Interstellar travels of the mind

Interstellar travels of the mind Amateur photographer and daydreamer.

My reportage "Oued Zat, Last Harvest" has received an Honorable Mention in the Documentary category of the Maghreb Photo...
26/08/2026

My reportage "Oued Zat, Last Harvest" has received an Honorable Mention in the Documentary category of the Maghreb Photography Awards 2026. Thank you to the jury and see you next year!

This series follows the Oued Zat plain in Morocco, where the Barrage Ait Ziat was nearing completion in January 2026. Presented as part of a wider strategy of water security, the dam would inundate villages shaped by olive cultivation. Land was expropriated with compensation, not without contestation. The inhabitants were asked to leave, and the villages were demolished, making return impossible even before the water arrived.

I photographed the valley when the demolition was almost complete. Families, still bound to the land, kept coming back to groves already taken from them, for their last olive harvest. At first glance, the atmosphere could resemble a picnic: elders seated on tarps, children lingering nearby, a small stove ready for lunch, and the ever-present tea. But this intimacy unfolded among endless rubble, abandoned domestic objects, and the certainty that the place was about to disappear. I was struck by this stubborn continuity of gesture: harvest continuing inside a landscape already condemned.

What interests me here is not only the violence of disappearance, but the uneasy coexistence of scales: infrastructure and intimate attachment, compensation and grief, national necessity and rooted life.

These photographs record a threshold: not yet flooded, no longer fully inhabitable. They ask what remains of belonging, memory, and heritage when a rural world is dismantled before the water rises, while presence still lingers in the trees, in the gestures of harvest, and in the invisible yet profound bond between people and place.

MAGHREB (AFRICAN) PHOTOGRAPHY AWARDS

Very happy to share that my work has been featured by Edge of Humanity Magazine under the title "When A Place Becomes A ...
18/06/2026

Very happy to share that my work has been featured by Edge of Humanity Magazine under the title "When A Place Becomes A Witness".

The feature brings together images from different projects, from the salt pans of Gozo to the kasbahs of Morocco’s High Atlas and the courtyards of Rome’s Garbatella — all connected by a question that keeps returning in my work: how do places carry memory?

I am drawn to fragile spaces, inherited gestures, traces of community, and those moments when absence speaks louder than presence. Places that are not just settings, but witnesses.

The nicest twist? Edge of Humanity found my work through Instagram, which feels like a small happy reminder that images can travel further than we think. ✨

Thank you Edge of Humanity Magazine for featuring my work!

Full feature: link in highlight "publications".

senseofplace contemporaryphotography italianphotographer womenphotographers photographyfeature placesandmemory documentaryphotographer artphotography

This is the final output of a small, magical transformation that happened in the last 5 days – a change in perspective, ...
04/05/2026

This is the final output of a small, magical transformation that happened in the last 5 days – a change in perspective, a different approach, a shift in ways of seeing.
Such a transformation is far from being complete. Quite the contrary – it is just the starting point of a multitude of possible paths.

All of them have in common a softer world, a dreamy realm, sentiments expressed.

I worked hard, mostly by encountering and overcoming inner barriers (who knows when and how they got there), searching for sweetness in the outer world, and opening up to it.

Thank you, Martin, for showing this new universe to me – through your sensitivity, your delicate humanity, and your smile.

Something in me has shifted. Softly.


Honoured to have been invited, for the second year, to the online exhibition of Decagon Gallery  in Brooklyn, New York.I...
16/04/2026

Honoured to have been invited, for the second year, to the online exhibition of Decagon Gallery in Brooklyn, New York.

I’m participating with a single image, taken in the white town of Ostuni, in Puglia, Southern Italy. Wandering through its bright, sun-lit alleys, I had the feeling that time had stopped. The white limestone buildings and stone-paved streets still carry the marks of changing rulers, and with them, layers of influence: Byzantine, Norman, Aragonese, Spanish. A Baroque detail, a Gothic church, and a maze of Cycladic-like passageways, tiny corners, and steps rising and falling along the hill on which the fortified town was built.

First time shooting n**es. Nominated at the 12th Fine Art Photography Awards! 🤍 New territory, same eye. Oftentimes, ste...
12/04/2026

First time shooting n**es. Nominated at the 12th Fine Art Photography Awards! 🤍 New territory, same eye. Oftentimes, stepping outside of your comfort zone leads somewhere beautiful. ✨️

Big thanks to for creating the opportunity to shoot my beautiful model ! Thank you so much to , I am truly honoured.

"Playing with the fabric of life" is a black-and-white study of the n**e as a shifting presence—an experiment in how a body can be fully there while refusing to be fixed. Motion blur and long exposure transform the figure into duration: fast, slow, reflective, in action.

The body moves between revelation and refuge—sometimes forward, sometimes hidden. A translucent veil acts as a threshold rather than a cover: pulled, folded, resisting, surrendering. It interrupts the gaze and reshapes the subject into a bundle of light, breath, and gesture.

Details dissolve; the essential stays. Life is felt through its own fabric.

**e

https://fineartphotoawards.com/winners-gallery/fapa-2025-2026/amateur/n**es/hm/24819

Photos and feelings from Southern Italy, in the province of Benevento. Images from my childhood come to mind. They remin...
31/03/2026

Photos and feelings from Southern Italy, in the province of Benevento. Images from my childhood come to mind. They remind me that the countryside is rough, demanding, and made of hard work. It is not child-friendly, and yet, back then, we took it as our playground – among heavy-duty tools and pieces of scrap metal.

It is a world where things do not need to be pretty, only functional. Where there is no such thing as a "connection to nature", because life *is* nature. Every part of the day involves animals and plants, and everyone seems to carry an inner compass for how to live alongside them. Animals are livelihood, plants are allies.

Thank you to Fabio .moscatelli for leading the workshop, Marco for the organization, and my fellow photographers for the wonderful company.

16/01/2026
Rush to the pyramids.
14/01/2026

Rush to the pyramids.

Spectators of the Great Sphinx.Giza plain, Egypt.
13/01/2026

Spectators of the Great Sphinx.

Giza plain, Egypt.

Different lives on a pyramid slope. Giza plain, Egypt.
12/01/2026

Different lives on a pyramid slope.
Giza plain, Egypt.

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