22/05/2026
Cosmos appears in my work as a language.
I’m drawn to everything that exists across different scales at once: the movement of planets, the behavior of light, the weight of things, cycles, emptiness, expansion, and the invisible structures that shape the world.
When I create a piece, I begin by observing. I listen to stories, notice patterns, gather emotions and visual references, and understand how all of that lives on the body.
My process moves through concept, aesthetics, and anatomy. The idea gives direction. The visual language gives form. The body turns it into presence.
Cosmic references come in because they carry depth, rhythm, and possibility. They help me create images that feel larger than a single moment. Sometimes they appear through stars, energy fields, contrast, or texture. Other times they exist only in the composition, in the flow, in the feeling of movement.
Each piece becomes a meeting point between something deeply personal and something greater.
I like the idea that wearing an image is also a way of occupying the universe.
