, 2021 11.30 am in Goslar.

25/09/2021

Don’t miss your chance to visit our booth at
We are looking forward to welcoming you at booth K5 where we are presenting works by:

20/09/2021

„Surra“ 2021 at Parcours , entrance at Stadtkino Basel OPENING NOW!

15/09/2021

Opening tonight: Lutz Braun, Die übernatürliche Eigenschaft der Dinge
New Paintings, New Drawings & Catalogue Release

07/09/2021

Congratulations to for her second solo exhibition in our gallery.

🦅
September 3 – November 6, 2021
Galerie Nagel Draxler, Cologne

The floor heating in the desert is turned up. Even the heat seems to melt, and a rainbow stretches and says goodbye to its romantic curvature. The visual world of Hell Gette are landscape paintings of digital apparitions, in places of childhood and retro-video games. The haunting of the ghosts materializes through topical emojis. The faces and signs, the ghosts and things stand for feelings, personal highs and lows, economic systems, or sun, moon, and fire flames - ultra-hyped and homogenized, as Gette's " 3.0." - A transcendental Photoshop nirvana, captured in classic oil painting. […] - Larissa Kikol

Photos: Simon Vogel

05/09/2021

Sunday look into the archives: and carrying mushroom sculptures by at the first edition of in 2002, directed by . The first edition was originally planned for 2001 but postponed because of the horrible incidents of 9/11.

02/09/2021

pop up tonight & tomorrow @ Michael Riedel studio

01/09/2021

talking about art at the Culture and Impact Leaders Circle Crypto Conference in Zug.
Kenny rocked the audience.!
Other great speakers included
, Technical Integrations Lead at and , serves as the Consul General of Switzerland in San Francisco.
soon to come: Nagel Draxler Hall 2.1., booth K5

24/08/2021

We are happy to announce our representation of Michael Riedel!

…and cordially invite you to the
Michael Riedel x Nagel Draxler Studio Pop Up
on the occasion of 27. Saisonstart der Frankfurter Galerien
Friday, September 3 @ Studio Michael Riedel

Since the mid-90s, Michael Riedel has taken pleasure in formulating contradictions. Titles such as „Printed and Unprinted Posters", "Written and Unwritten Texts", and „Seen and unseen Exhibitions" denote his production of serial paintings, wallpapers, posters, and other printed matter, whose pictorial form is based on text. In doing so, he aims at the heart of post-avant-garde discourses of value in which text and image are commonly perceived as separate practices. His "layouts" are graphics that record and reproduce the occurrence of his being as an artist. Conferences of anecdotes, curatorial conversations, his own CV as an ongoing story, other self-descriptions, political debates, or simply email correspondence with his New York gallery are texts that sell better as artworks. He makes use of art's need for commentary, which functions as an infinitely productive blank space and does not detract from Riedel's production. On the contrary.

20/08/2021

, , , , , -JörgMayer, ,

are part of the charity auction II“ to support artists. The goal of the auction is to directly support the artists, who receive the majority of the auction proceeds.
 
The online platform is now open for bids!

Previewing from 24.8, 3 pm  to 28.8., 6pm.
Preview Location: Fahrbereitschaft, Herzbergstraße 40-43, 10365 Berlin.
The auction takes place 28.8. 3-6 pm.

Keren Cytter „Untitled (rosa)"
Min. Bit: EUR 3.500,-

Stephan Dillemuth "Damen", 1984
Min. Bit: EUR 20.000,-

Anna Fasshauer "Blue-Lila", 2020
Min. Bit: EUR 12.000,-

Julia Haller "Untitled", 2019
Min. Bit: EUR 7.600,-

Lone Haugaard Madsen "Raum#358–Demo, 2", 2019
Min. Bit: EUR 4.800,-

Hans-Jörg Mayer "Fruhtrunk Redelivered", 2013
Min. Bit: EUR 13.600,-

Stefan Müller "Ohne Titel", 2011
Min. Bit: EUR 4.000,-

Christine Wang "Fistbite", 2019
Min. Bit: EUR 8.000,-

17/08/2021

artmagazine 16.08.21
No feelings, little sensibility
Gallery owner Saskia Draxler (Nagel Draxler, Berlin/Cologne/Munich) on the market, art and NFTs

15/08/2021

Thanks to monopol magazine for the article on Luke Willis Thompson‘s project „(a) breathing: collective noun 2021“, that is now installed on the facade of the former U.S. Embassy building in Oslo, designed by Eero Saarinen, opposite the Nobel Institute, until December 2021.

03/08/2021

🎉🙌 Larissa Kikol on Hell Gette in the new KUNSTFORUM:

"'Landscapes 3.0' is what Gette calls her visual worlds. The work process includes digital and analog processes. Painted images are further developed in image editing programs, for which she likes to use "bad" tools such as cuts, gradient tools, and the magic wand. She then paints the result again, uses emojis with apps, and finally paints the final template in oil. Animals and other figures are added to the faces. These tell stories, but move in the worlds more like in a computer game. There are lower parts of the pictures that function as a floor and two-dimensionally suggest the space to the rear. On this she spreads her props as palm trees, eyes, suns or gorillas. Some signs consist of simple lines, reminiscent of the aesthetics of finger or mouse drawings in PowerPoint - but even these are neatly painted in oil. In between there is shooting, running, jumping. Just like in the early days of the game industry. The picture thus becomes an excerpt from a game, one wants to steer left or right to explore the world further."

Excerpt from: Larissa Kikol, „Kindliche Ästhetik als Stil“, in: Kindliches und Spielerisches als Motor der Kunst, Kunstforum International Bd. 276 Aug.-Sept. 2021.

01/08/2021

over with at 1st Meseberg International for Contemporary Art through to August 28th

21/07/2021

Buy a share of “The New Deal“ and help Milica Lopicic register her company on the stock market.

The stock market as a trading platform is characterized by its regulating and supervising function, aiming for a transparent and fair determination and growth of value. By registering “The New Deal” on the Belgrad Stock Market, Lopicic sets up a concrete definition of its core business - artistic creativity - as well as it’s assets and liable persons. The works around “The New Deal” function as material representations of the company, which identifies artistic creativity as its core business and hereby calls into question the potential definitions of value. Artistic creativity is in turn used as a capital asset to register the company on the Belgrad Stock Market, it is divided into 100 acquirable shares. Anyone can buy them and trade them. Thus, the artistic product essentially becomes a commodity whose value is translated into shares and offered on the stock market.

One share ist 300€
get in touch for more details

20/07/2021

Danke !
Danke Benedikt Ellebrecht für den spitzen Artikel!

16/07/2021

After the urinal comes the Bavarian spittoon…
Alex Wissel in view until September 4, 2021 in Munich!

Images:


1.&2.: „Speibecken“, 2021
3.: „Welcome DAHOAM“, 2021
4.: „Wir machen weiter! Schwarz rot geil!“, 2021
5.: „Bavaria“, 2021
6.: „Am Morgen nach der Wiederholung des Albrecht Dürerfest 1840, nach Eugen Neureuther“, 2021
7.: „Siegerflieger (Essens Attrappen)“, 2021

Photos: Ulrich Gebert

11/07/2021

1st International for , through to August 28th, Saturday & Sunday MarkDion JosephZehrer

10/07/2021

10/07/2021

The eggs arrived in Meseberg! We are happy to work on the opening of 1st , starting in three hours.

Participating artists: -JörgMayer