05/27/2026
Next in the Peretz Centre’s Doikayt Speaker Series, local artist and scholar Sasha J. Langford asks how sound can open up possibilities for communal life in a time shaped by rising nationalism and ecological crisis.
🔴 LISTENING TO THE HERE AND NOW: Spontaneous Prayer in a Time of Polycrisis
🔴 Wednesday, June 17th, 2026
🔴 5:30pm PT / 8:30pm ET
🌐 Online (Zoom)
🔗 Registration is required (by donation, no minimum): https://www.peretz-centre.org/event-details-registration/listening-to-the-here-and-now-spontaneous-prayer-in-an-era-of-polycrisis
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In a time shaped by rising nationalism and ecological crisis, how might the act of listening help us trace the embodied realities of these conditions? How can sound help us attune to one another, and open up possibilities for communal life?
Through performance, installation, and text-based visual and sound works, Sasha J. Langford, local artist and SSHRC Doctoral Fellow at the SFU School for the Contemporary Arts, explores how sound moves through the world and affects the bodies within it. Inspired by Yiddishist musician and scholar Gabriel Levine’s idea of the “radical vernacular”—a way of engaging with tradition that is both rooted and experimental—she draws from older Jewish prayer practices like Yiddish tkhines and contemplative hisbodedus to connect past and present.
In this talk, Sasha will reflect on a recent work, or eternity (2026), which brings elements of spontaneous prayer into a post-secular, digitally mediated context. Through this piece, she considers how practices from her Ashkenazi ancestors might carry forward, helping shape new ways of listening and creating moments of shared connection among audiences.
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“Listening to the Here and Now” is the closing event in the Peretz Centre’s new Doikayt Speaker Series (2026): four public, online talks with local scholars and organizers to help us think about what it means to be here, right now — and how we can be part of the work to sustain and initiate change for the sake of a better, more beautiful world for all.
We acknowledge the support of the Canadian Race Relations Fdn / Fondation canadienne des relations raciales with funding provided by the Government of Canada.
Poster credit: Adi Burton, with photos by Rachel Topham (or eternity installation, 2026) and Pascha Marrow (Langford profile).