06/09/2026
Thank you to our pal in Alberta for a fine review of "Ain't Wasting Time", the new release from Nicky T and the Snake Charmers.
From the opening guitar notes of Magic Samâs âThatâs All I Need,â Nicky T and the Snake Charmers had me by the ears.
Nothing across Ainât Wasting Time led me to believe I was mistaken: this is rockinâ blues, the style favoured by those of us who appreciate George Thorogood as much as Bobby âBlueâ Bland, whose âLead Me Onâ is a further highlight of the recording. âBlues with a feeling,â to quote one of the songs herein.
A fiery quartetâNicholas Tabarias (guitar and vox), Pete Berg (drums), Frank Greenhalgh (bass), and Andy Szymanski (keys)âaugmented by guests, Nicky T and the Snake Charmers are a veteran outfit who know how to entertain.
Emerging out of the Detroit-Windsor blues community, Ainât Wasting Time appears to be the groupâs second release and it is a blaster. âFeel Like a Hundred,â co-written by Berg, is simply a great song, rich in lyrical (âFeel like a Hundred in a Million Dollar WorldâŚâ) and musical hooks with Szymanskiâs piano given prominence.
Ronnie Earl, with whom Nicky T worked across several years and albums, provides a guitar solo on âThe Glass,â possibly the albumâs finest original. Greg Nagy, the songâs co-writer with Nicky T, takes the lead vocal spot here and âLead Me On.â Slowing things, âGuess Who,â which also features Nagy, is another standout, a country-blues song of longing from B. B. King.
The title track is a ten-minute-plus opus, a showcase for the core-four, with Nicky T sounding especially connected to the songâs lyrical message: âI ainât wasting no time, Iâm surely in my prime; I can see the light of day, shining down, shining down in every way.â While not radio friendly given its length, it is a terrific performance, as is the more concise and absolute jumpinâ âWaiting on the Sunshine.â
Magic Sam (Sam Maghett) is toasted on Nicky Tâs original âThank You Magic Sam,â an instrumental where Tabarias allows himself to really let loose on electric guitar, with âLife on Lifeâs Termsâ providing a dollop of realism to close the eleven-track album.
Produced, engineered, and mixed by Josh Ford, the album sounds great, and thanks to Kate Mossâ art design and Theresa Szymanskiâs cover photograph, looks great, too.
I donât get to encounter many standout blues albums these days; Ainât Wasting Time is one. Worth your attention, I do believe.
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