Laurent Proux

Laurent Proux Kontaktinformationen, Karte und Wegbeschreibungen, Kontaktformulare, Öffnungszeiten, Dienstleistungen, Bewertungen, Fotos, Videos und Ankündigungen von Laurent Proux, Kunst, Gstaad.

I’m very happy please to open mysolo show with   ! The exhibition titled ‘Out of the Blue’ will open this March 14 in th...
12/03/2026

I’m very happy please to open my
solo show with !

The exhibition titled ‘Out of the Blue’ will open this March 14 in the gallery Gnyp in Antwerp. The exhibition text will be written by .
Featured: Together, , 2025.
With thanks to .


📸 Aurélien Mole

So Happy to show my work at Art Gstaad !!! 🏔️February 19-22, 2026with Helene AppelGlen BaxterFrançoise PétrovitchLaurent...
13/02/2026

So Happy to show my work at Art Gstaad !!! 🏔️

February 19-22, 2026
with Helene Appel
Glen Baxter
Françoise Pétrovitch
Laurent Proux
Stefan Rinck

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Laurent Proux
Summer Afternoon, 2025
Oil on canvas
90 x 94 x 3,5 cm / 35 7/16 x 37 x 13/8 in.

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presents ArtGstaad

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📸 Aurélien Mole

Semiosegalerie artfair gstaad
contemporarypainting narrativepainting frenchartist
figurativepainting

Very Happy 🤗 to show my new painting at Art Genève ! Thank you to the  team ! 💪Booth B39 / B39sJanuary 29 - February 1st...
29/01/2026

Very Happy 🤗 to show my new painting at Art Genève !

Thank you to the team ! 💪

Booth B39 / B39s
January 29 - February 1st, 2026
Solo: Fiza Khatri
with Amélie Bertrand
Szabolcs Bozó
Hugo Capron
Mathieu Cherkit
Oli Epp
Laurent Le Deunff
Françoise Pétrovitch
Laurent Proux
Stefan Rinck
Moffat Takadiwa
Philemona Williamson
Xie Lei
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Laurent Proux
The Shore, 2025
Oil on canvas
200 × 180 cm / 78 3/4 × 70 7/8 in.

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📸 Aurelien Mole

@|_aurent.proux

.epp OliEpp FizaKhatri
FrancoisePetrovitch
StefanRinck MoffatTakadiwa PhilemonaWilliamson
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ArtGeneve

🔛 Art Basel Paris with Françoise PétrovitchMoffat TakadiwaXie LeiPublic Program: Stefan Rinck-Out of the Blue, 2025Oil o...
25/10/2025

🔛 Art Basel Paris

with Françoise Pétrovitch
Moffat Takadiwa
Xie Lei
Public Program: Stefan Rinck

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Out of the Blue, 2025
Oil on canvas
200 × 180 x 3,5 cm / 78 3/4 × 70 718 × 13/8 in.

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• Art Basel Paris
Booth H16, Grand Palais, Paris (FR)
October 24-26
• Public Program: Stefan Rinck
Avenue Winston Churchill, Paris (FR)
October 21-26






📸 © Margot Montigny


🔛 So happy to be at Art Basel Paris with   Françoise PétrovitchLaurent ProuxMoffat TakadiwaXie LeiPublic Program: Stefan...
22/10/2025

🔛 So happy to be at Art Basel Paris with

Françoise Pétrovitch
Laurent Proux
Moffat Takadiwa
Xie Lei
Public Program: Stefan Rinck
• Art Basel Paris
Booth H16, Grand Palais, Paris (FR)
October 24-26
• Public Program: Stefan Rinck
Avenue Winston Churchill, Paris (FR)
October 21-26
Laurent Proux
Lovers on a Cliff, 2025
Oil on canvas
200 × 180 × 3,5 cm / 78 3/4 × 70 718 × 1 3/8 in.
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@|_aurent.proux


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[LAST WEEK]The Nature PoemUntil october 11, 2025« Often, with Laurent Proux’s painted bodies, we are not quite sure who ...
06/10/2025

[LAST WEEK]

The Nature Poem
Until october 11, 2025
« Often, with Laurent Proux’s painted bodies, we are not quite sure who owns which limb; there is an overall delightful confusion or a sort of organic pooling. The bodies made available come together and hybridise.
Plugging in on each other, connecting their emotions via a caress or an embrace, they escape conventional desire-induced projections. Something from the Mannerist legacy runs through these pictures, namely in these particularly extravagant melees of bodies reminiscent, for example, of Bronzino’s in An Allegory with Venus and Cupid (c. 1545). [...] » — Jérôme Duwa
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Laughing at the Storm, 2025
Huile sur toile
Oil on canvas
62 × 65 × 3,5 cm — 24 7/16 × 25 9/16 × 1 3/8 in.

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.guide

📸 Aurélien Mole

Some paintings seem to have a very specific destiny.One year ago, in the heart of winter, I found myself shyly standing ...
01/10/2025

Some paintings seem to have a very specific destiny.
One year ago, in the heart of winter, I found myself shyly standing in the break room of a factory, presenting my painting project to the workers of Jeantet Élastomère. I asked who would be willing to pose for reference photos to be used in a future painting. The workers were curious — some intrigued, others a bit skeptical.
Gaëtan and Hassan were among the first to believe in the project and kindly agreed to be photographed.
After the opening of L’Arbre et la Machine, Benoît Jeantet decided to exhibit the painting at his company to mark the 120th anniversary of its founding.
In this photo, taken one year later, Gaëtan and I are posing — still a bit shy, but very proud — in front of the large painting titled:
« Bleu. Jeantet, Élastomère. Saint-Claude, Haut-Jura », now displayed in the very same break room where it all began.
A heartfelt thank you to Gaëtan, Hassan, Hervé, Nicolas, Benoît, and the entire team at Jeantet Élastomère. 

The Nature PoemUntil October 11, 2025Discover the exhibition online • link in bio« Often, with Laurent Proux’s painted b...
29/09/2025

The Nature Poem

Until October 11, 2025

Discover the exhibition online • link in bio
« Often, with Laurent Proux’s painted bodies, we are not quite sure who owns which limb; there is an overall delightful confusion or a sort of organic pooling. The bodies made available come together and hybridise.
Plugging in on each other, connecting their emotions via a caress or an embrace, they escape conventional desire-induced projections. Something from the Mannerist legacy runs through these pictures, namely in these particularly extravagant melees of bodies reminiscent, for example, of Bronzino’s in An Allegory with Venus and Cupid (c. 1545, National Gallery, London). [...] » - Jérôme Duwa
Laurent Proux
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The Nature Poem, 2025
Huile sur toile / Oil on canvas
220 × 182 cm / 86 5/8 x 71 5/8 inches (chaque / each)
220 × 546 cm / 86 5/8 x 214 15/16 inches

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📸 Rebecca Fanuele, Aurélien

The Nature Poem🔛 Until October 11, 2025Discover the exhibition online • link in bio« Often, with Laurent Proux’s painted...
23/09/2025

The Nature Poem

🔛 Until October 11, 2025

Discover the exhibition online • link in bio
« Often, with Laurent Proux’s painted bodies, we are not quite sure who owns which limb; there is an overall delightful confusion or a sort of organic pooling. The bodies made available come together and hybridise.
Plugging in on each other, connecting their emotions via a caress or an embrace, they escape conventional desire-induced projections. Something from the Mannerist legacy runs through these pictures, namely in these particularly extravagant melees of bodies reminiscent, for example, of Bronzino’s in An Allegory with Venus and Cupid (c. 1545, National Gallery, London). [...] » - Jérôme Duwa
Laurent Proux
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Kaleidoscope, 2025
Huile sur toile / Oil on canvas
184 × 140 cm / 72 7/16 x 55 1/8 inches

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📸 Rebecca Fanuele, Aurélien Mole

The Nature Poem🔛 Until October 11, 2025 At Gallery Semiose, 44 rue Quincampoix, Paris  Discover the exhibition online • ...
20/09/2025

The Nature Poem

🔛 Until October 11, 2025

At Gallery Semiose, 44 rue Quincampoix, Paris


Discover the exhibition online • link in bio
« Often, with Laurent Proux’s painted bodies, we are not quite sure who owns which limb; there is an overall delightful confusion or a sort of organic pooling. The bodies made available come together and hybridise.
Plugging in on each other, connecting their emotions via a caress or an embrace, they escape conventional desire-induced projections. Something from the Mannerist legacy runs through these pictures, namely in these particularly extravagant melees of bodies reminiscent, for example, of Bronzino’s in An Allegory with Venus and Cupid (c. 1545, National Gallery, London). [...] » - Jérôme Duwa
Laurent Proux

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At the end of the garden, 2025
Huile sur toile
130 x 125 cm / 51 3/16 x 49 3/16 inches

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📸 Rebecca Fanuele, Aurélien Mole

Thank you so much  and  for this great article about my solo show at , The Nature Poem. Until october 11
12/09/2025

Thank you so much and for this great article about my solo show at , The Nature Poem. Until october 11

🔥 So Happy to show my work at the new show: MAXIMAL Remise im WrangelkiezNearly 40 Berlin-based & international artists ...
11/09/2025

🔥 So Happy to show my work at the new show:

MAXIMAL

Remise im Wrangelkiez
Nearly 40 Berlin-based & international artists transform a Kreuzberg remise on the brink of demolition into a hotspot of maximum artistic density. An exhibition between visibility and disappearance.
In the flood of , art flashes into view — then slips away again. Curated by Sophia Süßmilch & Cathrin Hoffmann with co-curator Susann Rezniczek.
Part of the official Featured Programme of Berlin Art Week 2025.

• Wrangelstr. 52, Kreuzberg Opening: Sep 11, 1-10 PM
Ma Performance Night: Sep 12, 6-10 PM
17 Sep 12-14, 2025

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Nouvelles histoires, 2021
Mixed media
35 x 20 x 2 cm / 13 3/4 x 7 7/8 x 13/16 in.
📸 : Rebecca Fanuele
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@cathrin.hoffmann .rezniczek @flakahaliti_ @daniel.correa.mejia
@saelia_aparicio@grzegorzkiproduction @|_aurent.proux .epp @flx_dtrs@charlie_stein_official @anysreimann jenny_brosinski@christianjankowski_official .selma @[email protected]
@sarina_panahideh@emskadenz @apfelniklas

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Gstaad

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