Young & Cold Studio

Young & Cold Studio Young & Cold Studio
📬--> [email protected]

🎙Recording🎥 Location
🎚Mixing
📀Mastering Our business is the love for this special music.

Our recording studio in Augsburg was founded in 2007 and has a large selection of vintage synthesizers and rare gear from the 70s and 80s. We are specialized in Independent and Electronic Music with years of experience areas such as Synthpop, Gothic, Wave, Industrial, EBM, Post-Punk, NDW, Electro, Indie, and Techno. We know this kind of music and style with all the background and sound by our hear

t. We love to support your project with our knowledge. We do not offer polished, overproduced music. We produce emotional sound, returning the sound of the 80s New Wave/Electronic music with all the original gear and knowledge to mix, master, and create this darker music . For every project, we offer competence, a great atmosphere and the right analog and digital technology. We like to work as personal as possible; therefore, a good conversation is an important starting point. Send us an email to get in touch. We are looking forward to hearing from you! [email protected]


Team:
Daniel Hallhuber: sound engineer / musician who has been running the studio since 2007. Stefan Heider: media engineer / sound engineer and works in acoustic construction.

There’s nothing quite like the power of a professional community—especially the exchange with fellow sound post-producti...
24/06/2026

There’s nothing quite like the power of a professional community—especially the exchange with fellow sound post-production colleagues. 🎧✨
Last .ev BVFT (Berufsverband Film Ton) meetup in Munich was the perfect example. A huge thank you to Michael Hinreiner (BVFT Board Member) for hosting us at his incredible studio. We had the privilege to tour the facility and experience his amazing monitoring system firsthand. 🎚️🔊
As always, the highlight was the conversation. Catching up with colleagues like .filmton.tonpostpro and Kristofer Harris, plus meeting so many new faces, made it a truly special evening. These moments of connection are what make our association so valuable. 🤝🎬
StudioLife Munich Networking AudioEngineering SoundDesign

Throwback to the summer of 2015. 🌾🎙️Digging through some archives and found these special AB stereo recordings I capture...
20/06/2026

Throwback to the summer of 2015. 🌾🎙️
Digging through some archives and found these special AB stereo recordings I captured on set while filming „Die letzte Sau“. It’s hard to believe it was already 11 years ago.
One of the most vivid memories is recording the sound of the rustling cornfields during those hot summer days. We wanted to capture the authentic atmosphere of the countryside, and listening to these tracks now brings it all back instantly. The wind in the grain, the silence before the storm, the raw nature that plays such a big role in the film.
If you haven’t seen it yet, „Die letzte Sau“ (The Last Pig) is a highly recommended watch—a rebellious, anarchic road movie about a farmer who takes a stand against industrial agriculture with nothing but his moped, his last pig, and a shotgun. 🐗🚜

Honored to have served as Head of Department on Frédéric Hambalek’s Berlinale feature Was Marielle Weiss.  This project ...
19/06/2026

Honored to have served as Head of Department on Frédéric Hambalek’s Berlinale feature Was Marielle Weiss. This project was a masterclass in the art of cinema, specifically the challenge of capturing dialogue with absolute precision for the center channel.
🎙️ The Technical Craft In a film driven by psychological tension and telepathic nuances, every breath matters. We focused on capturing the subtlest vocal textures using high-end shotgun microphones (mostly MKH 8000 series), ensuring that the dialogue sits perfectly in the center of the soundstage. The goal was a clean, intimate signal that preserves the actor’s true performance without needing excessive post-processing.
🙌 Team Appreciation I am incredibly grateful for where my path has led me. A massive shoutout to my brilliant Boom Operator, Lukas Hab. His steady hand and precise mic placement were instrumental in capturing the clean, nuanced tracks that formed the foundation of our mix. Couldn’t have asked for a better partner in crime! 🎧✨

Stay in sync! 🎬🔊To ensure picture and sound align perfectly in post-production, timecode is essential. I’m very happy wi...
17/06/2026

Stay in sync! 🎬🔊
To ensure picture and sound align perfectly in post-production, timecode is essential. I’m very happy with the timecode generators from , right here in my hometown of Munich. Not just because of the gear, but also because the Ambient team is always incredibly helpful.

Here’s a custom rig I built using a Manfrotto tripod and RoboCups. This setup is perfect for securing the   Booms on une...
14/06/2026

Here’s a custom rig I built using a Manfrotto tripod and RoboCups. This setup is perfect for securing the Booms on uneven forest floors where traditional spikes might slip. Stability is key, no matter the terrain! 🎬🍃
SoundEngineer ForestRecording Tonmeister FilmGear“

„This has always been my dream: a perfect blend of creativity and technology. That’s what film sound means to me. I abso...
14/06/2026

„This has always been my dream: a perfect blend of creativity and technology. That’s what film sound means to me. I absolutely love my profession! 🎧🎬
Here you can see the evolution of my craft: from the classic Nagra 4.2 to the modern Sound Devices 888 paired with Astral A RX16 receivers.
Ultimately, both setups do the same thing: capture an incredible performance. I’m incredibly proud and grateful to be able to work with both of these legendary machines! 🎚️📼

„This is me with the Cinela Albert ORTF stereo microphone system! 🎙️🎬 Inside the windshield, I’m using  MKH 8040 microph...
14/06/2026

„This is me with the Cinela Albert ORTF stereo microphone system! 🎙️🎬 Inside the windshield, I’m using MKH 8040 microphones!
A bit of history: The ORTF technique was developed in the 1960s by the French broadcasting organization Office de Radiodiffusion Télévision Française. It uses two cardioid microphones spaced 17cm apart at a 110° angle to mimic human hearing. The Cinela Albert windshield was later created as a tribute to Albert Laracine, the technique’s main designer and pedagogue.
This remains my favorite stereo miking technique. It truly comes to life only when played back on high-quality speakers in a cinema environment! 🎧🍿

„Huge thanks to Vienna at the  Sound Scopia Workshop 2026! 🎧🎬It was incredibly interesting. I met many great sound colle...
14/06/2026

„Huge thanks to Vienna at the Sound Scopia Workshop 2026! 🎧🎬
It was incredibly interesting. I met many great sound colleagues and filmmakers at the Film Academy Vienna.
A special thank you to William Eduard Frank for organizing this amazing event!“

Doppelherz - Spielfilm - Nominiert für den Camgaroo Award “Spielfilm” Production Sound Mixer: Daniel HallhuberBoom Opera...
29/04/2026

Doppelherz - Spielfilm - Nominiert für den Camgaroo Award “Spielfilm”

Production Sound Mixer: Daniel Hallhuber
Boom Operator: Arvit Flemming
Director: Christian Koch

Adresse

Augsburg
86154

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