GALLERY 44

GALLERY 44 Gallery 44 Centre for Contemporary Photography

Gallery 44 welcomes Sabrina Sisco to the team as Gallery Operations Assistant! Sabrina Sisco has been thinking more than...
10/02/2026

Gallery 44 welcomes Sabrina Sisco to the team as Gallery Operations Assistant!

Sabrina Sisco has been thinking more than making lately and is striving to shift the balance. They think often on how the photographic process can be meaningful to those who engage with it. This questioning continues to reshape their practice of care in image-making.

Sisco is keen to leap into this role at Gallery 44, where learning and critical conversing are at the forefront. They are happy to be here and look forward to meeting artistic co-conspirators during their time in the space.

S/M/L: An Introduction to Analogue Camera Formats - A Workshop Series Instructed by Joel Rodriguez, Morris Lum and Clair...
09/22/2026

S/M/L: An Introduction to Analogue Camera Formats - A Workshop Series Instructed by Joel Rodriguez, Morris Lum and Claire Samuel

Explore the fundamentals of three analogue camera formats through this hands-on workshop series. Over three sessions, participants will be introduced to 35mm, medium format and large format photography, learning how to use each camera system, shooting black and white film or paper negatives, and processing their negatives (in the darkroom). Designed for photographers of all levels, this series offers an accessible introduction to the distinct possibilities of working with different analogue formats.

October 31, 12:00 – 5:00PM
An Introduction to Analogue Camera Formats | Small: 35mm Fundamentals
Instructed by Joel Rodriguez

November 7, 12:00 – 5:00PM
An Introduction to Analogue Camera Formats | Medium: Introduction to Medium Format
Instructed by Morris Lum

November 14, 12:00 – 5:00PM
An Introduction to Analogue Camera Formats | Large: Introduction to Large Format
Instructed by Claire Samuel

Link in bio to register for series or single workshop!

Field Trip 44: Noise Show, a free scanning workshop and live experimental sound performance with Aliyah Aziz, Bret Paren...
09/17/2026

Field Trip 44: Noise Show, a free scanning workshop and live experimental sound performance with Aliyah Aziz, Bret Parenteau and Nathan Ivanco.

This Saturday, September 19, 6:00 - 8:30PM, join Static and Noise exhibiting artists Aliyah Aziz, Bret Parenteau, Nathan Ivanco and Curator of Exhibitions Sameen Mahboubi for a free scanning workshop and live experimental sound performance at Net Plaza Print Shop (267 College St, 2nd Floor).

At Net Plaza you will learn how to use large ‘xerox’ style scanners to make collages using paper materials. While participants are encouraged to bring their own images, we will bring some magazines and the printers at Net Plaza will be available to print off collaging materials too.

Aliyah Aziz, Bret Parenteau and Nathan Ivanco will be performing improvised music to soundtrack the unstructured collaging time. Earplugs are encouraged.

📸 Bret Parenteau, Timley, 15 x 15 inch scanned collage, 2024

body — mind — distance, an exhibition by Sabrina Vachon, will be on view in the Vitrines from September 18 - November 7,...
09/16/2026

body — mind — distance, an exhibition by Sabrina Vachon, will be on view in the Vitrines from September 18 - November 7, 2026.

Opening Reception: Friday, September 18, 6:00-8:00PM

body — mind — distance explores the tension between how diasporic bodies are perceived in different contexts, serving as a visual manifestation of the psychic distance between body and memory. Vachon explores the friction that occurs when the way one perceives themselves contradicts how one is perceived in unfamiliar landscapes. Exploring cultural beauty standards, out of body experiences and fragmented selves, Vachon highlights how the body is simultaneously shaped by cultural conventions and more local, intrapersonal realities.

Curated by Career Launcher Curatorial Incubator recipient Cassidy Alejandria

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Sabrina Vachon is an emerging artist located in the GTHA. She is currently an undergraduate student at McMaster University in the Integrated Arts Program, where she works primarily in visual art, new media and performance to explore parallels between the personal world and the world around her—inspired by personal archives, cultural traditions and the new digital age. Working as part of the Asian diasporic community, she seeks to explore how intersecting parts of identity, perception and performance can create a sense of liminality and in between-ness.

Cassidy Alejandria is a Filipina-Canadian art historian and emerging curator based in Toronto. She is a graduate of OCAD University’s Criticism and Curatorial Practice MFA program as well as Queen’s University’s Art History MA and BA Honours programs. Her research interests include feminist curation, Filipina feminisms, embodiment, activist and socially engaged arts and epistemology. Her recent thesis exhibition explored questions around how incorporating embodied experience in curation can disrupt hierarchies of knowledge and serve as a bridge between historical and contemporary feminisms.

📸 Sabrina Vachon, Love You Forever, 5:20, video still, 2024

Static and Noise, a group exhibition featuring the work of  Aliyah Aziz, Bret Parenteau, Kite and Nathan Ivanco opens in...
09/15/2026

Static and Noise, a group exhibition featuring the work of Aliyah Aziz, Bret Parenteau, Kite and Nathan Ivanco opens in the Main Gallery from September 18 — November 7, 2026.

Opening Reception: Friday, September 18, 6:00 — 8:00PM

Static and Noise explores sonic representations in photography and image arts, delving into the relationship between sound and image degeneration through reproduction, and how image noise is conceptually equivalent to audio noise. Drawn from the visual culture of punk, noise and DIY music-scenes, the exhibition will focus on the intentional manipulation of visual and sonic data to create chaotic, distorted or muddy aesthetics. This exhibition is part of a larger fall program at Gallery 44 exploring performance, sound and the limits of visual perception in relation to image-based practices.

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Aliyah Aziz is a multidisciplinary storyteller who uses light to talk about how shadows and sound physically move through us. She uses disruption as a tool of resistance, sculpting glitch and static to channel the friction that exists between the surface and depth of the technology we engage with.

Bret Parenteau is a sound/noise artist based in Winnipeg. Under Wasauksing Sniper and the initials B.P., Parenteau creates noise, field recording, sound collage and tape manipulation. Most recently, Parenteau has been working on film scores for short and feature length films.

Nathan Ivanco is a Hamilton based multidisciplinary artist whose work navigates the intersections of sound, memory and the tactile qualities of analog media.

Kite (Oglála Lakȟóta) is an artist, composer, and scholar whose practice merges Lakȟóta knowledge systems with performance, sound, sculpture, and computational media.

📸 Nathan Ivanco, Untitled 13 from the series Layoff Period, 7.5 x 7.5 inch cardstock collage, 2021

Our fall workshops are live on Gallery 44’s website and open for registration! Visit the link in our bio to learn more a...
09/08/2026

Our fall workshops are live on Gallery 44’s website and open for registration! Visit the link in our bio to learn more about this season’s offerings.

September 26, 1:00 – 3:00PM
Preparing Digital Negatives
Instructed by Ella Morton

October 10, 10:00AM – 6:00PM
Wetplate Collodion: Hybrid Processes
Instructed by Ella Morton

October 31, 12:00 – 5:00PM
An Introduction to Analogue Camera Formats | Small: 35mm Fundamentals
Instructed by Joel Rodriguez

November 7, 12:00 – 5:00PM
An Introduction to Analogue Camera Formats | Medium: Introduction to Medium Format
Instructed by Morris Lum

November 14, 12:00 – 5:00PM
An Introduction to Analogue Camera Formats | Large: Introduction to Large Format
Instructed by Claire Samuel

November 28, 12:00 – 5:00PM
Introduction to the Darkroom
Instructed by Marco Buonocore

Space is limited, to register visit the link in our bio.

Proof Open Call for Submissions Upcoming Deadline: September 30, 2026Proof is Gallery 44’s annual group exhibition of wo...
09/01/2026

Proof Open Call for Submissions Upcoming Deadline: September 30, 2026

Proof is Gallery 44’s annual group exhibition of work by emerging* Canadian artists, reflecting a range of current concerns and practices in contemporary photography and lens-based media. Proof is often one of the first exhibitions in a professional context for an emerging artist. Past exhibitions have featured work by Kotama Bouabane, Leila Fatemi, Isabelle Hayeur, Anique Jordan, Lotus Laurie Kang, Germaine Koh, Luther Konadu, Meryl McMaster, Karice Mitchell, Elise Rasmussen, Michaëlle Sergile, and Althea Thauberger. Proof 33 will take place in early summer with an opening date in June 2027.

The submissions received through the Proof open call are juried by members of Gallery 44’s Exhibitions Programming Committee (EPC). The committee is composed of Gallery 44 staff, Board, members and community volunteers. Every submission is considered. Together, the jurors create a shortlist, discuss and then decide on the successful applications.

‍To apply, visit the link in our bio to fill out our submission form with the required materials. Late applications will not be considered.

*Emerging artists are defined as being in the early stages of their professional career, have produced a small body of work and achieved some local recognition and/or have limited public exhibition experience. Generally, they have had between 0 and 5 years of professional arts practice.

🔗Application form available via the link in our bio.

📸 Geoffrey Lok-Fay Cheung, Kosar Movahedi, Proof 31, photo documentation by Darren Rigo at Gallery 44 (Toronto), 2025

The gallery and office may be closed until September but Connie Oreamuno’s exhibition, Embed_v2 will remain open in the ...
08/15/2026

The gallery and office may be closed until September but Connie Oreamuno’s exhibition, Embed_v2 will remain open in the Vitrines until September 5!

Embed_v2 is a photography installation blending intimate, close-up portraits of the body with projected textures resembling human and supernatural anatomy within an ambient dream-state environment. The series integrates new media and 3D printing, bending traditional print photography. Each portrait is a portal, breathing ethereality into our material world.

Presented in partnership with Whippersnapper Gallery.

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Connie Oreamuno is a q***r, Chilean Toronto-based new media artist. She is drawn to dream states, ethereality, colour, surrealism, and how different worlds and practices can intersect. Influenced by her dance background, she is interested in how movement and digital mediums can merge. Her work has been featured in Festival of Recorded Movement, The Textile Museum of Canada, Geary Art Crawl, IC Contemporary’s Noxte, Lore Magazine and she is currently a board member at Charles Street Video. She has primarily worked with projection design and mapping for installations, theatre, film, concerts and event production.

📸 Connie Oreamuno, Embed_v2, photo documentation by Darren Rigo at Gallery 44 (Toronto), 2026

Gallery 44 is pleased to share This Unlikely Sonic Map of Oil: In Conversation with Sanaz Sohrabi, the second essay from...
08/05/2026

Gallery 44 is pleased to share This Unlikely Sonic Map of Oil: In Conversation with Sanaz Sohrabi, the second essay from 2025-2026 Writer-in-Residence Heather Canlas-Rigg.

In An Incomplete Calendar, Montreal based artist Sanaz Sohrabi investigates the early evolution and unfolding of the Organization of Oil Exporting Countries (OPEC). The film is anchored by a peculiar musical album entitled Rhymes and Songs for OPEC. Recorded in 1980—OPEC’s 20th anniversary—by the Concert Choir of the Central University of Venezuela, the album consists of traditional folk songs from the various nation states that made up OPEC at the time, a gesture of furthering solidarity amongst members. Sohrabi’s investigations unravel the fragility of transnationalism as OPEC sought to create Pan-Arab solidarity through shared nationalist desires to eliminate foreign control and investment in oil, foregrounding member states’ competing agendas—something that was often exacerbated by differing approaches to allyship with Palestine.The visualization of such control became an important tool, as evidenced through the imagery found on stamps in the 1950s and 60s, when OPEC nations used oil towers, tankers and pipelines as recurring branding motifs. As Sohrabi reveals, Rhymes and Songs for OPEC reflected a vast and fraught community, part of the Third World Project, built on the control of oil, the channelling of its revenues and the relationship between sounds and images.

Visit the link in our bio to read the full essay.

📸 Sanaz Sohrabi, An Incomplete Calendar, 2026, film still. Courtesy of the artist.

Webpage designed by Darren Rigo.

Only a couple of days remain to visit In Search Of in the Members’ Gallery before it closes on Saturday, August 1!In Sea...
07/30/2026

Only a couple of days remain to visit In Search Of in the Members’ Gallery before it closes on Saturday, August 1!

In Search Of celebrates the creative accomplishments of participating youth from 2 Spirited People of the 1st Nations, Nia Centre for the Arts, The Remix Project and Shoot for Peace, in a culminating exhibition from OUTREACH, G44’s award-winning darkroom program for youth throughout the GTA.

OUTREACH Awards are made possible through the support of EQ Bank and Total Image Works, with in-kind support from Downtown Camera.

📸 In Search Of, photo documentation by Darren Rigo at Gallery 44 (Toronto), 2026

Address

401 Richmond Street W # 120
Toronto, ON
M5V3A8

Opening Hours

Tuesday 11am - 5pm
Wednesday 11am - 5pm
Thursday 11am - 5pm
Friday 11am - 5pm
Saturday 12pm - 5pm

Telephone

+14169793941

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