Zentrum für Netzkunst

Zentrum für Netzkunst Zentrum für Netzkunst
https://netzkunst.berlin/cc

Calculating Control: (Net)Art and Cybernetics ● an exhibition and research project ➠ Zentrum für Netzkunst, Berlin; April – September 2021

The Zentrum für Netzkunst (Center for Net Art, Berlin) reconstructs, maintains, and preserves net art and net culture. The initiative researches possibilities of archiving and contextualization of net art. https://netzkunst.berlin

Sign up for our email newsletter: https://landing.mailerlite.com/webforms/landing/k8q5e2

• Members of the association: !Mediengruppe Bitnik, Tereza Havlíková, Paloma O

The Zentrum für Netzkunst (Center for Net Art, Berlin) reconstructs, maintains, and preserves net art and net culture. The initiative researches possibilities of archiving and contextualization of net art. https://netzkunst.berlin

Sign up for our email newsletter: https://landing.mailerlite.com/webforms/landing/k8q5e2

• Members of the association: !Mediengruppe Bitnik, Tereza Havlíková, Paloma O

Wie gewohnt öffnen

Calculating Control: (Net)Art and Cybernetics · https://netzkunst.berlin/cc · exhibitions, symposium, journal · April – ...
03/10/2021

Calculating Control: (Net)Art and Cybernetics · https://netzkunst.berlin/cc · exhibitions, symposium, journal · April – October 2021


Exhibition: Situating Cybernetics
https://www.facebook.com/events/994116264456520
with works by Francis Hunger, Lisa Jevbratt, Roland Kayn, Mongrel, Oleksiy Radynski, Andreas Siekmann, Suzanne Treister, and Ruth Wolf-Rehfeldt
https://netzkunst.berlin/cc/e
Haus der Statistik, Berlin and online
30 April – 9 May 2021 (online version until 3 October 2021)
https://cc.common.garden

From 1970 – 1989, Haus der Statistik at Alexanderplatz Berlin operated as the Central Administrative Headquarters for Statistics in the German Democratic Republic (GDR), where information was collected, mined, and analyzed. Through datasets, diagrams, charts, and other visual tools, standards and deviations were determined in order to meticulously plan and control the economy of the socialist republic. The exhibition featured works from 1966 until the present, showing how artists have been influenced by cybernetic theories, and have worked to render their bureaucratic and administrative processes in aesthetic terms. The works investigate sites, technologies, and narratives of cybernetics, pointing to their possible meanings for the present


Symposium: Between Techno-Euphoria and Regimes of Surveillance
https://www.facebook.com/events/1141972639584392
with lectures, talks and presentations by Oliver Sukrow, Katharina Loeber, Francis Hunger, Clemens Apprich, Anna-Verena Nosthoff and Felix Maschewski, Oleksiy Radynski, Matthew Fuller, Annet Dekker, Gaia Tedone, Marialaura Ghidini
https://netzkunst.berlin/cc/s
⎚ videos: https://www.youtube.com/channel/UCg0wwEdrQjLrPOITC7nrIwA
1–3 May 2021

The location and architecture of Haus der Statistik demonstrates the two-sided nature of the science of cybernetics: On the one hand, the potential of a new organizational model, and on the other, the risks associated with its use as a powerful instrument for surveillance and control. These ambivalent uses of cybernetics are explored in examples from the socialist political regimes of the past as well as the capitalist network society of today. A second focus of the symposium is the consideration of netart and its aesthetic expressions that reflect the cybernetic conditions of the internet, while also being dependent on them.


unConference: Embodied Cybernetics in Everyday Life (Mimetics, Empathy, and Hacking)
https://netzkunst.berlin/cc/u
with Martina Raponi, Jaime Lobato, Anna Zett, Hermann Heisig, David Polzin, Ute Waldhausen, and participants
https://www.facebook.com/events/468478977609245
21–23 May 2021

Taking up the cybernetic logic of self-regulating systems, the unconference was a collective, collaborative, indisciplinary, and multi-perspectival summit that aimed to produce embodied knowledge about statistics in their larger contexts and ties to everyday life. With experimental formats, we encouraged dynamic exchange between bodies and things, ideas and places, practices and theories.


Exhibition: 150 by Constant Dullaart & UBERMORGEN
https://panke.gallery/exhibition/150
19 September – 3 October 2021
https://die-mark.io
panke.gallery, Berlin
BREITBARD RED & DullBrown™
https://netzkunst.berlin/cc/e?tags=ausstellung&tags=date_2021_09_19

Two contemporary netart positions that address socio-cybernetic issues by artistically investigating informational processes in both social and technological space.


Zentrum für Netzkunst #journal
https://netzkunst.berlin/cc/j

Cybernetic control is achieved through accuracy, meticulousness, and a constant striving for perfection. Social processes are broken down into manageable parts, measured, and evaluated in order to regulate them by targeted readjustment. The authors of the online journal examine concrete practices, technologies, and materials of cybernetic control.

⇘⇘⇘
Concept and Curating: Tereza Havlíková, Paloma Oliveira, Anneliese Ostertag, Tabea Rossol, Sakrowski
Research, Graphic Concept, Design: Anna-Luise Lorenz
Programming: Jakub Fiala
Symposium and Exhibition Assistance: Noemi Garay
Exhibition Design: Omer P***k & Cäcilia Verweyen
Documentation: Hannah Rumstedt, Alexia Manzano Schlamp
Editing and Translation: Colin Lang
Server: Mediengruppe Bitnik
Social Media Coordination: Igor Štromajer
Supported by Hauptstadtkulturfonds Berlin, Haus der Statistik, panke.gallery

Calculating Control: (Net)Art and Cybernetics · https://netzkunst.berlin/cc · exhibitions, symposium, journal · April – October 2021


Exhibition: Situating Cybernetics
https://www.facebook.com/events/994116264456520
with works by Francis Hunger, Lisa Jevbratt, Roland Kayn, Mongrel, Oleksiy Radynski, Andreas Siekmann, Suzanne Treister, and Ruth Wolf-Rehfeldt
https://netzkunst.berlin/cc/e
Haus der Statistik, Berlin and online
30 April – 9 May 2021 (online version until 3 October 2021)
https://cc.common.garden

From 1970 – 1989, Haus der Statistik at Alexanderplatz Berlin operated as the Central Administrative Headquarters for Statistics in the German Democratic Republic (GDR), where information was collected, mined, and analyzed. Through datasets, diagrams, charts, and other visual tools, standards and deviations were determined in order to meticulously plan and control the economy of the socialist republic. The exhibition featured works from 1966 until the present, showing how artists have been influenced by cybernetic theories, and have worked to render their bureaucratic and administrative processes in aesthetic terms. The works investigate sites, technologies, and narratives of cybernetics, pointing to their possible meanings for the present


Symposium: Between Techno-Euphoria and Regimes of Surveillance
https://www.facebook.com/events/1141972639584392
with lectures, talks and presentations by Oliver Sukrow, Katharina Loeber, Francis Hunger, Clemens Apprich, Anna-Verena Nosthoff and Felix Maschewski, Oleksiy Radynski, Matthew Fuller, Annet Dekker, Gaia Tedone, Marialaura Ghidini
https://netzkunst.berlin/cc/s
⎚ videos: https://www.youtube.com/channel/UCg0wwEdrQjLrPOITC7nrIwA
1–3 May 2021

The location and architecture of Haus der Statistik demonstrates the two-sided nature of the science of cybernetics: On the one hand, the potential of a new organizational model, and on the other, the risks associated with its use as a powerful instrument for surveillance and control. These ambivalent uses of cybernetics are explored in examples from the socialist political regimes of the past as well as the capitalist network society of today. A second focus of the symposium is the consideration of netart and its aesthetic expressions that reflect the cybernetic conditions of the internet, while also being dependent on them.


unConference: Embodied Cybernetics in Everyday Life (Mimetics, Empathy, and Hacking)
https://netzkunst.berlin/cc/u
with Martina Raponi, Jaime Lobato, Anna Zett, Hermann Heisig, David Polzin, Ute Waldhausen, and participants
https://www.facebook.com/events/468478977609245
21–23 May 2021

Taking up the cybernetic logic of self-regulating systems, the unconference was a collective, collaborative, indisciplinary, and multi-perspectival summit that aimed to produce embodied knowledge about statistics in their larger contexts and ties to everyday life. With experimental formats, we encouraged dynamic exchange between bodies and things, ideas and places, practices and theories.


Exhibition: 150 by Constant Dullaart & UBERMORGEN
https://panke.gallery/exhibition/150
19 September – 3 October 2021
https://die-mark.io
panke.gallery, Berlin
BREITBARD RED & DullBrown™
https://netzkunst.berlin/cc/e?tags=ausstellung&tags=date_2021_09_19

Two contemporary netart positions that address socio-cybernetic issues by artistically investigating informational processes in both social and technological space.


Zentrum für Netzkunst #journal
https://netzkunst.berlin/cc/j

Cybernetic control is achieved through accuracy, meticulousness, and a constant striving for perfection. Social processes are broken down into manageable parts, measured, and evaluated in order to regulate them by targeted readjustment. The authors of the online journal examine concrete practices, technologies, and materials of cybernetic control.

⇘⇘⇘
Concept and Curating: Tereza Havlíková, Paloma Oliveira, Anneliese Ostertag, Tabea Rossol, Sakrowski
Research, Graphic Concept, Design: Anna-Luise Lorenz
Programming: Jakub Fiala
Symposium and Exhibition Assistance: Noemi Garay
Exhibition Design: Omer P***k & Cäcilia Verweyen
Documentation: Hannah Rumstedt, Alexia Manzano Schlamp
Editing and Translation: Colin Lang
Server: Mediengruppe Bitnik
Social Media Coordination: Igor Štromajer
Supported by Hauptstadtkulturfonds Berlin, Haus der Statistik, panke.gallery

This Sunday (3 October 2021) at 2 pm - Artist Talk with UBERMORGEN: https://panke.gallery/event/finissage-150As part of ...
01/10/2021
Finissage "150" · panke.gallery

This Sunday (3 October 2021) at 2 pm - Artist Talk with UBERMORGEN: https://panke.gallery/event/finissage-150

As part of the TAG DER CLUBKULTUR we will celebrate the finissage of "150: Constant Dullaart & UBERMORGEN" with an artist talk by UBERMORGEN. The artist duo will talk about the polemic anticipatory “D-Mark COIN-White Paper” - https://die-mark.io - which they have released on the occasion of the opening of the exhibition at panke.gallery in September.
https://panke.gallery/exhibition/150

Sakrowski, the curator of the exhibition, will be at Panke.gallery to do a live video call with the artists. The talk will also be streamed live on our twitch channel: https://twitch.tv/pankegallery

150 takes up the nightmarish idea of the Proclamation of the German Empire, corresponding with current Alt-Right manifestations enabled by Crypto Bro Libertarianism. In commemoration of said “150 years Germany,” UEBERMORGEN's work addresses cybernetic issues and artistically investigates informational processes in both the social and technological space.

panke.gallery seeks to open up a dialogue between established and emerging artists whose work comes out of the connections between digital or net-based art and club culture, especially in the recent history of Berlin. Its program of exhibitions and events takes place in a gallery space within the pr...

OFFICE IMPART ⇢
30/09/2021

OFFICE IMPART ⇢

Until the end of this week in Panke.gallery ⇢ 150: Constant Dullaart & UBERMORGEN ⇢ opening hours: Wed, Thu, Fri, Sat / ...
28/09/2021
Home | D-Mark

Until the end of this week in Panke.gallery ⇢ 150: Constant Dullaart & UBERMORGEN ⇢ opening hours: Wed, Thu, Fri, Sat / 3 pm - 7 pm
http://panke.gallery/exhibition/150

D-Mark COIN ⇢ http://die-mark.io
Zentrum für Netzkunst ⇢ http://netzkunst.berlin/cc

D-Mark COIN (DMC) - A Globally Compliant Digital Currency and powerful new utility coin backed by high-end German quality craft and labour, through Mittelstandsunternehmen & Handwerksbetriebe

Photos from Panke.gallery's post
22/09/2021

Photos from Panke.gallery's post

Download the anticipatory D-Mark COIN white-paper (PDF, 16 MB):https://536f3135-87be-4c0c-803b-e97e89bbe6e2.filesusr.com...
22/09/2021

Download the anticipatory D-Mark COIN white-paper (PDF, 16 MB):
https://536f3135-87be-4c0c-803b-e97e89bbe6e2.filesusr.com/ugd/6d17ed_d280396cbade44d0b60a3aaac1541f9b.pdf

DMC - a digital currency & powerful new utility coin backed by German quality craft & labour
https://die-mark.io

150: Constant Dullaart & UBERMORGEN
http://panke.gallery/exhibition/150
Zentrum für Netzkunst

Download the anticipatory D-Mark COIN white-paper (PDF, 16 MB):
https://536f3135-87be-4c0c-803b-e97e89bbe6e2.filesusr.com/ugd/6d17ed_d280396cbade44d0b60a3aaac1541f9b.pdf

DMC - a digital currency & powerful new utility coin backed by German quality craft & labour
https://die-mark.io

150: Constant Dullaart & UBERMORGEN
http://panke.gallery/exhibition/150
Zentrum für Netzkunst

Some pics from today's opening ⇢ 150: Constant Dullaart & UBERMORGEN, Panke.gallery | Zentrum für Netzkunst, Berlinhttps...
19/09/2021

Some pics from today's opening ⇢ 150: Constant Dullaart & UBERMORGEN, Panke.gallery | Zentrum für Netzkunst, Berlin

https://die-mark.io ⇢ D-Mark COIN (DMC) - A Globally Compliant Digital Currency and powerful new utility coin backed by high-end German quality craft and labour, through Mittelstandsunternehmen & Handwerksbetriebe

https://panke.gallery/exhibition/150
https://netzkunst.berlin/cc

Supported by Hauptstadt Kultur Fond
📷 Alexia Manzano

150 takes up the nightmarish idea of the Proclamation of the German Empire, corresponding with current Alt-Right manifestations enabled by Crypto Bro Libertarianism. In commemoration of said “150 years Germany,” a polemic anticipatory “D-Mark COIN-White Paper” will be released, along with two installations that address cybernetic issues and artistically investigate informational processes in both social and technological space.

With his DullBrown™ project – https://dullbrown.com – Constant Dullaart distilled the dullest, most average color from the widest reference data set of photography for machine learning (ImageNet). Being broken down to the hundredths RGB (red, green, blue) value, the color is factually never shown in its true mathematical precision. The averaging of unique identifiers, streamlined by machine learning, unifies the understanding of visual concepts, and draws a clear analogy to this political symbolic color. Rendering DullBrown™ is a technical warning against the averaging of human culture by outsourced, AI decision making. The futile translation of the digital, screen based color to a physical counterpart is celebrated by transforming its closest digital rendition into an empty, platonic light-object.

The web project BREITBARD RED (Binary Primitivism) – https://breitbart.red – by the artist duo UBERMORGEN works as a perfidious installation at panke.gallery. The website and physical installation refers to new transcendental levels of self-improvement, tech-supremacy, and esoteric branding. BREITBART RED tells the uncomfortable truth of networked societies having become permeated by neo-fascist and male supremacy vectors. Recommendation algorithms ascend to ever more extreme levels to affiliate users and to impose imageries and immersion on them and their search for identity. This form of radicalization triggers long lost and resting emotions and actions, a kind of activation of ‘sleeping emotions’ in our bodies, minds, and societies.

"150" is the final part of the project Calculating Control - (Net)Art and Cybernetics by the Zentrum für Netzkunst.

D-Mark COIN (DMC) – a globally compliant digital currency and powerful new utility coin backed by high-end German qualit...
17/09/2021

D-Mark COIN (DMC) – a globally compliant digital currency and powerful new utility coin backed by high-end German quality craft and labor, through Mittelstandsunternehmen & Handwerksbetriebe

150: Constant Dullaart & UBERMORGEN
https://panke.gallery/exhibition/150
opening: Panke.gallery, Sunday, 19 September from 3 to 8 pm
https://netzkunst.berlin/cc

D-Mark COIN (DMC) – a globally compliant digital currency and powerful new utility coin backed by high-end German quality craft and labor, through Mittelstandsunternehmen & Handwerksbetriebe

150: Constant Dullaart & UBERMORGEN
https://panke.gallery/exhibition/150
opening: Panke.gallery, Sunday, 19 September from 3 to 8 pm
https://netzkunst.berlin/cc

Gallery Weekend Berlin – HerbstausgabeDiese Ausstellungen solltet ihr nicht verpassenhttps://www.gallerytalk.net/gallery...
15/09/2021
Das Beste zum Gallery Weekend - gallerytalk.net

Gallery Weekend Berlin – Herbstausgabe
Diese Ausstellungen solltet ihr nicht verpassen
https://www.gallerytalk.net/gallery-weekend-die-besten-ausstellungen/
gallerytalk.net, 15. September 2021 • Text von Anna Meinecke

UBERMORGEN und Constant Dullart in der Panke.gallery

Ja, jetzt ist der Zeitpunkt gekommen, noch einmal „Kybernetik“ zu googlen. Denn darum geht es bei „150“, der Duo-Show von UBERMORGEN und Constant Dullart in der Panke Gallery. Die Ausstellung ist Teil des Projekts „Calculating Control – (net)art and cybernetic“ des Zentrums für Netzkunst. Dullart widmet sich der Durchschnittlichkeit AI-gesteuerter Entscheidungsverfahren, UBERMORGEN nehmen Empfehlungsalgorithmen in den Blick.

150: Constant Dullaart & UBERMORGEN

Fürs Gallery Weekend auf zu Klemm’s, ChertLüdde, Esther Schipper, Horse & Pony, Barbara Weiss, Exgirlfriend, Noah Klink, Klosterfelde & Konrad Fischer.

remote. response. request. III.https://transmediale.de/news/opening-of-film-programme-remote-response-request-iii-berlin...
14/09/2021

remote. response. request. III.

https://transmediale.de/news/opening-of-film-programme-remote-response-request-iii-berlin-art-week

The third in a series of film-based exhibitions, remote. response. request. III. asks: what right of reply should the spectator expect from the filmic image? Installed at transmediale - festival for art and digital culture berlin studio from 15 September, the programme features the work of two artists, Chloé Galibert-Laîné and Katerina Suvorova.

https://transmediale.de/projects/remote-response-request-3

Through a series of sculptural installations, Chloé Galibert-Laîné explores the construction of spectacle within filmic images in order to equip the spectator with new ways to resist and refuse their power, through the tactics of reverse engineering. Two recent films by Galibert-Laîné accompany and expand upon the installations. A Very Long Exposure Time looks at the history of image capturing technologies and the realities they present. Forensickness is a performance-based exploration of the history of critical thinking and the ruthless politics of truth production.

For remote. response. request. III. a film of Katerina Suvorova in conversation with fellow activist and writer Moldiyar Yergebekov, Heads May Roll, focuses on the ongoing political oppression, systemic gender discrimination and colonialism’s continuing legacies in the ex-Soviet state Kazakhstan through the lens of Suvorova’s forthcoming films One Year Chronicles and Qyz Bolsyn (May It Be A Girl).



remote. response. request. III.

https://transmediale.de/news/opening-of-film-programme-remote-response-request-iii-berlin-art-week

remote. response. request. III. ist der dritte Teil der filmischen Installationsserie und geht der Frage nach: Welches Recht auf Antwort sollte das Publikum vom filmischen Bild erwarten? Ab dem 15. September werden im #transmediale studio die Arbeiten von Chloé Galibert-Laîné und Katerina Suvorova zu sehen sein.

https://transmediale.de/projects/remote-response-request-3

In ihren Filmen arbeitet Chloé Galibert-Laîné mit Archivbildern aus verschwörungstheoretischen YouTube-Videos, Staatspropaganda und Hollywoodfilmen, die begleitet sind von einer Reihe skulpturaler Installationen. In Zwiesprache mit diesen verschiedenen Materialien zerlegt Galibert-Laîné das Bild, um das Spektakel in dessen Kern zu enthüllen und sich seiner Aura der Macht zu widersetzen. Zwei Filmarbeiten bilden das Zentrum der Installation: A Very Long Exposure Time befasst sich mit der Geschichte von Bildaufnahmetechnologien und den Realitäten, die sie darstellen. Forensickness ist eine performative Erkundung der Geschichte des kritischen Denkens und der rücksichtslosen Politik von Wahrheitsproduktion.

Für remote. response. request. III. präsentiert Katerina Suvorova einen Interview-Film, in dem sie im Gespräch mit dem Aktivisten und Schriftsteller Moldiyar Yergebekov, Heads May Roll, die Themen aufbereitet, die in ihren neuen Filmarbeiten One Year Chronicles und Qyz Bolsyn (May It Be A Girl) zentrale Rollen spielen. In Letzterem folgt die Filmemacherin Frauen aus Zentralasien, deren Vornamen unverblümt den unerfüllten Wunsch ihrer Eltern nach einem Jungen zum Ausdruck bringen. Suvorovas Filme beleuchten die anhaltende politische Unterdrückung, die systematische Geschlechterdiskriminierung und das Erbe des Kolonialismus in dem früheren Sowjetstaat Kasachstan.

remote. response. request. III. ist vom 15. September bis 24. Oktober im transmediale studio zu sehen.

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Zentrum für Netzkunst

Zentrum für Netzkunst

⎚ calculating control: (Net)Art and Cybernetics ➠ an exhibition and research project by the Zentrum für Netzkunst in the Haus der Statistik, Berlin

• April – September 2021

Instagram: @netzkunst.berlin https://instagram.com/netzkunst.berlin Telegram: https://t.me/ZentrumderNetzkunst Twitter: @netzkunst.berlin https://twitter.com/NetzkunstBerlin Twitch: https://twitch.tv/netzkunstberlin Facebook: @netzkunst.berlin https://fb.com/netzkunst.berlin

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