30/04/2026
Marianna Feher
is a Swedish-Serbian artist based in Stockholm, working primarily with installation, text, sound, performance, printed matter, collaborative processes and public gatherings. By bridging research with practice, she examines how subjectivities are formed in relation to memory, belonging, language, gender, solidarity, and friendship. By investigating microhistories and fragmentations, Feher places emphasis on how narratives can question or expand beyond their fixed materiality, often by weaving together archival material, personal accounts, and fiction. This methodology echoes an archeological process – exploring the notion of site specificity, while not restricting site to a designated location, but expanding it through the notion of time and displacement. Working within this threshold, she seeks to give image and body to that which time and distance has obscured.
During her residency, she will develop her ongoing project “Passers” (working title) which reflects on Dan mladosti (Youth Day) – the national celebration of president Tito’s birthday, held annually on May 25th from 1945 to 1988 in Yugoslavia. A symbolic relay moved across the country, honoring youth, vitality, and unity – culminating in a mass performance at the JNA stadium in Belgrade. The project departs from her mother’s participation in the event in 1967. What was once a synchronized ritual now lingers only as fragments. “Passers” does not seek to reconstruct the spectacle, but to inhabit its absence – allowing archival voids to become spaces for mourning, recollection, and imagination. Ultimately, the project is about movement – between generations, between memory and forgetting, between bodies and objects.
Supported by the Swedish Arts Grants Committee
Photo credits images 1-8:
1. Jordana Loeb
2. Elísabet Anna Kristjánsdóttir
3. Elísabet Anna Kristjánsdóttir
4. Elísabet Anna Kristjánsdóttir
5. Lars Nordby
6. Lars Nordby
7. Lars Nordby
8. Courtesy of the artist