KOW

(17)
24/06/2020
KOW

KOW

HENRIKE NAUMANN IN CONVERSATION WITH SOHRAB MOHEBBI (CURATOR, SCULPTURECENTER, NYC) - Art Basel OVR Event

24/06/2020

HENRIKE NAUMANN IN CONVERSATION WITH SOHRAB MOHEBBI (CURATOR, SCULPTURECENTER, NYC) - Art Basel OVR Event

KOW is participating at "Basel by Berlin" alongside over 30 other Berlin galleries - the offline version of Art Basel.Jo...
16/06/2020

KOW is participating at "Basel by Berlin" alongside over 30 other Berlin galleries - the offline version of Art Basel.

Join us in our spaces on June 17 & 18 for a look at some of the works of our Art Basel Online Viewing Room.

https://www.instagram.com/baselbyberlin/

KOW's cover photo
05/06/2020

KOW's cover photo

We are back!The group show "Out of the Dark II" opens this weekend with a selection of twenty artists - also featuring F...
21/05/2020

We are back!

The group show "Out of the Dark II" opens this weekend with a selection of twenty artists - also featuring Franz Erhard Walther's work "Vest" from 1965.

We will be open on Saturday and Sunday from 11am to 6pm.

Please note that only a limited amount of people can visit the exhibition at one time wearing masks.

#kow #kowberlin #outofthedark

KOW is taking part in "not cancelled Berlin" with a series of works by Clegg & Guttmann, alongside other colleagues - or...
11/04/2020

KOW is taking part in "not cancelled Berlin" with a series of works by Clegg & Guttmann, alongside other colleagues - organized by Exhibitionary.

https://www.notcancelled.art/

Photo: Clegg & Guttman, Invasion of Personal Space VI, 1996

KOW's cover photo
08/04/2020

KOW's cover photo

"The Illusion of a Crowd" by Clemens von Wedemeyer is KOW Issues 21 - for the first time as an online exhibition.Clemens...
08/04/2020

"The Illusion of a Crowd" by Clemens von Wedemeyer is KOW Issues 21 - for the first time as an online exhibition.

Clemens von Wedemeyer’s new films undertake a probing exploration of the phenomenon of human crowds. What happens when they grow exponentially? How can their behavior be predicted, and how can it be controlled? What distinguishes digital hordes from physical ones? And how is the individual human being part of a crowd, or many crowds, even in isolation?

The current situation lets us see the themes of Majorities, a recent exhibition of Wedemeyer’s work at Galerie für zeitgenössische Kunst Leipzig, and In Gesellschaft (In Society), a show at Kunstmuseum Luzern that closed in February, in a different light. In collaboration with Clemens von Wedemeyer, KOW releases the films from the Berlin-based artist’s most recent cycle in the inaugural presentation of a new series of KOW ISSUES ONLINE.

Follow this link to see the exhibition: www.kow-berlin.com/kow

Candice Breitz's exhibition „Too Long, Didn‘t Read“ will be on view during regular exhibition hours at The Baltimore Mus...
13/03/2020

Candice Breitz's exhibition „Too Long, Didn‘t Read“ will be on view during regular exhibition hours at The Baltimore Museum of Art from March 15th to July 12th.

"Two evocative multichannel video installations by acclaimed South African-born artist Candice Breitz reflect on privilege, visibility, and shrinking attention spans in an information economy that fetishizes celebrity and thrives on entertainment. Love Story (2016) recounts the experiences of six refugees as told by themselves and by Hollywood actors Julianne Moore and Alec Baldwin. TLDR (2017), conceived and produced in dialogue with the Sex Workers Education & Advocacy Taskforce in Cape Town, South Africa, features interviews that examine power disparities and the rights of sex workers in South Africa using alluring visual tactics and the vernacular of the Internet."

https://artbma.org/exhibitions/candice_breitz/?slug=2020_candice-breitz-too-long-didn-t-read

In times of closed galleries and museums we are presenting KOW exhibitions from the last ten years - extensive informati...
12/03/2020

In times of closed galleries and museums we are presenting KOW exhibitions from the last ten years - extensive information, texts and images on all the shows can be found on our website at www.kow-berlin.com

Clemens von Wedemeyer - throwback to his show „The Fourth Wall“ at KOW in 2010.

"The centre of this extensive exhibition project is a historical incident around a group of contemporary cavemen: the “Tasaday”, a tribe that was discovered in the Philippine rain forest in 1971. Western media declared its discovery a sensation. Apparently, the 26 members of this tribe were still living in a Stone Age, unaware of the modern world. However, already in the eighties, doubt arose as to the authenticity of this discovery which was soon suspected to be a swindle. Unquestionably, the news coverage and the photos of these “peaceful savages” have shaped the Philippines’ image in the international media. This was much to the pleasure of Ferdinand Marcos' government, who discouraged any serious anthropological research within the country, but was always eager to please the media. Was the Tasaday story true? If so, was this tribe the prey of hungry western journalists? Or was this a hoax, staged to divert attention away from the Marco regime? The West’s projection of a jungle paradise?"

https://kow-berlin.com/exhibitions/the-fourth-wall

#clemensvonwedemeyer #kow #kowberlin #thefourthwall

Franz Erhard Walther at Haus der Kunst - opening March 5#franzerhardwalther #hausderkunst #kow #kowberlin
04/03/2020

Franz Erhard Walther at Haus der Kunst - opening March 5

#franzerhardwalther #hausderkunst #kow #kowberlin

https://www.spiegel.de/kultur/candice-breitz-sollten-frauen-das-recht-haben-ueber-ihre-koerper-zu-bestimmen-a-c1b14b1c-e...
25/02/2020
Videokünstlerin Candice Breitz: "Sollten Frauen das Recht haben, über ihre Körper zu bestimmen?" - DER SPIEGEL - Kultur

https://www.spiegel.de/kultur/candice-breitz-sollten-frauen-das-recht-haben-ueber-ihre-koerper-zu-bestimmen-a-c1b14b1c-e8ea-43eb-83e4-457214b0f56d

Familiengründung ist nicht nur ein privates Thema, Geburten haben auch eine politische Dimension: Eine Bonner Ausstellung zeigt feministische Videos von Candice Breitz. Im Gespräch erklärt sie ihren radikalen neuen Film.

Elena Asins' show at KOW - opening on Fridayhttps://www.abc.es/cultura/arte/abci-berlin-redescubre-poesia-algoritmo-elen...
13/02/2020
Berlín redescubre la poesía del algoritmo de Elena Asins, pionera del arte conceptual español

Elena Asins' show at KOW - opening on Friday

https://www.abc.es/cultura/arte/abci-berlin-redescubre-poesia-algoritmo-elena-asins-pionera-arte-conceptual-espanol-202002121806_noticia.html

Una exposición a punto de inaugurarse reflexiona acerca del papel fundador de la artista en lo que hoy conocemos como arte digital, generado por ordenador, cuando éste ni siquiera habían llegado a la vida de las personas

Sneak peek of our upcoming show of historic works by Elena Asins - opening Feb 14th at KOW Berlin#elenaasins #kow #kowbe...
30/01/2020

Sneak peek of our upcoming show of historic works by Elena Asins - opening Feb 14th at KOW Berlin
#elenaasins #kow #kowberlin

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Videos

HENRIKE NAUMANN IN CONVERSATION WITH SOHRAB MOHEBBI (CURATOR, SCULPTURECENTER, NYC) - Art Basel OVR Event

Mario Pfeifer's solo show at The Power Plant Contemporary Art Gallery opens on Friday. http://www.thepowerplant.org/Exhibitions/2019/Summer-2019/If-you-end-up-with-the-story-you-started-with,-the.aspx

Now @ KOW Schlusszeremonie Henrike Naumann Goodbye Brunnenstrasse Goodbye Brandlhuber Goodbye Mitte

Check out new works in the "Focus" section of KOW's website including details and prices - www.kow-berlin.com/focus

Candice Breitz Digest, 2019 A multi-channel video installation commissioned for Sharjah Biennial 14 by the Sharjah Art Foundation. (Opening March 7) 300 units: 20.3 x 12 x 2.7 cm each Wooden shelves, 300 videotapes, 300 polypropylene boxes, paper and acrylic paint Disclaimer by Candice Breitz: "This incomplete survey of the analogue intestines of home video is not titled MERDA D’ARTISTA or BOÎTE-EN-VALISE. Despite its investment in strategies of REVERSAL and RETROSPECTION, this mute depository comes both too early and too late to serve as a convincing PENSE-BÊTE. These are neither the tales of Scheherazade nor the boxes of Pandora. These minuscule coffins are not DATE PAINTINGS or TIME CAPSULES , nor are they adequate SURROGATES for the moving images that they obscure. This VERB LIST is not a definitive ATLAS. Nor is it an encyclopedia or compendium or index or library or collection or dictionary or inventory or archive or catalogue. DIGEST could not accurately be described as a monograph or a biopic or a catalogue raisonné. This is not art about art or about artists or about the art market. This is not a love song or a selfie." #CandiceBreitz #sharjahart #sharjahbiennial14 #sharjahbiennial #kow #kowberlin

Mario Pfeifer - AGAIN (Trailer)
Mario Pfeifer - AGAIN (Trailer)

Mario Pfeifer's "AGAIN" - following the events in Chemnitz the work is more relevant than ever and still on view at the Berlin Biennale for ten more days. https://kow-berlin.com/artists/mario-pfeifer/again-noch-einmal-2018 www.aboutnow.info

Clemens von Wedemeyer at the Riga Biennial
Clemens von Wedemeyer at the Riga Biennial

Clemens von Wedemeyer's new work "Transformation Scenario" at the inaugural Riga International Biennial of Contemporary Art (Jun 2 - Oct 28, 2018) https://digital.rigabiennial.com/87/00

Michael E. Smith
Michael E. Smith

Michael E. Smith

Franz Erhard Walter activating "Neuere Geschichte Erweitert" ("Newer History Expanded"") from 1981 at Museo Reina Sofía

Ahmet Ögüt's work "Black Diamond" is part of the show "The Conundrum of Imagination" at Leopoldmuseum in Vienna (curated by Bonaventure Soh Bejeng Ndikung and Pauline Doutreluingne) Find a piece of the museum wall in the stack of coal to receive a diamond. http://www.leopoldmuseum.org/de/ausstellungen/90/the-conundrum-of-imagination

Barbara Hammer's "Sanctus" from 1990 in a superb exhibition at...
Barbara Hammer's "Sanctus" from 1990 in a superb exhibition at...

Barbara Hammer's "Sanctus" from 1990 in a superb exhibition at the Palazzo Fortuny in Venice. http://fortuny.visitmuve.it/en/mostre-en/mostre-in-corso-en/intuition-exhibition/2017/04/17284/intuition-fortuny/

Franz Erhard Walther activating his work at the opening of La ...
Franz Erhard Walther activating his work at the opening of La ...

Franz Erhard Walther activating his work at the opening of La Biennale di Venezia #franzerhardwalther

Brazix Muamba #2: Michael E. Smith Opening today in our project space in São Paulo

Last day of ARCO with Alice Creischer's Arbeitsplatzprojektionsmaschine (1998-99)

Michael E. Smith at Palais de Tokyo, Paris
Michael E. Smith at Palais de Tokyo, Paris

Michael E. Smith is part of the exhibition "All Watched Over by Machines of Loving Grace" at Palais de Tokyo which opens tonight http://palaisdetokyo.com/en/event/all-watched-over-by-machines-of-loving-grace

Laudation by Heinrich Dunst on the occasion of the FEAGA Award that KOW received today at Art Basel "for creativity and new inspiration as well as for exemplary cooperation with the art community".

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Bemerkungen

Holla, Kow & Friends. Please Listen, Enjoy & Proclaim : Enigmatic Canon - Respect (752935972).
Viel Erfolg und Gratulation zur Ausstellung - Alice ist eine wunderbare und unglaublich schlaue Künstlerin!
It would like to see your exhibit in Madrid. Could you please let me know when the gallery is open? I cannot find a phone number for the Madrid gallery on your site. Thank you.
Kimberly Bradley has interviewed Hito Steyerl for the New York Times.
Franz Erhard Walther Live in Madrid.