casa triângulo

15/10/2026

Artsy
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With more than 300 booths between them (172 at Frieze London and 140 at Frieze Masters), the fairs are showcasing everything from Triceratops skulls to transgressive sculpture. Here, we present our 10 best booths from Frieze London and Frieze Masters 2026. Continue reading in Artsy Editorial through our bio link 🤳

15/10/2026

Lucas Simões: Lava-Olhos de Emergência . Exposição individual [Solo exhibition] . Textos críticos de [Critical texts by] Pollyana Quintella e Ciro Miguel . 26.09.2026 - 07.11.2026

Vistas da exposição [Exhibition views]: Filipe Berndt

Lucas Simões Pollyana Quintella Ciro Miguel casa triângulo

15/10/2026

Fernanda Galvão: Shell Winds . Solo booth . Frieze London 2026 . The Regent’s Park, London, England . Casa Triângulo + FOUNDRY SEOUL . Stand D6 . 14.10.2026 - 18.10.2026

Primarily rooted in painting, installation and video, Fernanda Galvão’s practice explores the points of convergence between landscape, anatomy, and living matter. Drawing equally from biology and science fiction, she develops a biomorphic vocabulary through which she shapes speculative environments.

Her artistic research originates in her interest in cancer cells, linked to her personal experience of illness. “I was particularly fascinated by the pigments used by pathologists to stain cells, as well as by the relationships between the microcosm and the cosmos,” she explains. Never identical and fundamentally unpredictable, these became the starting point for the creation of fictional ecosystems, populated by plant-like entities, membranes, cellular structures, and organisms unknown to humans.

Devoid of sunlight or horizon lines, her autonomous worlds gradually erase spatial and temporal reference points by blurring the boundaries between inside and outside. The multiplicity of unprecedented organic forms also distorts scales, causing the microscopic and the monumental to merge. Through vast fields of color in dialogue with meticulous linear details, Galvão suggests scenes of regenerative entropy and adaptation, in which living systems become reservoirs of memory and carry invisible forms of knowledge.

15/10/2026

Fernanda Galvão: Guelra, Breathong Water . Book launch . Frieze Art fair . Stand D6 . 15 Oct 12pm

14/10/2026

Fernanda Galvão: Shell Winds . Frieze London 2026 . The Regent’s Park, London, England . Casa Triângulo + FOUNDRY SEOUL . Stand D6 . 14.10.2026 - 18.10.2026

At Frieze London 2026, Casa Triângulo and FOUNDRY SEOUL are delighted to present Shell Winds, a solo booth of Fernanda Galvão’s new paintings.

Primarily rooted in painting, installation and video, Fernanda Galvão’s practice explores the points of convergence between landscape, anatomy, and living matter. Drawing equally from biology and science fiction, she develops a biomorphic vocabulary through which she shapes speculative environments.

Her artistic research originates in her interest in cancer cells, linked to her personal experience of illness. “I was particularly fascinated by the pigments used by pathologists to stain cells, as well as by the relationships between the microcosm and the cosmos,” she explains. Never identical and fundamentally unpredictable, these became the starting point for the creation of fictional ecosystems, populated by plant-like entities, membranes, cellular structures, and organisms unknown to humans.

Devoid of sunlight or horizon lines, her autonomous worlds gradually erase spatial and temporal reference points by blurring the boundaries between inside and outside. The multiplicity of unprecedented organic forms also distorts scales, causing the microscopic and the monumental to merge. Through vast fields of color in dialogue with meticulous linear details, Galvão suggests scenes of regenerative entropy and adaptation, in which living systems become reservoirs of memory and carry invisible forms of knowledge.

Fernanda Galvao casa triângulo FOUNDRY SEOUL Frieze .london

11/10/2026

At Frieze London 2026, Casa Triângulo and FOUNDRY SEOUL are delighted to present Shell Winds, a solo booth of Fernanda Galvão’s new paintings.

Primarily rooted in painting, installation and video, Fernanda Galvão’s practice explores the points of convergence between landscape, anatomy, and living matter. Drawing equally from biology and science fiction, she develops a biomorphic vocabulary through which she shapes speculative environments.

Her artistic research originates in her interest in cancer cells, linked to her personal experience of illness. “I was particularly fascinated by the pigments used by pathologists to stain cells, as well as by the relationships between the microcosm and the cosmos,” she explains. Never identical and fundamentally unpredictable, these became the starting point for the creation of fictional ecosystems, populated by plant-like entities, membranes, cellular structures, and organisms unknown to humans.

Devoid of sunlight or horizon lines, her autonomous worlds gradually erase spatial and temporal reference points by blurring the boundaries between inside and outside. The multiplicity of unprecedented organic forms also distorts scales, causing the microscopic and the monumental to merge. Through vast fields of color in dialogue with meticulous linear details, Galvão suggests scenes of regenerative entropy and adaptation, in which living systems become reservoirs of memory and carry invisible forms of knowledge.

10/10/2026

ArtNexus
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EFG Latin America Art Award, en alianza con ArtNexus, se complace en anunciar a Zé Tepedino, representada por Casa Triângulo, como la nominada en ArtRio. Seleccionado por Rodrigo Moura, curador, editor y escritor, junto a Celia Sredni de Birbragher, directora y editora de ArtNexus. Desarrollo estratégico por LIAISONS EXPERIENCES. La obra de Zé Tepedino forma parte de una fértil corriente del arte carioca arraigada en la experiencia de la ciudad. En sus esculturas, intervenciones y obras murales, Río de Janeiro es a la vez una fuente de materiales, un lugar de producción artística y un motivo de inspiración. Su obra, aunque se nutre de los lenguajes artísticos del siglo XX, como la abstracción geométrica, el ensamblaje y el ready-made, trasciende los marcos estrictos de estas tradiciones. Las formas finales de las obras pueden hacer referencia a elementos del paisaje, a animales o a la información contenida en los propios materiales. En Nildo (2026), Tepedino crea un campo de color rojo intenso a partir de una lona de tienda de playa desechada, salpicado por tiras horizontales de manguera blanca y azul. El nombre escrito a mano en la esquina superior derecha de la composición —Nildo— hace referencia al propietario original de la tienda y a la economía informal que caracteriza a las playas de la ciudad.
Feira de Arte do Rio de Janeiro Zé Tepedino casa triângulo Rodrigo Moura

10/10/2026

08/10/2026

08/10/2026

FOUNDRY SEOUL
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𝗔𝗡𝗡𝗢𝗨𝗡𝗖𝗘𝗠𝗘𝗡𝗧: 𝗪𝗲𝗹𝗰𝗼𝗺𝗶𝗻𝗴 𝗙𝗲𝗿𝗻𝗮𝗻𝗱𝗮 𝗚𝗮𝗹𝘃ã𝗼

파운드리 서울은 페르난다 갈바오를 전속 작가로 맞이하여 아시아 지역을 중심으로 작가의 활동을 함께합니다. 다가오는 프리즈 런던에서 까사 트리앙글루(casa triângulo)와 공동 부스를 통해 갈바오의 신작을 선보이며, 기쁜 마음으로 그 시작을 알립니다.

페르난다 갈바오(b. 1994)는 생물학과 공상과학에 대한 관심에 기반을 둔 고유한 시각언어를 통해 가상의 생태계를 구축합니다. 개인적인 경험을 바탕으로 암세포와 생명의 다양한 형태를 탐구해 온 작가는 광활한 풍경과 해부학적 구조, 유기체의 움직임이 얽힌 낯선 세계를 화면에 펼쳐 보입니다. 오일 스틱과 목탄, 파스텔 등 다양한 재료의 물성을 활용한 갈바오의 회화는 강렬한 색채와 정교한 선을 병치하며 소멸과 재생, 적응과 회복이 교차하는 풍경을 그려냅니다.

갈바오는 브라질 상파울루에서 태어나 현재 프랑스 파리를 기반으로 활동하고 있습니다. 아르만도 알바레스 펜치아두 대학(Fundação Armando Alvares Penteado)에서 시각예술을 전공했으며, 베를린 바바라 텀 갤러리, 상파울루 까사 트리앙글루, 뉴욕 라일즈 앤 킹, 파운드리 서울, 런던 화이트 큐브 버먼지, 상파울루 토미 오타케 문화원, 쿠리치바 오스카 니마이어 박물관 등에서 개인전 및 그룹전에 참여했습니다.

FOUNDRY SEOUL is proud to announce our representation of Fernanda Galvão in Asia, in collaboration with Casa Triângulo(casa triângulo). We are delighted to mark this new chapter with a joint presentation of her new works at Frieze London.

Fernanda Galvão (b. 1994) constructs fictional ecosystems through a distinctive visual language grounded in her interest in biology and science fiction. Drawing from personal experience, Galvão has explored cancer cells and diverse forms of life, creating unfamiliar worlds in which expansive landscapes, anatomy, and living matter intertwine. Rich in layers of oil stick, charcoal, and pastel, her paintings juxtapose saturated fields of color with meticulous linear details, suggesting scenes of regeneration, adaptation, and resilience.

Born in São Paulo, Galvão lives and works in Paris. She studied Visual Arts at Fundação Armando Alvares Penteado (FAAP). Recent solo and group exhibitions include Galerie Barbara Thumm, Berlin; Casa Triângulo, São Paulo; Lyles & King, New York; FOUNDRY SEOUL, Seoul; White Cube Bermondsey, London; Instituto Tomie Ohtake, São Paulo; and Museu Oscar Niemeyer, Curitiba.

𝘊𝘶𝘤𝘶𝘮𝘣𝘦𝘳𝘴, 2026
Charcoal, dry pastel, oil stick and oil on linen
144 x 214 cm

𝘕𝘪𝘨𝘩𝘵 𝘎𝘩𝘰𝘴𝘵𝘴, 2026
Charcoal, dry pastel, oil stick and oil on linen
118 x 118 cm

Photo
Ramy Moharam Fouad
Nicolas Brasseur