Melinda Sheehan Art

Melinda Sheehan Art Canadian Painter

A Secret Garden36” x 36” Oil on CanvasThere was a book in our house growing up called The Secret Garden, and it stuck wi...
08/28/2026

A Secret Garden
36” x 36” Oil on Canvas

There was a book in our house growing up called The Secret Garden, and it stuck with me. A robin, a hidden key, a walled off garden, and a sick kid who gets well just by being allowed to dig in the dirt. I didn’t know it at the time, but that book set the mold for what I go looking for whenever I travel. Some cosy, half hidden green corner you can disappear into. Somewhere romantic, almost secret, like it’s waiting for you to find it.
That’s the scene in this painting. A little bistro table tucked against a stone wall, two chairs pulled up close, roses climbing right up beside the window like they’re trying to get a look inside. The photo taken in daylight, but when I painted it I imagined the sun going down instead. That’s where the jewel tones come from, the deep greens gone almost blue, the gold catching in the leaves and along the wall.
Somebody had put a jar of roses right in the middle of the table too, just a mason jar, like they’d been cut minutes before and stuck there without much fuss.
And the lights. Strung back and forth overhead in no particular pattern, catching the last of the blue sky before it went dark, little warm bulbs doing all the work of turning an ordinary patio into somewhere you’d want to sit for hours.
A garden always feels a little magical to me. Part friendship, part stubbornness, part positive thinking, honestly. My mother was a real gardener. She didn’t just plant flowers, she built rooms. One bordered all around in Annabelle hydrangea. Another was a flagstone path that wandered around the birch trees in the back left corner, with a few little focal points along the way. And on the far side, a cedar hedge closed off a little spot just big enough for a table, somewhere to sit and eat with the garden all around you. Each one felt like its own little world, private and a bit dreamy.
Gardening is a lot of work, nobody warns you about that part. But it’s good for the soul.

So happy to share this beautiful news: I’ve been accredited as a Professional Artist in New Brunswick through ArtsLink N...
08/01/2026

So happy to share this beautiful news: I’ve been accredited as a Professional Artist in New Brunswick through ArtsLink NB. I’m deeply grateful for this recognition and for the support of my community along the way.

“Annie Flying a Kite” 18 x 18 inches, oil on canvasDominion Park Beach has its own kind of wind.If you grow up by the wa...
07/13/2026

“Annie Flying a Kite”
18 x 18 inches, oil on canvas
Dominion Park Beach has its own kind of wind.
If you grow up by the water, you learn it. You learn how the mornings can be gentle, the evenings softer still, and that somewhere in between is when things begin to lift. You come to trust that timing, even when you cannot explain it.
That knowledge stays with you. Useful later in ways you do not always expect.
Jeff was there that day, coaching. Annie held the kite, steady and ready, eyes fixed upward. Molly held the spool of string, already laughing, already waiting for her turn. I stood just behind them with my camera, documenting it all, not missing a second.
“Okay, that’s it,” a voice called out. “My turn next.”
If you have done it right, you have stood on beaches like that. You have let out the string and trusted the wind.
Because they do not drift away so much as they rise. Carried, maybe, by something you helped them learn to trust.
I miss their shenanigans. The Annie and Molly show. The noise, the laughter, the taking turns that felt like it would go on forever.
Mom and Dad do not always stay on the sidelines. Each day the coaching grows quieter, and what remains are the two of them, still connected, still knowing without saying when to hold on and when to let go.
And I am grateful. For this place. For that beach. For the wind that showed up when we needed it.
And for the way they still take turns, in their own lives now, sending their kites up into the sky.

“The Apple Tree” Oil on board. 62” x 45”                   The frame came first.It is made from apple wood I pulled from...
06/29/2026

“The Apple Tree” Oil on board. 62” x 45” The frame came first.
It is made from apple wood I pulled from my father’s workshop. I had no idea how hard and strong apple wood is. It pushed back the whole way, then settled into something solid and beautiful. A magnificent frame. It felt like it already knew the story.
My dad used to turn wooden bowls in that shop. These boards were tucked in the back, waiting. I brought them home without a plan.
What showed up was the woods.
We were kids in the 70s and 80s, gone all day, back by supper if we were lucky. There was an apple tree somewhere deep in there. Finding it felt like winning. Missing it felt just as important. It was almost our Narnia, only we did not need a wardrobe.
We built forts, cut trails, carried Swiss Army knives, and believed everything the older kids told us. We chewed on Sally suckers, sour little weeds shaped like long spades. Not sure they were safe. Never stopped us.
We tried to catch rabbits with a box, a stick, and a carrot. Never caught one.
At the time it was just play. Looking back, it feels like we were learning how to live.
I painted that.
My daughter says it feels biblical. I think it feels like a place you remember more than you can explain.
This one might stay with me.
It holds too much of the woods, and the gang, and a time that does not come back the same way twice.
Some pieces are not meant to leave. They are meant to hold a place open.

Oil on canvas. Annie stands where the water meets the world, with her younger self nearby, as if the two of them have ar...
06/18/2026

Oil on canvas. Annie stands where the water meets the world, with her younger self nearby, as if the two of them have arranged a private meeting with the waves. One is small and fearless, one is older and still carrying that same spark, and both of them seem to know exactly where they belong.
This is a conversation between two versions of the same person, one who has already learned a few things, and one who came into the world ready to face it all.
And that is the cheerful little secret of the painting. We are not asked to leave the fierce child behind. We are invited to remember her. Strong. Kind. Compassionate. Beautiful. Still standing there in the light.

Kate, Annie and Bear. 14” x 11” oil on canvas. Some days arrive quietly and turn into something you carry with you. This...
06/02/2026

Kate, Annie and Bear. 14” x 11” oil on canvas. Some days arrive quietly and turn into something you carry with you. This was one of those. It might have started with the peonies, transplanted from my mother’s garden and blooming wildly by the guesthouse, or maybe with Kate calling out, “Grab your camera!” Suddenly there was a wagon, a gathering of important things, and a procession to Dominion Park Beach that included Bear, Monkey, Molly, and whoever else happened to be part of the story that day. It looked like dress-up. Play clothes. Just a Saturday. But something shifted. There was a ceremony, a kind of wedding, laughter, and full belief from everyone involved, stuffed animals included. The cat watched us leave down the long dirt driveway. Kate directed, Annie took her role seriously, and Molly waited just out of view, holding the bear and laughing as she prepared for her turn with her monkey groom. I stood behind the camera knowing this was something rare. There is a line from Our Town asking if we ever realize life as we live it. That afternoon, the answer was yes.

18” x 18” Oil on Canvas “Tops Pizza”It started with something small.An ordinary afternoon. Piano music drifting out from...
05/15/2026

18” x 18” Oil on Canvas “Tops Pizza”
It started with something small.
An ordinary afternoon. Piano music drifting out from the living room while the girls took turns at their lessons. I was down the hall, half working, half listening.
Then a drop from the ceiling.
And as it turns out, a drop is never just a drop. It became a story about swim trunks left in the sink, a bit too much water, and my husband Jeff, who had only meant to rinse them after the hot tub.
Soon enough, the ceiling was opened up, the bathroom was gone, and we found ourselves living uptown at Chipman Hill Suites.
Which is how we ended up at Tops Pizza.
Night after night. Cash only. No cards, no tapping. Just a place that stayed the same while everything else shifted around it.
The girls loved it. Molly, in middle school at the time,learned the bus and made her way uptown on her own after school. Even the cats settled in.
I started noticing the details. The warm wood inside. The soft lights in the window. The teapot arriving at the table like it always had.
I took photos.
And last month , I painted this. The girls after their meal, pouring tea like it mattered.
I heard last month that Tops Pizza has closed. There’s a new Chicken joint ready to hatch.
People tell me to stop painting my children.
But some moments feel like they should stay.

Atlantic Ocean Shore30” x 24”Oil on canvasWhen I graduated high school, my neighbour Donna Gorham gave me a copy of Gift...
04/09/2026

Atlantic Ocean Shore
30” x 24”
Oil on canvas
When I graduated high school, my neighbour Donna Gorham gave me a copy of Gift from the Sea by Anne Morrow Lindbergh. I never read it at the time, but I kept it, quietly believing it would find me again when I needed it. Yesterday, I realized that time has come.
The ocean is bigger than any one story. It restores, it steadies, it holds us.
Now, with both my girls living in different provinces, I find myself returning to the shore in a quieter way. I will find another copy of Gift from the Sea. I will take the dog down to Bayshore, Little Lepreau or New River when the weather warms.
For now, that will be enough.

Forget-me-nots 24” x 24” Oil on CanvasThis painting is not really about forget-me-nots or birch trees. I can still see h...
04/06/2026

Forget-me-nots
24” x 24” Oil on Canvas

This painting is not really about forget-me-nots or birch trees. I can still see her the way I always have, slipping on her clogs, cigarette in one hand, coffee in the other, heading out to the garden as if she were only going to take a quick look. But my mother never really did anything halfway. She would get out there and before long she would be kneeling in the soil, her bare hands right in the earth, pulling out the forget-me-nots that had gone a bit wild between the flagstones, as if they had decided they were in charge.
And maybe, of course, they were.
Those little blue flowers were never just flowers to her. They were memory. They were the people she had lost. They were love and grief and all the things we do not always know how to say out loud. She wrote poems about them, though the poems were really about her people. That is how she was. She would take something as simple as a flower and somehow turn it into a way of remembering someone she could not bear to forget.
I remember her sitting at the kitchen table, stretching watercolour paper onto a board, painting birch trees with that careful hand of hers. She loved those trees. I think she loved the way they stood there quietly, without asking for much, just doing what birch trees do.
And now Mom lives at Rocmaura, where she still loves flowers, and she especially loves visitors. That part has never changed. She still lights up when someone comes by. She still wants to talk about what is blooming, who is growing well, and what needs watering. Some things, thankfully, remain exactly like themselves.
I remember our graduation day too, when she stood us in the garden while my father took the photographs. The old family home is still there, though different people live in it now, and a gate keeps the garden hidden from view. I wonder about that garden sometimes. I wonder if the flowers still come back the way they used to. I wonder if anyone notices them. I wonder if anyone loves that place with anything close to the devotion my mother gave it.
I do not think they could.

Eagle Lake Oil on Canvas 16” x 20” I met Susan when we were two, and like Anne and Diana, we never quite stopped being g...
03/18/2026

Eagle Lake
Oil on Canvas 16” x 20”
I met Susan when we were two, and like Anne and Diana, we never quite stopped being girls together, even now, with quiet houses and calendars that finally belong to us. We met in Toronto, then took the train, then a car, all the way to her cottage on Eagle Lake, where the road bends under a canopy of trees and opens onto water that feels both wide and familiar.
In the painting, the lake holds the sky the way memory holds a moment. The sun leans low and generous, spilling gold across the water, while the trees gather close at the edges as if they are listening in. There are streaks of lavender and rose in the clouds, the kind of colours that do not ask permission, just arrive and stay a while. Near the shore, a small stand of reeds rises out of the water, slender and steady, catching the light as though they have been waiting all day for this one quiet hour.
We talk about the old days when we ran wild through the woods, searching for our apple tree, gathering p***y willows in the spring, keeping one eye out for the motorcycle gang, just in case. There were blueberries and backyard games and long afternoons spent on our backs, watching clouds drift into shapes we were sure we recognized.
Time feels different now. Shorter, somehow, and more precious. But here, in this light, with the water reflecting everything back to us, it feels like nothing has really gone anywhere at all.

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Saint John, NB

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