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Pierre-Auguste Renoir, Winterthur (2026)

26/04/2024

Dear friends,

As I reflect upon the journey of art and camaraderie we’ve shared, I’m deeply touched by the outpouring of support and appreciation for my work. Your enthusiasm for the beauty of painting has been an endless source of inspiration.

With each stroke of the brush, I strive to capture the essence of life and its myriad colors. Your encouragement fuels my passion and reaffirms the importance of art in our lives.

Thank you for being part of this artistic voyage. Together, we celebrate the timeless allure of creativity and the enduring legacy of art.

With gratitude,
Pierre-Auguste Renoir

…

𝐒𝐞𝐥𝐟-𝐩𝐨𝐫𝐭𝐫𝐚𝐢𝐭 (𝟏𝟖𝟗𝟗)

- 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔
- 41.4 𝒙 33.7 𝒄𝒎
- 𝘾𝙡𝙖𝙧𝙠 𝘼𝙧𝙩 𝙄𝙣𝙨𝙩𝙞𝙩𝙪𝙩𝙚 (𝙐𝙎)

21/02/2024

𝐋𝐚 𝐆𝐫𝐞𝐧𝐨𝐮𝐢𝐥𝐥è𝐫𝐞 𝐈𝐈 (𝟏𝟖𝟔𝟗)
The composition of “La Grenouillère” is dynamic and bustling, with figures depicted in various states of activity and repose. Couples chat animatedly while seated at outdoor tables, their colorful parasols adding splashes of brightness to the scene, while others take leisurely boat rides along the tranquil waters of the river. Renoir’s attention to detail is evident in the carefully rendered reflections on the water’s surface and the play of light and shadow among the foliage that lines the riverbank, imbuing the painting with a sense of depth and realism.

At its core, “La Grenouillère” is a celebration of modernity and urban leisure, capturing a moment in time when Parisians sought respite from the pressures of daily life in the bustling metropolis. Renoir’s depiction of this idyllic riverside retreat serves as a testament to the enduring appeal of nature and recreation, offering viewers a glimpse into a world of leisure and pleasure that continues to captivate imaginations to this day.

- 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔
- 65.1 𝒙 92 𝒄𝒎
- 𝙊𝙨𝙠𝙖𝙧 𝙍𝙚𝙞𝙣𝙝𝙖𝙧𝙩 𝘾𝙤𝙡𝙡𝙚𝙘𝙩𝙞𝙤𝙣, 𝙒𝙞𝙣𝙩𝙚𝙧𝙩𝙝𝙪𝙧, 𝙎𝙬𝙞𝙩𝙯𝙚𝙧𝙡𝙖𝙣𝙙

18/02/2024

𝐎𝐝𝐚𝐥𝐢𝐬𝐪𝐮𝐞 (𝟏𝟖𝟕𝟎)
In this horizontal painting, a woman reclines, gazing at the viewer with half-lidded eyes. Dressed in a sheer white blouse, a vibrant red and gold vest, and intricately patterned pants, her posture exudes a relaxed allure. Her body leans back against an oversized white pillow, positioned along the right edge of the composition, while her knees bend towards us, feet meeting in the lower left corner.

One arm casually rests by her side, adorned with a golden ring, while the other supports her propped-up position. With a slight tilt of her head, she meets our gaze through dark, lined eyes, framed by dangling gold earrings and strands of dark beads around her neck. Her black hair cascades over her left shoulder in a thick braid, adorned with a cap of gold disks and red fringe.

The loose brushstrokes of her attire hint at her figure beneath, revealing glimpses of her sheer tunic and bolero-style vest. Her pants, gathered below the knees, showcase a pattern of sage-green circles against a black backdrop, reminiscent of floral motifs. Teal-green slip-on shoes, embellished with playful pompoms, barely contain her feet within the frame.

Beyond her reclining form, a cushion adorned with oranges and an emerald-green jug sits atop a red and gold tray. The scene extends into a room with a turquoise and brown rug leading to a cranberry-red sofa, draped with a gray fabric. The walls are adorned with a vibrant pattern of yellow and green diamonds and pink flowers against a laurel-green background.

- 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔
- 69.2 𝒙 122.6 𝒄𝒎
- 𝙉𝙖𝙩𝙞𝙤𝙣𝙖𝙡 𝙂𝙖𝙡𝙡𝙚𝙧𝙮 𝙤𝙛 𝘼𝙧𝙩, 𝙒𝙖𝙨𝙝𝙞𝙣𝙜𝙩𝙤𝙣 𝘿𝘾 (𝙐𝙎)

17/02/2024

𝐏𝐨𝐧𝐭 𝐍𝐞𝐮𝐟, 𝐏𝐚𝐫𝐢𝐬 (𝟏𝟖𝟕𝟐)
In Renoir’s 1872 masterpiece, we’re treated to a panoramic view of life on the Pont Neuf. From above, we witness a bustling scene under the golden sunlight.

Renoir’s brushwork lends an air of softness and warmth, blurring some details while highlighting others. People decked out in an array of black, white, light blue, and pale green outfits stroll in every direction, some shielding themselves from the sun with stylish hats and parasols. Horse-drawn carriages gracefully navigate the bridge, accompanied by the rhythmic glow of black gas lamps.

Below, the river glimmers in shades of lapis lazuli and turquoise, framed by buildings adorned with rows of blue-tinted windows and bustling with chimney smoke.

Across the way, a regal statue mounted on a high pedestal overlooks the scene, while a vibrant flag flutters nearby. The azure sky above is adorned with fluffy clouds tinged with delicate shades of dove gray and mauve, completing this timeless snapshot of Parisian life.

The artist signed and dated the lower left, “A. Renoir. 72.”

- 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔
- 74 𝒙 93 𝒄𝒎
- 𝙉𝙖𝙩𝙞𝙤𝙣𝙖𝙡 𝙂𝙖𝙡𝙡𝙚𝙧𝙮 𝙤𝙛 𝘼𝙧𝙩, 𝙒𝙖𝙨𝙝𝙞𝙣𝙜𝙩𝙤𝙣 𝘿𝘾 (𝙐𝙎)

15/02/2024

𝐑𝐨𝐜𝐤𝐲 𝐂𝐫𝐚𝐠𝐬 𝐚𝐭 𝐋’𝐄𝐬𝐭𝐚𝐪𝐮𝐞 (𝟏𝟖𝟖𝟐)
In Renoir’s “Rocky Crags at L’Estaque” painted in 1882, we witness the artist’s masterful handling of light and color, a hallmark of his Impressionist style.

The scene depicts the rugged coastline of L’Estaque, a subject matter that fascinated many artists of the time, including Cézanne and Braque.

Renoir’s brushwork is fluid and energetic, capturing the movement of the sea and the play of light on the rocky cliffs with remarkable vitality.

The colors are rich and vibrant, from the deep blues to the warm earth tones of the rocky terrain. Despite the apparent spontaneity of the brushstrokes, Renoir’s composition is carefully balanced, leading the viewer’s eye effortlessly through the scene.

Through this painting, Renoir invites us to experience the beauty and tranquility of the Mediterranean coast, while also showcasing his own virtuosity as a painter.

- 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔
- 66.4 𝒙 81 𝒄𝒎
- 𝙈𝙪𝙨𝙚𝙪𝙢 𝙤𝙛 𝙁𝙞𝙣𝙚 𝘼𝙧𝙩𝙨 𝘽𝙤𝙨𝙩𝙤𝙣 (𝙐𝙎)

12/02/2024

𝐒𝐥𝐞𝐞𝐩𝐢𝐧𝐠 𝐆𝐢𝐫𝐥 (𝐰𝐢𝐭𝐡 𝐚 𝐂𝐚𝐭) 𝟏𝟖𝟖𝟎
In early 1880, Renoir broke his right arm in a cycling accident and struggled to paint with his left hand. He protested with Monet about poor painting arrangement at the Salon de Paris, even proposing reform. Skipping the fifth Impressionist exhibition hinted at his disagreement with former companions. Female figures dominated his works thereafter, indoors like this, or the famous outdoor bathers, unlike Degas.

The painting depicts Angèle, a Montmartre florist and Renoir’s favorite model. She’s seated in a red armchair with a gray cat in her lap, dressed in a blue skirt and white blouse. The vibrant blue of her dress contrasts with the red armchair. The background is neutral, emphasizing the figure and the chair. The work exudes sweetness and intimacy, akin to Berthe Morisot’s or Mary Cassatt’s works, focusing more on form, volume, drawing, and modeling, rather than color and typical impressionist light.

- 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔
- 120 𝒙 94 𝒄𝒎
- 𝙎𝙩𝙚𝙧𝙡𝙞𝙣𝙜 𝙖𝙣𝙙 𝙁𝙧𝙖𝙣𝙘𝙞𝙣𝙚 𝘾𝙡𝙖𝙧𝙠 𝘼𝙧𝙩 𝙄𝙣𝙨𝙩𝙞𝙩𝙪𝙩𝙚, 𝙒𝙞𝙡𝙡𝙞𝙖𝙢𝙨𝙩𝙤𝙬𝙣 (𝙐𝙎)

09/02/2024

𝐂𝐥𝐚𝐮𝐝𝐞 𝐌𝐨𝐧𝐞𝐭 𝐏𝐚𝐢𝐧𝐭𝐢𝐧𝐠 𝐢𝐧 𝐇𝐢𝐬 𝐆𝐚𝐫𝐝𝐞𝐧 𝐚𝐭 𝐀𝐫𝐠𝐞𝐧𝐭𝐞𝐮𝐢𝐥 (𝟏𝟖𝟕𝟑)
In this piece of art, Renoir transports viewers to a sun-drenched oasis of creativity and camaraderie. Painted in 1873, during a period of close collaboration between Renoir and Monet, this work captures a moment of intimate connection between two masters of Impressionism.

At the heart of the composition, Monet sits amidst the verdant splendor of his garden, his easel set up before him, palette in hand. Renoir’s brushwork is vibrant and energetic, capturing the lushness of the foliage and the play of light and shadow across the scene. The colors are alive with intensity, from the verdant greens of the plants to the brilliant blues of the sky above.

Monet himself is portrayed with a sense of focused concentration, his gaze fixed intently on the canvas before him. His posture exudes a sense of confidence and mastery, as he deftly applies paint to the surface, capturing the fleeting beauty of the world around him.

The garden itself becomes a character in its own right, its vibrant colors and lush foliage serving as a backdrop to the creative exchange taking place before us. Every brushstroke seems to pulse with life, as Renoir captures the essence of a moment in time, frozen forever on canvas.

P.S. Swipe left to see “Jardin de l’artiste de Monet” (1873), and to get transported into the heart of the Claude Monet’s sanctuary, where nature’s beauty intertwines with creative inspiration.

- 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔
- 61 𝒙 50 𝒄𝒎
- 𝙒𝙖𝙙𝙨𝙬𝙤𝙧𝙩𝙝 𝘼𝙩𝙝𝙚𝙣𝙚𝙪𝙢, 𝙃𝙖𝙧𝙩𝙛𝙤𝙧𝙙 (𝙐𝙎)

09/02/2024

𝐔𝐧𝐞 𝐫𝐨𝐮𝐭𝐞 𝐚 𝐋𝐨𝐮𝐯𝐞𝐜𝐢𝐞𝐧𝐧𝐞𝐬 (𝟏𝟖𝟕𝟎)
Here, Renoir offers viewers a tranquil glimpse into the pastoral beauty of the French countryside. Painted in 1870, during a period of great artistic experimentation and exploration for Renoir, this work showcases his evolving style and his ability to evoke a sense of serene harmony with nature.

What sets “Une route à Louveciennes” apart is its ability to evoke a profound sense of tranquility and peace. Renoir invites viewers to step into this idyllic landscape, to immerse themselves in its beauty and to find solace in its quietude. In a world marked by chaos and uncertainty, this painting serves as a gentle reminder of the restorative power of nature and the enduring beauty of the world around us. It is a testament to Renoir’s skill as a painter and his ability to capture the fleeting moments of beauty that surround us each day.

- 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔
- 38.1 𝒙 46.4 𝒄𝒎
- 𝙏𝙝𝙚 𝙈𝙚𝙩𝙧𝙤𝙥𝙤𝙡𝙞𝙩𝙖𝙣 𝙈𝙪𝙨𝙚𝙪𝙢 𝙤𝙛 𝘼𝙧𝙩𝙨, 𝙉𝙚𝙬 𝙔𝙤𝙧𝙠 (𝙐𝙎)

07/02/2024

𝐋𝐚 𝐏𝐫𝐨𝐦𝐞𝐧𝐚𝐝𝐞 (𝟏𝟖𝟕𝟎)
In “La Promenade,” Renoir encapsulates the essence of leisure and sophistication, inviting viewers into a world of refined beauty and tranquil joy. Created in 1870-1871, during a period marked by Renoir’s fascination with depicting scenes of leisure and pleasure, “La Promenade” stands as a quintessential example of his mastery in capturing the vibrant spirit of life.

The man, gallant in his attire, escorts his companion, her parasol held delicately aloft, her presence radiating grace and elegance. Renoir imbues the scene with a sense of intimacy, as the couple seems engrossed in each other’s company, lost in conversation or simply enjoying the serenity of their surroundings.

Central to the composition is the figure of the woman, her flowing dress a symphony of pastel hues that seem to dance in the breeze. Renoir captures her with a tender sensitivity, her posture and expression conveying a sense of quiet contentment and inner tranquility. The parasol she carries adds a touch of whimsy and refinement, its delicate form echoing the graceful curves of her silhouette.

In the background, the landscape unfurls in a verdant panorama, dotted with trees and bathed in sunlight. The distant horizon stretches out into the distance, suggesting the vast expanse of the world beyond. Yet, in this moment, all attention is focused on the couple, their presence suffusing the scene with a sense of timelessness and intimacy.

“La Promenade” is more than just a depiction of a leisurely stroll; it is a celebration of life’s simple pleasures and the beauty of human connection.

- 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔
- 83.3 𝒙 65 𝒄𝒎
- 𝙂𝙚𝙩𝙩𝙮 𝘾𝙚𝙣𝙩𝙚𝙧, 𝙇𝙤𝙨 𝘼𝙣𝙜𝙚𝙡𝙚𝙨 (𝙐𝙎)

03/02/2024

𝐒𝐚𝐢𝐥𝐨𝐫 𝐁𝐨𝐲, 𝐨𝐫 𝐏𝐨𝐫𝐭𝐫𝐚𝐢𝐭 𝐨𝐟 𝐑𝐨𝐛𝐞𝐫𝐭 𝐍𝐮𝐧𝐞𝐬 (𝟏𝟖𝟖𝟑)
The subject of this painting is Robert Nunès, the son of the mayor of a small town on the Normandy coast in France. Dressed in a sailor-boy outfit—a popular costume at the time for children of the well-to-do—he strikes a confident, almost arrogant, pose. Renoir was also commissioned to paint a portrait of Robert’s sister, and apparently the siblings were challenging subjects. In a letter written at the time, Renoir reported that he was “busy with two brats who make me furious.”

- 𝑶𝒊𝒍 𝒐𝒏 𝒄𝒂𝒏𝒗𝒂𝒔
- 131 𝒙 80 𝒄𝒎
- 𝘽𝙖𝙧𝙣𝙚𝙨 𝙁𝙤𝙪𝙣𝙙𝙖𝙩𝙞𝙤𝙣, 𝙋𝙚𝙣𝙣𝙨𝙮𝙡𝙫𝙖𝙣𝙞𝙖 (𝙐𝙎)

Pierre-Auguste Renoir

26/04/2024

21/02/2024

18/02/2024

17/02/2024

15/02/2024

12/02/2024

09/02/2024

09/02/2024

07/02/2024

03/02/2024

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