Schallzentrale GmbH Soundstudio

Schallzentrale GmbH Soundstudio Since 1999: Mastering, Mixing, Recording, Sounddesign, Workshops, Consulting, Label-services & Promo

25/07/2026

Naturally, it would be a shame to use drum samples on a track featuring world-class drummer MIKE MANGINI (ex-Dream Theater). 🇺🇸 His drumming would lose its authenticity—especially since the recording quality is superb. I really enjoyed MIXING and MASTERING this. Lately, I’ve been using levelers more often than compressors. 🙂

A wonderful mastering project for this magnificent talent called YAMINCY! 👏👏👏
02/07/2026

A wonderful mastering project for this magnificent talent called YAMINCY! 👏👏👏

We had the pleasure of mastering another great song for this fantastic talent called Yamincy!
07/05/2026

We had the pleasure of mastering another great song for this fantastic talent called Yamincy!

18/04/2026

I had a lot of fun mixing and mastering this great R&B/soul track by Ryan Smith from Texas 🇺🇸. Ryan has played with James Blunt, Sugar Ray, and Green Day, among others. The mix went smoothly because the song is very well recorded and played.
No drum samples… I hope that makes drummer Ryan Smith especially happy! 🙂

I had a lot of fun mastering these great tracks. Punch and a healthy dynamic range were important for this exceptional p...
26/03/2026

I had a lot of fun mastering these great tracks. Punch and a healthy dynamic range were important for this exceptional production from Australia. Thanks for your trust. 🙂

The latest 3 track EP by PLATYPUSS is a testament to the ever evolving sound of Aussie-Bush-Prog. 🤘

3 fresh ankle breakers straight off the meat rack, steeped in the influence of the O.G Australian’esque but with a fresh finesse & originality that makes PLATYPUSS a standalone weapon. 🔥

Hit the website to support! ⛓️

www.weaponrecords.com

26/12/2025

Stephen Lipson (and Trevor Horn) have been huge inspirations to me for a very long time. That’s why I was especially excited to master and mix this track. 🇬🇧 🇩🇪
The song features a four-to-the-floor kick pattern made up of three to four layered kick tracks. Although I was able to correct the phase issues between these tracks and bring back the low end, I ultimately decided to replace the four-to-the-floor kick altogether. For that, I designed a new kick using the Kick2 plugin.
On the vocals, I used a filtered delay, which I recorded as audio and placed very intentionally in just a few spots. I then further processed it with techniques like reversing, time expansion, pitch bends, and more. One advantage of this method is that you can also position the delay before the original signal. I shaped the end of the song using fades, mutes, effects and a guitar edit. Awsome 📷 by Jimmy King 🙏

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