Wie sind die Öffnungszeiten?

Dienstag 11:00 - 18:00 Mittwoch 11:00 - 18:00 Donnerstag 11:00 - 18:00 Freitag 11:00 - 18:00 Samstag 11:00 - 18:00

Kendra Jayne Patrick

Startseite
Schweiz
Bern
Kendra Jayne Patrick

Anrufen Wegbeschreibung Website Service kontaktieren

Kendra Jayne Patrick is a nomadic art gallery that endeavors to thoughtfully, adventurously engage with art of this time.

26/09/2026

Constanza Camila Kramer Garfias 𝕮𝖔𝖓𝖘𝖙𝖆𝖓𝖟𝖆 𝕮𝖆𝖒𝖎𝖑𝖆 𝕶𝖗𝖆𝖒𝖊𝖗𝕲𝖆𝖗𝖋𝖎𝖆𝖘
The Armory Show 2026

10/09/2026

We are elated to announce that Antonio Darden’s ‘Untitled (Reclining Figure)‘ (2025), has entered the permanent collection of The Studio Museum in Harlem. Featured in ‘Fade,‘ the sixth show in the museum’s groundbreaking ‘F series’ exhibitions, the occasion marked the artwork’s actual and institutional debut. We extend immense gratitude to Fade’s curatorial team for their vision, which has created such important context to this work. It ran from the May 1st - September 6, 2026. Studio Museum in Harlem ANTONIO DARDEN

Darden‘s work constituted the cover image of the The New York Times review, which covered both of his works in the show extensively (second slide). His work was also substantially discussed in the reviews by the Financial Times and IMPULSE Magazine .

25/08/2026

Opening 8. September 2026! Manuela Morales Délano Manuela Morales Délano debuts her next solo exhibition, ‘Los Pesados,’ at the gorgeous 66P Stajnia 66P Subiektywna Instytucja Kultury in Wrocław, part of Avant Art Festival‘s annual art festival.

In ‘Los Pesados,’ Manuela explores material and symbolic forms of political resistance. She’ll return to footwear here, a seminal motif occurring throughout her oeuvre exploring the tense relationships between work, labor, capital, and culture since the Industrial Revolution.

‘La Pesada’ (pictured) high-heeled brick 20 x 10 x 13 cm 2026

13/08/2026

A look back at GKJP Kendra Jayne Patrick in the press this year:

1 – KJP kjp interviewed by NYC Council Speaker Julie Menin Julie Menin about Antonio Darden’s ANTONIO DARDEN standout presentation at Independent 2026 Independent

2 – BBC BBC features Kendra in “Women Changing the Art Space.”

3 – Impulse Magazine IMPULSE Magazine names GKJP among their Editors’ Selects for New York Art Fairs 2026, by Tara Parsons tara__parsons

4 and 5 – The Art Journal The Art Journal speaks with Kendra for ‘You Need a Delusional Brain to Run a Gallery These Days,’ by Jeni Fulton Jeni Fulton

5 and 6 – Holland Cotter in the NY Times The New York Times covers the Studio Museum Studio Museum in Harlem show featuring work by Antonio Darden.

8 – Andrew Russeth Andrew Russeth writing for Artnet Artnet names GKJP among the standout booths at Independent 2026.

9 – Augustine Paredes in Canvas Magazine Canvas Magazine covers Basel Social Club 2026 Basel Social Club, including our presentation by Shamiran Istifan Shamiran Istifan

10 and 11 – Elisa Carollo Elisa C. in The Observer Observer covers our Basel Social Club 2026 presentation.

12 – In her Basel 2026 report for Sleek Magazine , Nisha Merit Nisha Merit includes the installation by Shamiran Istifan.

13 and 14 – Aruna D’Souza Aruna D'Souza in 4Columns Magazine 4Columns covers André Magaña’s Jj Andre M work at MoMA PS1 MoMA PS1

15, 16, and 17 – Architectural Digest Germany Architectural Digest Germany on Constanza Camila Kramer Garfias’s 𝕮𝖔𝖓𝖘𝖙𝖆𝖓𝖟𝖆 𝕮𝖆𝖒𝖎𝖑𝖆 𝕶𝖗𝖆𝖒𝖊𝖗𝕲𝖆𝖗𝖋𝖎𝖆𝖘 show at the Rosewood Munich Rosewood Munich

18 – Ada Friedman’s Ada Friedman monograph published by Hassla Books Hassla Books

19 - Chuz Martinez writes about the work of Manuela Morales Délano Manuela Morales Délano for The Oracle, published by the Sternberg Press Sternberg Press

20 - Javier Gonzalez Pesce Javier Gonzalez Pesce covers an exhibition by Manuela Morales Délano and Charles Benjamin charlesbenjaminpermanent
in the Artishok Magazine Artishock

12/08/2026

We are so thrilled to announce representation of Atlanta-based artist Antonio Darden ANTONIO DARDEN

b. Atlanta, Georgia, USA, 1983
Lives and works in Atlanta, Georgia

“In 1978, Antonio Darden’s West Indian mother entered the United States by way of New York. She relinquished her Caribbean/East Indian heritage and adopted a pseudonym. Darden’s mother met his African-American father at a funeral, fell in love, and relocated to North Carolina. His mother adopted a drawl, learned to cook Soul Food, and in 1990 persuaded her family to relocate farther south. Eventually, the family settled in Atlanta. Spawn is a socially aware interdisciplinary artist raised on a concoction of Sloppy Joe and Memphis rap.”

Darden’s art spans disciplines and ideologies, heavily influenced by pop culture, varying political realities, and the Black American humorist tradition. His sculptural, video, and performance works are inflected with satire and sincerity, often brought together in sharp, absurdist experiential installations.

Darden earned his BFA in Sculpture from Georgia State University and his MFA in Sculpture from the Milton Avery School of Graduate Studies at Bard College. His work has been exhibited in the United States, the United Kingdom, and Mexico.

This year he has been nominated for the United States Artists Fellowship (2027), received the Joseph Hartog Fund for Independent Study Grant from Bard College (2026), and was named Artist Nominator for Ruth Arts in Milwaukee, Wisconsin (2026).

His work is currently on view in ‘Fade’ at the Studio Museum in Harlem (1 May – 6 September 2026), the sixth edition of the “F” shows, a series of group exhibitions that began in 2001 with Freestyle, a landmark in defining contemporary Black art. The show was reviewed by Holland Cotter for the The New York Times and in the Financial Times by Ariella Budick. You an also read Andrew Russeth’s glowing Artnet review of our solo presentation at Independent 2026.

“Angel Hator,” 2023
Video, LED TV, lighting
dimensions variable

‘Friday Night Lights,” 2024
Plywood, plexiglass, metal screen, digital archive print
65 x 23 x 16 in

“Untitled (Reclining Figure),” 2025 Studio Museum in Harlem

“Untitled (No Lon

07/08/2026

Ada Friedman, “Performance Proposal: Helen Rides 6: Pyramid 4,” 2020–2022 (sides A and B).

23/07/2026

Antonio Darden ANTONIO DARDEN
It reads both ‘BRUISED’ and ‘BRUISER’ (A hologram), 2025

Four-wall projectsion/Six-channel video, assymetrical sound, digital archive print on panel; 00:06:17

*stay tuned, more soon ⚡️⚡️⚡️

22/07/2026

Constanza Camila Kramer Garfias
Lapis Pinnatus, 2025
Jacquardeweave (cotton, raffia)
164 x 142cm
Courtesy Private Collection

For this year‘s edition of , we’ll present a sumptuous solo exhibition by Constanza Camila Kramer Garfias.

Constanza, (b. 1988 Viña del Mar, Chile) is a Chilean, Munich-based artist whose practice centers on a critical engagement with textiles as both medium and subject, reflecting her bicultural background and dialogue with postcolonial theory. Rooted in a structural and historical examination of looms and weaving technologies, her approach pushes their algorithmic boundaries with experimental deconstruction as a point of departure.

Garfias’ work is in public collections at the Nike (London, UK), Kunstmuseum Bern (Bern, Switzerland); Anja and Matthias Ottmann Collection (Munich, Germany); Cash App Collection (St. Louis, MO & Philadelphia, PA, USA); Anne-Céline and Pierre Donnersberg Collection (Paris, France); and the Buchberger Collection (Munich, Germany). She has participated in institutional exhibitions at the American Tapestry Alliance at The Richard Peeler Art Center/DePauw University (Greencastle, IN, USA); Galerie der Künstler*innen (Munich, Germany); and Museum für Gestaltung (Zürich, Switzerland) and Takaoka Art Museum (Takaoka, Japan).

She and her work have been profiled in Harper’s Bazaar, Architectural Digest, Art and America’s New Talent Issue, ARTnews, Artsy, Flair Magazine, Cosmopolitan Germany, and more.

You can currently see her solo exhibition, ‘Woven Maps, Woven Lands’ at the Rosewood Hotel Munich , inaugurating the hotel’s Staircase Gallery exhibition series. Curated by Yara Sonseca Mas

until October 2026

16/07/2026

Eiscreme, 2026
Discontinued Ott-Freezer soft serve ice cream machine owned by gallerists (purchased for commercial use)
56.7 x 35 x 25.6 (144 x 89 x 65 cm)

During the development of ‘sunsetting’, the gallery purchased a discontinued fixer-upper soft serve machine with the intention of standing up an auxiliary business in the form of an ice cream shop along the Aare in Bern with the goal of generating passive income. While undergoing repairs, the machine was intercepted to be exhibited as a sculpture in this exhibition. Upon the closing of the exhibition, the machine will re-enter the repair process with the anticipation of being operational in 2027

The role of the machine in shoring up the gallery’s financial infrastructure, here, displaces the primary function of the machine of producing soft serve. However, the fact of startup and operation costs (including the purchase of the machine and the labor associated with repairing it), too, depend on the sustained operation and success of the gallery.

With no explicit retail price, the promise of future earnings generated with the machine (more than likely) supplant the potential earnings from the exhibition of the machine as sculpture. Its shifting context remains within the orbit and oversight of the gallery, where its potential earning power oscillates between poles of potential and instability.

“Eiscreme” is on view in ‘sunsetting’ at Gallery Kendra Jayne Patrick () in Bern.

Exhibition extended thru July 18th
12:00-18:00 this Friday and Saturday.
By appointment thereafter.

14/07/2026

We’re delighted to share some images from ‘Woven Maps, Woven Lands’ – a solo show by Constanza Camila Kramer Garfias at Rosewood Munich curated by Yara Sonseca .

This is the first show at the hotel’s Staircase Gallery. It explores how early Western representations have shaped perceptions of cultures and regions, reinterpreting historical archives through contemporary textile practice. Suspended throughout the hotel’s new Staircase Gallery, large-scale Jacquard weavings and embroidered works invite viewers to reflect on identity, memory, and the narratives embedded in colonial image-making.

The exhibition runs through October 12.

Photo credit: Rosewood Munich and Hendrik Stüwe.

Adresse

Schanzeneckstrasse 3
Bern
3012

Öffnungszeiten

Dienstag	11:00 - 18:00
Mittwoch	11:00 - 18:00
Donnerstag	11:00 - 18:00
Freitag	11:00 - 18:00
Samstag	11:00 - 18:00

Telefon

+41765064808

Website

http://www.gallerykendrajaynepatrick.com/

Benachrichtigungen

Erfahren Sie als Erste/r von Neuigkeiten und Aktionen: Wir schicken Ihnen eine E-Mail, wenn Kendra Jayne Patrick etwas veröffentlicht. Ihre E-Mail-Adresse wird für keinen anderen Zweck verwendet, und Sie können sich jederzeit abmelden.