Schallzentrale GmbH Soundstudio

Schallzentrale GmbH Soundstudio Since 1999: Mastering, Mixing, Recording, Sounddesign, Workshops, Consulting, Label-services & Promo

We had the pleasure of mastering another great song for this fantastic talent called Yamincy!
07/05/2026

We had the pleasure of mastering another great song for this fantastic talent called Yamincy!

18/04/2026

I had a lot of fun mixing and mastering this great R&B/soul track by Ryan Smith from Texas 🇺🇸. Ryan has played with James Blunt, Sugar Ray, and Green Day, among others. The mix went smoothly because the song is very well recorded and played.
No drum samples… I hope that makes drummer Ryan Smith especially happy! 🙂

I had a lot of fun mastering these great tracks. Punch and a healthy dynamic range were important for this exceptional p...
26/03/2026

I had a lot of fun mastering these great tracks. Punch and a healthy dynamic range were important for this exceptional production from Australia. Thanks for your trust. 🙂

The latest 3 track EP by PLATYPUSS is a testament to the ever evolving sound of Aussie-Bush-Prog. 🤘

3 fresh ankle breakers straight off the meat rack, steeped in the influence of the O.G Australian’esque but with a fresh finesse & originality that makes PLATYPUSS a standalone weapon. 🔥

Hit the website to support! ⛓️

www.weaponrecords.com

26/12/2025

Stephen Lipson (and Trevor Horn) have been huge inspirations to me for a very long time. That’s why I was especially excited to master and mix this track. 🇬🇧 🇩🇪
The song features a four-to-the-floor kick pattern made up of three to four layered kick tracks. Although I was able to correct the phase issues between these tracks and bring back the low end, I ultimately decided to replace the four-to-the-floor kick altogether. For that, I designed a new kick using the Kick2 plugin.
On the vocals, I used a filtered delay, which I recorded as audio and placed very intentionally in just a few spots. I then further processed it with techniques like reversing, time expansion, pitch bends, and more. One advantage of this method is that you can also position the delay before the original signal. I shaped the end of the song using fades, mutes, effects and a guitar edit. Awsome 📷 by Jimmy King 🙏

29/11/2025

Mixing and mastering this fantastic band from the Bay Area / Oakland, California (USA) was a real pleasure. The original panning settings were included in the multitrack recordings, but I only used them partially. I didn’t use any drum samples in this mix. 🇺🇸

Send a message to learn more

15/11/2025

I had a lot of fun mixing and mastering this Queen classic. On this cover of Bohemian Rhapsody, the great Marc Martel sings, and Steve Maggiora (Toto) from LA also plays piano. 136 tracks, most of them for vocals. Acoustic drums, no samples. 🇺🇸🇬🇧🇨🇦

08/09/2025

Nothing beats mixing & mastering a JOURNEY classic 🤘 Even better when it’s a killer cover of a rock hit played by RESURRECTION! 🇺🇸
(All real acoustic drums — zero samples!) 🙂
📸: Matt Becker 🙏

We had so much fun mastering this amazing track — and now it's charting! 🙂
27/05/2025

We had so much fun mastering this amazing track — and now it's charting! 🙂

Liebe Freundinnen,
Liebe Freunde!

Von 9 in die Top 5 auf 3 der
Deutschen Alternativen Charts (DAC)!

Wir sind total geflasht..liebe DJs & DJanes, VJs & VJanes und Radioleute herzlichen❤️‍🔥Dank Euch allen für Euren Support!

+++ english

Dear friends,

From 9 to the Top 5 at 3 of the
German Alternative Charts (DAC)!

We are fully blown away...Dear DJs & DJanes, VJs & VJanes and radio people, with ❤️‍🔥thank you all for your support!

18/05/2025

As a longtime VAN HALEN fan, it was a real pleasure to mix and master this live concert recording for my buddy Pascal Luder and his cover band FUN HALEN.
The biggest challenge was managing the PA bleed, particularly without relying on drum samples.
🙂

Traktor, Serato, Rekordbox... and now "DJ" by Apple!
27/03/2025

Traktor, Serato, Rekordbox... and now "DJ" by Apple!

Forum for professional and amateur recording engineers to share techniques and advice.

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