23/08/2026
TRISTON MASTERS — SWISS MASTER TAPE HERITAGE 🇨🇭
What makes a reel-to-reel release truly special?
Is it the machine? The tape stock? The speed? The packaging?
Or is the most important thing simply this: how close are we to the original master recording?
Swiss label Triston Masters, founded by analogue specialist Jürg Schopper, is built around that very philosophy.
Behind the label is access to a remarkable archive of historic recordings originating from Swiss broadcasting organisations, including material connected with Radio Zürich, Radio Basel, Radio Lugano, Radio Geneva and Radio Lausanne.
Among the wider archive are hundreds of historically important tapes, including recordings associated with the Montreux Jazz Festival, with masters preserved at speeds including 7½ ips and 15 ips, and some recordings made on ½-inch tape.
Many Swiss broadcast recordings were originally captured on professional AGFA/BASF PER 525 and PER 528 tape — formulations respected for their long-term stability and archival quality.
Jürg Schopper also has extensive experience with some of the great professional analogue machines, including:
Studer C37
Telefunken M10A
Telefunken M15A
Ampex ATR-102
One particularly fascinating project involved producing an ultra-limited run of just 10 Yello master-tape copies, working from the actual master and using restored Studer C37 and Telefunken M10A valve machines.
Triston Masters is also developing releases from historic Armenian broadcasting archives, opening another extraordinary source of classical, jazz and culturally important recordings.
This is what makes the modern reel-to-reel revival so interesting.
It is not only about recreating famous albums.
It can also be about opening forgotten broadcast vaults, licensing rare performances properly and allowing collectors to hear music preserved on analogue tape decades ago.
💬 DISCUSSION
What matters most to you when buying a modern master-tape release?
A) Direct provenance from the original master
😎 15 ips / ¼-inch half-track specification
C) The duplication machine and electronics
D) Tape stock and reference level
E) Rare music unavailable on other formats
F) All of the above
And would you rather see labels such as Triston Masters release famous audiophile titles, or concentrate on rare previously unavailable archive recordings?
👇 Share your opinion with the reel-to-reel community.
OpenReelToReel — Music For Life | Audiophile Quality Sound