Bard in The Barracks Theatre Company

Bard in The Barracks Theatre Company Fredericton's outdoor Shakespeare company. Summer 2026: The Winter’s Tale and Love’s Labour’s Lost June 18-July 5!

Bard in the Barracks was founded in 2006 as a cooperative venture between Theatre UNB and the NotaBle Acts Theatre Company. While it still retains strong ties to these companies, Bard in the Barracks now operates as a distinct company with its own volunteer board of directors. Bard in the Barracks’ Artistic Director is Len Falkenstein, who is Director of the drama program at the University of New

Brunswick in Fredericton, and also Artistic Director of the NotaBle Acts Theatre Company, whose mandate is to develop and produce new work by New Brunswick dramatists. Bard’s Technical Director is Mike Johnston, Technical Director for Theatre UNB.

Our preview performance tonight, Thursday, June 18, is officially cancelled. With the forecast predicting rain, and lots...
06/18/2026

Our preview performance tonight, Thursday, June 18, is officially cancelled. With the forecast predicting rain, and lots of it, through this evening, we have unfortunately decided to cancel tonight's preview of The Winter's Tale. We will be contacting those who purchased advance tickets for tonight's show to offer exchanges or refunds.

All hope is not lost! Check out our social media and website at bardinthebarracks.com for our other show dates (including tomorrow night!)

Photo by

TONIGHT is our preview performance of The Winter's Tale! Come on out to Odell Park for 7:30pm to be the FIRST audience o...
06/18/2026

TONIGHT is our preview performance of The Winter's Tale! Come on out to Odell Park for 7:30pm to be the FIRST audience of this moving tragicomedy of jealousy, betrayal, and reconciliation.
All tickets for our preview performances will be Pay-What-You-Will (minimum price $5).
What is a preview? It’s the final dress rehearsal for the play and first time with an audience for the show, allowing the cast and crew a chance to make final adjustments to the performance.
Can't make it on tonight?
Check our social media or website at bardinthebarracks.com for the the calendar of all of the show dates! The Winter's Tale runs between June 18th-July 3rd!
Advance tickets can be found here: https://app.ticketowl.io/o/aD9SGtlx-sIGX5a6

Photos by Oliver Flecknell

Interested in learning more about our productions of The Winter's Tale and Love's Labour's Lost? Our friends at CBC have...
06/17/2026

Interested in learning more about our productions of The Winter's Tale and Love's Labour's Lost? Our friends at CBC have you covered!
Tune in to Shift this afternoon at 5:30 PM for Vanessa Vander Valk's interview with The Winter's Tale director John Ball and actor Sally Dibblee.
And on Thursday morning at 6:42 AM you can listen to Information Morning's Viola Pruss interviewing Love's Labour's Lost director Len Falkenstein and actors Alex McAllister and Mary Walker (also performing a short sneak peek scene from the play).

The Winter's Tale preview performance is TOMORROW and Love's Labour's Lost is on SATURDAY!
Go to bardinthebarracks.com for more information.
Go to https://app.ticketowl.io/o/aD9SGtlx-sIGX5a6 for advance tickets!

Photo 1 by Oliver Flecknell
Photo 2 by Mary Walker and Ella Murphy

We are officially TWO DAYS from the preview performance of The Winter's Tale! All tickets for our preview performances w...
06/16/2026

We are officially TWO DAYS from the preview performance of The Winter's Tale!
All tickets for our preview performances will be Pay-What-You-Will (minimum price $5).
What is a preview? It’s the final dress rehearsal for the play and first time with an audience for the show, allowing the cast and crew a chance to make final adjustments to the performance.
Can't make it on Thursday? Check our social media or website at bardinthebarracks.com for the the calendar of all of the show dates! The Winter's Tale runs between June 18th-July 3rd!
Advance tickets can be found here: https://app.ticketowl.io/o/aD9SGtlx-sIGX5a6

Photos by

We are officially 5 DAYS from the preview performance of Love's Labour's Lost! Here are a few pics from our first dress ...
06/15/2026

We are officially 5 DAYS from the preview performance of Love's Labour's Lost!
Here are a few pics from our first dress rehearsal and promotional photoshoot!

All tickets for our preview performances will be Pay-What-You-Will (minimum price $5).
What is a preview? It’s the final dress rehearsal for the play and first time with an audience for the show, allowing the cast and crew a chance to make final adjustments to the performance.
Can't make it on Saturday? Check our social media or website at bardinthebarracks.com for the the calendar of all of the show dates! Love's Labour's Lost runs from June 20th-July 5th!
Advance tickets can be found here: https://app.ticketowl.io/o/aD9SGtlx-sIGX5a6

Photos by Mary Walker and Ella Murphy

06/11/2026

We are officially ONE WEEK away from our preview performance for The Winter's Tale! Sally Dibblee sat down for an interview describing her experience shifting from Opera to Shakespeare, and tells us a bit about her character Paulina. If this piques your interest, go to bardinthebarracks.com to get more information on the show and tickets! The Winter's Tale runs between June 18-July 3!
Or purchase advance tickets here: https://app.ticketowl.io/o/aD9SGtlx-sIGX5a6

06/09/2026

The Men of Navarre from the cast of Love's Labour's Lost showcase their charisma and comradery in a game of "Who's Most Likely To". To see more of these fellas' comedic antics, come out to Love's Labour's Lost between June 20th-July 5th on the grounds of Christ Church Cathedral! For more information, visit our website at bardinthebarracks.com. For advance tickets visit: https://app.ticketowl.io/o/aD9SGtlx-sIGX5a6

Christ Church Cathedral - Fredericton

Rebecca Radix is the costume designer for Bard’s 2026 production of The Winter’s Tale. Get to know Radix’s inspiration a...
06/08/2026

Rebecca Radix is the costume designer for Bard’s 2026 production of The Winter’s Tale. Get to know Radix’s inspiration and vision costuming this play by reading our mini-interview!

1. Tell us a bit about yourself!
I am a costume designer originally from Prince Edward Island who moved to Fredericton in 2019 to study fashion design.Since graduating I have been costuming local productions and working on creating my own TTRPG (Tabletop Roleplaying Game). This is my fourth year costuming for Bard and my sixth show overall.

2. Tell us a bit about your process in costume designing this play!
Designing the play starts with choosing the style and colour palette. For The Winter's Tale the style will be fairytale and the colours are split between the two kingdoms. Sicilia has deep reds, wines, purples, gold and black, while Bohemia has much more lively and varied colours. Once both colour and style are set I pull as many things from the costume stock as I can and begin to take note of what needs to be sourced and/or made.

3. Do you have any specific inspiration or vision that you would like to share?
The vision for the play was built around the stark difference between the two settings. We really wanted to make the Bohemian shepherds and shepherdesses just so full of life and colour. In contrast, the nobles of Sicilia are in much deeper colours and heavier fabrics to represent how much darker and heavier the mood is there.

Radix’s costuming page
Headshot by Crystal Drew
Costume photos by Michael Holmes-Lauder

Check out our website bardinthebarracks.com for more information!
Advanced tickets can be purchased here: https://app.ticketowl.io/o/aD9SGtlx-sIGX5a6

Emily Bossé is the costume designer for Bard's 2026 production of Love's Labour's Lost. The first show that Emily Bossé ...
06/04/2026

Emily Bossé is the costume designer for Bard's 2026 production of Love's Labour's Lost.

The first show that Emily Bossé “designed costumes for from the ground up was Influentia (NBActs) in 2024”. She “loves to read about costuming and design" and thinks about "how we “code” ourselves with clothing and how it can evoke powerful feelings in the wearer and viewer”.

Bossé discussed her process and inspiration for costume designing Love’s Labour’s Lost:

“For this show, I worked closely with the directors on what we wanted the look and feel to be. The late 70s to early 80s was a transitional time in terms of fashion and pop culture. What we think of as hallmarks of 80s style (neon, spandex, big shoulder pads) weren’t in vogue just yet. For the women’s costumes I relied on vintage reissues of early 80s sewing patterns, and for the men I looked for photos of the bands we felt embodied prog rock at the end of the 70s. I presented the concepts and look book to the cast, and then I talked a little bit with each cast member during fittings or rehearsal to get a sense of how they see their character and what they need their range of motion to be. I try to give everyone at least one personal touch in terms of an accessory or embellishment that is a nod to how they see their character in the world of the show.
Since the core concept of this show was “insufferable male prog rockers meet women of the new wave,” I looked to a lot of band photos for the men, specifically from the late 70s. I mostly focused on Rush, Led Zeppelin, and a pre The Wall Pink Floyd. For the women, there wasn’t a single all female new wave band I referenced from the early 80s, but I looked at very young Debbie Harry, early Annie Lennox and vintage clothes patterns of the era. Other characters play on style and culture moments of the era. Armado is inspired by Marc Bolan of T Rex, Boyet references Bryan Ferry of Roxy Music David Bowie in his suits era, Holofernes draws from style icon Diana Vreeland, and Costard is the pub rock guy who loves John Cougar Mellencamp”

Snapshots of Bossé's lookbook accompany her words.


Interview with John Ball, the director of The Winter's Tale.Q – Why did you want to direct The Winter’s Tale this year?A...
06/03/2026

Interview with John Ball, the director of The Winter's Tale.

Q – Why did you want to direct The Winter’s Tale this year?
A – It tells a beautiful and moving story of betrayal and reconciliation; it’s been a favourite since I acted in it as an undergrad; this is our 20th anniversary and Bard has never done this play; and with roles for all ages it’s a chance for a truly intergenerational cast (ours ranges from 8 to 80) to tackle some wonderful roles.

Q – What are the biggest challenges the play presents to a director?
A – Leontes’s jealousy seems to spring out of nowhere at the beginning, so the actor and director need to find a way to make it as believable and affecting as possible. Across the play there’s the free intermingling of the tragic and comic modes that Shakespeare had practised so expertly, but mostly separately, across his career; we’ve embraced both. And then there’s Time, who appears as a character to explain that 16 years have passed during the intermission: a newborn in the first half is now a teenager in love.

Q – And there’s a bear!
A – Yes! A big challenge is that notorious stage direction, “Exit pursued by a bear.” Every director has to figure out what to do with that scene, which is also where the play’s more tragic first half pivots to the comedy and resolutions of the second. We’ll stage what I think is an original, fun take on the bear that complements the play’s intergenerational themes. How? Come see it to find out!

Q – You mentioned the all-ages cast – can you say more?
A – We have a mix of Bard veterans – Scott Shannon (Leontes) acted with me in the first show in 2006 – and new recruits. I’ve had the amazing Sally Dibblee in mind for Paulina for years and am thrilled she’ll perform it as her first Shakespeare role. We have lots of younger actors, with Sophie Brander and Dino Andriani as a charming Perdita and Florizel, and Esther Soucoup as the pick-pocketing Autolycus sure to get laughs. As a director who’s loved this play for 40 years, I’ve cast a young boy and adults of all ages to palpably embody the passage of time and, with Bard itself a generation old, the play’s theme of what future generations inherit from past ones.

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Fredericton, NB

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