07/25/2022
'Lesser artists borrow; great artists steal.' Pablo Picasso đ¨
Picasso first encountered the enigmatic âMadame Moitessierâ by Jean-Auguste-Dominique Ingres at an exhibition in Paris, in 1921, and was enthralled. Over the next decade, he repeatedly referenced Ingres in his art and painted âWoman with a Bookâ, one of his most celebrated portraits, in homage to Ingresâs famous work.
For Ingres, a 19th-century French artist steeped in the academic tradition, the beautiful and wealthy Madame Moitessier represented the classical ideal. Wearing her finest clothes and jewellery, she gazes at the viewer majestically, the embodiment of luxury and style during the Second Empire. Picasso, born 100 years after Ingres, is famous for a very different, abstract style of art, but his inspiration is clear. The model for âWoman with a Bookâ, Picasso's then young mistress, Marie-ThĂŠrèse Walter, mimics Madame Moitessierâs distinct pose. The painting balances sensuality and restraint, striking a chord with the eroticism latent beneath Ingresâs image of bourgeois respectability.
Join us in the Gallery for our latest exhibition, âPicasso Ingres: Face to Faceâ, a unique opportunity to see these two iconic portraits, side by side, for the first time. Book your free tickets here: https://bit.ly/3fueiXh
Want to learn more? Order the 'Picasso Ingres: Face to Face' Catalogue to explore in depth the parallels and differences between the artistsâ techniques and creative ambitions: https://bit.ly/3zqvFCG