Filmkunstbar Fitzcarraldo

Filmkunstbar Fitzcarraldo Celebrate your Birthday at Filmkunstbar Fitzcarraldo. Bar & DVD Verleih Willkommen! ... und schön, dass Du vorbeischaust in der Filmkunstbar Fitzcarraldo!

Aber vielleicht kennen wir uns auch schon? Früher waren wir die alte Filmkunst-Videothek in Friedrichshain. Nach einem Zwischenspiel im "Roderich" in der Glogauer Str. findet man uns nun in Kreuzberg in der Reichenberger Str. 133 wieder, nun erweitert um eine Bar im dekadenten Stil, wo vor Oscar-Wilde-Tapete ein alter Wolpertinger über das Geschehen wacht. Was erwartet Dich bei uns? Zunächst einmal eine gutsortierte, bestens ausgestattete Programm- und Off-Videothek mit Filmen aus aller Welt, allen Genres und allen Zeiten. Wir selbst nennen das "Cinethek" - ihr sucht gutes asiatisches Kino, französische Dramen, klassisches Hollywood, künstlerisch ambitioniertes Avantgarde-Kino, wilde Gruselstreifen, interessante Dokumentarfilme oder einfach nur das, was ihr vor wenigen Monaten beim Programmkino um die Ecke verpasst habt? Kein Problem, haben wir alles da - und wenn ihr so gar nicht weiter wisst, hilft Euch unser Personal. Wer zuhause nach Tips stöbern will, schaut zum Beispiel auf unserer Webpage cinegeek.de nach, wo wir alle Tips, Hinweise und YouTube-Videos posten, die Euch vielleicht Appetit auf mehr machen. Außerdem findet Ihr hier in der Spalte zum Stöbern (Featured Movies) komfortabel zusammengestellte links zu Filmen, die unserem Personal ganz besonders ans Herz gewachsen sind sowie unser gesamtes DVD Sortiment. Alles, was neu in den Laden kommt, findet ihr immer hier. Dann sind wir aber auch eine Bar im alten Stil. Dekadent im Ambiente, bodenständig in der Auswahl: Unkompliziert und entspannt statt fancy und nervös, wirklich vintage statt teuer nachgekauft. Nachmittags könnt Ihr locker zum Kaffee abhängen. Abends kann es schon mal etwas voller werden, ganz im alten Kreuzberger Stil. Und warum Fitzcarraldo? Weil wir einfach ein Herz für größenwahnsinnige Visionen haben. Wir hoffen, Ihr auch! Jedenfalls, wir sehen uns,

Eure "Fitzcarraldos" (verfasst von Thomas Groh)

Naza on CINEGEEK.DE A harrowing documentary by Yuval Abraham and Rachel Szor, who previously garnered attention with No ...
01/10/2026

Naza on CINEGEEK.DE A harrowing documentary by Yuval Abraham and Rachel Szor, who previously garnered attention with No Other Land. Naza is a film difficult to describe and even more difficult to watch. Based on revelations by The Guardian, corroborated by 24 Israeli intelligence officers, Naza is not told from a Palestinian perspective, yet it features Palestinian voices, recorded on their mobile phones. After October 7th, the intelligence apparatus of surveillance was running at full speed, and we witness how revenge turned into genocide. Many reject films shot from the perspective of the oppressor (see Claude Lanzmann). Although Naza features exclusively Israeli voices, it doesn't fit into this category, as it is an investigation into state violence. A journalistic piece in real time. We hear from those involved not years later, but while they are still carrying out the orders that led to genocide. We learn just how intensive the surveillance was. We learn that someone who inflicts such massive harm on the population of Gaza is indifferent to its destruction. Many deny their guilt, claiming they are merely following orders. Few confront their actions. Naza will anger and disappoint many. Israel has already questioned the authenticity of the images, and Palestinians will criticize the fact that only the oppressor is given a voice. NAZA refers to the unit of measurement used to count Palestinians killed as collateral damage. The film attempts to refute genocide deniers who (as was the case during the Nuremberg Trials) rely on subjective arguments. In an ideal world, a film that has to prove the existence of genocide wouldn't even be necessary. Why don't we simply believe those who have lived through hell in Gaza?

FREE ON CINEGEEK.DE https://www.cinegeek.de/free-zdf-sound-falling-die-sonne-schauen-2025-rating-90-dvd *Sound Of Fallin...
24/09/2026

FREE ON CINEGEEK.DE https://www.cinegeek.de/free-zdf-sound-falling-die-sonne-schauen-2025-rating-90-dvd *Sound Of Falling* spans a century and several generations of a family from the Altmark region. The film is set entirely on this family’s farm. We first see the farm around 1910. This might sound like a linear narrative, but that is precisely what director Mascha Schilinski avoids with her extensive material. She does not tell the story chronologically. Instead, she interweaves the generations and links them once again through the setting – the farm. Almost like an Impressionist painting. The timeline unravels, the past overlaps with the present. Almost like a ghost story featuring a haunted house and a ghost – that is the story. In every generation, there is a curious young girl surrounded by death on all sides. And every generation struggles with unspoken, forbidden longings. Our task is to find out who these people are and what era we are in. It always comes down to the ‘life lived in vain’ – an expression that crops up time and again. Floors creak, flies buzz, a deafening silence. What is it? The feelings we never admit to? Time in all its relentlessness? Time does its work, people are forgotten, and yet... something remains. Something around us.

FREE ON CINEGEEK.DE our own FREE STREAMING PORTAL https://www.cinegeek.de/free-youtube-der-partyschreck-party-1968-ratin...
08/09/2026

FREE ON CINEGEEK.DE our own FREE STREAMING PORTAL https://www.cinegeek.de/free-youtube-der-partyschreck-party-1968-rating-90-dvd1600 It's easy to forget; Peter Sellers, a British comedian who started his career in the 50s, had a furious start in Hollywood thanks to his in-house director Blake Edwards, but also lots of stupid comedies. The Party, 1968, is definitely not an off-the-shelf Peter Sellers comedy. In Blake Edwards The Party, Sellers develops a character and simply plays it through. For better or for worse. Whereby; in The Party there are almost exclusively terrible moments. Sellers embodies Hrundi V. Bakshi, an Indian actor who politely, even delicately sabotages an entire evening. Supported by an incredibly drunk butler. Scene: The villa of a Hollywood producer with many, many guests and an elephant. The party there begins inconspicuously with cocktail music in the background. You nod at each other discreetly - representing your own status. Like at a Neuköllner Hipster Party. The music is discreet, everyone wears strange clothes. Behind them, however, madness slowly escalates. At first, the events remain painfully close to life. Could that happen to us? The film says: It's possible!

FREE ON CINEGEEK.DE our own FREE STREAMING PORTAL. FILMLIST Berliner Schule. The French found the term "Nouvelle Vague A...
02/09/2026

FREE ON CINEGEEK.DE our own FREE STREAMING PORTAL. FILMLIST Berliner Schule. The French found the term "Nouvelle Vague Allemande", the Germans say "Berliner Schule". But school is the wrong term for a loose group of directors who shoot mainly in Berlin and whose films are minimalist and oriented to everyday life. More and more often, however, one hears that these films of the Berlin School seem to be unworldly and hostile to the spectators. In 2001 the impossible happened, Christian Petzold's Arthaus Action film Die innere Sicherheit was awarded the German Film Prize. Petzold's fame was colored by Angela Schanelec (My Slow Life) and Thomas Arslan (The Beautiful Day). This was not the German mainstream with its bestselling films, but the revival of great role models such as Robert Bresson, Eric Rohmer or Kiarostami. When Christoph Hochhäusler's Milchwald ran at the Berlinale, he was given the label "Berlin School". Filmmakers grouped around the film magazine Revolver, Christoph Hochhäusler, Benjamin Heisenberg, Valeska Griesebach, Ulrich Köhler and Jessica Hausner, were now Berlin School. Formulating one's own subjectivity means alienating figures or places. The almost frozen-looking inner worlds of Milchwald, the apathetically observing sleeper of Heisenberg, the passengers of Petzold in ghosts. Just a moment ago friends or parents, disappeared in the next moment just like ghosts...

FREE ON CINEGEEK.DE our own free streaming portal. Als ich Ghosts zum ersten Mal sah, bemerkte ich, wie aus dem Tiergart...
01/09/2026

FREE ON CINEGEEK.DE our own free streaming portal. Als ich Ghosts zum ersten Mal sah, bemerkte ich, wie aus dem Tiergarten so etwas wie ein Geisterwald wurde, da verstand ich, was das Label "Berliner Schule" eigentlich bedeutet. Zu aller erst umfasst es, nie mehr zu zeigen als das Allernötigste. In Ghosts erzählt Christian Petzold die Geschichte von zwei jungen Mädchen im Tiergarten und einem Paar, das seine verlorene Tochter sucht. Die Geschichte verknappt Petzold so konzentriert, dass es fast unheimlich wirkt. Je einfacher einer der vielen Möglichkeiten des Films dargestellt wird, desto mehr Alternativen dieser Möglichkeit zeigen sich auf. Da kreuzen sich die Wege zweier Mädchen. Und ein Paar tritt auf. Dann verschwindet ein Mädchen und alles löst sich wieder auf. Wie so oft, orientiert sich Petzold an Vorbildern. Hier am Märchen vom "Totenhemdchen" der Gebrüder-Grimm. Die Untoten erscheinen am helllichten Tag. Sie sind aber nicht gefährlich, sondern einfach nur auf der Suche nach einem Ort, zum Bleiben, Obwohl die Bilder von Christian Petzold den Eindruck machen, der Tiergarten wäre der kälteste Ort der Welt, spüren wir die Verzweiflung der Mädchen. Die Glut der Leidenschaft.

FREE ON CINEGEEK.DE our own FREE STREAMING PLATFORM https://www.cinegeek.de/free-youtube-bad-education-la-mala-educacion...
23/08/2026

FREE ON CINEGEEK.DE our own FREE STREAMING PLATFORM https://www.cinegeek.de/free-youtube-bad-education-la-mala-educacion-rating-80-dvd8046 Das alte Problem; die Handlung dieses Almodovar Films zusammen zu fassen oder auch nur zu skizzieren, ist kaum möglich. Zumindest nicht, wenn man NICHT vorhat, einen Roman zu verfassen. In der Gegenwart wird eine Geschichte aus der Vergangenheit erzählt, teilweise als Film im Film und irgendwann gehen beide Kategorien ineinander über. Etwa so als wenn die Erinnerungen einer Person kurioser Weise die Erinnerungen einer anderen Person enthalten. Der ganze Film funktioniert wie ein geniales Spielzeug. Wie ein Zaubertrick, den man nicht analysieren sollte, weil er sonst keine Wirkung mehr zeigt. Auftritt eines jungen Filmregisseurs namens Enrique (Fele Martinez). Er bekommt Besuch von Ignacio (Gael Garcia Bernal), der wiederum eine Geschichte geschrieben hat. Die soll Enrique lesen. Normalerweise würde er das auch tun, aber Ignacio ist DER Ignacio: Enriques erste Jugendliebe in der Schule. Das war damals als Ignacio von einem Priester in der Schule missbraucht wurde. Tatsächlich liess er den Missbrauch zu, um Enrique aus einigen Schwierigkeiten zu befreien. Diese Handlung (und das ist weniger als eine Skizze), erlaubt es Almodovar, transgressives Sexualverhalten während der Zeit, die Almodovar ganz bestimmt am stärksten geprägt hat, zu zeigen: Der Zeit der faschistischen Franco Diktatur.

FREE ON CINEGEEK.DE our own FREE STREAMING PORTAL https://www.cinegeek.de/free-youtube-die-letzte-vorstellung-last-pictu...
19/08/2026

FREE ON CINEGEEK.DE our own FREE STREAMING PORTAL https://www.cinegeek.de/free-youtube-die-letzte-vorstellung-last-picture-show-1971-rating-93-dvd1566 In der besten Szene von Peter Bogdanovichs The Last Picture Show geht Sam The Lion mit Sonny und Billy fischen. Sie fahren raus zu einem See, den man eher als Loch bezeichnen möchte. Mitten in der texanischen Prärie. Eigentlich gibt es in dem See nur Schildkröten und gar keine Fische. Das aber ist Sam egal. Er mag sowieso keinen Fisch. "Try one?" - Sam bietet Sonny eine handgerollte Zigarre an. Dann erzählt er, wie er vor zwanzig Jahren mit dem Mädchen, das er liebte, zu diesem See fuhr. Sie schwammen und ritten mit ihren Pferden hindurch. Sams Mädchen aber war bereits verheiratet und er auch schon vor zwanzig Jahren nicht mehr jung... Während er erzählt, stellen wir fest, dass wir dem Mythos von Sams Leben zuhören. Seiner Vision von Schönheit, die ihn überhaupt am Leben erhält in der Einöde einer sterbenden Stadt: Anarene, Texas.

FREE ON CINEGEEK.DE our own FREE STREAMING PLATFORM https://www.cinegeek.de/free-youtube-following-1998-rating-80-dvd483...
14/08/2026

FREE ON CINEGEEK.DE our own FREE STREAMING PLATFORM https://www.cinegeek.de/free-youtube-following-1998-rating-80-dvd4835 I watched the first film by Christopher Nolan, the British no-budget production Follwing and was amazed: His debut is the core of all his films! In Following, we notice Nolan's penchant for a nested narrative structure with a twist at the end - in which ultimately all pieces appear as a whole. In a different context of meaning, of course! Sometimes you might wonder how necessary individual passages may have been for the big picture - but in any case they contribute to the fact that Following is simply fun! When we opened the Videothek Filmkunst (or today Filmkunstbar Fitzcarraldo) ten years ago, we didn't have many titles yet. Still, people came to borrow the stuff that didn't exist in other video stores. One of these "neighbourhood blockbusters" was Following. Constantly lent, always in circulation! Rightly so: the thriller is intelligent, aesthetic and very entertaining! Bill (Jeremy Theobald) is a lonely and neglected writer. He follows people on the street, in search of material for his (possibly never appearing?) book. In truth, Bill is obsessively searching for what he lacks: his own identity. One of his subjects, Cobb, confronts him. Cobb (Alex Haw) is a burglar who is less interested in prey than in the privacy of his victims. Cobb now teaches Bill and commits burglaries with him. In an apartment they find photos of a beautiful blonde (Lucy Russel) - again Bill reacts passionately and falls in love with the unknown. His teacher Cobb spies on Bill on his own and finally speaks to her in a bar. She tells him that she is being blackmailed. Bill decides to help her... On the surface Following is told more or less linearly. A second level of action seems to take place in the narrator's consciousness, as if his story is taken over... The moment he puts the individual parts together, we see what really happened. The big twist, it doesn't develop many of the narrative strands any further, nor does it enlighten them. Still, it's a nice ending point. By the way, Nolan himself was in charge of the camera and is responsible for the dirty, grainy black-and-white photography that makes up so much of the film's effect. Let's remember the scene in the bar, which is so dark that we basically have to think about most of it. With Following we see a 28-year-old filmmaker, already in full possession of his powers - without a budget, but with ideas! And what is the thriller about now? From a would-be writer who gets a lesson about human nature? Just about picking anyone out of the crowd and constructing a story around them? A story that works quite differently than it seems? A film about the process of storytelling itself? Or what do you think?

FREE ON CINEGEEK.DE our own FREE STREAMING PLATFORM https://www.arte.tv/de/videos/041218-000-A/susan-verzweifelt-gesucht...
03/08/2026

FREE ON CINEGEEK.DE our own FREE STREAMING PLATFORM https://www.arte.tv/de/videos/041218-000-A/susan-verzweifelt-gesucht/ You can recognise Tinder dates by the way they sit in secluded corners of pubs and have strangely detached conversations. The precursor to this, the personals, abbreviate complex human relationships with abbreviations like "SWM". This is exactly how Desperately Seeking Susan begins. Susan is desperately wanted by ad using this abbreviation. Roberta (Rosanna Arquette), a bored housewife, sees the ad and becomes curious: who is Susan and who is looking for her and why? So she simply turns up at the meeting place and meets Susan (Madonna), who draws her into her world. So begins an almost forgotten American indie film from 1984 that reminds us what a great filmmaker Susan Seidelman is and what Madonna looked like before her surgeries and how a whole generation was into Rosanna Arquette (that's actually the one from Toto's song of the same name). Anyway, Roberta gets so drawn into Susan's world that she even becomes Susan for a while. Complicated? Exactly! This comedy is extraordinarily complicated! Because Desperately Seeking Susan is a comedy of mistaken identity based on several instances of mistaken identity.

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