Susa

08/27/2026

“Abrakan 19”
By
Peybak
Gesso and Acrylic on Cardboard

08/27/2026

08/27/2026

08/25/2026

“Abrakan 19”
By
Peybak
Gesso and Acrylic on Cardboard

08/24/2026

Silver Earring
Handmade
by
Sareh Ghomi

Sterling Silver and Amethyst Stone

08/23/2026

Ba Ma Collection
By
Roosha Ranjbar

08/21/2026

“The Beginning”

My work, The Beginning, explores the delicate threshold between pain and creation—a place where wounds, however deep, may become the ground for transformation, just before something new emerges. In this space, pain and birth are inseparable; just as the body in the act of birth opens while bringing life into the world, the work stands at a boundary between injury and blossoming, between wear and the potential for creation.
At its center, a reflective surface returns an image not fully clear, but slightly blurred. As viewers approach, they catch a trace of themselves—an unstable reflection, like a distant reminder of where we all begin.
For me, The Beginning is also a metaphorical reflection of the time we live in—a moment in which wounds, however deep, may become the ground for transformation, standing at the fragile threshold just before something new begins.
By
Roosha Ranjbar
From the Painful Rebirth exhibition Susa Art Gallery

08/20/2026

“Untitled”
-From Phantasia Series-
By
Homa BazrAfshan
10”x10”
Acrylic on Canvas

Phantasia There are times that the” Self” is deconstruct and all the establishments of the world lose sense. Facts and fantasies interwoven together, fabricating the time-space context of reality, all refer to a single point of certainty; The one establishing point. The one point of being and end; The self. The deconstruction movement is the moment of fracture of this contexture. All the relativities are destructed at the deconstruction and all standards to distinguish between fantasy and reality begin to demolish. No dissection between the lived and unlived and the willed and unwilled Everything just endures its presence; marshes before the eyes and leaves no choice but to sit and passively watch. There is no “Self” left and the only and the certainty point reduces to the belief that these fractured segments of lived and unlived are gathered around along with the distracted “Self” the world of co-existence of the reality and fantasy the world of phantasia. The narratives of Homa Bazrafshan are such tight interwoven that it seems impossible to tell the lived and un-lived apart. One could find from her most personal instances to most universal archetypes expressed in her personal unique style. The expression is mostly sincere and personal as it has always been yet outmost familiar as if it comprises fragments of the lived experience of the audience. The lived and un-lived experiences of the world of fantasies; The world of phantasia. University professor and art researcher F**d Najmedin