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Cherishhhh.ch, Les Acacias (2026)

28/03/2023

(English below)

Mars 2023, Genève —tentative d’écriture, démêler les fils — [Notes/repères] recadrage historique : dès 1960 Paris, théâtre de la lutte pour l’indépendance, dissensions politiques, petite histoire et dissidences. Révolution. Énumération frénétique. 17 octobre 1961, répression meurtrière, massacre. Faute de mieux, arpentage des exils anonymes post indépendance. Résistances. Rue des Couronnes, Barbès, la Goutte d’Or ; auto-organisation en associations, rassemblements antiracistes / permanences juridiques anti-expulsions et soutien psychologique gratuit ; lutte pour les droits des immigrés sans-papiers. 20 avril 1980 en Kabylie et à Alger, début du Printemps berbère [Tafsut Imaziɣen], premier mouvement populaire d’opposition aux autorités depuis l’indépendance du pays en 1962. Paris, dans la nuit du 5 au 6 décembre 1986, décès de Malik Oussekine, étudiant tué sous les coups de la police. Tentative de mise en place d’une ponctuation sensée ; Maître Ali Mécili, porte parole et ami de l’un des chefs de l’opposition algérienne en exil [Hocine Aït Ahmed], mort assassiné le 7 avril 1987. Empêchements impensés. 6 Allée des Dames [où les premières cassettes de Radio Assifah ont été dupliquées] ; pont de Bezons [à côté de Nanterre, d’où sont partis de nombreuses manifestations et où des corps ont été repéchés dans la Seine], Square Saïd Bouziri [militant du Mouvement des Travailleurs Arabes] ; Pont de l’Alma – zouave, lieu de mesure des crues de la Seine ; 115 boulevard Saint Michel - tracts dans les lycées et universités, quête effrénée de moyens de communication effectifs et efficaces.
[extrait de texte écrit par Asma Barchiche]

Images: an odyssey from underneath, 2023, metal, resin,wood, found objects, 200 x 155 x 70cm
Photo: Remy Ugarte

27/03/2023

Don’t miss Mina Squalli-Houssaïni’s solo show - Ils pourront couper toutes les fleurs, ils n’empêcheront pas la venue du printemps - with a text contribution by Asma Barchiche !

March 2023, Geneva — attempting to write, untanglin the threads — [Notes/references] reframing history: 1960’s Paris, theatre of the struggle for independence, political dissension and dissidences. Revolution. Frenzied enumeration. October 17, 1961, murderous repression, massacre. In the absence of anything better, surveys of anonymous post-independence exiles. Resistance. Rue des Couronnes, Barbès, la Goutte d’Or; self-organization in associations, anti-racist meetings anti-expulsion legal services and free psychological counselling; struggle for immigrants’ rights. April 20, 1980 in Kabylia and Algiers, beginning of the Berber Spring [Tafsut Imaziɣen], first popular movement of opposition to the authorities since the country’s independence in 1962. Paris, on the night of the 5th to 6 of December 1986, death of Malik Oussekine, student killed by police brutality. Attempting to follow a sensible punctuation; Maître Ali Mécili, spokesman and friend to one of the leaders of the Algerian opposition in exile [Hocine Aït Ahmed], assassinated on April 7, 1987. Unspoken hindrances. 6 Allée des Dames [where the first Radio Assifah tapes were duplicated]; Pont de Bezons [next to Nanterre, where many demonstrations originated and where bodies were retrieved from the river], Square Saïd Bouziri [activist in the Mouvement des Travailleurs Arabes] ; Pont de l’Alma - zouave, water levels of the floods of the Seine; 115 boulevard Saint Michel - handouts in high schools and universities, frantic quest for effective and efficient means of communication.

[extract translated from French]
Photo: installation view, Remy Ugarte

01/03/2023

💜We are so thrilled to announce our upcoming exhibition with Mina Squalli-Houssaïni “Ils pourront couper toutes lesfleurs, ils n'empêcheront pas la venue du printemps”

Opening on March 10th from 6-9pm

(FR)
Mina Squalli-Houssaïni présente Ils pourront couper toutes les fleurs, ils n’empêcheront pas la venue du printemps à Cherish, Genève. L’exposition retrace les parcours fictifs inspirés de protagonistes réels, dissimulés par les pouvoirs dominants et enjoints au secret dans la lutte. Elle développe une pensée en arborescence de la trace et fait appel à des archives familiales et documentaires alternatives comme ressource. Ses sculptures évoquent les existences niées et les irrésolus de l’Histoire. Dans cette installation, le territoire se fait plateau mémoriel et le travail de la lumière s’y inscrit comme geste liminaire pour pallier aux stratégies d’oubli et de silence. (extrait de texte écrit par Asma Barchiche

(ENG)
Mina Squalli-Houssaïni presents Ils pourront couper toutes les fleurs, ils n'empêcheront pas la venue du printemps at Cherish, Geneva. The exhibition recalls fictional journeys inspired by real protagonists, dissimulated by the dominant powers and commanded to secrecy in battle. The artist develops a rhizomatic thinking of traces and uses alternative family and documentary archives as a resource. Her sculptures evoke the denied existences and unresolved matters of history. In this installation, the territory becomes a memorial tray and light is used as a preliminary gesture to counteract the strategies of oblivion and silence. (extract of the text written by Asma Barchiche)

Another amazing flyer by Philippa Schmitt 💖

.bcc

28/02/2023

💖Agapornis, Access, 2022
Part of on view at Confederation Centre

is an experimental art lab with two curators: Zoé Marmier and Louise Jarrige-Le Berre. Like the inseparable lovebirds whose scientific name (Agapornis sp.) has inspired their moniker, this collaborative fashion project has the unique quality of being based on a love for collective creativity. Agapornis becomes manifest in an enchanted world, with objects inspired by fantastic repertoires that are theatrical whilst also using artisanal savoir-faire. This excess of elegance becomes a plea for another world: that of Agapornis! A place filled with dreams and freedom, where creations are designed and produced in close conversation with the duo’s friends and collaborators, all of whom take turns being the project’s muses and artisans.
(Extract from the text written by .mtoumo )

Zoé Marmier and Louise Jarrige-Le Berre formed this duo during their Fashion Design studies at HEAD Geneva. Zoé Marmier’s work explores the performative character of stage clothes immersed in daily life, where the poetry and politicization of the Drag are made manifest, the experience of one’s alter ego is aﬃrmed, and reﬂections on gender, hyperfemininity, and the collective are opened up. Louise Jarrige-Le Berre’s work questions images and the appropriation of the feminine – in terms of body and attitudes – along with the notion of tenderness as both an intimate process and a political act that moves from the individual to the collective, initiating a new praxis of fashion. Beyond their friendship, they share common values while dreaming of future fashions. In 2021, their collaborative fashion project, Agapornis – for which they are the creators and curators – was born. It can be described as a laboratory where research and experiments on textiles are carried out, and where the pleasure of seeing, doing, and wearing are interwoven. It is a space for reflecting on collaboration, craftsmanship, celebration, and care as a process.

📸: Thomas Maisonnasse

24/01/2023

Don’t miss the chance to experience Zahra Hakim’s work in the context of her solo exhibition ‘J’ai vu une femme qui battait la lumière dans un mortier’ 🫶🏻🪴🌿🌱

Opening hours this week:

Tuesday 24th: 2-6 pm
Wednesday 25th: 12-6 pm
Thursday 26th: 2-6 pm
Friday 27th: 2-6 pm
Saturday 28th: 2-6 pm

📷: Remy Ugarte (

07/12/2022

Cherish x Art au Centre Genève is opening today 💕

We are proud to present “Tu es dou.ce.x”2022 a newly commissioned installation by in collaboration with Debbie Alagen at 9 rue du Mont-Blanc, on the Ci**rs Havanas Partagas storefront

Eytana is an emancipation guide. Her practices are at the intersection of the fields of care, holism and art. She is interested in the transformative aspects, both individual and collective, brought about by her modes of creation. It is because of his awareness of the value system that surrounds him, "white supremacy-cis-capitalist-validist-satanic", that his practices have taken on a transgressive and radical scope of action since 2020. Eytana is a cultural revolutionary: she inspires us to go further than the known, to dive into the underground waters of our consciences in order to unravel the knots of our conditioning. She uses and uses all the means at her disposal to practice her arts. Pinkwashing and tokenization are just opportunities for her to seize.
(Extract from the text written by Baptiste Winckler)

© Isabelle Meister (portrait)
© Eytana Acher

.hrz

07/12/2022

Cherish x Art au Centre Genève is opening today!! 💕

We are proud to present “Access” a newly commissioned installation by on view at Confédération Centre - 1st floor

Agapornis is an experimental art lab with two curators: Zoé Marmier and Louise Jarrige-Le Berre. Like the inseparable lovebirds whose scientific name (Agapornis sp.) has inspired their moniker, this collaborative fashion project has the unique quality of being based on a love for collective creativity. Agapornis becomes manifest in an enchanted world, with objects inspired by fantastic repertoires that are theatrical whilst also using artisanal savoir-faire. This excess of elegance becomes a plea for another world: that of Agapornis! A place filled with dreams and freedom, where creations are designed and produced in close conversation with the duo’s friends and collaborators, all of whom take turns being the project’s muses and artisans.
(Extract from the text written by Marvin M’toumo)

© Isabelle Meister (portrait)
© Agapornis

.mtoumo

05/12/2022

Cherish x Art au Centre Genève with:
Eytana Acher & Agapornis

We are happy to participate in this year's edition of opening on Wednesday
December 7th at 6pm

Meeting point in front of the ci**rs' shop Havana Partagas (9 rue du Mont-Blanc for a tour of several vitrines before finishing with a hot wine in front of

.hrz

02/12/2022

Zahra Hakim’s solo exhibition ´J’ai vu une femme battre la lumière dans un mortier now on view until February. 🍃

Dm for a visit! 💚👒

Photo: Loren Tschannen

14/11/2022

ೃ༄ Zahra Hakim: J'ai vu une femme qui battait la lumière dans un mortier

We are happy to invite you to the opening of Zahra Hakim's solo exhibition on

FRIDAY
October 18th from 6-9pm

The concept of memory and the passage of time are major themes in Zahra Hakim's practice. The artist explores ways to use materiality, as well as mutualism and caring, to awaken a space's spirit. The practice of care frequently comes to light via observation and dialogue, and as a result, resilience can develop, assisting us in continuing to live and accept our reality.

In this perspective, Zahra's exhibition is accompanied by a dinner taking place once a month in the space. Dates and subscribtions in the link in bio.

Flyer by Philippa Schmitt

11/10/2022

🔐Memories of our last event in collaboration with .ch 🔐

Photos: Nathalie Rebholz

01/09/2022

Join us next Sunday, September 4th from 6-9pm for live performances by

🌟 36Birds 🌟
🌟 Tobias Koch 🌟
🌟 Price 🌟

In collaboration with .ch

Thanks again to Philippa Schmitt for her visuals

Cherishhhh.ch

28/03/2023

27/03/2023

01/03/2023

28/02/2023

24/01/2023

07/12/2022

07/12/2022

05/12/2022

02/12/2022

14/11/2022

11/10/2022

01/09/2022

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