Clicky

Efremidis

Efremidis Efremidis aims to present carefully curated exhibitions featuring yet to be discovered, emerging and

Wie gewohnt öffnen

Opening today! From May 13-15 Efremidis will be at Art Busan, presenting works from Mathis Altmann, Hannah Sophie Dunkel...
12/05/2022

Opening today! From May 13-15 Efremidis will be at Art Busan, presenting works from Mathis Altmann, Hannah Sophie Dunkelberg, Michelle Grabner, Hadi Fallahpisheh and Lisa Jo. Find us at booth C9.⁠

Image 1 and 2: Michelle Grabner⁠
'Untitled', 2016⁠
flashe, gesso on canvas⁠
121.9 diamter x 5.1 cm⁠

#hadifallahpisheh #mathisaltmann #michellegrabner #lisajo #efremidis #artbusan @hadi_fallahpisheh @michelleagrabner @artbusankorea @hannahsophiedunkelberg

Tyler Dobson's exhibition "Plastic Waves" is open today from 11-6 pm. ⁠⁠"Folksiness puffs and flakes like pie crust, but...
17/03/2022

Tyler Dobson's exhibition "Plastic Waves" is open today from 11-6 pm. ⁠

"Folksiness puffs and flakes like pie crust, but Dobson’s mastery lies in his utter refusal to tell us what to do when we look at these things. Slack-jawed guffaw or leftist snicker? Surrender to the Americana tchotchke or summon up the ironic erudition we polished at school?" ⁠

- Tobi Haslett, Artforum⁠

The second chapter of "Our interesting life", a year-long exhibition, runs concurrently with Plastic Waves. The new episode presents Günther Förg’s epic 5-panel painting "Metro 3" in the gallery window. ⁠

Image: Tyler Dobson⁠
"Mario's Deli", 2022⁠
4c digital print on adhesive foil⁠
175 x 132 cm⁠

#tylerdobson #efremidis #güntherförg #guntherforg

Tyler Dobson's exhibition Plastic Waves opens tonight from 5-8 pm. ⁠⁠Tyler Dobson turns Pop inside out and salvages it f...
11/03/2022

Tyler Dobson's exhibition Plastic Waves opens tonight from 5-8 pm. ⁠

Tyler Dobson turns Pop inside out and salvages it for parts. Commemorating the end of a cultural moment, these hand-painted canvases feel like celebratory tombstones.⁠

The second chapter of Our interesting life, a year-long exhibition, opens concurrently with Plastic Waves. The new episode presents Günther Förg’s epic 5-panel painting "Metro 3" in the gallery window. ⁠

Image: Tyler Dobson⁠
Black Wave, 2022⁠
acrylic on canvas⁠
183 x 122 cm⁠

#tylerdobson #efremidis #güntherförg #guntherforg

"Our interesting life: Metro 3" opens this Friday the 11th.⁠⁠Featuring "Metro 3" by Günther Förg a monumental, 5-panel p...
10/03/2022

"Our interesting life: Metro 3" opens this Friday the 11th.⁠

Featuring "Metro 3" by Günther Förg a monumental, 5-panel painting from 2001.⁠

Opening alongside Tyler Dobson's exhibition "Plastic Waves" from 5-8 pm, join us at the gallery for drinks and refreshments. ⁠

#tylerdobson #güntherförg #guntherforg #efremidis

Next week on Friday the 11th is the opening of Tyler Dobson's exhibition Plastic Waves.⁠⁠Join us at the gallery from 5-8...
05/03/2022

Next week on Friday the 11th is the opening of Tyler Dobson's exhibition Plastic Waves.⁠

Join us at the gallery from 5-8 pm, refreshments and drinks will be provided.⁠

Alongside Dobson's exhibition will be the opening of "Our interesting life: Metro 3" featuring a monumental 5-panel painting from Günther Förg (1952-2013). ⁠

#tylerdobson #güntherförg #guntherforg #efremidis

Today is the last day of Lindsay Lawson's "Apophany!", the gallery is open today from 11-6 pm.⁠⁠Scaled, chromed and risi...
03/03/2022

Today is the last day of Lindsay Lawson's "Apophany!", the gallery is open today from 11-6 pm.⁠

Scaled, chromed and rising from a swamp, Lindsay Lawson’s new paintings and sculptures emerge from different mechanical and digitized processes of her studio. The artist imagines a be***al abstracted world of texture and surface, where the images of mass media are swallowed whole and regurgitated into new gestural shapes.⁠

Pictured: Lindsay Lawson⁠
"Prime Time", 2022⁠
80.5 x 106 x 71 cm⁠
3D print, television simulator LED light, electrical wiring, epoxy, solvent-based paint⁠

#lindsaylawson #efremidis

Lindsay Lawson's "Apophany!" ends this Thursday, the gallery is open today from 11-6 pm.⁠⁠Pictured: Lindsay Lawson⁠"Time...
01/03/2022

Lindsay Lawson's "Apophany!" ends this Thursday, the gallery is open today from 11-6 pm.⁠

Pictured: Lindsay Lawson⁠
"Time", 2022⁠
watercolor and acrylic paint on faux crocodile leather in custom plexiglass frame⁠
101 x 81 cm⁠
(detail)⁠

#lindsaylawson #efremidis

Trapped in a museum of mirrors and edges: the composition of this historical painting bangs against its own edges. The r...
25/02/2022

Trapped in a museum of mirrors and edges: the composition of this historical painting bangs against its own edges. The reflections of the mirrors reveal a history of art that is as ridiculous as it is sublime. ⁠

"Our interesting life" is on view 24/7 in our gallery window. We're here today from 11-6 pm. Featuring the work of Albert Oehlen, Carla-Luisa Reuter, Max Ruf and Hayley Tompkins.⁠

Pictured: Albert Oehlen⁠
"Im Museum II", 1982⁠
oil, lacquer and mirror on canvas⁠
160 x 160 cm⁠
framed⁠

#albertoehlen #maxruf #carlaluisareuter #hayleytompkins #efremidis

In ‘Apophany!’ the exhibition space becomes a landscape of competing time frames, the rapid pace of the 24-hour media cy...
22/02/2022

In ‘Apophany!’ the exhibition space becomes a landscape of competing time frames, the rapid pace of the 24-hour media cycle crashes against the geological age of the ocean. From the gap produced by this conflict, Lindsay Lawson extracts a series of psychedelically beautiful objects.⁠

Lindsay Lawson's "Apophany!" is open today from 11-6 pm.⁠

Pictured: Lindsay Lawson⁠
"Member Station", 2022⁠
pigment, stones, synthetic gypsum⁠
dimensions variable⁠
(30 x 20 x 15 cm each)

Lindsay Lawson's "Apophany is open today from 11-6 pm.⁠⁠Lawson's paintings move in and out of registration, their faux c...
19/02/2022

Lindsay Lawson's "Apophany is open today from 11-6 pm.⁠

Lawson's paintings move in and out of registration, their faux crocodile skin substrate deforms and abstracts the imagery it supports: a conspiracy theorist knows that the one real truth lies within themselves.⁠

Pictured: Lindsay Lawson⁠
"The Washington Post", 2022⁠
watercolor and acrylic paint on faux crocodile leather in custom plexiglass frame⁠
151 x 101 cm⁠
(detail)⁠

#lindsaylawson #efremidis @its_spooky

"Our interesting life" is on view 24/7 in our gallery window. We're here today from 11-6 pm. Featuring the work of Alber...
16/02/2022

"Our interesting life" is on view 24/7 in our gallery window. We're here today from 11-6 pm. Featuring the work of Albert Oehlen, Carla-Luisa Reuter, Max Ruf and Hayley Tompkins.⁠

Max Ruf's works come from an indeterminate era, all that can be discerned is that it is in friction with the present. His paintings often depict spaces and utilities and their painterly construction is aligned with the presence of an inescapable power relation. The absence of a human world is put into conflict with a sensuous painterly approach. Who controls who?⁠

Image 1 and 2: Max Ruf⁠
"untitled (Zeitfalle)", 2021⁠
oil on canvas⁠
140 x 375 cm⁠
framed⁠

Image 3: Our interesting life, chapter 1⁠
Efremidis⁠
Installation view⁠

#albertoehlen #maxruf #carlaluisareuter #hayleytompkins #efremidis

Congratulations to Megan Marrin for her site-specific mural @swissinstitute in New York. On view until September 2022. ⁠...
13/02/2022

Congratulations to Megan Marrin for her site-specific mural @swissinstitute in New York. On view until September 2022. ⁠

In Megan Marrin’s practice as a painter, meaning is extracted from cultural and historical relics. Found images of obsolete or unfamiliar equipment used for exercise, hygiene, containment and punishment serve as material to create stark, careful studies of such objects. ⁠

340 E. 9th Street is a painting of a photograph that accompanies an article published in the April 29, 1968 issue of New York Magazine about the spread of public art across New York City. In the image, the building located at the titular address is shown in profile, adorned on its windowless side with a mural by pop-surrealist Allen D’Arcangelo (1930-1998).⁠

In 340 E. 9th Street, Marrin’s first public artwork, the readymade image from New York Magazine is outsourced to Colossal Media, the largest hand-painted outdoor advertising company in the world, rendered a block away from the original location of D’Arcangelo’s dreamscape. As such, 340 E. 9th Street frames an artwork of the East Village layered over by time and maintained in memory and documentation.⁠

Picture 1 and 2: Megan Marrin ⁠
340 E. 9th Street, 2022⁠
Swiss Institute ⁠

Picture 3 and 4: Megan Marrin ⁠
Barre 7, 2021⁠
oil on canvas on styrofoam⁠
38 x 229 cm⁠


#meganmarrin #swissinstitute #efremidis @mmarrin_

Carla-Luisa Reuter’s paintings exist in a world of images: the photographer pulls the trigger and the paint gushes throu...
11/02/2022

Carla-Luisa Reuter’s paintings exist in a world of images: the photographer pulls the trigger and the paint gushes through the wound. Women, models, actresses and interns are carried forth by the flood, both dominated and set loose by Carla-Luisa Reuter’s re-representation.⁠

"Our interesting life" is on view 24/7 in our gallery window. We're here today from 11-6 pm. Featuring the work of Albert Oehlen, Carla-Luisa Reuter, Max Ruf and Hayley Tompkins.⁠

Pictured: Carla-Luisa Reuter⁠
"Interior Intern", 2022⁠
oil on synthetic canvas⁠
110 x 155 cm⁠

#albertoehlen #maxruf #carlaluisareuter #hayleytompkins #efremidis

What’s being smuggled in this luggage? The perforated messages are composed of an American politician’s leaked emails, n...
08/02/2022

What’s being smuggled in this luggage? The perforated messages are composed of an American politician’s leaked emails, now etched through graphite-covered sculptures. Gaps and redactions punctuate both the writing and the forms, and through these holes leaks a corrosive substance. ⁠

Lindsay Lawson's "Apophany!" is open today from 11-6pm.⁠

Pictured: Lindsay Lawson⁠
"Hillary's Email (Weekender)", 2022⁠
3D print, acrylic paint, graphite powder⁠
58 x 65 x 27 cm⁠

Lindsay Lawson⁠
"Hillary's Emails (Valise)", 2022⁠
3D print, acrylic paint, graphite powder⁠
59.5 x 61 x 44.5 cm⁠

Lindsay Lawson⁠
"Hillary's Emails (Duffel)", 2022⁠
3D print, acrylic paint, graphite powder⁠
46 x 60 x 30 cm⁠

#lindsaylawson #efremidis @its_spooky

Hayley Tompkins’s painting procedures could be called indiscriminate: her irresistible application runs over objects, co...
05/02/2022

Hayley Tompkins’s painting procedures could be called indiscriminate: her irresistible application runs over objects, containers, furniture and architecture. In "Red Updating" this relentless energy takes an electrical form, snaking across its support in strokes of green neon and glitter-tinged gold.⁠

"Our interesting life" is on view 24/7 in our gallery window. We're here today from 11-6 pm. Featuring the work of Albert Oehlen, Carla-Luisa Reuter, Max Ruf and Hayley Tompkins.⁠

Pictured: Hayley Tompkins⁠
"Red Updating", 2021⁠
acrylic on board⁠
100 x 63 x 3 cm⁠
(detail)⁠

#albertoehlen #maxruf #carlaluisareuter #hayleytompkins #efremidis

Lindsay Lawson's "Apophany!" is open today from 11-6pm.⁠⁠Apophenia is an inclination towards pattern recognition. It loc...
01/02/2022

Lindsay Lawson's "Apophany!" is open today from 11-6pm.⁠

Apophenia is an inclination towards pattern recognition. It locates links and symbols, the pathological analysis is that this is a false activity, the searching of a disordered mind. But isn’t this similar to the occupation of the artist: moving between discrete points and turning connections into matter?⁠

Pictured: Lindsay Lawson ⁠
"b", 2022⁠
3D print, acrylic paint, chrome paint⁠
35.5 x 32 x 19 cm⁠

Lindsay Lawson⁠
"OK", 2022⁠
3D print, acrylic paint, chrome paint⁠
46 x 34.5 x 25 cm⁠

Lindsay Lawson⁠
"Q", 2022⁠
3D print, acrylic paint, chrome paint⁠
32.5 x 30.5 x 12.5 cm⁠

#lindsaylawson #efremidis @its_spooky

Lindsay Lawson’s “Apophany!” opens tonight from 5-8pm. “Lindsay Lawson’s work form like pearls. Specialized pearlescent ...
28/01/2022

Lindsay Lawson’s “Apophany!” opens tonight from 5-8pm.

“Lindsay Lawson’s work form like pearls. Specialized pearlescent paints are applied by hand to 3D prints, growing and inflating, these objects morph surreally from their origins. The grit and grime of modern life, its headlines and disasters, is submitted to a development process that coats her bags, hats and paintings.”

Pictured: Lindsay Lawson, “Hermit Crab in a Theranos Mug”, 2022
3D print, acrylic
18.5 x 14.5 x 13 cm

#lindsaylawson #efremidis @its_spooky

“Our interesting life, chapter I” opens tonight from 5-8pm. The first chapter of a year long exhibition in the window sp...
28/01/2022

“Our interesting life, chapter I” opens tonight from 5-8pm.

The first chapter of a year long exhibition in the window space of Efremidis.

Featuring the work of Albert Oehlen, Carla-Luisa Reuter, Max Ruf and Hayley Tompkins.

#albertoehlen #carlaluisareuter #maxruf #hayleytompkins #efremidis

Last day of Aura Rosenberg's exhibition "The Bull, The Girl + The Siegessäule"! We're here from 11-6⁠pm⁠⁠Image 1: Aura R...
20/01/2022

Last day of Aura Rosenberg's exhibition "The Bull, The Girl + The Siegessäule"! We're here from 11-6⁠pm⁠

Image 1: Aura Rosenberg⁠
"Oh harmonious present! Exultant reflecting point in a continuum!" 2021⁠
disco ball, motor, chain⁠
75 cm⁠

Image 2: Aura Rosenberg ⁠
"Knowing without words, the thing itself affixed to the heart, shelters us from its image like a shield" 2021⁠
lenticular print framed in museum glass⁠
183 x 123 x 4 cm⁠

#aurarosenberg #efremidis

Aura Rosenberg's exhibition "The Bull + The Girl and The Sigessäule" has been reviewed in Frieze by @claireoua. The revi...
13/01/2022

Aura Rosenberg's exhibition "The Bull + The Girl and The Sigessäule" has been reviewed in Frieze by @claireoua. The review is online now and will be featured in the upcoming print issue.

Next week is the last week to see the exhibition, Aura Rosenbergs first in Berlin for 10 years.

@aurarosenberg @chloeellenstead

#aurarosenberg

Aura Rosenberg's exhibition "The Bull + The Girl and The Siegessäule" has been reviewed in Frieze by @claireoua. The rev...
13/01/2022

Aura Rosenberg's exhibition "The Bull + The Girl and The Siegessäule" has been reviewed in Frieze by @claireoua. The review is online now and will be featured in the upcoming print issue. ⁠

Next week is the last week to see the exhibition, Aura Rosenbergs first solo presentation in Berlin for 10 years. ⁠

@aurarosenberg @chloeellenstead ⁠

#aurarosenberg

Mathis Altmann's video about his current exhibition "Butcher Block" at Efremidis is out! Video: Til Obladen and Ümit Kar...
14/05/2021
Mathis Altmann • Butcher Block

Mathis Altmann's video about his current exhibition "Butcher Block" at Efremidis is out!

Video: Til Obladen and Ümit Karatas-Ilidi
Text and voice: Steven Warwick

In his new exhibition Butcher Block, Mathis Altmann (*1987, Munich) witnesses the millennial moment and its ongoing collapse between work and leisure. In the...

Thank you #contemporaryartdaily for the feature! Marte Eknaes' exhibition will be on view until February 20th.
02/02/2021
Contemporary Art Daily » Blog Archive » Marte Eknæs at Efremidis

Thank you #contemporaryartdaily for the feature!
Marte Eknaes' exhibition will be on view until February 20th.

January 28th, 2021 Marte Eknæs at Efremidis Artist: Marte Eknæs Venue: Efremidis, Berlin Exhibition Title: ! Date: November 28, 2020 – January 30, 2021 Click here to view slideshow Full gallery of images, press release and link available after the jump. Images: Images courtesy of Efremidis, Berl...

Adresse

Ernst-Reuter-Platz 2
Berlin
10587

Öffnungszeiten

Dienstag 11:00 - 18:00
Mittwoch 11:00 - 18:00
Donnerstag 11:00 - 18:00
Freitag 11:00 - 18:00
Samstag 11:00 - 18:00

Telefon

+493025766055

Benachrichtigungen

Lassen Sie sich von uns eine E-Mail senden und seien Sie der erste der Neuigkeiten und Aktionen von Efremidis erfährt. Ihre E-Mail-Adresse wird nicht für andere Zwecke verwendet und Sie können sich jederzeit abmelden.

Service Kontaktieren

Nachricht an Efremidis senden:

Kategorie

Kunst & Unterhaltung in der Nähe


Andere Kunstgalerie in Berlin

Alles Anzeigen