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Larkin Erdmann

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Zürich
Larkin Erdmann

Art Gallery

10/06/2026

On view next week at Art Basel 2026 at our booth F20 on the ground floor:

VIP Preview: Tuesday, June 16 & Wednesday, June 17
Public Days: Thursday, June 18 – Sunday, June 21

Highlights include Agnes Martin’s Innocent Love (1999), a serene and deeply personal work from the artist’s final years in Taos, New Mexico; Man Ray’s Self-Portrait (1964), a reconstruction of his legendary lost 1916 Dada assemblage; March Avery’s vibrant and intimate figurative painting; and Andy Warhol’s Knives (1981–82), from his celebrated late Gun and Knives series.

One exceptional work—and a major highlight of our booth—will be unveiled in one week, on the 16th of June during the Preview. Stay tuned.

03/06/2026

Taking part in Basel Exclusive, Larkin Erdmann joins a new initiative introduced by Art Basel for its 2026 edition, inviting participating galleries to reserve specially selected works that remain under wraps until the fair officially opens on June 16.

Larkin Erdmann is pleased to participate for the first time in the Main Section at Art Basel at Booth F20.

Art Basel Basel 2026 takes place from 16–21 June at Messe Basel, Switzerland.

Preview
Tuesday, June 16, 2026
11am – 8pm
Wednesday, June 17, 2026
11am – 8pm

Vernissage
Wednesday, June 17, 2026
4pm – 8pm

Public Days
Thursday–Sunday, June 18–June 21, 2026
11am – 7pm

02/06/2026

Our new publication: Man Ray – To Create is Divine

Featuring an essay by Francis M. Naumann and comprehensive catalogue entries by Andrew Strauss, Director of the Man Ray Expertise Committee, Paris.

Available to order through our website, as well as Amazon and Walther König.

English
19 x 25.4 cm (7 1/2 x 10 in)
460 pages

Editors: Larkin Erdmann, Francis M. Naumann, Andrew Strauss
Design: Hannah Tjaden
Printing and Binding: Formati with L‘Artegrafica

29/05/2026

Now on view in our window until 24 July:

Max Bill Zwei Gegenbewegungen um Rot, 1971 Signed, titled and dated on the reverse Oil on canvas 46.5 x 46.5 cm (18 1/4 x 18 1/4 in)

Max Bill Fläche im Raum von einer Linie begrenzt (Area in space bound by a line), 1952 Signed and dated, incised on connector: bill 1952 Gilt brass, oak wood Unique work 38 x 25 x 19 cm (15 x 9 7/8 x 7 1/2 in)

Max Bill
Open Tuesday to Friday, 10:00-18:00 at
Hirschengraben 3, 8001 Zurich.

   

15/05/2026

We are at TEFAF New York!

A preview of our booth at Stand 322, presenting a solo exhibition dedicated entirely to Man Ray. Spanning works across painting, photography, drawing, and objects, the presentation traces more than five decades of the artist’s inventive and poetic practice.

Also on view at the booth is our new publication, Man Ray: To Create is Divine, available throughout the fair.

Opening Hours
May 15–18 | 11am–7pm
May 19 | 11am–6pm

We look forward to welcoming you.

13/05/2026

Man Ray — To Create is Divine

Larkin Erdmann is pleased to present our publication Man Ray — To Create is Divine. The book brings together 162 works spanning the full breadth of Man Ray’s career, from his early experiments to his final years.

Featuring an essay by Francis M. Naumann and detailed entries by Andrew Strauss, the publication offers new insights into the artist’s practice, alongside rare, previously unpublished photographs of his Paris studio.

A comprehensive look at one of the twentieth century’s most inventive artistic minds.

“To create is divine, to reproduce is human.”

Available for purchase at our booth 322 throughout TEFAF New York and available to order soon.

09/05/2026

Today we have lost a giant.
Rest in peace Bruno Bischofberger.
You have been a visionary and I am grateful to have crossed paths with you. You have taught me a lot. I will cherish the moments we had together forever.
May there be something special for you to collect in heaven.
💔

08/05/2026

For TEFAF New York 2026, Larkin Erdmann is pleased to present a solo booth dedicated entirely to Man Ray at Stand 322.

Opening Hours
May 14 (by invitation only)
May 15 – 18 | 11am – 7pm
May 19 | 11am – 6pm

Spanning more than five decades, the presentation brings together works across painting, photography, drawing, and objects, tracing Man Ray’s continual reinvention across media.

Highlights include Giant Chess Set (1961), one of the artist’s largest chess sets conceived as both game and Surrealist object, alongside a rare 1926 Rayograph, La Prière (1930, printed 1960s), Cadeau (c. 1963), and Still Life (1913), each reflecting pivotal moments in Man Ray’s experimentation with form, photography, and poetic subversion.

On the occasion of this solo presentation, Larkin Erdmann is pleased to announce the release of the gallery’s new publication, Man Ray: To Create is Divine. The publication will be available for purchase at the booth throughout the fair.

23/04/2026

Presenting our solo exhibition dedicated to Max Bill, on view until 24 July 2026.

Bringing together works from the 1940s to the early 1980s, the exhibition traces Bill’s precise and rigorous approach to form, structure, and color across drawing, painting, and sculpture. A key figure of Concrete Art, his practice reflects a continuous pursuit of clarity and order through rational principles.

The presentation also includes a selection of vintage furniture by Max Bill, in collaboration with Rock Design.

Open Tuesday to Friday, 10:00-18:00 at
Hirschengraben 3, 8001 Zurich.

27/03/2026

We are pleased to announce our upcoming exhibition, opening on April 23 in Zurich, presenting a broad selection of works by Max Bill.

As a first glimpse, we present one painting and one sculpture, offering a quiet introduction to his clear and harmonious visual language.

Opening 23 April
Hirschengraben 3, 8001 Zürich

Rhythmus mit gleichen Quanten (A Steady Rhythm), 1975
Signed and dated on the reverse
Oil on canvas
114 x 114 cm (56 3/4 x 56 3/4 in)

Fläche im Raum von einer Linie begrenzt (Area in space bound by a line), 1952
Gilt brass, oak wood
Unique work
19 x 33.5 x 9 cm (3 4/8 x 13 2/8 x 3 4/8 in)

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Zürich

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